Skip to main content

Late 18th Century Art

to
138
1,766
405
102
48
49
Overall Width
to
Overall Height
to
7,547
21,310
160,535
236,328
2,100
2,323
4,517
6,174
5,324
14,327
19,704
25,787
18,816
14,105
5,354
1,134
607
5
5
3
1
1,311
715
314
1,195
581
438
419
380
331
284
223
177
174
140
119
98
97
77
66
61
59
57
55
1,805
304
222
147
146
84
69
47
39
260
1,656
1,936
307
Period: Late 18th Century
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters Late 18th Century Art

Materials

Laid Paper, Engraving

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

Old Masters Late 18th Century Art

Materials

Engraving

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776
AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

Located in Santa Monica, CA

REVOLUTIONARY WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776 (LC Cresswell 703) Engraving from The London Magazine, Plate 7 3/8 x 5, trimmed within plate mark at right. Sheet...

Category

Old Masters Late 18th Century Art

Materials

Engraving

Madonna and Child in the Spanish Colonial Taste, Oil on Copper
Madonna and Child in the Spanish Colonial Taste, Oil on Copper

Madonna and Child in the Spanish Colonial Taste, Oil on Copper

Located in Genève, GE

Dimension with frame: 35 x 29,7 x 3,3 cm. A finely executed miniature devotional painting depicting the Madonna tenderly embracing the Christ Child. Executed in oil on copper and dating from the late 18th to early 19th century, the composition displays the intimate scale and luminous surface characteristic of copper paintings. The Virgin is shown wearing a deep blue mantle highlighted with delicate gilded details and crowned by a circle of stars, while the Christ Child rests affectionately in her arms. The work reflects the enduring influence of Baroque religious imagery and evokes the devotional paintings produced throughout the Spanish world during the colonial period, while remaining firmly rooted in the broader Continental European tradition. Its small scale, refined execution, and warm devotional character make it an appealing collector's piece. The painting is presented in an impressive carved and ebonized wooden frame that beautifully complements the richness of the composition. A charming example of late 18th-century religious art, combining devotional intimacy, Baroque sensibility, and the luminous qualities unique to oil on copper. madonna and child, virgin mary, christ child, oil on copper, copper painting, religious painting, devotional painting, catholic art, christian art, sacred art, baroque religious art, baroque devotional painting, continental european school, spanish colonial taste, spanish colonial influence, antique religious artwork, ecclesiastical art, crowned madonna, star crown madonna, virgin and child, christian iconography, late 18th century painting, circa 1800, antique oil on copper, miniature painting, devotional icon, old master style, european religious art, framed religious painting...

Category

Baroque Late 18th Century Art

Materials

Copper

Still Life with Melon and Peaches, Classical 19th Century Oil Painting
Still Life with Melon and Peaches, Classical 19th Century Oil Painting

Still Life with Melon and Peaches, Classical 19th Century Oil Painting

Located in Genève, GE

Dimensions with frame: 37 x 45 x 3,5 cm Signed along the lower edge. This refined still life painting presents an elegant arrangement of fruit set upon a wooden table against a dark...

Category

Italian School Late 18th Century Art

Materials

Canvas, Oil

18th Century German Old Master Portrait of an Elderly Bearded Man
18th Century German Old Master Portrait of an Elderly Bearded Man

18th Century German Old Master Portrait of an Elderly Bearded Man

By Christian Wilhelm Ernst Dietrich

Located in Stockholm, SE

Circle of Christian Wilhelm Ernst Dietrich (1712–1774) Germany Head of an Elderly Bearded Man oil on panel unframed 28 × 22.5 cm (11 × 8.9 in) framed 44.5 × 38.5 cm (17.5 × 15.2 in...

Category

Old Masters Late 18th Century Art

Materials

Oil, Wood Panel

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century
Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Located in Beachwood, OH

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

Category

Late 18th Century Art

Materials

Bronze

The Dethroning / Italian School, 18th Century

The Dethroning / Italian School, 18th Century

Located in Middletown, NY

Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...

Category

Italian School Late 18th Century Art

Materials

Ink, Handmade Paper, Graphite

19th Century English Two Young Girls with Flowers & Spaniel Dog Watercolour
19th Century English Two Young Girls with Flowers & Spaniel Dog Watercolour

19th Century English Two Young Girls with Flowers & Spaniel Dog Watercolour

Located in Cirencester, Gloucestershire

Two Young Girls with Flowers & Spaniel Watercolour by John Frederick Taylor RWS (1802–1889) depicting two young girls with flowers and spaniel watercolour on paper laid on board, fra...

Category

English School Late 18th Century Art

Materials

Watercolor

Painting Italian Classical Landscape 18th ruin forteress Signed
Painting Italian Classical Landscape 18th ruin forteress Signed

Painting Italian Classical Landscape 18th ruin forteress Signed

Located in PARIS, FR

French or Italian school of the 18th century Animated landscape with a ruin Oil on canvas 27 x 33 cm (34 x 40 cm with the frame) Signed and dated lower right "1772 / Contencin? / fec...

