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Period: Late 18th Century
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Art
Materials
Engraving, Mezzotint, Etching
Carriage engraving from the Encyclopedie ( Sellier Carossier )
By Denis Diderot
Located in New York, NY
Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited by Denis Diderot and Jean le Rond ...
Category
French School Late 18th Century Art
Materials
Engraving, Etching, Intaglio
$160 Sale Price
20% Off
New Zealand War Canoe: Original 18th C. Engraving from Captain Cook's 1st Voyage
Located in Alamo, CA
"War Canoe of New Zealand, with a View of the Gable End Foreland" is an engraving created by Thomas Prattent, from a drawing by Sydney Parkinson, who was the artist on Captain James ...
Category
Late 18th Century Art
Materials
Engraving
Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London'
Located in Alamo, CA
This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
The Journey, Late 18th English Oil Landscape
Located in London, GB
Oil on panel
Image size: 5 1/2 x 8 inches (14 x 2o cm)
Contemporary hand made frame
A charming scene of an English country lane, featuring a group of travellers resting on their journey. Two maids seem deep in discussion while they wait with a gentleman wearing a tricorn hat and fashionable maroon...
Category
English School Late 18th Century Art
Materials
Oil, Panel
Piranesi IV.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category
Italian School Late 18th Century Art
Materials
Archival Pigment
$268 Sale Price
79% Off
Guardian Angel - Etching by Ferdinando Campana - 18th Century
Located in Roma, IT
Guardian Angel from "Antiquities of Herculaneum" is an etching on paper realized by Ferdinando Campana in the 18th Century.
Signed on the plate.
G...
Category
Old Masters Late 18th Century Art
Materials
Etching
North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing.
From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...
Category
English School Late 18th Century Art
Materials
Watercolor, Handmade Paper, Aquatint
A portrait of Charles Etienne Bonnet
Located in Middletown, NY
London: Thomas Holloway, 1794.
Engraving on cream laid paper, 9 3/4 x 8 inches (246 x 201 mm), full margins. In good condition with some light discoloration throughout the sheet. As...
Category
English School Late 18th Century Art
Materials
Handmade Paper, Etching, Laid Paper
Le Paysage a la Vache qui sa Breuve (B237), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Paysage a la Vache qui sa Breuve (B237), Year: 1878 (of original 1650), Medium: Heliogravure, Size: 4.25 x 5 in....
Category
Late 18th Century Art
Materials
Etching
Venetian Rococò painter - 18th century mask figure painting - Pantalone Carnival
Located in Varmo, IT
Venetian master (18th century) - Mask of Pantalone.
161 x 68 cm without frame, 169.5 x 76.5 cm with frame.
Antique oil painting on canvas, in a white lacquered wooden frame (not si...
Category
Rococo Late 18th Century Art
Materials
Canvas, Oil
$3,590 Sale Price
45% Off
Architectural designs. A set of nine architectural engravings.
Located in Paris, FR
Architectural designs. A set of nine architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication published in Milan in 1782.
"Diff...
Category
Late 18th Century Art
Materials
Engraving
A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Old Masters Late 18th Century Art
Materials
Watercolor, Handmade Paper, Engraving
Breaking Wave - Venice Beach, California – Anthony Friedkin, Ocean, Wave, Water
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America)
Breaking Wave, Venice Beach, California, U.S.A., 1978
Silver Gelatin Print, later print
40.6 x 50.8 cm (16 x 20 in.)
Edition of 25
Print only
Born 1949 in Los Angeles, USA, Friedkin currently lives and works in Los Angeles.
Anthony Friedkin uses his camera as a means of personal discovery. His full frame black & white photographs explore the many mysteries of moments in time. He creates his own distinctive exhibition prints in his darkroom. He says of his work, “I believe in extraordinary photographs that draw you in and cannot be easily defined-celebrating perception and its many hidden layers of reality”.
Informed by the works of Atget, Kertesz, and Josef Koudelka...
Category
Contemporary Late 18th Century Art
Materials
Silver Gelatin
The Three Magi
Located in New York, NY
Provenance: Private Collection, Spain.
Known as Peruvian alabaster for its translucency and workability, Piedra de Huamanga is a highly prized material from the province of Ayacucho in Peru. In the 17th and 18th centuries, local craftsman in the town of Huamanga began to specialize in the production of small-scale, polychrome religious sculptures made from this distinctive stone. Huamanga sculptures are among the most accomplished examples of carving from the Spanish Americas, where polychrome wood sculpture was a far more common sculptural medium. These works, which were created as independent sculptures or as sculptural groups—such as our three Magi—were intended for ecclesiastical as well as domestics settings.
