Screen Photography

MILES ALDRIDGE (*1964, Great Britain) Venus Etcetera (after Velázquez) 2021 Screenprint in colours with silver ink Image 150 x 99 cm (59 x 39 in.) Sheet 162 x 111 cm (63 3/4 x 43 3...

Richard Meier Bagan, 2011 Silkscreen collage with hand-coloring and photography sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meie...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

The Proposal, 2022 20 x 30" Cyanotype Unique Variant Print Limited Edition of 7 + Cyanotype hand-printed on Arches BFK Rives French watercolor paper + Deckled Edges on all four sides + Signed and editioned on front in pencil + Letter of Authenticity + Printed in Los Angeles, CA WHAT IS A CYANOTYPE? cyan = blue type = print Cyanotype is a historic photographic processes, invented in 1842 and used by Anna Atkins–the first female photographer. The process involves coating watercolor paper with light-sensitive chemistry made of iron salts. Photographic negatives are laid on top, exposed in the sunlight, and then washed in water to develop into the deep Prussian-blue unique to cyanotypes. Brings a moment of beauty and conversation to any space. ABOUT THE ARTIST: Alexandra DeFurio...

Margaret Roleke creates politically aware work. Children’s war toys and packaging for these toys have fascinated her and become integrated elements in my wall reliefs and paper piece...

Miles ALDRIDGE (*1964, Great Britain) Hello, 2020 Screenprint in colours Sheet 73.5 x 95 cm (28 ¾ × 37 1/2 in.) Edition of 15, plus 3 AP; Ed. no 4/15 Print only A fiercely original ...

"Spirits of Valentino, Fall/Winter 2012" photograph of a runway show for the renowned Italian fashion house taken by fine art photographer Simon Procter. Specialist inkjet on gallery...

Artist: Quinn, Marc Title: Kate Moss on Gold Date: 2012 Medium: Screenprint, hand finished in gold leaf overglaze Unframed Dimensions: 27.5" x 21.25" Framed Dimensions: 35" x ...

Nick Veasey Silver Ferrari F40 on Red 2025 SilXScreen series Signed and numbered by artist 63,7 x 206 cm frame included as seen in the image. Edition of 25 Featured in artist's sol...

Very last of the "Falcon" edition available! Emerson has pioneered a technique of printing with delicate charcoal powders, which give the image a softne...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 12 times and this is the AP Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Nick Veasey Handcuff Handbag Silver Silkscreen 2025 From Print Series Signed and numbered by artist 75 x 75 cm frame included Numbered 5 out of 75

Signed and numbered on label, verso (1/3) Strontium aluminate print, painted museum box This work is offered by ClampArt in New York City.

Signed and numbered on label, verso (1/3) Strontium aluminate print, painted museum box This work is offered by ClampArt in New York City.

Signed and numbered on label, verso (1/3) Strontium aluminate print, painted museum box This work is offered by ClampArt in New York City.

Signed and numbered on label, verso (1/3) 2-color screenprint, painted museum box This work is offered by ClampArt in New York City.

Signed and numbered on label, verso Stontium aluminate print, painted museum box This work is offered by ClampArt in New York City.

Signed and numbered on label, verso (1/3) Strontium aluminate print, painted museum box This work is offered by ClampArt in New York City.

From Bruce Springsteen's 'Born to Run' session. Photographed June 20th, 1975 and print created September 2006. Carbon pigment on Innova fiber paper. Hand signed and dated lower right by Eric Meola...

From Bruce Springsteen's 'Born to Run' session. Photographed June 20th, 1975 and print created September 2006. Carbon pigment on Innova fiber paper. Hand signed and dated lower right by Eric Meola...

