Paint Photography

black + white toy-camera image from the series 'my affair with diana' 10x10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo su...

"Misdirection" is a perfect example of Hunter's highly fluid, expressionistic style -- which so often results in arresting images with a sense of depth and sculptural form. Black and...

Mixed Media, 1970's Vogue, spray paint and image paste, resin on wood panel. Featuring Kate Moss. Panel made by artist. About the Artist: Seek One is an up and coming talent,...

Aren't we all waiting for Spring? I do for sure! I can't wait to see bright colors hidden in green grass, maybe a dash of a spring sprinkle - and after it everything is even more glo...

Aren't we all waiting for Spring? I do for sure! I can't wait to see bright colours hidden in green grass, maybe a dash of a spring sprinkle - and after it everything is even more gl...

César Delgado (Spanish, b. Madrid, 1961) is a contemporary Spanish painter whose work draws upon the legacy of Spanish informalism, approaching the pictorial process through repetiti...

Hand-coloured unique portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Handcoloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo’s desire. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: Daphne II...

In 1995, wherever you looked, you could see the Chrysler Building. In this image, from the Weehawken, New Jersey vantage point, the iconic spire of the Chrysler Building peeks its he...

Jeri Eisenberg creates nature inspired works in single panels, diptychs and triptychs. Her soft colored photographic pieces are created using non-traditional and alternative photo-ba...

Signed, dated, numbered and titled in pencil on recto; artist's copyright label affixed to verso Painted Gelatin Silver 16 x 20 inches Edition 8 of 25

New York City is renowned as a center of world-class Museums and tastemaker Art Galleries. However, some of the greatest art is street art mad...

Magnolia, No. 10, by artist Jeri Eisenberg is a soft pink, and green contemporary triptych made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 34 and is priced at $3,150. Magnolia, No. 10 Edition: 4/12, 2010 *Price differs with top bars only $3000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

Golden late light rushes in central park with illuminate a man and his dog with a glowing ring of light. This was done in 1973 and due to new sky scrapper construction this angle i...

Charles Cobelle French, 1902-1998 La Place de la Concorde, Paris Oil on canvas 20 by 24 in. W/frame 28 by 32 in. Signed lower right Born in Alsace-Lorraine, France, and becoming a U.S. citizen in the late 1920s, Charles Cobelle, whose birth name was Carl Edelman, began his career in Paris after earning Bachelor and Master's Degrees at the University of Munich. Later he studied at the L'Ecole des Beaux Arts in Paris and with Marc Chagall. At Menton on the Riviera, he apprenticed with Raoul Dufy. In the United States where he lived in Brookfield and Fairfield, Connecticut, he continued to create mixed-media paintings, and also did mural work for commercial establishments such as Neiman Marcus Company in Dallas, Texas; The Desert Inn...

Mixed Media on Canvas featuring the inimitable Mick Jagger from The Rolling Stones. Purposefully left raw. Photographed by Joester. Signed by the artist. About the Artist: ...

Ceravolo's "Triple Chuck Close", Combines Acrylic, oil, encaustic, moveable steel grids and Archival Pigments on canvas mounted on board. The viewer can sli...

ARTIST STATEMENT Sometimes I feel like the world has lost the capacity for admiration, to experience the incredible, to revel in astonishment. Life is filled with grace, motion, col...

Original - Mixed Media & Encaustic on Board Hand Signed by Greg Angus

World - Manipulated photography The artist Wei Xiang is an artist who usually travels to obtain sources of inspiration for his art pieces. In this series of photographs manipulated w...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

China - Manipulated photography. A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...

French painter Work on paper Brown wooden frame 66,5 x 86,5 x 2,5 cm

Linus BILL (*1982, Switzerland) Topmodern, 2010 Silkscreen and Acrylic on Paper 188,6 x 125,5 cm (74 1/4 x 49 3/8 in.) Edition of 3 (#1/3) signed by the artist Born in 1982 in Switz...

CARLOS MERCADO TROPICALIA TROPICALIA...Inspired in Nostalgia of the Caribbean Puerto Rico and Cuban images from the Golden era of the 50's recollects th...

17"x22" Inkjet on aluminum, found objects (Big Red Fox, Little Red Fox), ceramic, vinyl Melissa Pokorny's work focuses on the sense of space, and its role in structuring memory and identity. Her larger-scale sculptures, mixed media tableaus, and installations incorporate fragmented images of landscape and nature that highlight contested spaces, borders and boundaries between the natural world and our presence in it. Pokorny's recent work explores literal and metaphorical attachments , in a call-and-response between people, places, and things. The sense of absence prevails, emphasized by situations that illicit awareness of loss -- of losing one's was, or the loss of memory to time and distance. People go missing, and things are left behind. Mellissa Pokorny has been an exhibiting artist for over twenty years. Her large scale, assemblage-based sculptural works have been widely exhibited at venues across the US. Recent solo shows at Platform Gallery in Seattle and Front Room Gallery in New York augment a long career of solo exhibitions, beginning with Gallery Paule Anglim, in San Francisco and continuing with Bodybuilder and Sportsman in Chicago. Selected group exhibitions include venues such as Yerba Buena Gardens, Southern Exposure, Victoria Room, and New Langton Arts in San Francisco, Foodhouse Gallery in Los Angeles, Gallery 400, Columbia College,The James Hotel, and Devening Projects +Editions in Chicago, and The Richard Peeler...

Ly Hung Anh is known for his figurative oil on canvas paintings, he often paints members of his family in black, white and grey. “Never Alone” is a typical example of his style wher...

Ly Hung Anh is known for his figurative oil on canvas paintings, he often paints members of his family in black, white and grey. “Never Alone” is a typical example of his style wher...

A densely packed flock of birds fly over a beach in East Hampton while a magnificent rainbow serves as a backdrop. The tight formation of the flock of birds symbolizes unity and to...

The towering glass skyscrapers of Lower Manhattan are framed by a colorful rooftop graffiti wall in this captivating photograph by street photographer Mitchell Funk . The fine art p...

This unexpected bird portrait was a grab shot as street photographer Mitchell Funk was entering the New York City subway. The real charm of the image is that it's more of an abstrac...

Oil on canvas Canvas size: 8.5 x 12 inches Framed size: 13.75 x 17.25 inches Signed lower right

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

Pezhman was born in 1976 in Shiraz – the center of Iran’s cultural civilization. Emigrating three years later as the result of the revolution, Pezhman grew up in the United States. A...

All the paintings are signed by the photographer on the verso.