Skip to main content

Late 18th Century Art

to
133
1,703
438
103
51
59
Overall Width
to
Overall Height
to
7,568
21,404
163,042
225,773
2,001
2,272
4,963
6,515
5,840
14,916
20,607
25,675
18,589
13,993
5,356
1,114
606
5
4
2
1
1,244
764
317
1,218
595
448
368
345
330
294
230
174
170
150
113
99
97
75
66
65
64
56
52
1,778
303
228
155
143
93
69
51
50
37
270
1,633
1,292
314
Period: Late 18th Century
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters Late 18th Century Art

Materials

Laid Paper, Engraving

Escuela italiana (Sig.XVIII-XIX) - Virgen con niño - Marco de época
Escuela italiana (Sig.XVIII-XIX) - Virgen con niño - Marco de época

Escuela italiana (Sig.XVIII-XIX) - Virgen con niño - Marco de época

Located in Sant Celoni, ES

Finísimo óleo sobre lienzo representando a la Virgen con el Niño, posiblemente de Escuela Italiana, muy buena calidad Va con importante marco de madera dorada de la época de la pint...

Category

Old Masters Late 18th Century Art

Materials

Oil

‎⁨Les Causses du Minervois⁩
‎⁨Les Causses du Minervois⁩

‎⁨Les Causses du Minervois⁩

Located in North Clarendon, VT

Stunning old master oil on canvas of a French landscape with an aquaduct in the foreground and a medieval village in the distance. Possibly ‎⁨Les Causses du Minervois⁩. Oval canvas,...

Category

Old Masters Late 18th Century Art

Materials

Oil

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.
18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

By Sir David Wilkie

Located in Cotignac, FR

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Oil, Board

'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll
'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll

'Bird on Rock with Blue Flowers', By Unknown, Chinese Antique Scroll

Located in Oklahoma City, OK

This 59" x 20" Chinese Antique Scroll depicts a simple yet serene scene of a bird on a rock. The bird stands on the rock, which is much larger in size in comparison to the bird. The ...

Category

Qing Late 18th Century Art

Materials

Silk, Paper, Watercolor

George II, King of England, royalty portrait engraving, circa 1780

George II, King of England, royalty portrait engraving, circa 1780

By Pierre Francois Basan (1723-1797) after Founan

Located in Melbourne, Victoria

'George II' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...

Category

Renaissance Late 18th Century Art

Materials

Engraving

Escuela Valenciana (XVIII), tras Juan de Juanes - Inmaculada Concepción
Escuela Valenciana (XVIII), tras Juan de Juanes - Inmaculada Concepción

Escuela Valenciana (XVIII), tras Juan de Juanes - Inmaculada Concepción

Located in Sant Celoni, ES

La obra no va firmada El estado de conservación de puede ver, es bastante bueno, solo aconsejaría una limpieza ya que está un poco sucia, pero por lo demas, muy aceptable Se presen...

Category

Old Masters Late 18th Century Art

Materials

Oil

Portrait of Anne Evelyn - British 18thC Old master oil painting excellent prov.
Portrait of Anne Evelyn - British 18thC Old master oil painting excellent prov.

Portrait of Anne Evelyn - British 18thC Old master oil painting excellent prov.

By George Romney

Located in Hagley, England

This stunning British 18th century Old Master portrait oil painting, with exceptional provenance, is by noted artist George Romney. It was painted in 1788, commissioned by James Evelyn of Felbridge as it is of his younger daughter Anne, aged 20 years old. James was a Doctor of Law and Anne's mother was his second wife, Jane. Felbridge house, Anne's home, was in the village of Godstone in Surrey. This superb oil painting is a seated portrait of Anne, wearing a white dress with a green sash, her forearms exposed and her hands in her lap. Anne is blessed with the most wonderful long auburn curly hair and is visually stunning. Her body is partly turned away from the artist/viewer and she is slightly gazing down at us with confident, clear eyes. Anne is pictured in a landscape with a dramatic sky behind her. Romney's brushwork on her dress, hair and the background is superb. The delicate detailing of her facial features is also stunning. Sometimes Old Master portraits can be a little staid, but this one of Anne with her wild auburn hair and bold look is just magnificent. This is a fantastic example of George Romney's work and of an 18th century British Old Master with exceptional detailed provenance. Name plate states: Anne, younger daughter of James Evelyn of Fellbridge Esq. 1788, aged 20. Romney. Provenance. With Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851) With The Hon. Henry Berkeley Portman (1860-1923), Later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) By 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962) Thence by family descent. Painted in 1788. There are various labels verso. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.18, no. 3, at Buxted Park, as in the 'Dining Room, South Wall'. Further Bibliography: Gower (R. S.) Romney, London, 1904, p. 175 Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 422 (illus).Ward (Humphrey) and Roberts (William) Romney: A Biographical and Critical Essay, London: T Agnew & Sons, 1904, p. 51 Condition. Oil on canvas. Image size 30 inches by 24 inches and in good condition. Frame. Housed in an ornate gilt frame with name plate, 37 inches by 31 inches and in good condition. George Romney (1734-1802) was born in Dalton-on-Furness, Lancashire, on 15 December 1734, the third of the eleven children of John Romney and Anne Simpson. Leaving school at the age of eleven, he worked for eight years in his father's cabinetmaking workshop before being apprenticed to a local painter, Christopher Steele, with whom he served for two years, from 1755 to 1757, in Kendal, York, and Lancaster. He married a Kendal girl, Mary Abbot...

