C Print Photography

Untitled #18 is a dazzling Chromogenic Print by Contemporary photographer Karine Laval Limited Edition of 15 In Karine Laval's series, The Pool, the photographer travelled around t...

In Dubious Battle (Haley and the Birds) - triptych - 2013 40x125cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 3 original Polaroids. Certificate and Sign...

Fleeting (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # ...

Jersey Views (Stay) - 2006 Edition of 10, 10 pieces 98x96cm each, installed 210x555cm. 10 archival C-Prints, based on the 10 Polaroids. Certificate and Signature label. Artist I...

12 Apostles, Australia, 1997 - 20x29cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...

Village Motel - Heated Pool (The Last Picture Show) - 2005 58x56cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Chrystal Archive Paper, based on the Polaroid...

Come With Me 8, 2011 - Autumn Leaves on Forest Floor in Natural Woodland by Ellie Davies Come With Me 8 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in t...

Lure of Lamu, 1987 - Lamu Archipelago Kiwayu Mlango wa Chanu Resort Kenya by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Lure ...

Lights of Mong Kok, Kowloon, Asian architecture photograph by Richard Heeps. The artwork captures the spirit of walking the streets in Hong Kong, the overwhelming buzz of the compet...

The Princess (The Princess and her Lover) - 2009 Edition of 2/5, 125x123cm. Analog C-Print, hand printed by the artist and based on the Polaroid, mounted on Aluminum with matte ...

'Mustang Mistake' 1973 by Alain Le Garsmeur Limited Edition Archival Pigment Print A broken fender bumper on a Mustang car after a collision in Manhatta...

Moving in Together (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2...

Gasoline I (Stranger than Paradise) - 1999 3 pieces, each 120x120cm plus 10 cm in between each print together 120x380cm, Edition 1/5 (only Edition 1 and 2 are still available) Anal...

Burning Motel Memories (Strange Love) - 2005 40x50cm, Edition of 10. Archival C-Print, based on a Polaroid. Signature label and certificate, artist Inventory No. 9926. Not moun...

True Colors (The Last Picture Show) 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist i...

Southwold Pier, waterscape photograph from Richard Heeps' series, On-Sea. Symmetry of the architectural structure draws your eyes hypnotically to the horizon as the sun is setting on...

The Moment of Truth (Heavenly Falls) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invent...

Haley and the Bird (29 Palms, CA) - 2013 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventor...

My Girl (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #92...

'View from Bombay Beach', cool shades of blue are key to this serene waterscape below sea level in the Salton Sea. The suspended cloud creates a dreamy symmetry. The artwork is a li...

Amusements, seaside typography photography from Richard Heeps' On-Sea series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is pres...

Rosegarden (Suburbia) - 2004 Edition 1/5, 60x80cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Projection. Artist Invent...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

'Hunting' from the movie Immaculate Springs - 1998 Edition of 5, 58x56cm, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on an expired Polaroid. Signatur...

Untitled (Traintracks) - The Last Picture Show - 2004, 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Ar...

Transformation (Suburbia) - 2004 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1675....

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Fog (The Last Picture Show) 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist inventory...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 A...

Haley and the Bird Man (Haley and the Birds) - 2013 from the 29 Palms, CA Project 4 pieces 70x90cm installed, 30x40cm each. Edition of 10 plus 2 Artist Proofs,. 4 archival C-Prin...

New Release - January 2026 "David Bowie - The Hunt" New York, 2001 Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated collection "Bowie...

Cherry Tree Blossoms (Till Death Do Us Part), 80x78cm, Edition 1/5, Analog C-Print, hand-printed by the artist based on the original Polaroid. Certificate and Signature label. ...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist...

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trim...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 489...

The Hideout - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #725. S...

Last Frame (29 palms, CA) - 2008 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4655. ...

Palm Springs Palm Trees XI (Californication) - 2019 40x40cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory Number 22...

Mindscreen 8 - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Not mounted. Signed on back with Certificate. Artist Inventory No. 2...

Radha and Max on Dirt Road (29 Palms, CA) - 1999 Edition 8/10. 60x67cm including white frame. Analog C-Print, based on the Polaroid. Signature label and Certificate. Artist inv...

Bahamas Speed Week, Nassau, 1963 - Motorsports Vintage Cars Grand Prix in Nassau by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later....

Colorful Crew, 1970 - Bermuda Sailing Island Living Yacht Day Trips Bermuda by Slim Aaron 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Col...

Magic Hour (Musica Poetica) - 1999 Edition 3/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

But I Love You! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

New Release - January 2026 "David Bowie - The Wave" New York, 2001 Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated collection "Bowie...

Lonely Tree Limited edition of 10 prints on watercolor paper, 16 x 24 inches / 40.5 x 60.7 cm Please note that the print will have a 1" (2.5 cm) white border around the image to fa...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

'Malone Street', the American open road leading to snow capped mountains in Keeler, California. This artwork is part of Richard Heeps' 'Dream in Colour' series. This artwork is a li...

Cheeky - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL219-660. Kir...

Vetyver Pool, photograph from Richard Heeps India series, The Ambassador's Window. On a journey through India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace ...

Dodger Stadium (The Last Picture Show) - 2000, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

'Renée's Dream' (Days of Heaven) - 2005 part of the 29 Palms, CA project 3 pieces 18x22cm each Edition 15/100. 3 Archival C-Prints, based on the 3 original Polaroids. Certificate ...

Sweet Boy (Stranger than Paradise) - 1997 20x25cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist Inventory...

90 Minutes A Side, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

The Bath Markus Photo by Markus Klinko Limited Estate Edition C Print Produced from the original transparency Certificate of authenticity supplied Paper size 20×24 inches/ 51 x 61 cm Printed 2020 Edition sizes are : 20×24 inches edition of 50 + 8 Artist’s proofs 40×30 inches edition of 25 + 6 Artist’s proofs 60×40 inches edition of 12 + 4 Artist’s proofs   FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. international fashion/celebrity director iconic stars of film music fashion photographer nude woman reflections shadows bath water...

Palm Springs Palm Trees IX (Californication) - 2019 40x40cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory Number 22...

Forest Dark (Strange Love) - 2003 60x189cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of ...

Henry Fonda - American Actor Henry Fonda Ocean Portrait Blue Sky Horizon by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Henry ...