Our three figures likely formed part of a larger Nativity group—a New World variant of the tradition of the Neapolitan Crèche...
Category
Late 18th Century Art
Materials
Alabaster
Rustics of Japan – English School, 18th century
Located in Middletown, NY
A Method of Riding as Practised by the Rustics of Japan.
One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...
Category
English School Late 18th Century Art
Materials
Watercolor, Handmade Paper, Engraving
Fregio monocromo neoclassico toscano a tema mitologico
Located in Florence, IT
This interesting grisaille […] of a high standard of quality and in an excellent state of conservation, represents an interesting derivation with slight variations from an engraving,...
Category
Other Art Style Late 18th Century Art
Materials
Canvas, Oil
Ritratto figurativo maschile neoclassico italiano con cornice firmato
Located in Florence, IT
Questo dipinto riporta sul retro della tela un'iscrizione molto importante il cui testo è “Ritratto di (?) Dom.° Anto. Camerini fatto in Roma l’An: 1784: da Gio. Batta del Era Milane...
Category
Other Art Style Late 18th Century Art
Materials
Canvas, Oil
A Japanese Temple – English School, 18th century
Located in Middletown, NY
18th century image of a priest presiding over a traditional Japanese nuptual ceremony.
One plate from A new and complete collection of voyages and travels containing all that have b...
Category
English School Late 18th Century Art
Materials
Watercolor, Handmade Paper, Engraving
Portrait of a Young Officer, Thomas Lawrence, Irish Volunteers
By Sir Thomas Lawrence
Located in London, GB
Sir Thomas Lawrence PRA
1769-1830
Portrait of a Young Officer
Pastel with touches of black chalk on paper
Signed and inscribed on an old label verso: "Be pleased to keep away / from the Damp & from dust / T Lawrence AE 13. / 1783."
Wash mount and gilt frame
Provenance
W.E. Spooner;
Anonymous sale, Phillips London, 17 April 2000 lot 196
Sothebys, Old Master & Early British Paintings, 14 April 2011 • London Lot 246
Old label verso describes how this was drawn in 1783 at the age of 14!
This is a portrait of an officer from the Irish Volunteers. The Irish Volunteers was a part-time military force raised by local initiative in Ireland in 1778. Their original purpose was to guard against invasion and to preserve law and order at a time when British soldiers were withdrawn from Ireland to fight abroad during the American Revolutionary War.
As a young boy Thomas Lawrence lived with his parents who ran a coaching inn near Bath. Clearly talented from this young age, he drew the passing travellers who stopped at the inn and this soldier may have been one such sitter. Lawrence was only 13 years old when he drew this work. To capitalise upon their son's talents, the family later moved to Bath and sent Lawrence to London in 1787 where he entered the Royal Academy schools at the earliest possible age. Works from such an early period of Lawrence's creativity are rarely to be found today.
This rare early portrait drawn in Bath shows the level of technical skill that Lawrence had reached at 14 years old. His use of colour and tone to depict flesh and all the subtle variations in the texture and pigmentation of his sitter’s face, powdered hair and clothes show how Lawrence conceived pastel as a form of painting and partly explains how he could have made the smooth transition to oil painting so soon afterwards.
When he arrived in Bath from Devizes in 1780, eleven-year-old Thomas Lawrence (1769–1830) was promoted as a natural-born genius like his Renaissance predecessor Raphael. The local press announced the arrival of the boy wonder and his ‘Striking Sketches’, inviting the ‘Nobility and Gentry’ to sit for their portraits.
Thomas Lawrence was a prodigious portraitist from the age of just eight, when he began to draw his first portraits in pencil...
Category
Romantic Late 18th Century Art
Materials
Oil Pastel
Ceiling designs. A set of three architectural engravings.
Located in Paris, FR
Ceiling designs. A set of three architectural engravings.
These engravings are framed in white gold covered french frames.
From the publication publishe...
Category
Late 18th Century Art
Materials
Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...
Category
Old Masters Late 18th Century Art
Materials
Engraving, Etching
Buitenzijde Van Het Colosseum (Exterior of the Colosseum)
Located in Middletown, NY
The Hague: circa 1799.
Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...