Category

Old Masters Late 18th Century Art

Materials

Oil

Escuela flamenca (siglo xviii) - Óleo sobre tela - Paisaje con figura a caballo
Escuela flamenca (siglo xviii) - Óleo sobre tela - Paisaje con figura a caballo

Escuela flamenca (siglo xviii) - Óleo sobre tela - Paisaje con figura a caballo

Located in Sant Celoni, ES

La obra no va firmada, es de autor anónimo Se presenta enmarcada la pintura El estado de la obra se puede ver, es aceptable, pero con algunas restauraciones antiguas y la tela está...

Category

Old Masters Late 18th Century Art

Materials

Oil

Portrait of Madonna at Prayer - Italian Old Master art religious oil painting
Portrait of Madonna at Prayer - Italian Old Master art religious oil painting

Portrait of Madonna at Prayer - Italian Old Master art religious oil painting

By Giovanni Battista Salvi da Sassoferrato

Located in Hagley, England

This rather special Italian Old Master religious portrait oil painting is attributed to a follower of Giovanni Battista Salvi, or Sassoferrato as he is better known. Painted circa 17...

Category

Old Masters Late 18th Century Art

Materials

Oil

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters Late 18th Century Art

Materials

Engraving, Laid Paper

The Skeleton - Etching by Juste Chevillet - 1771

The Skeleton - Etching by Juste Chevillet - 1771

Located in Roma, IT

The Skeleton is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

Category

Modern Late 18th Century Art

Materials

Etching

Patas A Bandeau Noir - Etching by Jacques Mesnil - 1771

Patas A Bandeau Noir - Etching by Jacques Mesnil - 1771

Located in Roma, IT

Patas A Bandeau Noir is an etching realized in 1771 by Jacques Mesnil. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descr...

Category

Modern Late 18th Century Art

Materials

Etching

Rococò French Painter - 18th century figure painting - Allegory of the Arts
Rococò French Painter - 18th century figure painting - Allegory of the Arts

Rococò French Painter - 18th century figure painting - Allegory of the Arts

Located in Varmo, IT

French Master (18th century) - Allegory of the Arts. 53 x 72 cm unframed, 63 x 83 cm with frame. Antique oil painting on canvas, in a gilded wooden frame (not signed). Condition r...

Category

Rococo Late 18th Century Art

Materials

Canvas, Oil

Guido Reni follower - 18/19th century figure painting - Virgin Child
Guido Reni follower - 18/19th century figure painting - Virgin Child

Guido Reni follower - 18/19th century figure painting - Virgin Child

By Guido Reni

Located in Varmo, IT

Guido Reni (Bologna 1575 - Bologna 1642), follower of - Madonna and Child. 91.5 x 108 cm unframed, 134.5 x 150.5 cm with frame. Ancient oil painting on canvas, in a 19th-century ca...

Category

Baroque Late 18th Century Art

Materials

Canvas, Oil

Naturalistic Italian painter - 17/18th century landscape painting - Cows, goats
Naturalistic Italian painter - 17/18th century landscape painting - Cows, goats

Naturalistic Italian painter - 17/18th century landscape painting - Cows, goats

Located in Varmo, IT

Italian painter (late 18th-early 19th century) - Landscape with cows, goats, and a boat. 21.5 x 26.5 cm unframed, 35.5 x 41.5 cm with frame. Antique oil painting on canvas, in an a...

Category

Naturalistic Late 18th Century Art

Materials

Oil, Canvas

École italienne (XVIII) - Vierge et Enfant
École italienne (XVIII) - Vierge et Enfant

École italienne (XVIII) - Vierge et Enfant

Located in Sant Celoni, ES

La obra no va firmada Se presenta enmarcada la obra con un marco en madera dorada del siglo xix (el marco presenta algunas ligeras faltas sin importancia) Medidas obra: 20 x 17 cm....

