Vertical Photography

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled John Weissmuller, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 editi...

Lifeguard (Malibu) - 2004 39x37cm, Edition 2/5, Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Number ...

Mod Party on Cruise -- A hip party scene photographed by Mark Shaw for a 1962 US Lines Cruise ship advertising campaign. Image size is 40" x 59" (for 44" x 63" paper size). All Mark ...

Flora 31, 2015 - Harvest Photography Hay Farm Grass by Marisa Culatto Flora 31 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Editi...

Dean Rounds Up Taylor (1956) Silver Gelatin Fibre Print (Photo Cineclassico/Alamy Archives) GIANT Elizabeth Taylor Rock Hudson James Dean 1956. Directed by George Stevens...

Ancient Laurisilva Forest Study 10, Portugal - no. 21034 // Black and white fine art landscape photography. Old Laurisilva tree in the fairy forest at foggy mystical mood, Fanal, Ma...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

American Bison (B&W) 2021 ARCHIVAL PIGMENT PRINT Unframed Sizes: 45 x 30 in (114.3 x 76.2 cm) - Edition of 10 + 2 AP (Artist Proofs) 60 x 40 in (152.4 x 101.6 cm) - Edition of 10 + ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

Untitled (Paradise) - 1999, 98x97cm. Edition 3/10. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 20451. Not mounted. ...

A unique original silver gelatin black and white photograph. In the eastern suburb of Paris, France, in June 1926. A view of the canal with its barge boats in Charenton le Pont, an ...

Juniper, Lake Tenaya Gelatin silver print, 1937 Unsigned Edward Weston Estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward, printed in...

Flora 19, 2015 - Chinese Lantern Portrait Photography by Marisa Culatto Flora 19 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edi...

This is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Rebecca Skinner’s “Grande Hall” portrays intricate classical architecture, high ornate ceilings, arched doorways, and a striking green-carpeted staircase, evoking historic elegance. ...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanical splendor and vibrant color p...

The Farmer's Wife (American Depression) - 2004 50 x 49 cm Edition of 10 plus two artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist In...

'Black bloom’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühl...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of American actor, pilot...

"Nautical Stripes" This best-selling black and white photograph features the renowned 12-Meter boat Northern Light on the open seas. The nautical print series Sail: Majesty at Se...

The Farmer's Wife's Loneliness (American Depression) - 2004 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Prints based on the Polaroid. Signature label and Certificate...

Unique Piece / One of a Kind An elephant is grapping dust with his trunk. Museum Archival Print on Hahnemühle Laid paper. Joachim is one of the multifaceted artists among Fine Art ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...

Flora 32, 2015 - Garden Herbs and Flowers by Marisa Culatto Flora 32 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of 6. ...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

Bill Costa Untitled (Rollerena Fairy Godmother) n.d./2022 Accompanied by a Certificate of Authenticity Chromogenic print (Edition of 5 + 2 APs) 10 x 8 inches (25.4 x 20.32 cm), sheet 9.25 x 6.5 inches (23.5 x 15.875 cm), image From The Center (New York City’s Lesbian, Gay, Bisexual & Transgender Community Center): “Rollerena Fairy Godmother came into being on the evening of Saturday, September 16, 1972 by a young man from Kentucky who put on a gown, a 1950s hat, and a straw basket and skated up and down Christopher Street in Greenwich Village, New York City. Over time, Rollerena added to her outfit: rhinestone glasses...

In Bloom - 2020 Edition of 10 plus 2 Artist Proof, 24x25cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certifica...

A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was ...

Rome in the Early 20th Century is a black and white vintage photo, realized in the 1930s. It belongs to historical album including photo of historical events and places, all meticulo...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical ...

