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Period: Late 18th Century
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters Late 18th Century Art

Materials

Laid Paper, Engraving

Still Life with Melon and Peaches, Classical 10th Century Oil Painting
Still Life with Melon and Peaches, Classical 10th Century Oil Painting

Still Life with Melon and Peaches, Classical 10th Century Oil Painting

Located in Genève, GE

Dimensions with frame: 37 x 45 x 3,5 cm Signed along the lower edge. This refined still life painting presents an elegant arrangement of fruit set upon a wooden table against a dark...

Category

Italian School Late 18th Century Art

Materials

Canvas, Oil

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures
18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

Located in Cirencester, Gloucestershire

Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...

Category

Old Masters Late 18th Century Art

Materials

Pencil

‎⁨Les Causses du Minervois⁩
‎⁨Les Causses du Minervois⁩

‎⁨Les Causses du Minervois⁩

Located in North Clarendon, VT

Stunning old master oil on canvas of a French landscape with an aquaduct in the foreground and a medieval village in the distance. Possibly ‎⁨Les Causses du Minervois⁩. Oval canvas,...

Category

Old Masters Late 18th Century Art

Materials

Oil

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century
Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Located in Beachwood, OH

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

Category

Late 18th Century Art

Materials

Bronze

'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll
'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll

'Bird on Rock with Blue Flowers', By Unknown, Chinese Antique Scroll

Located in Oklahoma City, OK

This 59" x 20" Chinese Antique Scroll depicts a simple yet serene scene of a bird on a rock. The bird stands on the rock, which is much larger in size in comparison to the bird. The ...

Category

Qing Late 18th Century Art

Materials

Silk, Paper, India Ink

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.
18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

By Sir David Wilkie

Located in Cotignac, FR

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Oil, Board

Giacomo Guardi (Venetian vedutist) - late 18th century painting - Venice View
Giacomo Guardi (Venetian vedutist) - late 18th century painting - Venice View

Giacomo Guardi (Venetian vedutist) - late 18th century painting - Venice View

Located in Varmo, IT

Giacomo Guardi (Venice 1764 - Venice 1835) - Venice, view of the island of San Lazzaro degli Armeni. 11 x 17 cm unframed, 28 x 34 cm with frame. Tempera on paper, in a wooden frame...

Category

Realist Late 18th Century Art

Materials

Paper, Tempera

18th century Portrait of a young girl, Miss Cator in a landscape, white dress
18th century Portrait of a young girl, Miss Cator in a landscape, white dress

18th century Portrait of a young girl, Miss Cator in a landscape, white dress

By John Russell

Located in Woodbury, CT

Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Oil

Portrait of Anne Evelyn - British 18thC Old master oil painting excellent prov.
Portrait of Anne Evelyn - British 18thC Old master oil painting excellent prov.

Portrait of Anne Evelyn - British 18thC Old master oil painting excellent prov.