Category

Italian School Late 18th Century Art

Materials

Oil

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Category

Naturalistic Late 18th Century Art

Materials

Engraving, Etching, Aquatint

“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog
“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog

“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog

By John Russell

Located in Yardley, PA

“Hon. George King, 1788” by John Russell (1745-1806) Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Paper, Pastel

Baroque carving of Saint Anthony of Padua with the Child, Spanish School
Baroque carving of Saint Anthony of Padua with the Child, Spanish School

Baroque carving of Saint Anthony of Padua with the Child, Spanish School

Located in Valladolid, ES

Exquisite sculpture of Saint Anthony of Padua, 18th century. Of exceptional craftsmanship, the iconography is typical of this saint. He is depicted as a young friar holding the Child...

Category

Baroque Late 18th Century Art

Materials

Wood

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters Late 18th Century Art

Materials

Engraving, Laid Paper

Le Lévrier  - Etching by Jacques de Sève - 1771

Le Lévrier - Etching by Jacques de Sève - 1771

By Jacques de Seve

Located in Roma, IT

Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXVII (p. 300): Le Lévrier Copper engraving depicting Le Lévrier (Greyhound) standing in elegant profile within a landscaped esta...

Category

Old Masters Late 18th Century Art

Materials

Etching

18th/19th C. Italian Alabaster Sculpture of Infant Hercules Wrestling a Snake
18th/19th C. Italian Alabaster Sculpture of Infant Hercules Wrestling a Snake

18th/19th C. Italian Alabaster Sculpture of Infant Hercules Wrestling a Snake

Located in Beachwood, OH

18th/19th Century Italian Infant Hercules Wrestling a Snake Alabaster 18 x 18 x 6 inches 40 lb. In Greek mythology, the infant Hercules (Heracles) is famously depicted wrestling wit...

Category

Italian School Late 18th Century Art

Materials

Alabaster

Animated Biblical Scene Oil Painting in Late 18th Century Style
Animated Biblical Scene Oil Painting in Late 18th Century Style

Animated Biblical Scene Oil Painting in Late 18th Century Style

Located in Genève, GE

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

Category

Old Masters Late 18th Century Art

Materials

Oil

Baroque religious devotional engraving and embroidery, representing the Virgin o
Baroque religious devotional engraving and embroidery, representing the Virgin o

Baroque religious devotional engraving and embroidery, representing the Virgin o

Located in Valladolid, ES

Exquisite and iconic Baroque religious devotional engraving and embroidery, 18th century, depicting Our Lady of Mercy with the Child Jesus, framed in its original carved and polychro...

Category

Baroque Late 18th Century Art

Materials

Silk, Paper

Union - Whom --- Has Join'd, Let No Man put Asunder!
Union - Whom --- Has Join'd, Let No Man put Asunder!

Union - Whom --- Has Join'd, Let No Man put Asunder!

Located in Middletown, NY

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Category

English School Late 18th Century Art

Materials

Watercolor, Handmade Paper, Laid Paper, Etching

Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century
Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century

Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century

Located in Greenwich, CT

Antique Indian Mughal portrait of a Prince, late 18th cent. , by repute possibly depicting Maharaja Vijay Singh of Marwar (1729 - 1793) Rajasthan, circa 1800’s The Maharaja is ...

Category

Other Art Style Late 18th Century Art

Materials

Gouache

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

Northern Renaissance Late 18th Century Art

Materials

Engraving, Etching, Aquatint, Laid Paper

Ink and wash cartouche with a mirror, doves, and a drum
Ink and wash cartouche with a mirror, doves, and a drum

Ink and wash cartouche with a mirror, doves, and a drum

Located in Middletown, NY

A lovely and curious composition, circa 1780. Ink and wash on tissue thin Japon paper, adhered to period cream laid paper, 5 1/4 x 3 3/8 inches (132 x 84 mm), the full sheet. With ...