Category

Old Masters Late 18th Century Art

Materials

Oil

Animated Biblical Scene Oil Painting in Late 18th Century Style
Animated Biblical Scene Oil Painting in Late 18th Century Style

Animated Biblical Scene Oil Painting in Late 18th Century Style

Located in Genève, GE

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

Category

Old Masters Late 18th Century Art

Materials

Oil

Portrait signed Darbes, 1781. Russo-Baltic period, Riga address on the reverse
Portrait signed Darbes, 1781. Russo-Baltic period, Riga address on the reverse

Portrait signed Darbes, 1781. Russo-Baltic period, Riga address on the reverse

Located in Firenze, IT

Portrait signed Darbes, 1781. Russo-Baltic period, Riga address on the reverse Oil on canvas, oval format, 61 × 46.5 cm Signed on the left and dated 1781, this portrait is by Joseph...

Category

Rococo Late 18th Century Art

Materials

Canvas, Oil

Excuela española (XVIII) -  Jesús nazareno con la cruz - Óleo sobre tela
Excuela española (XVIII) -  Jesús nazareno con la cruz - Óleo sobre tela

Excuela española (XVIII) - Jesús nazareno con la cruz - Óleo sobre tela

Located in Sant Celoni, ES

La obra no va firmada Buen estado de conservación el de la pintura, solo comentar que la tela está reentelada Se presenta enmarcada la obra Medidas obra: 72 cm x 54 cm. Medidas m...

Category

Old Masters Late 18th Century Art

Materials

Oil

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...

Category

Victorian Late 18th Century Art

Materials

Watercolor, Laid Paper, Engraving, Intaglio

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures
18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

Located in Cirencester, Gloucestershire

Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...

Category

Old Masters Late 18th Century Art

Materials

Pencil

Portrait of an Old Bearded Man
Portrait of an Old Bearded Man

Portrait of an Old Bearded Man

Located in Stockholm, SE

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

Category

Old Masters Late 18th Century Art

Materials

Oil, Wood Panel

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1796-1829 (First-third seri...

Category

Victorian Late 18th Century Art

Materials

Watercolor, Engraving, Intaglio

George I, King of England, royalty portrait engraving, circa 1780

George I, King of England, royalty portrait engraving, circa 1780

By Pierre Francois Basan (1723-1797) after Founan

Located in Melbourne, Victoria

'George I' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George I (1660-1727) was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of Hanover in the Holy Roman Empire...

Category

Renaissance Late 18th Century Art

Materials

Engraving

Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century
Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century

Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century

Located in Greenwich, CT

Antique Indian Mughal portrait of a Prince, late 18th cent. , by repute possibly depicting Maharaja Vijay Singh of Marwar (1729 - 1793) Rajasthan, circa 1800’s The Maharaja is ...

Category

Other Art Style Late 18th Century Art

Materials

Gouache

The Witch of Endor - Oil Paint - End of 18th Century
The Witch of Endor - Oil Paint - End of 18th Century

The Witch of Endor - Oil Paint - End of 18th Century

Located in Roma, IT

The Witch of Endor conjures up the specter of Samuel in front of King Saul is an old master artwork realized by a follower of Georg Andreas Wolfgang I between 18th and 19th century. Mixed colored oil painting on canvas. On the back probable signature of the author traced by brush "P. So [mita] rt [...] Fac. ". The subject of this painting, the witch of Endor, a necromancer mentioned in the Bible whose power was to evoke the spirit of the dead, is a very rare theme in painting and there are few artists who represented it. In Italy it was especially Salvator Rosa (1615-1673) who had a deep interest in necromantic subjects and, in particular, he produced many paintings of this kind when he stayed in Florence in the 1840s. Rosa's inventions were exported throughout Europe and, in particular, in the German cities of Stuttgart, Nuremberg and Augusta through the works of Johann Heinnrich Schonfeld (Stuttgart, 1627 - Habsburg, 1684), an artist who worked in Naples and who remained sensitive to figure of Salvator Rosa. In this context, in addition to Schonfeld, the Swiss Joseph Werner II (Berne, 1637-1710) was also responsible for the diffusion of this pictorial genre, introducing Rosa's works on witchcraft among his knowledge of Augsburg. He was also the inventor of the scene represented here from whose drawing (Bern, Kunstmuseum, inv. A1196), executed in 1677, the engraving made immediately after by Georg Andreas Wolfgang the Elder (1631–1716) and by which derives precisely the work examined here. The engraving, which was part of a series of biblical images, was dedicated by Wolfgang to Leonhard Weiss, probably a municipal employee of Augsburg or tis mayor. Reference bibliography: - Susan Broomhall, Gender and emotions in medieval and early modern Europe...

Category

Modern Late 18th Century Art

Materials

Oil

Magnificent Marble Sculpture of Roman Mythological Subject Minerva 1780'
Magnificent Marble Sculpture of Roman Mythological Subject Minerva 1780'

Magnificent Marble Sculpture of Roman Mythological Subject Minerva 1780'

Located in Rome, IT

Finely carved mythological roman subject of Minerva in Marble Travertino . Excellent condition from an estate of Veneto. Measurements: Statue cm 180 . Minerva (Pallas Athena in Greek...

Category

Academic Late 18th Century Art

Materials

Marble