By George Romney

Located in Hagley, England

This stunning British 18th century Old Master portrait oil painting, with exceptional provenance, is by noted artist George Romney. It was painted in 1788, commissioned by James Evelyn of Felbridge as it is of his younger daughter Anne, aged 20 years old. James was a Doctor of Law and Anne's mother was his second wife, Jane. Felbridge house, Anne's home, was in the village of Godstone in Surrey. This superb oil painting is a seated portrait of Anne, wearing a white dress with a green sash, her forearms exposed and her hands in her lap. Anne is blessed with the most wonderful long auburn curly hair and is visually stunning. Her body is partly turned away from the artist/viewer and she is slightly gazing down at us with confident, clear eyes. Anne is pictured in a landscape with a dramatic sky behind her. Romney's brushwork on her dress, hair and the background is superb. The delicate detailing of her facial features is also stunning. Sometimes Old Master portraits can be a little staid, but this one of Anne with her wild auburn hair and bold look is just magnificent. This is a fantastic example of George Romney's work and of an 18th century British Old Master with exceptional detailed provenance. Name plate states: Anne, younger daughter of James Evelyn of Fellbridge Esq. 1788, aged 20. Romney. Provenance. With Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851) With The Hon. Henry Berkeley Portman (1860-1923), Later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) By 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962) Thence by family descent. Painted in 1788. There are various labels verso. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.18, no. 3, at Buxted Park, as in the 'Dining Room, South Wall'. Further Bibliography: Gower (R. S.) Romney, London, 1904, p. 175 Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 422 (illus).Ward (Humphrey) and Roberts (William) Romney: A Biographical and Critical Essay, London: T Agnew & Sons, 1904, p. 51 Condition. Oil on canvas. Image size 30 inches by 24 inches and in good condition. Frame. Housed in an ornate gilt frame with name plate, 37 inches by 31 inches and in good condition. George Romney (1734-1802) was born in Dalton-on-Furness, Lancashire, on 15 December 1734, the third of the eleven children of John Romney and Anne Simpson. Leaving school at the age of eleven, he worked for eight years in his father's cabinetmaking workshop before being apprenticed to a local painter, Christopher Steele, with whom he served for two years, from 1755 to 1757, in Kendal, York, and Lancaster. He married a Kendal girl, Mary Abbot...

Category

Old Masters Late 18th Century Art

Materials

Oil

Academic French Painter - 18th century figure painting - Allegory of the Arts
Academic French Painter - 18th century figure painting - Allegory of the Arts

Academic French Painter - 18th century figure painting - Allegory of the Arts

Located in Varmo, IT

French Master (18th century) - Allegory of the Arts. 53 x 72 cm (unframed) - 63 x 83 cm (framed). Oil on canvas, in a gilded wooden frame (not signed). The composition depicts an ...

Category

Rococo Late 18th Century Art

Materials

Canvas, Oil

The Skeleton - Etching by Juste Chevillet - 1771

The Skeleton - Etching by Juste Chevillet - 1771

Located in Roma, IT

The Skeleton is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

Category

Modern Late 18th Century Art

Materials

Etching

Giacomo Guardi (Venetian vedutist) - late 18th century painting - Venice View
Giacomo Guardi (Venetian vedutist) - late 18th century painting - Venice View

Giacomo Guardi (Venetian vedutist) - late 18th century painting - Venice View

Located in Varmo, IT

Giacomo Guardi (Venice 1764 - Venice 1835) - Venice, view of the island of San Francesco del Deserto. 11 x 17 cm unframed, 28 x 34 cm with frame. Tempera on paper, in a wooden fram...

Category

Realist Late 18th Century Art

Materials

Paper, Tempera

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...

Category

Victorian Late 18th Century Art

Materials

Intaglio, Engraving, Laid Paper, Watercolor

Escuela española (XVIII) - San Pedro Penitente - Óleo sobre tabla
Escuela española (XVIII) - San Pedro Penitente - Óleo sobre tabla

Escuela española (XVIII) - San Pedro Penitente - Óleo sobre tabla

Located in Sant Celoni, ES

Se trata de un óleo sobre tabla La obra no va firmada, es de autor anónimo La obra se presenta enmarcada con un marco posterior a la época de la pintura Medidas obra: 36 cm. de al...

Category

Old Masters Late 18th Century Art

Materials

Oil

Vintage Peacock III (Wall Piece/Dish (hand-painted, made to order by the artist)

Vintage Peacock III (Wall Piece/Dish (hand-painted, made to order by the artist)

By Melanie Sherman

Located in Kansas City, MO

Melanie Sherman Vintage Peacock III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2023 (and following years) Size: 5.5x4x0.25in Signed by hand COA provided Ref.: 924802-1333 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

Category

Baroque Late 18th Century Art

Materials

Brass

“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog
“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog

“Hon. George King, 1788” Pastel Portrait, Young Boy with Cricket Ball and Dog

By John Russell

Located in Yardley, PA

“Hon. George King, 1788” by John Russell (1745-1806) Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...

