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Late 18th Century Art

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Period: Late 18th Century
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters Late 18th Century Art

Materials

Laid Paper, Engraving

Still Life with Melon and Peaches, Classical 10th Century Oil Painting
Still Life with Melon and Peaches, Classical 10th Century Oil Painting

Still Life with Melon and Peaches, Classical 10th Century Oil Painting

Located in Genève, GE

Dimensions with frame: 37 x 45 x 3,5 cm Signed along the lower edge. This refined still life painting presents an elegant arrangement of fruit set upon a wooden table against a dark...

Category

Italian School Late 18th Century Art

Materials

Canvas, Oil

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century
Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Located in Beachwood, OH

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

Category

Late 18th Century Art

Materials

Bronze

‎⁨Les Causses du Minervois⁩
‎⁨Les Causses du Minervois⁩

‎⁨Les Causses du Minervois⁩

Located in North Clarendon, VT

Stunning old master oil on canvas of a French landscape with an aquaduct in the foreground and a medieval village in the distance. Possibly ‎⁨Les Causses du Minervois⁩. Oval canvas,...

Category

Old Masters Late 18th Century Art

Materials

Oil

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures
18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

Located in Cirencester, Gloucestershire

Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...

Category

Old Masters Late 18th Century Art

Materials

Pencil

Late 18th Century English Portrait of Siblings Regency Watercolour Painting
Late 18th Century English Portrait of Siblings Regency Watercolour Painting

Late 18th Century English Portrait of Siblings Regency Watercolour Painting

Located in Cirencester, Gloucestershire

Late 18th Century English Portrait of Siblings Watercolour Painting Late 18th Century English School watercolour on paper laid on board, framed under glass Framed size: 18.5 x 16.5 i...

Category

English School Late 18th Century Art

Materials

Watercolor

18th century Portrait of a young girl, Miss Cator in a landscape, white dress
18th century Portrait of a young girl, Miss Cator in a landscape, white dress

18th century Portrait of a young girl, Miss Cator in a landscape, white dress

By John Russell

Located in Woodbury, CT

Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Oil

'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll
'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll

'Bird on Rock with Blue Flowers', By Unknown, Chinese Antique Scroll

Located in Oklahoma City, OK

This 59" x 20" Chinese Antique Scroll depicts a simple yet serene scene of a bird on a rock. The bird stands on the rock, which is much larger in size in comparison to the bird. The ...

Category

Qing Late 18th Century Art

Materials

Silk, Paper, India Ink

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.
18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

By Sir David Wilkie

Located in Cotignac, FR

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Oil, Board

18th/19th C. Italian Alabaster Sculpture of Infant Hercules Wrestling a Snake
18th/19th C. Italian Alabaster Sculpture of Infant Hercules Wrestling a Snake

18th/19th C. Italian Alabaster Sculpture of Infant Hercules Wrestling a Snake

Located in Beachwood, OH

18th/19th Century Italian Infant Hercules Wrestling a Snake Alabaster 18 x 18 x 6 inches 40 lb. In Greek mythology, the infant Hercules (Heracles) is famously depicted wrestling wit...

Category

Italian School Late 18th Century Art

Materials

Alabaster

Le Lapin Domestique - Etching by Jacques De sève - 1771
Le Lapin Domestique - Etching by Jacques De sève - 1771

Le Lapin Domestique - Etching by Jacques De sève - 1771

Located in Roma, IT

Le Lapin Domestique is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardb...

Category

Modern Late 18th Century Art

Materials

Etching

Painting Italian Classical Landscape 18th ruin forteress Signed
Painting Italian Classical Landscape 18th ruin forteress Signed

Painting Italian Classical Landscape 18th ruin forteress Signed

Located in PARIS, FR

French or Italian school of the 18th century Animated landscape with a ruin Oil on canvas 27 x 33 cm (34 x 40 cm with the frame) Signed and dated lower right "1772 / Contencin? / fec...

Category

Italian School Late 18th Century Art

Materials

Oil

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Located in Melbourne, Victoria

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Category

Naturalistic Late 18th Century Art

Materials

Engraving, Etching, Aquatint

Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century
Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century

Antique Indian Mughal Portrait of a Prince, Gouache, Late 18th Century

Located in Greenwich, CT

Antique Indian Mughal portrait of a Prince, late 18th cent. , by repute possibly depicting Maharaja Vijay Singh of Marwar (1729 - 1793) Rajasthan, circa 1800’s The Maharaja is ...

Category

Other Art Style Late 18th Century Art

Materials

Gouache

Large Italian Neoclassical Marble Sculpture Allegory 18th century
Large Italian Neoclassical Marble Sculpture Allegory 18th century

Large Italian Neoclassical Marble Sculpture Allegory 18th century

Located in Pistoia, IT

Impressive neoclassical Carrara marble sculpture depicting the Allegory of Friendship and Loyalty, second half of the 18th century. The sculpture depicts Friendship as a classical ...

Category

Italian School Late 18th Century Art

Materials

Marble

The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790

The Monitory Lizard, Australia, engraving with original hand-colouring, 1790

By Frederick Polydore Nodder

Located in Melbourne, Victoria

'The Monitory Lizard' Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800). 120mm by 195mm (platemnark). Early engraving of an ...

Category

Naturalistic Late 18th Century Art

Materials

Engraving

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...