Tim White-Sobieski Alpha LV, 2005 Unique photo print on canvas 42 X 30 in Tim White Sobieski has been commissioned by LVMH multiple times, and in 2005, was invited to create an artwork for the new Louis Vuitton Flagship Store on Champs-Elysees in Paris alongside artists James Turrell and Olafur Eliasson. The project consisted of a 24-meter programmed fiber-optics video wall. Another colossal video wall was installed at the Petit Palais for the celebration of the launch. This was a unique cooperation of the three artists. In 2006, the Louis Vuitton Company invited Tim White-Sobieski back to participate in an exhibition entitled "Icons", an interpretation of the iconic logo-bags. Other artists included Marc Jacobs, Zaha Hadid, Ugo Rondinone, Sylvie Fleury, Shigeru Ban, Robert Wilson and Andrée Putman. From the 2006 ‘Icones’ exhibition at Espace Louis Vuitton, Paris. celebrating Marc Jacobs’ reinvention of their iconic pieces, works by Andree Putman, LV invited the architects Zaha Hadid and Shigeru Ban, the video artist Tim White-Sobieski, the director-scenographer Robert Wilson, and the artists James Turrell, Shigeru Ban, Sylvie Fleury, Bruno Peinado, and Ugo Rondinone to riff on their fashion logos Louis Vuitton's classic designs are an inextricable part of chic travel history. From trunks to leather bags to wine holders, their styles have traveled across time and fashion, becoming classics that never look old. With the genius of Marc Jacobs, these icons have entered new domains where art and fashion are directly linked. Tim White is a video and installation artist based in New York and Berlin. He was educated as an architect and dedicated himself to visual art and filmmaking, exploring the fields of painting, sculpture, photography, video, video installations and light installations throughout his career. He began showing in New York in the early 1990s with his "Blue Paintings." Emphasis on the role of the subconscious in his paintings had affinities with visual abstractionism and literary existentialism. He has consistently been at the technological forefront of video and light art, being called a "video maverick" and "an abstract "'painter of motion.'" Tim White-Sobieski was born in 1961 and emigrated to the United States in 1993. He attended New York University and Parsons School of Design before embarking on a career in art. Much of his work draws from literary work that has inspired the artist, and he has often featured icons of American literature in his installations. Writers such as Walt Whitman, John Steinbeck, John Updike, Kurt Vonnegut, J.D. Salinger, William Faulkner, and Robert Penn Warren all have a permanent presence in Tim White-Sobieski’s oeuvre. Musically, White-Sobieski composes most of his own film and video soundtracks, but also incorporates the work of his contemporaries such as Brian Eno, David Byrne, Robert Fripp...

Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...

Linus BILL (*1982, Switzerland) Untitled, from Too Cool For School, 2008 Silkscreen Print on Paper Image 90 x 60 cm (35 3/8 x 23 5/8 in.) Sheet 100 x 70 cm (39 3/8 x 27 1/2 in.) Fr...

Muntadas 6 Mai 1994, 1994 Photo silkscreen 33 x 13 1/2 inches (image) 43 3/16 x 31 1/8 inches (frame) Edition 37 of 75 Signed

Serigrafie e foto. L'opera è composta da tre cartoni serigrafati (in scatola di cartone) con il testo in inglese (titolo in originale "We have created atypical systems") e da sei ...

Hand painted screen print with diamond dust on 410 gsm Saunders Waterford Paper 15 x 15 inches / 38 x 38 cm Edition of 16 + 2AP's As the prints are hand-painted they are all vary slightly. Price is for unframed, we are happy to coordinate framing for this piece at an extra cost. Produced in 2021 these latest celestial prints really sparkle when the light hits them! Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Miles ALDRIDGE (*1964, Great Britain) New Utopias #4, 2018 Screenprint in colours with silver ink printed on 410gsm Somerset Paper 111 x 98 cm (43 3/4 x 38...

This piece is sold with a custom wood copper finish box frame, perfect for a contemporary setting. This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 9 times Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 12 times and this is the AP Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

MILES ALDRIDGE (*1964, Great Britain) Doors #3, 2023 Screenprint in colours Sheet 73 x 100 cm (28 3/4 x 39 3/8 in.) Edition of 15, plus 3 AP; Ed. no. 1/15 Print only A fiercely or...

MILES ALDRIDGE (*1964, Great Britain) Venus Etcetera (after Botticelli) 2021 Screenprint in colours with silver ink Image 109 × 150 cm (42 3/4 × 59 in.) Sheet 121 × 162 cm (47 3/4 ×...

MILES ALDRIDGE (*1964, Great Britain) Doors #2, 2023 Screenprint in colours Sheet 73 x 100 cm (28 3/4 x 39 3/8 in.) Edition of 15, plus 3 AP; Ed. no. 1/15 Print only A fiercely or...

Alexandre Ponomarev Maya-L'île Perdue, 2007 Silkscreen Print Edition of 200 56,5 x 75,6 cm (22.2 x 29.7 in), unframed In mint condition Signed, titled, dated and numbered Accompanied...

Miles ALDRIDGE (*1964, Great Britain) Ex Libris, 2019 Screenprint in colours 117 x 92 cm ( 46 1/8 x 36 1/4 in.) Edition of 15, plus 3 AP; Ed. no. 7/15 Print only A fiercely original...

Miles ALDRIDGE (*1964, Great Britain) I Will Love You Tomorrow, 2020 Screenprint in colours Sheet 73.5 x 95 cm (28 ¾ × 37 1/2 ) Edition of 15, plus 3 AP; Ed. no. 9/15 Print only A f...

Miles ALDRIDGE (*1964, Great Britain) New Utopias #3, 2018 Screenprint in colours with silver ink printed on 410gsm Somerset Paper Sheet 87 x 150 cm (34 1/...

Doors #3, 2023 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Screenprint in colours 39 ¼ × 28 ¾ inches From an edition of 15 + 3 AP Miles Aldridge’s singular ...

