Canvas Photography

Listing is for FRAMED print. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow t...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Patricia Heal's 8th show at the Robin Rice Gallery marks a departure from her previous figurative work with a visual essay celebrating the wild ponies of Dartmoor National Park in Devon, England. The dedicated exhibit reflects Patricia's life-long love affair with the area and its inhabitants—the semi-feral native ponies that have roamed the moors for centuries. The work represents a conscious shift to provide a respite from the modern world and create a sense that one has stumbled upon a treasured possession. With a nod to Peter Beard and Deborah Turbeville, each photograph, whether from negative or digital, is printed on canvas that has been distressed to take on a worn, slightly damaged texture and then stitched to another piece of canvas with horsehair. Through tearing, staining with archival inks, charcoal and graphite, the canvasses take on a look and feel of a valued relic from the past only now rediscovered by the viewer. There will be no editions as they are truly one-of-a-kind. Born and raised in the region, Dartmoor was an important part of Patricia's childhood experience. The magical ponies and misty, granite flecked moorlands always held a special place in her imagination. She has recently been inspired by the Dartmoor Pony Heritage Trust (DPHT), whose mission it is to save the indigenous pony from extinction. It is estimated now that there are as few as 1500 ponies kept on the moors. In the invitational image, Lord Byron...

Listing is for FRAMED print. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow t...

Listing is for FRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produce...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

This framed photograph is one of a kind. Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a dif...

Listing is for FRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produce...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for FRAMED print. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow t...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for FRAMED print. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Patricia Heal's 8th show at the Robin Rice Gallery marks a departure from her previous figurative work with a visual essay celebrating the wild ponies of Dartmoor National Park in Devon, England. The dedicated exhibit reflects Patricia's life-long love affair with the area and its inhabitants—the semi-feral native ponies that have roamed the moors for centuries. The work represents a conscious shift to provide a respite from the modern world and create a sense that one has stumbled upon a treasured possession. With a nod to Peter Beard and Deborah Turbeville, each photograph, whether from negative or digital, is printed on canvas that has been distressed to take on a worn, slightly damaged texture and then stitched to another piece of canvas with horsehair. Through tearing, staining with archival inks, charcoal and graphite, the canvasses take on a look and feel of a valued relic from the past only now rediscovered by the viewer. There will be no editions as they are truly one-of-a-kind. Born and raised in the region, Dartmoor was an important part of Patricia's childhood experience. The magical ponies and misty, granite flecked moorlands always held a special place in her imagination. She has recently been inspired by the Dartmoor Pony Heritage Trust (DPHT), whose mission it is to save the indigenous pony from extinction. It is estimated now that there are as few as 1500 ponies kept on the moors. In the invitational image, Lord Byron “—Indigenous Dartmoor Pony”, we see a close-up of a pony against a distressed canvas background that takes on the elegant look and feel of tapestry, framing the pony's powerful profile and highlighting its mane. In another image, “Sherberton Crossroads”, a dappled grey pony gallops across the terrain. The pony's elongated shape blends perfectly with the horizon, a mix of sparse, flat rock and low brownish green vegetation that gives way to a blue expanse of sky. It's a seamless integration of the statuesque horse and nature. The 30 individual canvases of different shapes and sizes are presented in collage formation on one wall. Heal sees the series as one large complete work. On the facing wall, Heal's video installation of the ponies roaming wild in their environment adds yet another layer to the show. It is surrounded by text of a poem by Emily Bronte and an article about Dartmoor written by Andrew Price. The exhibit will also be shown in London next year, further raising awareness of these wild ponies who embody freedom and strength despite their rare breed status. Steven Spielberg's “Warhorse” was shot in Dartmoor last year and will be released later this fall. He says of the area: “I have never before, in my long and eclectic career, been gifted with such an abundance of natural beauty as I did while filming “Warhorse” on Dartmoor.” —Steven Spielberg, Enjoy Dartmoor Magazine. Black and white, horse, equestrian, animal, custom, frame insects...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Ceravolo's "Triple Chuck Close", Combines Acrylic, oil, encaustic, moveable steel grids and Archival Pigments on canvas mounted on board. The viewer can sli...

Listing is for FRAMED print. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow t...

