Vertical Photography

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Bill Costa Untitled (Rollerena Fairy Godmother) n.d./2022 Accompanied by a Certificate of Authenticity Chromogenic print (Edition of 5 + 2 APs) 10 x 8 inches (25.4 x 20.32 cm), sheet 9.25 x 6.5 inches (23.5 x 15.875 cm), image From The Center (New York City’s Lesbian, Gay, Bisexual & Transgender Community Center): “Rollerena Fairy Godmother came into being on the evening of Saturday, September 16, 1972 by a young man from Kentucky who put on a gown, a 1950s hat, and a straw basket and skated up and down Christopher Street in Greenwich Village, New York City. Over time, Rollerena added to her outfit: rhinestone glasses...

Flora 33, 2015 - Maple Helicopter Seeds Photography by Marisa Culatto Flora 33 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Editi...

American actor Montgomery Clift photographed in New York for British Vogue, November 1952. Montgomery Clift in New York, 1952 Silver gelatin print Estate stamped and numbered editio...

Warhol superstar Candy Darling photographed as 'Donna Bella Beads' in the hit play "Vain Victory: the Vicissitudes of the Damned" in 1971. One of Mitchell'...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

This early-1990s photograph, captured by society photographer Slim Aarons, features American socialite Lynn Wyatt by a swimming pool in Cap Ferrat, France. This is an estate-stamped...

Mascot, photograph from Richard Heeps' series, Man's Ruin. Captured at the Hot Rod Hayride this Jesus on a Cross, was meant to protect the Hot Rodders in their cars. There is somethi...

'Coming Ashore' 1973 Slim Aarons Limited Estate Edition Print A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto ...

David Studwell, Marilyn Monroe-Platinum Screen Print with Diamond Dust 70 x 90 cm (27.56 x 35.43 in) Edition of 30 Hand-signed by the artist David Studwell’s Marilyn Monroe – Plati...

Vintage b/w photograph realized by Eve Arnold in 1960s. Copyright: Magnum Photos and Agenzia Contrasto. Excellent condition.

This early 1960s photograph, captured by society photographer Slim Aarons, features the Bahamas Speed Week in Nassau. This is an estate-stamped and hand-numbered edition of 150 with...

Hendrik Kerstens, Book, available in two formats: 30x40 and 50x60 inches

Available Sizes: 24" x 24" $3,000.00 Edition of 15 30" x 30" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Coming Ashore A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Augu...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

The Curious Cow Study 1, Faroe Islands - no. 21359 Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Print...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Swimming In Spain 1970 - Slim Aarons Estate Stamped Swimming and snorkelling in the bay at the Hostal De La Gavina, in S’agaro, Costa Brava, Spain, July 1970. 30 x 20" inches / 61...

8 x 10" vintage silver gelatin photograph of dancer, choreographer Lar Lubovitch photographed in 1964. This is a print that was published by a newspaper ...

Tina Turner Sneer 1988 - Dave Hogan Signed Limited Edition Tina Turner makes a face at the photographer Dave Hogan during an exclusive shoot while on her Brazillian Tour in 1988. ph...

36 x 50 cm, 14.2 x 19.7 in. (unframed) Inkjet Print on Hahnemühle Photo Rag Paper Edition of 15 The photographer Delfino Sisto Legnani lives and works in Milan. His photography has ...

Twiggy with her Manager, 1966 by Burt Glinn is a 10" x 8" gelatin silver RC print from the 1960s. Magnum stamps from the period on verso (back of photo). Top Model Twiggy and her m...

'Peony no.4’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Jackie in Pink Dress in Yellow Room nb_114a -- A portrait of Jackie and JFK. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AND EDITION OF 15. Image size is 16" x 16" (for 17" x...

American Icon - Robert Redford by BATIK pop artwork featuring a portrait of the late film star, producer and director and male sex symbol Robert Redford. signed & limited editi...

Rebecca Skinner’s “Grande Hall” portrays intricate classical architecture, high ornate ceilings, arched doorways, and a striking green-carpeted staircase, evoking historic elegance. ...

Photography, limited to 5, signed. Sometimes just walking around the city and than this...I liked it.

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Sky, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Year Press,...

This vintage silver gelatin print is signed and dated in pencil on the front of the mount beneath the image. Likely printed in the 1970s. From the collection of Robert K. Byers, w...

A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was ...

Melancholy (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Porto Ercole 1973 by Slim Aarons Slim Aarons Limited Estate Edition A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel i...

Photography, abstract, limited edition of 5, will be signed. For me reflecting a very strong emotion.

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Limited Edition of 5 More sizes and Editions on request. Primo was one of the "Big Tuskers" and oldest bulls in the Amboseli National Park i...

A black-and-white 12" x 8" vintage photograph of Editor-in-chief Hugh Hefner checking proofs for Playboy magazine, 1966 by Burt Glinn. A historical photo...

White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Radha Shooting II (Long Way Home) - 1999 published in 'Stranger than Paradise' 128x126cm Sold out edition of 5, Artist proof 2/2, Analog C-Print, hand-printed by the artist, based...

Ancient Laurisilva Forest Study 10, Portugal - no. 21034 // Black and white fine art landscape photography. Old Laurisilva tree in the fairy forest at foggy mystical mood, Fanal, Ma...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of Dame Elizabeth Rosem...

Dean Rounds Up Taylor (1956) Silver Gelatin Fibre Print (Photo Cineclassico/Alamy Archives) GIANT Elizabeth Taylor Rock Hudson James Dean 1956. Directed by George Stevens...

Linda Connor: Lick Observatory These celestial images are made from glass plate negatives that belong to the archive of the Lick Observatory in San Francisco. These images were mad...

'Social Call' 1972 Slim Aarons Limited Estate Edition Print Charley Weaver at the Las Brisas resort in Acapulco, Mexico, 1972. (Photo by Slim Aarons/Getty Images) Paper size 40 x ...

"Untamed" The manes of the horses of Sable Island are uniquely styled by the island's natural ecosystem - especially the salty air. The prin...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

'Prevail' 2022 120 x 96 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a scroll. Photograph is signed and st...

American modern ballet dancer/choreographer/director Eliot Feld – 1965. This is an 8 x 10" vintage silver gelatin photograph that was published by a newspaper or magazine which they ...

Blue Martini and Grey Martini, Milan. Italian architecture photographs by Richard Heeps from his series A Short History of Milan. A Short History of Milan' began in November 2018 fo...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------------------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveller through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations , but which lend themselves to his own work. In a similar way he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypcal and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylised, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing, and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modelled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys; and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights and soldiers. In the case of monsters, mythical creatures and robots, it is more about creating visions of the future and parallel worlds. Certainly since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This of course can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

DETAIL FROM: SELFPORTRAIT WITH VELVET CAP AND GOWN WITH FUR COLLAR, 2008 REMBRANDT VAN RIJN, 1634 PAINTING GALLERY BERLIN A masterful reinterpretation by renowned photographer Reinh...

Sunscreen II (Beachshoot) - 2005 48x46cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1394. ...

Artworks sold in perfect condition : Set # 2 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...