Gold Leaf Photography

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Each work Jackson makes is a one-of-one original using his proprietary silver and ink suspension technique - a process that unfolds over weeks of dedicated development through layers...

Franci & Michelle - Platinum Palladium print over pure 24 carat Gold leaf on vellum paper Edition 1 of 5 , plus 2 AP ( size 1 ) Signed + numbered with certificate of authenticit...

Gold Kiss 3D, 2023 by Koray Erkaya Photograph printing directly on BBC metal. 24 carat gold leafs and gold glitters are processed on this print. Afterwards, epoxy is poured in layers...

Kate Breakey is internationally known for her large-scale, richly hand-colored photographs including her acclaimed series of luminous portraits of birds, flowers and animals in a ser...

About the artist: Multi-award winning artist Grégoire A. Meyer creates digital illustrations that evoke emotional reactions. Self-taught visual artist, he examines through Art, the ...

Orotones leafed in 24kt gold, Price includes frame

"Cherry" is a photograph by Kate Breakey. The piece is signed numbered and framed by the artist. Framing varies. These images are archival pigment prints printed directly onto pl...

Nathalie - Platinum Palladium print over 24 carat Gold leaf on vellum paper Edition 1 of 8 , plus 2 AP ( size 2 ) Print: 2016 Woman in a wet silk bathrobe...

Luis Gonzalez Palma Mobius (Virginal), 2019 digital photograph on canvas, gold leaf and Judea Bitumen 11.75" x 11.75" unframed 16" x 16" framed Edition of 5 Luis González Palma’s ...

Nude 01 - Platinum Palladium print over 24 carat Gold leaf on vellum paper Edition 1 of 8 , plus 2 AP ( size 1 ) Signed + numbered with certificate of authenticity ( signature a...

Elsa Poppin - Platinum Palladium print over 24 carat Gold leaf on vellum paper Edition 1 of 8 , plus 2 AP ( Large size, size 2 ) Still life scene of the regulars at a vintage bar...

Once Was by Marcy Palmer presents a small bouquet of flower buds, illuminated in a background of gold. This photograph is made of 24k gold leaf on vellum ...

Stunning hand printed photograph Beautiful gold leaf design multi faceted. Framed in Black Wood with Red Detail - one small blemish maybe able to fix. Framed out to 24x24" Museum Gl...

The Song You Would Hear by Marcy Palmer presents a bouquet of wildflowers, illuminated in a background of gold. This photograph is made of 24k gold leaf o...

Firestorm/Time for Change by Marcy Palmer presents a collection of golden seed pods, bursting out from a black background. This photograph is made of 24k ...

Carduus Nutans Sways by Marcy Palmer presents a small gathering of musk thistles, illuminated in a background of gold. This photograph is made of 24k gold...

Stayed by Marcy Palmer presents a collection of flowers, illuminated in gold. This photograph is made of 24k gold leaf on vellum with an archival UV varni...

Elegant Petals by Marcy Palmer depicts a golden stem with budding flowers emerging from a dark background. This photograph is made of 24k gold leaf on vel...

That Luscious Day by Marcy Palmer presents a carnation flower surrounded by petals and leaves, bathed in gold. This photograph is made of 24k gold leaf on...

"Cherry Orchard" 28" x 27" inch Ed 2/3 by VLADIMIR CLAVIJO-TELEPNEV Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror) Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY...

A sensual pop art surrealist mixed media paint and photography on canvas by Luciana Pampalone ( American, 1963). The large mixed media depicts a photography of a woman 's hips in sexy fishnet stocking The photography background...

A sensual pop art mixed media paint and photography on canvas by Luciana Pampalone ( American, 1963). The large mixed media depicts a photography of a woman 's legs dressed in sexy fishnet stocking and wearing black high heel shoes. The photography background...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. 12 by 9 inches framed. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers a...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This is a beautiful series of mixed media of found objects, watercolor, gold leaf, in a handmade frame from artist based in Los Angeles. Video is attached for viewing detail “Coff...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

A line in the sky #7 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

A line in the sky #8 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

A line in the sky #9 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

A line in the sky #5 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

"Taken on Hikkaduwa Beach, Sri Lanka as the sun was setting; casting its golden rays along the beach... The image endeavours to celebrate the noble presence and elegant sway of the ubiquitous palm tree. The palm tree has many symbolic meanings and in this image I have tried to highlight its association with immortality and regeneration with the addition of gold leaf." - Valda Bailey...

"Taken on Hikkaduwa Beach, Sri Lanka as the sun was setting; casting its golden rays along the beach... The image endeavours to celebrate of the noble presence and elegant sway of the ubiquitous palm tree. The palm tree has many symbolic meanings and in this image I have tried to highlight its association with immortality and regeneration with the addition of gold leaf. The majority of Sri Lankan identifies as Buddhist and the spiritual associations gave me the title." - Valda Bailey...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Luis Gonzalez Palma Mobius (La Rosa), 2019 digital photograph on canvas, gold leaf and Judea Bitumen 11.75" x 11.75" unframed 17" x 17" framed Edition of 5 Luis González Palma’s m...

Luis Gonzalez Palma Mobius (Joven Alado - Winged Youth), 2019 digital photograph on canvas, gold leaf and Judea Bitumen 11.75" x 11.75" unframed Edition of 5 Luis González Palma’s...

Luis Gonzalez Palma Mobius, 2019 digital photograph on canvas, gold leaf and Judea Bitumen 11.75" x 11.75" unframed Edition of 5 Luis González Palma’s multifaceted body of work us...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Luis Gonzalez Palma Mobius (Coral), 2019 digital photograph on canvas, gold leaf and Judea Bitumen 11.75" x 11.75" unframed Edition of 5 Luis González Palma’s multifaceted body of...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

"Remembering Frida Kahlo" 26"x21"inch Ed 1/3 by VLADIMIR CLAVIJO-TELEPNEV Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror) Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY DMITRY MEDVEDEV NURSULTAN NAZARBAEV Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York. EXHIBITIONS: 2013 Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal; Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia. ​ 2012 Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK; Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum; Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia. 2011 Group exhibition at the ART MOSCOW FAIR. 2010 Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor. 2009 "Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia. 2008 "Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany; Solo exhibition at the VINZAVOD Exhibition Center. 2007 Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia; Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center. 2006 Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK; Solo exhibition at the ESPECRTO Gallery in Krasnodar. 2005 Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris; personal exhibition at the MILLIONAIRE FAIR, Moscow; exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn; personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates; exhibition at the STUDIO Gallery, Moscow Russia; exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow; the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S; exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France; 2004 Exhibition at the STUDIO Gallery, Moscow, Russia; Exhibition at the LEAGUE Art Gallery, Kolomna, Russia; Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia; Exhibition at the Novosibirsk Art Museum, Russia; Exhibition at the Benshaeb art gallery, Paris, France; Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California. 2003 Russian Post Modernism Nostalgia exhibition, New York, U.S; Exhibition at the LUMIERE, Moscow, Russia; Exhibition at the Russian Modern History State Central Museum; A participant at the 40 Views as to the Image of Comme de Garcon art...