AYLINE OLUKMAN Ayline Olukman is a multimedia artist whose work includes photography, painting, writing, etching, and drawing. Her work explores the ideas of intimacy, loneliness, an...

Bill Claps FOREST PALM mixed media on canvas 23.00 X 30.00 in My work has traditionally been characterized by immediacy and gesture, executed combining elements of both painting and...

AYLINE OLUKMAN Ayline Olukman is a multimedia artist whose work includes photography, painting, writing, etching, and drawing. Her work explores the ideas of intimacy, loneliness, an...

Artist: Todd Murphy Year : 1998 Title: Early Tiger Unique Piece , Handpainted with Photo Collage Photographic Collage, Transfer, Stone, and Mixed Media...

Ly Hung Anh is known for his figurative oil on canvas paintings, he often paints members of his family in black, white and grey. “Never Alone” is a typical example of his style wher...

Medium: Silkscreen on canvas covered with with diamond dust Edition 8 of 10. White frame Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s. She is the only woman to sculpt in this style. Her career is highlighted by iconic figurative works of swimmers and dancers. She has been included in exhibitions at the Smithsonian Institution’s National Portrait Gallery; the State Hermitage Museum in St. Petersburg, Russia; the Venice Biennale; and Palazzo Strozzi Palace in Florence, Italy, among others. Growing up in New York, Feuerman was deterred from being an artist. She attended Hofstra University, Temple University, and graduated from the school of Visual Arts in New York City to begin her career as an illustrator. During the early 1970s she went by the artist’s name Carole Jean, illustrating for The New York Times and creating album covers for Alice Cooper and the Rolling Stones. In 1981, Feuerman was chosen by a jury at the Heckscher Museum in Long Island where she exhibited. After this she was invited to participate in the ‘Learning through the Arts Program’ at the Guggenheim Museum. Feuerman received the Charles D. Murphy Sculpture Award in 1981. In 1982 she received the Amelia Peabody Award for sculpture. In 2016, she received Best in Show Award for her sculpture ‘Mona Lisa’ by the Huan Tai Museum. The sculpture was acquired for their permanent collection. Feuerman has also been awarded the Medici Prize by the City of Florence, First Prize at the Beijing Biennale, and the Austrian Biennale, and in 2008 she received First Prize in the Olympic Fine Art exhibition in Beijing. The piece was acquired by the Olympic Museum. She has taught, lectured, and given workshops at the Metropolitan Museum of Art and the Solomon Guggenheim Museum. In 2011, she founded the Carole A. Feuerman Sculpture Foundation. Her artworks are owned by eighteen museums, as well as in the collections of the City of Peekskill, New York, the City of Sunnyvale California, President and Senator Hillary Rodham Clinton, the Frederick R. Weisman Art Foundation, Dr. Henry Kissinger, the Mikhail Gorbachev Art Foundation, Mr. Steven A. Cohen, Alexandre Grendene Bartelle, and the Malcolm Forbes Magazine Collection...

Kate Moss #2, Ultramarine & Silver 62 x 48 inches Acrylic paint, enamel, and diamond dust screen print on linen Signed by the artist Beautifully framed in black Currently on d...

2020 Signed on label, verso Ultrachrome ink on paper 77 x 58 inches Contact gallery for price. This work is offered by ClampArt in New York City.

2020 Signed on label, verso Ultrachrome ink on paper 77 x 58 inches Contact gallery for price. This work is offered by ClampArt in New York City.

2020 Signed on label, verso Ultrachrome ink on paper 77 x 58 inches Contact gallery for price. This work is offered by ClampArt in New York City.

2020 Signed on label, verso Ultrachrome ink on paper 77 x 58 inches Contact gallery for price. This work is offered by ClampArt in New York City.

2020 Signed on label, verso Ultrachrome ink on paper 77 x 58 inches Contact gallery for price. This work is offered by Clamp Art in New York City.

Kate Moss #1, All Saints Pink 62 x 48 inches Acrylic paint, enamel, and diamond dust screen print on linen Signed by the artist Beautifully framed in bl...

Bill Claps HUANGSHAN GORGE Huangshan Gorge 47” x 21” mixed media on canvas 47.00 X 21.00 in