Category

French School Late 18th Century Art

Materials

Ink, Handmade Paper, Watercolor

Venus
Venus

Venus

By Richard Westall

Located in London, GB

Richard Westall, R.A. (1765-1836) Venus signed and dated ‘R. Westall 1794’ (lower right) pencil and watercolour, with white heightening image 11 ⅞ x 15 ¼ in. (30.2 x 38.7 cm.) frame 22 ⅛ x 26 in. (56.3 x 66.1 cm.) Provenance: Private Collection, UK. Venus (1794) was produced during a highly creative and defining period of Richard Westall’s career and artistic development, when from 1790-95 the ambitious young artist was sharing a house at 57 Greek Street, Soho, with his friend Sir Thomas Lawrence, the future President of the Royal Academy. Whilst lodging together, Lawrence became an Associate of the Royal Academy in 1791, Westall the following year, and both were elected full-members in 1794 – the year Lawrence was appointed Painter-in-Ordinary to His Majesty King George III. Westall was to become Queen Victoria’s first Drawing Master, before her ascension to the throne. It was in this very year, 1794 - as the two young artists became Royal Academicians - that the present watercolour was executed, and it is exciting to speculate that Lawrence would have examined and given his thoughts on the work. Highly comparable to The Wallace Collection’s Nymph and cupids (c.1793, cat. P757), acquired by Francis Seymour-Conway (1777-1842), 3rd Marquess of Hertford, (who hung it in his bedroom), the mid-1790s saw Westall exhibiting and returning to similar subject-matter on a number of occasions. Two works with titles that could be applied to the present picture were exhibited at the Royal Academy, in 1794 (no. 341 Nymph and Cupids) and 1795 (no. 620, A Wood–nymph and Cupids). However, a print after the watercolour, engraved by F. Screen, entitles the piece Venus. Westall is regarded as a great virtuoso watercolourist, and Venus is evidence of the young artist’s mastery of the medium. Indeed, it is unusual to find a watercolour of comparable age so well preserved, and retaining such vibrancy - the superb condition providing an insight into his exceptional brushwork and use of colour. Venus languishes luxuriously on her woodland bed, the trunk of a tree resembling a curtain, while three winged putti play beside her, seeming to gesture to someone in the woods. Cupid draws back his bow and aims an arrow of love, perhaps about to pierce the heart of a hunting nobleman, or unsuspecting woodcutter. The striking contrast between the almost luminescent nymph, with the deep, rich, luxuriant forest, gives the glade an alluring sense of mystery – perhaps an allusion to the mysteries of the heart, a pre-occupation with Romanticism, central to the emerging thought of the time. Westall can be classified as one of the great Romantic artists, and even painted Lord Byron’s portrait...

Category

Romantic Late 18th Century Art

Materials

Watercolor, Pencil

Baroque sculpture Dressed image  Virgin Mary crowned, Virgin Queen - Spain
Baroque sculpture Dressed image  Virgin Mary crowned, Virgin Queen - Spain

Baroque sculpture Dressed image Virgin Mary crowned, Virgin Queen - Spain

Located in Valladolid, ES

One of a kind , dressed statue of the crowned Virgin Mary. The sculptural mastery of the piece is remarkable, with an impressive sweetness and solemn expression. It is presented in a...

Category

Baroque Late 18th Century Art

Materials

Porcelain, Wood

Excuela española (XVIII) -  Jesús nazareno con la cruz - Óleo sobre tela
Excuela española (XVIII) -  Jesús nazareno con la cruz - Óleo sobre tela

Excuela española (XVIII) - Jesús nazareno con la cruz - Óleo sobre tela

Located in Sant Celoni, ES

La obra no va firmada Buen estado de conservación el de la pintura, solo comentar que la tela está reentelada Se presenta enmarcada la obra Medidas obra: 72 cm x 54 cm. Medidas m...

Category

Old Masters Late 18th Century Art

Materials

Oil

Capriccio of a decorative sarcophagus or cassone – Italian School, late 18th C.
Capriccio of a decorative sarcophagus or cassone – Italian School, late 18th C.

Capriccio of a decorative sarcophagus or cassone – Italian School, late 18th C.

Located in Middletown, NY

A late-Boroque study of relief-style carvings adorned with scrolling acanthus leaves, mythical figures, and floral swags. Graphite on cream laid paper, 6 x 4 1/2 inches (154 x 115 m...

Category

Italian School Late 18th Century Art

Materials

Handmade Paper, Laid Paper, Graphite

Escuela flamenca (siglo xviii) - Óleo sobre tela - Paisaje con figura a caballo
Escuela flamenca (siglo xviii) - Óleo sobre tela - Paisaje con figura a caballo

Escuela flamenca (siglo xviii) - Óleo sobre tela - Paisaje con figura a caballo

Located in Sant Celoni, ES

La obra no va firmada, es de autor anónimo Se presenta enmarcada la pintura El estado de la obra se puede ver, es aceptable, pero con algunas restauraciones antiguas y la tela está...

Category

Old Masters Late 18th Century Art

Materials

Oil

The Temple of Bacchus - Etching - 1796
The Temple of Bacchus - Etching - 1796

The Temple of Bacchus - Etching - 1796

Located in Roma, IT

Etching on paper published by S. Merigot, London, in 1796. A finely executed late eighteenth-century topographical engraving depicting the celebrated Temple of Bacchus at Baalbek, L...

Category

Surrealist Late 18th Century Art

Materials

Etching

Pair of Baroque putti or triumphant angels in carved wood
Pair of Baroque putti or triumphant angels in carved wood

Pair of Baroque putti or triumphant angels in carved wood

Located in Valladolid, ES

Pair of Gorgeous Putti or triumphant angels, carved wood, 18th century. Traditionally associated with the Italian or French Baroque. With curly hair and expressive arms and legs, T...

Category

Baroque Late 18th Century Art

Materials

Wood