Category

Victorian Late 18th Century Art

Materials

Intaglio, Engraving, Laid Paper, Watercolor

“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog
“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog

“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog

By John Russell

Located in Yardley, PA

“Hon. George King, 1788” by John Russell (1745-1806) Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Paper, Pastel

Hercules and Omphale - Oil Painting on Canvas - 18th Century
Hercules and Omphale - Oil Painting on Canvas - 18th Century

Hercules and Omphale - Oil Painting on Canvas - 18th Century

Located in Roma, IT

Hercules and Omphale is an original painting realized in France between the end of the 18th and the beginning of the 19th Century. Original oil painting on canvas. Dimensions: 73 x...

Category

Modern Late 18th Century Art

Materials

Canvas, Oil

A Late 18th-Century Rural Family Scene
A Late 18th-Century Rural Family Scene

A Late 18th-Century Rural Family Scene

By George Morland

Located in San Francisco, CA

No sentimentality on the loose here. Not with the expressions on the mother and her three children all engaged in various forms of 18th-century drudgery on this late summer’s eve. An...

Category

English School Late 18th Century Art

Materials

Canvas, Oil

Letter D - Etching by Luigi Vanvitelli - 18th Century

Letter D - Etching by Luigi Vanvitelli - 18th Century

Located in Roma, IT

Letter D is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Category

Old Masters Late 18th Century Art

Materials

Etching

Pastoral landscape, gouache, 18th century, French school, circle of Pillement
Pastoral landscape, gouache, 18th century, French school, circle of Pillement

Pastoral landscape, gouache, 18th century, French school, circle of Pillement

By Jean-Baptiste Pillement

Located in GOUVIEUX, FR

Gouache on paper – Animated pastoral landscape - Unsigned French school, late 18th century Circle of Jean-Baptiste Pillement This delicate gouache on paper belongs to the tradition o...

Category

French School Late 18th Century Art

Materials

Gouache

Venus
Venus

Venus

By Richard Westall

Located in London, GB

Richard Westall, R.A. (1765-1836) Venus signed and dated ‘R. Westall 1794’ (lower right) pencil and watercolour, with white heightening image 11 ⅞ x 15 ¼ in. (30.2 x 38.7 cm.) frame 22 ⅛ x 26 in. (56.3 x 66.1 cm.) Provenance: Private Collection, UK. Venus (1794) was produced during a highly creative and defining period of Richard Westall’s career and artistic development, when from 1790-95 the ambitious young artist was sharing a house at 57 Greek Street, Soho, with his friend Sir Thomas Lawrence, the future President of the Royal Academy. Whilst lodging together, Lawrence became an Associate of the Royal Academy in 1791, Westall the following year, and both were elected full-members in 1794 – the year Lawrence was appointed Painter-in-Ordinary to His Majesty King George III. Westall was to become Queen Victoria’s first Drawing Master, before her ascension to the throne. It was in this very year, 1794 - as the two young artists became Royal Academicians - that the present watercolour was executed, and it is exciting to speculate that Lawrence would have examined and given his thoughts on the work. Highly comparable to The Wallace Collection’s Nymph and cupids (c.1793, cat. P757), acquired by Francis Seymour-Conway (1777-1842), 3rd Marquess of Hertford, (who hung it in his bedroom), the mid-1790s saw Westall exhibiting and returning to similar subject-matter on a number of occasions. Two works with titles that could be applied to the present picture were exhibited at the Royal Academy, in 1794 (no. 341 Nymph and Cupids) and 1795 (no. 620, A Wood–nymph and Cupids). However, a print after the watercolour, engraved by F. Screen, entitles the piece Venus. Westall is regarded as a great virtuoso watercolourist, and Venus is evidence of the young artist’s mastery of the medium. Indeed, it is unusual to find a watercolour of comparable age so well preserved, and retaining such vibrancy - the superb condition providing an insight into his exceptional brushwork and use of colour. Venus languishes luxuriously on her woodland bed, the trunk of a tree resembling a curtain, while three winged putti play beside her, seeming to gesture to someone in the woods. Cupid draws back his bow and aims an arrow of love, perhaps about to pierce the heart of a hunting nobleman, or unsuspecting woodcutter. The striking contrast between the almost luminescent nymph, with the deep, rich, luxuriant forest, gives the glade an alluring sense of mystery – perhaps an allusion to the mysteries of the heart, a pre-occupation with Romanticism, central to the emerging thought of the time. Westall can be classified as one of the great Romantic artists, and even painted Lord Byron’s portrait...

Category

Romantic Late 18th Century Art

Materials

Watercolor, Pencil

George II, King of England, royalty portrait engraving, circa 1780

George II, King of England, royalty portrait engraving, circa 1780

By Pierre Francois Basan (1723-1797) after Founan

Located in Melbourne, Victoria

'George II' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...

Category

Renaissance Late 18th Century Art

Materials

Engraving

Japanese Maternal Macaque Painting
Japanese Maternal Macaque Painting

Japanese Maternal Macaque Painting

Located in San Francisco, CA

This painting is a classic example of the work of Mori Sosen (1747–1821), the most famous painter of monkeys in Japanese art history. The painting, executed in ink and light color on silk, portrays a mother monkey protectively holding her infant while perched on a gnarled tree limb. The protective pose and the interaction between the mother and infant...

Category

Other Art Style Late 18th Century Art

Materials

Silk, Paint, Ink

Portrait of an Old Bearded Man
Portrait of an Old Bearded Man

Portrait of an Old Bearded Man

Located in Stockholm, SE

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...

Category

Old Masters Late 18th Century Art

Materials

Oil, Wood Panel