Intaglio Landscape Photography

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print; 8 x 5 5/8 inches (203 x 142 mm), tipped onto a mounting sheet 8 x 11 3/4 in. 2 mm tear on lower rig...

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print, 5 9/16 x 7 11/16 inches (148 x 196 mm), tipped onto a mounting sheet 8 x 11 3/4 inches. A muted an...

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print, 4 11/16 × 8 9/16 inches (119 × 218 mm), tipped onto a mounting sheet 8 x 11 3/4 inches. Signature o...

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

"Although looking like the mid-west, this horse is grazing in front of an industrial spoil tip." - David George A solitary horse stands against a vast, barren backdrop, embodying loneliness and introspection... This minimalistic scene capturing the endless spoil tip horizon with a lone horse grazing quietly... Print info:Photogravure; Charbonnel Ink on Archival Somerset Satin Paper Photogravure; 14.85 x 21 cm (image size) on 28.5 x 37.5 cm / 11.22 x 14.76 inches paper From Edition of 5 only Signed and numbered "When all the words are put to one side I hope the project will instigate a new curiosity for the people who live and work around the River Tees and rekindle a pride in this remarkable asset that has served them so well over hundreds, even thousands, of years." - David George David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Edward S. Curtis East Mesa Girls, 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #427, The North American Indian, on ...

Edward S. Curtis Walpi Architecture 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #421, The North American Indian, o...

Wrapped Roman Wall is an original contemporary artwork realized by Christo. Black and white photolithograph. Hand signed on the lower left margin. Editio...

This photograph titled "The Cliffs, Sorrento" created 1912 in a black and white photogravure by American photographer Karl Struss, 1886-1981. The photogravure size is 6.20 x 8.20 inc...

Public Building'S Packaging is an original photo-offset realized by Christo in 1974. Hand-signed and numbered, edition 48/100. Very good conditions. Chri...

Hand signed and numbered lower right. Edition of 100 pieces numbered and hand signed. Very good conditions.

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

An abandoned car rusts quietly by the seaside, a relic of times past... This print captures the serene decay of a vehicle along a tranquil coast. A forgotten car stands as a testament to nature's reclamation. "Coastal Ruin..." "Time's Relic..." "Nature's Claim..." "Automotive Ghost..." "Forgotten Journey..." "End of the Road..." "Lost and Found..." "Remnants by the Sea..." "Rust Reverie..." "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Original photolithograph. Hand signed, limited edition of 150 specimens. One of the most important and famous works of Land Art by Christo, realized in Rome...

Hand signed and numbered lower right. Edition of 100 pieces numbered and hand signed. Very good conditions.

An urban landscape where manmade structure meets nature, evoking a sense of quiet introspection... Silent and steadfast, the weathered bridge stands against time, blending with nature's embrace... This is a study in geometry, shadows, and time, this piece captures the quiet strength of a forgotten underpass. "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Beadnell, England, "Ice Cream Van", from the 'East of Eden' series, 2020 Photogravure; Charbonnel Ink on Archival Somerset Satin Paper Photogravure, 14.85 x 21 cm (image size) on 28 x 39 cm Paper Edition of 3/5 + 2APs, Signed and numbered. Sold unframed but framing available if requested - please enquire or purchase unframed print David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting...

Edward S. Curtis Mishongnovi 1900 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #435, The North American Indian, on Japan...

Edward S. Curtis The Water Carriers 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate ...

Edward S. Curtis A Gem Of Basketry - Southern Yokuts 1924 Hand Colored Photogravure 12 x 9 inches Vintage small format Curtis Volume Photogravure, Volume 13, The North American Ind...

Edward S. Curtis Counting The Record 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #413, The North American Indian, ...