Category
Dutch School Late 18th Century Art
Materials
Laid Paper, Engraving
Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
“Les Revers de la Fortune”
Located in Southampton, NY
Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...
Category
Academic Late 18th Century Art
Materials
Laid Paper, Engraving
$760 Sale Price
20% Off
Shooting. English engraving by Woollett after George Stubbs, 1799
Located in Melbourne, Victoria
'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings.
Copper-line engraving with later hand-colouring by William...
Category
Victorian Late 18th Century Art
Materials
Engraving
Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century
Located in Beachwood, OH
After Jean Goujon (French, 1510-1568)
Bust of Diane de Poitiers, 18th/19th Century
Bronze
14 x 7 x 5 inches
22 x 8 x 7 inches, with base
Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...
Category
Late 18th Century Art
Materials
Bronze
Maniere de Coller Les Bois Droits, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Coller Les Bois Droit et Les Paneaux Cintree en Plan'
French copper-line engraving by Michelinot after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper...
Category
French School Late 18th Century Art
Materials
Engraving
A Night Dance by Women in Tonga: Original 18th C. Engraving, Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Night Dance by Women in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyag...
Category
Late 18th Century Art
Materials
Engraving
Saint Martin de Porres
Located in New York, NY
Provenance: Private Collection, New York, until 2022.
Martín de Porres was born in Lima in 1579, the illegitimate son of a Spanish-American father, J...
Category
Late 18th Century Art
Materials
Canvas, Oil
Plan et Elevation d'un Buffet en Niche, Roubo French design engraving
Located in Melbourne, Victoria
'Plan et Elevation d'un Buffet en Niche'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's 'L'Art du ...
Category
French School Late 18th Century Art
Materials
Engraving
Ancient Roman Fresco - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an etching on paper realized by F.Martano in the 18th century.
Signed on the plate on the lower right
Good co...
Category
Old Masters Late 18th Century Art
Materials
Etching
Self-Portrait, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self-Portrait, Year: of Original: 1634, Medium: Etching, Image Size: 5.5 x 4.5 inches, Size: 14 x 11 in. (35.56 x ...
Category
Late 18th Century Art
Materials
Etching
Engraving of a Female Sculpture
Located in New York, NY
Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.
Category
Late 18th Century Art
Materials
Laid Paper
3rd Countess of Dysart, Grace Wilbraham
Located in Douglas, Isle of Man
Sir Godfrey Kneller 1646-1723, was a German born British portrait painter. He was born in Leiden and studied under Bol and Rembrandt, before travelling to Rome, Venice, Hamburg and ...
Category
Late 18th Century Art
Materials
Canvas, Oil
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after ...
Category
Italian School Late 18th Century Art
Materials
Engraving, Mezzotint, Etching
Old Master Style Inn Interior with three men drinking around a table
Located in Woodbury, CT
This 18th-century painting, attributed to Christian Wilhelm Ernst Dietrich (1712–1774), depicts a rustic inn interior, a subject frequently explored by Dutch and German genre painter...
Category
Old Masters Late 18th Century Art
Materials
Wood, Oil
Travellers at the Roadside Shrine
Located in Jacksonville, FL
This finely executed oil on the panel is attributed to the Dutch School in the late 18th century and represents that period's elegance and naturalistic style. Titled “Travellers at t...
Category
Other Art Style Late 18th Century Art
Materials
Oil
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School Late 18th Century Art
Materials
Engraving, Mezzotint, Etching
The Fleet of Tahiti displayed for Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"The Fleet of Otaheite, Assembled at Oparee" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on hi...
Category
Late 18th Century Art
Materials
Engraving
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Victorian Late 18th Century Art
Materials
Engraving
Family in Dusky Bay, New Zealand: Original 18th C. Engraving from Captain Cook
Located in Alamo, CA
"A Family in Dusk Bay, New Zealand" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second ...
Category
Late 18th Century Art
Materials
Engraving
Attack on Captain Wallis When He Discovered Tahiti: Original 18th C. Engraving
Located in Alamo, CA
"A Representation of the Attack on Captain Wallis in the Dolphin by the Natives of Otaheite (Tahiti)" is an engraving created by the artist Sparrow based on an engraving in John Hawk...
Category
Late 18th Century Art
Materials
Engraving
Maniere de Disposer La Menuiserie, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Disposer La Menuiserie pour Recevoir La Sculpture'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
F...
