C Print Photography

Museum quality fine art print of David Bowie smoking a cigarette in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original negatives, these offici...

Fog (The Last Picture Show) 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist inventory...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Mother Nature sure had fun with Buckley! White coat with brown spots, brown e...

Villa del Balbianello, June 1983 - Afternoon Gathering on Terrace with Vines 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Villa del Balbian...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

This large-scale architectural photograph by German photographer Reinhard Görner depicts the Francke Foundations library in Halle, Germany. The artist is praised for crisp, rich deta...

Still Life - 2018 Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2018-427. K...

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

AILA Purple, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Massimo Listri Biblioteca di Ottobeuren in Germania 1994 c print edition of 5 Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectu...

Storms- 2024 - 25x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-32. Not mounted....

Always Sometimes, 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - P...

This large-scale architectural photograph by German artist Reinhard Görner depicts the The Long Room, an awe-inspiring vista into the Old Library at Trinity College in Dublin, Irelan...

Les Vacances II The west coast of France is a place to eat delectable oysters, drink fine wines and walk along endless beaches in the glare of the summer sun. The Atlantic swell and...

Fishing Hut, Southwold, harbour architecture photograph from Richard Heeps' series, On-Sea. The modest fishing hut becomes a work of art set against a blue sky in the sunshine. This...

Joshua Tree American Desert landscape photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues o...

Kate Moss Supreme New York: In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasda...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Sleeping with Ghosts (Bombay Beach) - 2023 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory...

Altstadt Rêveries - (Diptych) - edition of 7, 2011 21 x 38,50cm, digital print mounted on Dibond - gloss coating Hand signed & numbered by artist Carmen De Vos The Belgian photogra...

The Upper Hand - 2021 50x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2021-1089. Not mou...

Untitled (Cowboys and Angels), 2005 50x39cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. artist Inventory No. ...

Cabazon Dinosaurs (Drive to the Desert) - 2000 44x59cm, Edition 5/5. Analog C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #155.05. Not mount...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...

Monaco Grand Prix, 1973 - Monaco Grand Prix Formula One Racer Francois Cevert by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Mo...

For the times they are a changin' - 2021 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist invent...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

150,000 Dollars (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Ce...

Available Sizes: 37.5" x 30" Edition of 15 50" x 40" Edition of 10 60" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, man...

Faye Dunaway The Morning After, 1977 Co-Signed Edition Print by Terry O'Neill and Faye Dunaway Mint condition C print hand numbered 37 / 50 and hand signed by both photographer ...

90 Minutes A Side, artwork from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

"Horses have always reminded me of ballerinas, the way their long necks gracefully bend and curve into the most beautiful forms. I couldn’t help but imagine Parisii dancing beneath t...

Bedtime story I , 2017, 20x20cm, Edition 1/7 plus 2 Artist Proofs, Digital C-print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2017...

The Journey I - 2019 Influenced by 1950s and 1980s cinema, The Journey sees a young woman heading off into the unknown where fate and chance all come into play. Edition of 10 - 40 ...

Bath time Story IV - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1069...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Slim Aarons Estate Print - Having A Topping Time - Oversize Socialite Alice Topping relaxing at a poolside in Palm Beach. A Wonderful Time – Slim Aarons (Photo by Slim Aarons) Chromogenic print paper size 20 x 20" inches / 51 x 51 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. palm palms dog dogs...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Last Frame (29 palms, CA) - 2008 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4655. ...

TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...

Lose your head- 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1050. Not...

Aerial Views, Tulip Fields 10 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 di...

Read my mind - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-880. Not ...

Faye Dunaway Oscar Outtake (Stare) Los Angeles 1977, Printed Later Silver Gelatin Print 30 x 30 inches Edition of 50 Estate signature stamped and numbered edition of 50 with certific...

Richard Heeps' Dream in Colour Series beautifully captures 1950's chic, the nostalgic vibe and warm colours are incredibly seductive. This artwork is a limited edition of 25, gloss ...

The blurring of time and space captured in time-lapse photography while the photographer is in motion has resulted in a lined pale beach, cerulean water and a darker sapphire sky str...

Tussle (The Princess and her Lover) - 2009 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...

After midnight - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-932. No...

Rice Bowl, interior photograph from Richard Heeps Ordinary Places series, it was captured in the final years of British Hong Kong in a colonial home on the Peak. The almost monochrom...

Item Description: Isabelle Menin Embarquement pour Cythere #1 Digital C-Print Exists in three sizes: Size A: edition of 3 + AP, 43.3 x 58.3 inches Size B: Edition of 6 + AP, 29.1 x 3...

Julian Assange 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

This work is offered by CLAMP in New York City.

Cream - 2021 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2021-1012. Not...

Voices - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-913. Not mounte...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

Here with You - 2024 - 40x48cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-31. Not ...

'Thursday's Child' part of the series 'A Girl called N.' - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label and certificate....