Category

Old Masters Late 18th Century Art

Materials

Canvas, Paper, Pastel

Letter D - Etching by Luigi Vanvitelli - 18th Century

Letter D - Etching by Luigi Vanvitelli - 18th Century

Located in Roma, IT

Letter D is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Category

Old Masters Late 18th Century Art

Materials

Etching

Late 18th Or Early 19th Century Portrait Of La Gamine With Androgynous Charm
Late 18th Or Early 19th Century Portrait Of La Gamine With Androgynous Charm

Late 18th Or Early 19th Century Portrait Of La Gamine With Androgynous Charm

By Pierre-Paul Prud'hon

Located in Sutton Poyntz, Dorset

Late 18th Or Early 19th Century European Tradition. La Gamine. Androgynous Charm. Framed Oil On Canvas. Unsigned. Image size 15.6 inches x 11.6 inches ( 39.5cm x 29.5cm ). Frame size...

Category

Romantic Late 18th Century Art

Materials

Canvas, Oil

Still Life of Flowers in Ornamental Urn on Ledge - Dutch Old Master oil painting
Still Life of Flowers in Ornamental Urn on Ledge - Dutch Old Master oil painting

Still Life of Flowers in Ornamental Urn on Ledge - Dutch Old Master oil painting

By Gerard van Spaendonck

Located in Hagley, England

This superb vibrant Dutch 18th century Old Master floral oil painting is attributed to circle of Gerard Van Spaendonck. Painted circa 1790, it is a beautiful mixed floral still life flower arrangement in an ornate urn on a marble ledge against a landscape. The flowers include roses, tulips, blue iris and trailing blue morning glory. The carved ornate grey/blue urn on the cream marble ledge create a strong textural contrast with the soft petals and leaves. This is a wonderful example of Dutch 18th century floral oil paintings with fine detail and brushwork. Provenance. Private Collection, UK (by descent). Condition. Oil on canvas, 30 inches by 25 inches unframed and in good condition. Frame. Housed in an ebonised frame, 39 by 34 inches framed and in good condition. Gerard van Spaendonck (1746-1822) was a Dutch painter. Gerard was born in Tilburg, an older brother of Cornelis van Spaendonck...

Category

Old Masters Late 18th Century Art

Materials

Oil

École italienne (XVIII) - Vierge et Enfant
École italienne (XVIII) - Vierge et Enfant

École italienne (XVIII) - Vierge et Enfant

Located in Sant Celoni, ES

La obra no va firmada Se presenta enmarcada la obra con un marco en madera dorada del siglo xix (el marco presenta algunas ligeras faltas sin importancia) Medidas obra: 20 x 17 cm....

Category

Old Masters Late 18th Century Art

Materials

Oil

“Hunt scene”
“Hunt scene”

“Hunt scene”

By George Morland

Located in Warren, NJ

initialed 'G.M.' in the lower right corner Provenance Christies, New York, Sporting Art, December 6, 2000, lot 29 Measurements Image size: each 10 3/4 by 14 1/2 inches, overall each ...

Category

Late 18th Century Art

Materials

Oil

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters Late 18th Century Art

Materials

Engraving, Laid Paper

Animated Biblical Scene Oil Painting in Late 18th Century Style
Animated Biblical Scene Oil Painting in Late 18th Century Style

Animated Biblical Scene Oil Painting in Late 18th Century Style

Located in Genève, GE

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

Category

Old Masters Late 18th Century Art

Materials

Oil

Patas A Bandeau Noir - Etching by Jacques Mesnil - 1771

Patas A Bandeau Noir - Etching by Jacques Mesnil - 1771

Located in Roma, IT

Patas A Bandeau Noir is an etching realized in 1771 by Jacques Mesnil. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descr...

Category

Modern Late 18th Century Art

Materials

Etching