Category
French School Late 18th Century Art
Materials
Engraving
John Flamsteed, astronomer, 18th century portrait engraving print
Located in Melbourne, Victoria
'Flamsteed'
Copper-line engraving by Joseph Baker after T Gibson. 1790.
John Flamsteed FRS (1646 - 1719) was an English astronomer and the first Astronomer Royal. He catalogued ov...
Category
English School Late 18th Century Art
Materials
Engraving
Maniere De Construire Les Bazes, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Maniere de Construire Les Bazes, Les Chapiteaux et Les Entablements en Bois'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid waterm...
Category
French School Late 18th Century Art
Materials
Engraving
Italian Capriccio with Ruins Venice - 18th Century Oil on Canvas
By Gaetano Vetturali (Lucca, 1701-1783)
Located in Stockholm, SE
A Venetian capriccio view with classical architectural ruins and in the background the church of San Giorgio Maggiore and the Church of Santa Maria della Salute next to the Grand Can...
Category
Old Masters Late 18th Century Art
Materials
Canvas, Oil
A Promenade to a Rout on a fair Evening
By Isaac Cruikshank
Located in Middletown, NY
London: Allen & West, 1797.
Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...
Category
English School Late 18th Century Art
Materials
Watercolor, Handmade Paper, Engraving
Marine orageuse, dans le goût de Joseph Vernet (1714-1789)
By Claude-Joseph Vernet
Located in GOUVIEUX, FR
dans legoût de Joseph Vernet (1714-1789) Huile sur sur panneau Dim sans cadre 28/21 cm Dim avec cadre 38/31 cm Ecole française Cadre doré Cette saisissante scène de tempête rend homm...
Category
French School Late 18th Century Art
Materials
Oil
Antique Italian painter - 18th century figure painting - The fruit seller
Located in Varmo, IT
Italian painter (18th century) - The fruit seller.
70.5 x 58.5 cm without frame, 88.5 x 75.5 cm with frame.
Antique oil painting on canvas, in a carved wooden frame (not signed).
...
Category
Rococo Late 18th Century Art
Materials
Canvas, Oil
$2,991 Sale Price
28% Off
French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768.
Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category
French School Late 18th Century Art
Materials
Engraving
Different Profils Des Cimaisses, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Different Profils Des Cimaisses et Des Plainthes'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's ...
Category
French School Late 18th Century Art
Materials
Engraving
The Monitory Lizard, Australia, engraving with original hand-colouring, 1790
Located in Melbourne, Victoria
'The Monitory Lizard'
Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800).
120mm by 195mm (platemnark).
Early engraving of an ...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
The Card Players, Late 18th Century British Etching
Located in London, GB
Etching laid on paper
Image size: 3 1/4 x 3 1/4 inches (8 x 8 cm)
This etching is after a work by Adriaen van Ostade, a 17th century Dutch artist.
This wonderful etching shows a gr...
Category
Late 18th Century Art
Materials
Etching
Vaso antico di marmo che è ornato di quattro Maschere - Etching 1778
Located in Roma, IT
Antique marble vase decorated with four masks
Artist proof, printed on contemporary laid paper, wide margins, representing an “antique marble vase ...
Category
Late 18th Century Art
Materials
Etching
Differents Manieres de Coller, Roubo French cabinetmaking design engraving
Located in Melbourne, Victoria
'Differents Manieres de Coller les Bois Courbes'
French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper.
From Roubo's 'L...
Category
French School Late 18th Century Art
Materials
Engraving
Logge di Rafaele nel Vaticano (Raphael's Loggia in the Vatican) Plate X Pilaster
By Gaetano Savorelli
Located in San Francisco, CA
Artists: Raffaello Sanzio d’Urbino.(1483 – 1520)
Gateano Savorelli, artist. (unk.- 1791)
Ludovico Teseo, draughtsman. (1731-1782)
Pietro Camporesi, architect (1726 - 1781)
Giovanni Ottoviani (1735-1808) & Giovanni Volpato (1735 – 1803), engravers
Title: Delle Logge di Rafaele nel Vaticano, Plate X (10)
Year: 1772-1777
Medium: Hand-colored copperplate engraving
Sight size: 42 x 16 inches.
Framed size: 55.5 x 28.5 inches
Condition: Very good
Frame: Frame in very good condition
A tall and incredibly detailed printed panel, “Delle Logge di Rafaele nel Vaticano” (“Raphael Loggia...
Category
Renaissance Late 18th Century Art
Materials
Engraving, Watercolor
Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Old Masters Late 18th Century Art
Materials
Etching
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