Doors #4, 2023 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Screenprint in colours 39 ¼ × 28 ¾ inches From an edition of 15 + 3 AP Miles Aldridge’s singular ...

Doors #1, 2023 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Screenprint in colours 39 ¼ × 28 ¾ inches From an edition of 15 + 3 AP Miles Aldridge’s singular ...

Broqpa is the name of a small village in Nepal. Ziesook first learned of it from a TV documentary, The Last Empire. Ziesook was moved by what she learned about a small village locate...

Doors #2, 2023 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Screenprint in colours 39 ¼ × 28 ¾ inches From an edition of 15 + 3 AP Miles Aldridge’s singular ...

Doors #5, 2023 - Miles Aldridge (Colour Photography) Signed and numbered on reverse Screenprint in colours 39 ¼ × 28 ¾ inches From an edition of 15 + 3 AP Miles Aldridge’s singular ...

Artist statement Scent of Broqpa Broqpa is the name of a small village in Nepal. Ziesook first learned of it from a TV documentary, The Last Empire. Ziesook was moved by what she le...

Linus BILL (*1982, Switzerland) Topmodern, 2010 Silkscreen and Acrylic on Paper 188,6 x 125,5 cm (74 1/4 x 49 3/8 in.) Edition of 3 (#1/3) signed by the artist Born in 1982 in Switz...

Miles Aldridge (Colour Photography) Signed and numbered in pencil on reverse Screenprint in colours with silver ink 34 ¼ × 59 inches Edition of 15 + 3 APs Miles Aldridge’s singular ...

Bathers #1, 2015 - Miles Aldridge (Colour Photography) Signed and numbered in ink verso Screenprint with lithography in colours 34 ¼ × 26 ¼ inches Edition of 25 Miles Aldridge’s si...

MILES ALDRIDGE (*1964, Great Britain) Doors #5, 2023 Screenprint in colours Sheet 73 x 100 cm (28 3/4 x 39 3/8 in.) Edition of 15, plus 3 AP; Ed. no. 1/15 Print only A fiercely or...

MILES ALDRIDGE (*1964, Great Britain) Doors #1, 2023 Screenprint in colours Sheet 73 x 100 cm (28 3/4 x 39 3/8 in.) Edition of 15, plus 3 AP; Ed. no. 1/15 Print only A fiercely or...

Miles ALDRIDGE (*1964, Great Britain) Bang! Bang!, 2017 Screenprint in colours printed on 410gsm Somerset Paper 97.5 x 120.5 cm (38 3/8 x 47 1/2 in.) Edition of 8, plus 2 AP, Ed. no....

Miles ALDRIDGE (*1964, Great Britain) New Utopias #2, 2018 Screenprint in colours with silver ink printed on 410gsm Somerset Paper Sheet 111 x 98 cm (43 3...

Ex Libris, 2019 - Miles Aldridge (Colour Photography) Signed and numbered in pencil in the margin Screenprint in colours 46 x 36 1/4 inches Edition of 15 + 3 AP Miles Aldridge (born 1964) is one of Britain’s most celebrated fashion photographers, who has worked for a number of international publications, including American and Italian Vogue, The New Yorker and The New York Times. Stark studio...

NICK KNIGHT (*1958, Great Britain) Gold Kate, British Vogue, 2000 Screen print on foil Sheet 101.6 x 76.2 cm (40 x 30 in.) Edition of 3; Ed. no. 2/3 (last edition available) Print only Nick Knight is among the world’s most influential and visionary photographers. He has worked on a range of often controversial issues during his career – from racism, disability, ageism, and more recently fat-ism. He continually challenges conventional ideals of beauty. Knight made fashion history in November 1993 by adapting ring-flash photography to capture Linda Evangelista for a landmark, post-grunge cover of British Vogue. Since then, his work has graced no fewer than 36 covers. He has shot advertising campaigns for Jil Sander, Louis Vuitton, Calvin Klein, Yves Saint Laurent, Vivienne Westwood, Alexander McQueen and Christian Dior to name a few. He has also shot record covers for David Bowie, Paul Weller, George Michael and Massive Attack. Knight’s work has been exhibited at institutions such as the Victoria & Albert Museum, Saatchi Gallery, The Photographers’ Gallery, the Hayward Gallery and recently the Tate Modern. Knight has also turned his hand to directing music videos - Pagean Poetry by Björk in 2001 being his first and, most recently, Kanye West’s Bound 2. He directed the video for Lady Gaga’s hit single Born This Way in 2011. Both the song and the video aimed to empower and show solidarity within minority groups, a common theme in Knight’s work. The work is one of a recently published series of prints that took 10 years to produce due to the long development process they triggered. Inspired by 16th century...

Huang Yan Self Portrait, 2008 39 X 30.75 inches Mixed media Ed, 200