C Print Photography

Fine art print of Elvis Presley "Last Train to Memphis" from the collection of acclaimed photographer. Lynn Goldsmith, taken in 1960 These prints are 16x20" open edition and come wi...

Mouche at Praia do Vau, Portugal wearing a Nina Ricci swimsuit. British Vogue magazine, January 1973. Mouche at Praia do Vau, Portugal for Vogue, January 1973 Printed later C print ...

We love this work because the fashion shots are all set in a vast landscape of beauty and composed with poetic feel and look that is timeless and classic. 20x24 in. - Edn of 20 C p...

Autumn Drift (The Last Picture Show) 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist ...

Available Sizes: 37.5" x 30" Edition of 15 40" x 50" Edition of 10 48" x 60" Edition of 5 Isaac: Isaac is an Austinite. A local resident at the Austin Zoo & Sanctuary, he spends his...

This gun metal grey filing cabinet stands in the corner of a mid-century wood panelled bunker office. This interior artwork was photographed in Ho Chi Minh City, and is part of Richa...

'Figure study in black and white II' 2016, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist invento...

Dulce Periculum - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2020-90...

Fighting back the Darkness (Till Death do us Part) - 2005 20x20cm, Edition 9/10. Archival C-Print, based on the Polaroid, Certificate and Signature label. Artist Inventory No. 9...

ICES Red, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast, the art...

Snowmass Picnic, 1967 - Aspen Skiing Colorado Apres Ski American Snow Sports by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150....

Chromogenic print Signed and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: Born in 1970 in a suburb of Tel-Aviv...

Between the Trees 12, 2014 - Misty and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 12 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, ...

Caleta Beach, Acapulco, Mexico 1968 - Couple Walking on Sand by Turquoise Sea 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Caleta Beach, Ac...

Thrills, the iconic Coney Island Wonder Wheel photograph by Richard Heeps. The bold typography of the architectural structure fills the Fuji Film frame combining Richard's signature ...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Basketball, Clapham I is a stunning C-Type Print by contemporary photograph...

Mouche at Praia do Vau, Portugal wearing a Nina Ricci swimsuit. British Vogue magazine, January 1973. Mouche at Praia do Vau, Portugal for Vogue, January 1973 C print Estate stamped...

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

Algebra - 2021 - 25x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1018. Not mou...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

The way we were (Till Death do us Part) - 2005 48x58cm, Edition of 10, Archival C-Print print, based on the Polaroid Certificate and Signature label artist Inventory No. 9088. No...

Wonderland - 2019 20x20 cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2019 - 738. Kir...

Original large format photographic print from Mona Kuhn's series Kings Road, ephemeral observations of interiors, vignettes and details captured at Rudolph Schindler's iconic LA home. In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of work this individual photo is from incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. The exhibition Kings Road has been shown in Santa Barbara, Paris, Göttingen an Lianzhou. Read more about Mona Kuhn in a recent Introspective Magazine feature - see 1stDibs page footer below Pulse (2022) Kings Road: A Rudolph Schindler House 60" x 45" / 152cm x 114cm / edition of 3 40" x 30" / 102cm x 76cm /edition of 12 limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Giddy was just that. He showed up with such an impressive readiness to get do...

'Morning. Noon. Night' part of the series 'A girl called N.' 2019, 19x25cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and...

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

Terry O’Neill is one of the twentieth century's most accomplished and collected photographers, whose work hangs in national galleries and private collections around the globe. Since ...

Leaving (Strange Love) - 2005 20x30cm, Edition of 10 plus 2 artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. Stefanie Schnei...

'Daisy on Bed' (Till Death do us Part) - 2005 38x47cm, Edition of 30 Archival C-Print print, based on the Polaroid, Certificate and signature label, ar...

Downfall (Bombay Beach) - 2023 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2023-13. ...

Bitter Campari, Italian street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November 2018 for a special project featuring at t...

The Juncture (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventor...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

90 Minutes Vintage Blue, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, pers...

Male Nude VI (29 Palms, CA) - 1999, 20x20cm, Edition of 10. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 23700. Not mounted. ...

Digital C-print Signed, dated, and numbered, verso 17 x 15 inches, image (Edition of 25) 24 x 22 inches, image (Edition of 15) 34 x 30 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles...

Controversy - 2018 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2018-1096. Not ...

Blue Space Dark - Mindscreen 09 (Night on Earth) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. ...

All that glitters ain't gold, 2017, Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL201...

This photograph from 1972 captures a stylish, vibrant scene featuring two people on a small airplane. A young woman, wearing a pink floral dress and sunglasses, lounges gracefully on...

Palm Springs Palm Trees X (Californication) - 2019 78x76cm, Edition of 10, plus 2 Artist Proofs. digital C-Print, based on the Polaroid. Certificate and Signature label. Artist ...

Southwold Pier, waterscape photograph from Richard Heeps' series, On-Sea. Symmetry of the architectural structure draws your eyes hypnotically to the horizon as the sun is setting on...

After midnight - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-932. No...

Are we human (or are we dancers)? - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inven...

Life and how to live it, 2016 Edition 1/7 plus 2 Artist Proofs Digital C-print, Based on Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2016-791...

David Bowie "Diamond Dogs" contact sheet print by Terry O'Neill, hand signed and hand numbered by Terry O'Neill from his Lifetime Edition, obtained direct from the Terry O'Neill arch...

Museum quality fine art print of Dita Von Teese by photographer Markus Klinko in 2013 in Los Angeles. This print is available in the following sizes, signed and numbered by Markus K...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

Spellbound 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-751...

'Kirsten doing her Nails' (29 Palms, CA) - 1999 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist in...

This work is offered by CLAMP in New York City. Slava Mogutin Marko Hands, Berlin 2007 Signed, titled, and numbered, verso Chromogenic print (Edition...

Crushing - 2017, 20x20cm, Edition 1/7 plus 2 Artist Proofs. Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-792. ...

Hotel Camino Real - Mexican Resort Photograph Swimming Pool Palm Trees by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Hotel C...

Slim Aarons Estate Limited Edition C print 40 x 30 inches / 101 x 76 cm unframed. ' Poolside Party ' A poolside party at a desert house, designed by Richard Neutra for Edgar J. K...

Mirror, vintage interior photograph from Richard Heeps' series, Ordinary Places. The layered green hues of this artwork draws you into the details. Ordinary Places was Richard's fir...

Contemplation - 2018 Edition of 7, plus 2 Artist Proofs. Based on the Polaroid Archival C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2018-20...

Ballerina Mary Drage in taffeta evening dress by Rappi, the MET gallery C print Estate stamped and numbered edition of 21 on verso Norman Parkinson (1913-1990) was the Twentieth Cen...

Henry Fonda - American Actor Henry Fonda Ocean Portrait Blue Sky Horizon by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Henry ...

Palm Beach Idyll, 1955 - Relaxing by Palm Trees in Palm Beach by Atlantic Ocean by Slim Aarons 16 x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Lariat Motel, photograph from Richard Heeps Dream in Colour series. The neon in this classic Americana roadside sign glows in the evening light. It was captured in its original site ...