Mary J Blige December 16th 1996 NEW YORK ALBUM COVER SHOOT (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. unframed signed and numbered by the artist. limited to 25 only this size. About the artist : Kevin Westenberg is famed - for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. Shortly after receiving an Architecture degree he moved to London where he’s been based since 1983. Westenberg is self-taught and learned his trade working for the UK inkies “New Musical Express” and “Melody Maker” mainly throughout the late 80’s and 90’s documenting amongst others all the UK ‘Britpop’ bands. The breakthrough came in 1993-1994 with the release of Sting’s Ten Summoner’s Tales and Mary J Blige’s Share My World. These two album covers changed the perception of the work worldwide and thus began a run of 20 years of commissions and choice opportunities. For the last 25 years, his musical heritage includes portraits of Radiohead, Thom Yorke, Coldplay, White Stripes, Jane's Addiction, Sting, Bjork, Nirvana, Jeff Buckley, Luther Vandross, Nine Inch Nails, Stone Roses, The Pixies, Paul Weller, Rufus Wainwright, Michael Stipe, U2, Mary J. Blige, R.E.M., Black Sabbath, Massive Attack, BB King, The Rolling Stones, PJ Harvey, Marilyn Manson, Pete Doherty, Oasis, Soundgarden, Jake Bugg, and Bon Jovi among many others. Also included are 100’s of albums, singles, magazine & book covers from around the world. He’s also been chosen as official photographer for the LIVE 8 Hyde Park event in 2005 and for Led Zeppelin reunion concert at the 02 Arena, London. The work & interest also include a wide range of artists portraits beyond the music world. David Lynch, Paul Auster, The Coen Brothers, Rupert Friend, Sir Tom Stoppard, Orla Kiely...

'Dahlia buds’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühl...

American Pie (Oxana's 30th Birthday) - 2007, from the 29 Palms, CA project - 78x76cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature lab...

11 x 14" vintage silver gelatin photograph of Edward Villella in New York City Ballet's "Watermill", Jerome Robbins Dance/Drama, 1972. Comes directly f...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Cuban Socialists - Historical Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical album including photo reportages of historical events and ...

Bikinis In Haiti 1975 - Slim Aarons Estate Stamped Marni Morrell and Denise Schluscer with a third woman, all wearing bikinis, pose beside a statue on a bridge in Haiti, in January ...

This early 1960s portrait photograph, captured by society photographer Slim Aarons, features two skiers inspecting their skis on the slopes of the Sugarbush Mountain ski resort in Wa...

Ruth Ford - American actress and model - Original Photography by Cecil Beaton Photo taken in 1940s Sir Cecil Beaton (1904-1980) is considered one of the mo...

The bright colours of a cafe in a poor district of Salvador in Brazil. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose ...

Eden-Roc Pool 1976 by Slim Aarons printed 2025 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 72" ...

From the series 'Bushes and Succulents' (2018), Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, you...

Untitled (Beachshoot) - 2005 128x125cm, Edition 4/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Signature label and Certifi...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------------------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveller through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations , but which lend themselves to his own work. In a similar way he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypcal and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylised, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing, and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modelled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys; and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights and soldiers. In the case of monsters, mythical creatures and robots, it is more about creating visions of the future and parallel worlds. Certainly since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This of course can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Bavarian Forest 020 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensions: *90 × 6...

Part of the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the woods in the hills of Oakland, across the bay f...

'Peony’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. ...

Flora 35, 2015 - Wildflower Photography Purple Thistles in Garden by Marisa Culatto Flora 35 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from ...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

This black-and-white photograph, taken in 1952 in Paris along the Seine River, captures a tranquil and picturesque moment. In the foreground, a man wearing a light-colored straw hat ...

Flora 15, 2015 - Yellow Snapdragon Star Flower Portrait by Marisa Culatto Flora 11 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited ...

Limited Edition of 25 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...

Edition 10 More sizes on request An elephant family, in Kenya / Amboseli walks in front of the Kilimanjaro. ​For years, Joachim Schmeisser has been photographing the last giants of...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot without flash in available light. The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted with a burlesque corset for her ride on a pink elephant at a charity event at Madison Square Garden. (from Wikipedia) This is a unique silver gelatine print, made in 1988 from the original negative.

'Crash' 2022 Limited edition of 10. Printed on Hahnemuhle German Etching 80x100cm fine art paper. Photograph is carefully rolled in a cardboard tube and shipped with express del...