Glass Portrait Photography

For the 1994 Pirelli Calendar shot on the Paradise Island in the Bahamas, photographer Herb Ritts set out to capture in a series of nudes what he called “the gentle innocence” of Kat...

The gentleman… a man of calm dignity and endessly kind eyes in Old Havana in 2016. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic chan...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

'Last supper' of 13 Michelin-starred Chefs... John Reardon is particularly associated with his portraits of chefs for the Observer Food Monthly (UK) for which this commission based o...

IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Vigilant by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame Burma  2009 The legs of a young man showing tradional Burmese tattoos and carrying a sword. The Ir...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams...

It was Christmas day and we were heading to Santa Maria beach in a hired Cuban school bus about 40 minutes from Centro Havana. The girls of Rumba Morena beg...

New Orleans is a mecca for music lovers from around the world. Wandering up Frenchmen Street on a sultry Louisianan evening is to be surrounded by competing sounds vying for attentio...

Divers by Monica Denevan Photography, Silver Gelatin Print with Wooden Frame, Burma Monica Denevan studied photography at San Francisco State University. She has travelled extens...

“Bardot Paris,” Jonathan Bermudes, Pop Art, 2015 - France Technique on support: Color gelatin silver print mounted under Diasec Title of the work: “Bardo Paris” Author: Jonathan B...

Some Said You Were the Spitting Image of Evil 1995-1996 Signed and numbered, verso Chromogenic print with sandblasted text on glass (Edition of 10) 2...

Materials : Hand Cut Paper Date : 2016 Dimensions : 12″ x 2″ x 12″ COA provided Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a...

Materials : Hand Cut Paper Date : 2016 Dimensions : 12" x 2" x 11" COA provided Anna Minnick's work explores the struggles of identity and mental illness. She hopes her work forms a...