Hat Landscape Photography

This black and white photograph captures a classic street scene in Las Vegas, likely from the 1950s or 1960s. The image showcases the Fremont Street area with its bright neon signs and vintage casinos...

'Cowboy on Ranch with Cows' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

Dani Geneux (left) and Marie-Eugenie Gaudfrin sunbathing at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Aarons' iconic photograph depicts the legendary hotel made famous by Fitzgerald's Tender is the Night, the sun-kissed home away from home for titans of literature and music (Cole Porter, Fitzgerald, Hemingway, Stefan Zweig, Noël Coward), film (Marlene Dietrich, Alain Delon, Elizabeth Taylor, who brought all of her husbands there, and every Hollywood A-lister in town for Cannes), art (Chagall, Picasso, Matisse), music (John and Yoko, Jane and Serge, Ella Fitzgerald), politics (Churchill, De Gaulle, the Kennedys), and high society (the Duke of Windsor and Wallis Simpson). Two female bathers in black sunhats enjoy a holiday in bikini and topless styles, against the rocks. Numbered and stamped by the Slim Aarons...

'The Carlton Hotel' 1955 (Slim Aarons Estate Edition) A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Another gorgeous and typically 'S...

Dream Scene on Salt Lake - 2007 from the 29 Palms, CA project 125x156cm, Edition 3/5 Analog C-Print, hand-printed by the artist, based on an original Polaroid. Artist Inventory #96...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

A striking image from the 1960s capturing two horseback riders overlooking the expansive desert landscape of Big Bend National Park, Texas. The riders, dressed in traditional Western...

Susanna Boylston Bolton 1965 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: A view from the umbrella boxes towards t...

On the Rocks (Long Way Home) - 1999, 80x79cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory # 253...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a couple sunbathing by the sea at Palm Beach, Florida. This is an estate stamped and hand ...

Troubled Henry (Stay) with Ryan Gosling - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 5091. Not...

The Carlton Hotel (1955) - Limited Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) A Cadillac with Florida plates parked outside the Carlto...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure Coney Es...

New England Skiing Two women recline on improvised sunbeds in New Hampshire, 1955. Slim Aarons silver gelatine fibre based print Printed Later Slim Aarons Estate Edition Produce...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

'Female Bronco Rider Close Up' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhib...

Three women wearing designs by Lilly Pulitzer take a break from shooting during a fashion shoot for Pulitzer at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Slim Aarons Lilly ...

Ski Bus 1951 Skiers take a lift in a VW camper van bus, Klosters, Switzerland, 1951. by Toni Frissell 40 x 40" inches / 101 x 101 cm paper size Archival pigment print unframed ...

"Untitled 3" (Mustang) Photography 24" x 32" inch Edition 3/7 by Larsen Sotelo From the Mustang series Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish ...

Slim Aarons Lounging In Bermuda, 1969 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Jill Council relaxes with a drink by a swimming pool in B...

Slim Aarons Curling At St. Moritz, 1963 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Curlers on a rink, or curling sheet, in St Moritz, Swit...

Poolside Reflections, Beverly Hills Hotel, 1957 Chromogenic Lambda print Holiday makers relaxing by the pool at the Beverly Hills Hotel on Sunset...

'Female Bronco Rider Close Up' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhib...

This black-and-white photograph, taken in 1952 in Paris along the Seine River, captures a tranquil and picturesque moment. In the foreground, a man wearing a light-colored straw hat ...

Black and white fine art landscape - cityscape photography. Gondoliere in a side canal in the fabulous harbor city of Venice, Italy. Archival pigment ink print, edition of 9. Signed,...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 23477. ...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1302. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1326. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1305. N...

Spanish hats - Limited edition pigment print - Limited Editions of 15 Shop in Spain, 2009 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 31...

This black-and-white photograph, taken in 1952 in Naples, Italy, captures a vibrant street scene featuring musicians performing for a small crowd in Santa Lucia, Naples. . The settin...

Flo Smith (left) and Lily Pulitzer share a secret at a pool party, Palm Beach, Florida, April 1961. Description and alt text: In this classic image of midcentury poolside glamour, t...

'Her last Call III' (The Girl behind the White Picket Fence) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Henry (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5248 Not mounted...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

'Cowboy on Ranch with Cows' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Kevin Vivers Hard Work Archival Pigment Print Year: 2024 Visible Size: 9 x 13 inches Framed: 18 x 22 inches Signed COA provided *Black frame with standard plex Kevin Vivers has bee...

Stefanie Schneider Polaroid-sized unlimited Mini 'Hot Tub' (Heavenly Falls) - 2016 - signed in front, not mounted. 1 Archival Color Photograph based on the Polaroid. Polaroid si...

S. Nicolao is a black and white vintage photo, realized in 1960s, by Glauco Cortini. The photo depicts the men working in the fortress. Good conditions and aged. It belongs to a h...

'The Carlton Hotel' 1955 Slim Aarons Limited Estate Edition A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Slim Aarons silver gelatine...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

Women playing backgammon while sunbathing at the Habitation Leclerc pool, January 1975 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Backgammon by the pool...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Crow Burial II (Sidewinder) 20 x 20 cm, 2005, Edition 4/10, digital C-Print based on a Polaroid, Artist Inventory 3505.04, not mounted Stefanie Schneider...

They are always there, it has always been that way (Dude Ranch) - 2022 Friend - triptych 17.78 x 50.8cm Edition of 7, plus 2 Artist proofs. Archival C-Pr...

They are always there, it has always been that way (Dude Ranch) - 2022 Nephew - triptych 17.78 x 50.8cm Edition of 7, plus 2 Artist proofs. Archival C-P...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Due to currency fluctuations prices may change. Bondi Foundations is a gorgeous C-Type Print in an Edition of 10 in this size by contemporary photographer Ben Thomas...

Queen Elizabeth II is a is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments...

Shoppers outside the Lilly Pulitzer boutique on Via Mizner, Palm Beach, Florida, 1968 Slim Aarons Palm Beach Shoppers 1968 C-Print Estate signature stamped and hand numbered edition...

Zoë (Paris) - 1995 Edition of 5, 60x50cm including white borders. Analog C-Print, hand-printed by the artist and based on a Polaroid, Signature label and Certificate. Artist In...

Doctor Adanuty, graduated from the University of Magic is a black and white vintage photo, realized in Mid 20th Century.  Good conditions and aged. It belongs to a historical and n...

Sealab is a black and white vintage photo, realized in 1960s. A driver prepares to enter the underwater capsule that will transfer him to the Sealab 600 ft. below. Good conditions ...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1303. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1328. N...