Tree Photography

Gerald Berghammer - Limited Edition - Black and white farmland landscape photography. A solitary tree on a gentle hill under a cloudy sky at sunset. Archival pigment ink print, edit...

Old Tree in the Vineyard, France - no. 18049 Black and White Fine Art Landscape Photography - Tree in the middle of beautiful vineyard with big clouds in Bordeaux, France. Archival p...

Hand printed by artist In edition of 15 Platinum/Palladium (no pull down for it) Mint Condition Framing available

Gerald Berghammer - Black and white cityscape photography. Seaside hotel with multiple balconies, a curved walkway, and tall palm trees near the ocean. Archival pigment ink print as...

Black and White Fine Art Landscape Photography. Lonely tree on small hill in highlands of Ireland. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by art...

Black and white fine art panorama landscape photography. Archival pigment ink print, limited edition of 9. Cherry Tree avenue at the edge of the cornfield, Weinviertel, Austria. All ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

The young matrons of Palm Beach wearing designs by Lilly Pulitzer. Wendy Vanderbilt (sitting) is wearing a yellow dress and pink headscarf, Palm Beach, Florida, USA, 1964. Estate st...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

"Aspens" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by art...

The implied act of opening the boxes, releases the energy of the occupants, allowing them to take flight. The people and objects confined within, through the simple act of unfolding,...

Paul Caponigro 1932-2024 Rose Bowl, Still Life, Cushing ME, 2002 Signed, titled, dated in pencil Gelatin Silver Print Paper - 11"x14", Matted - 20"x24"

Series: ETERNAL All available sizes and editions: 20" x 32" editions of 10 30" x 54" editions of 7 40" x 72" editions of 5 48" x 86" editions of 3 Archival Pigment Print on Fine Ar...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

White Copse, Study 4, Wakkanai, Hokkaido, Japan is a black and white (silver gelatin) photograph by Michael Kenna. Michael Kenna is a master of contemporary photography. Known for c...

Hyomon, Study 1, Hokkaido, Japan is a black and white, limited edition photograph by photographer Michael Kenna. Michael Kenna is a master of contemporary photography. Known for c...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Michael Kenna travels the world, attuned to the aesthetic, emotional, and spiritual resonance of natural and urban landscapes, which he seeks to capture in his exquisite black-and-wh...

Michael Kenna travels the world, attuned to the aesthetic, emotional, and spiritual resonance of natural and urban landscapes, which he seeks to capture in his exquisite black-and-wh...

Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background 'Walking Grapes', by David Halliday, 2017 archival pig...

Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains Archival digital print, Edition of 25 (#369) Image size 19.3 x 29 inches with 2 inc...

From the Portfolio 'Winter' printed in the 1970's Beautifully printed by Ketchum. Dry mounted embossed border. Signed in pencil. Limited Numbered 8/20

From the Portfolio 'Winter' printed in the 1970's Beautifully printed by Ketchum. Dry mounted embossed border. Signed in pencil. Limited Numbered 8/20

From the Portfolio 'Winters' printed in the 1970's Beautifully printed by Ketchum. Dry mounted embossed border. Signed in pencil. Limited Numbered 8/20

Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition of 25 (#153) Image size 19.3 x 29 inches with 2 inch border 27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass Also available in the following sizes (unframed): Image 19.3 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 Image size 40 x 60 inches with 2 inch border $6800 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

Kline Kill Road archival pigment print on watercolor paper 16 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 This Black and White Sepia-toned print of a barn in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a pond reflecting the nearby willow tree and barn. The sunlight breaks through the clouds, casting a heavenly glow to the idyllic country setting. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

2015 black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches. This photograph is available unframed. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

archival inkjet print on watercolor paper 16 x 16 inches unframed 2018 Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below. This photograph is available unframed. The image measures 16 x 16 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores these landscapes and the marks left on them by man. His images, like O'Sullivan's, have a human context - whether it be the lights of a city, a hat, foot or shadow jutting into the frame, or debris/artifacts left behind by ancient or modern passers-by. Working mostly in the desert Southwest...

Nice Pool 1957 - Slim Aarons Estate Stamped Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. 20 x 20" inches / 51 x 51 cm paper size Estate St...

Poolside In Sotogrande 1960 - Slim Aarons Estate Stamped Afternoon tea round the pool on a cool day at the home of interior decorator James Pendleton in Beverly Hills. 40 x 60" in...

Palm Beach Street 1953 - Slim Aarons Estate Stamped Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. 16 x 16" inches / 41 x 41 cm paper size Estate Stamped ...

Having A Topping Time 1959 - Slim Aarons Estate Stamped Socialite Alice Topping relaxing at a poolside in Palm Beach. A Wonderful Time 40 x 40" inches / 101 x 101 cm paper size E...

Neo-Classical Pool 1985 - Slim Aarons Estate Stamped Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents ...

Bahamanian Hotel 1973 - Slim Aarons Estate Stamped A hotel on the coast at Great Harbour Cay, Bahamas, March 1973. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Collect...

CZ’s House 1955 - Slim Aarons Estate Stamped Mrs F C Winston Guest (1920 – 2003) (aka Cee Zee Guest) reclines on a garden chair in front of the Grecian temple pool on her ocean-fron...

Two-Tone Dress 1956 - Slim Aarons Estate Stamped A woman posing in a formal garden wearing a long, sleeveless, two-tone dress with a decorative bow at the waist, San Diego, Californ...

Nassau Beach Hotel 1959 - Slim Aarons Estate Stamped The outdoor swimming pool at Nassau Beach Hotel, Nassau, Bahamas, 1959. The hotel was the first to built by Howard Johnson outsi...

Pool At Lake Tahoe 1959 - Slim Aarons Estate Stamped Bathers by a pool on the shore of Lake Tahoe, California, 1959. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Collec...

Christmas Swim 1954 - Slim Aarons Estate Stamped Rita Aarons, wife of photographer Slim Aarons, swimming in a pool festooned with floating baubles and a decorated Christmas tree, Ho...

Cotton Bay 1982 - Slim Aarons Estate Stamped The Campbells’ pool at Cotton Bay, on Eleuthera Island in the Bahamas, November 1982 16 x 20" inches / 51 x 51 cm paper size Estate S...

CZ by the Pool 1955 - Slim Aarons Estate Stamped American socialite Mrs. Winston F. C. Guest (aka CZ Guest, 1920 – 2003) perches on the edge of the Grecian temple pool on her ocean-...

CZ’s Dogs 1955 - Slim Aarons Estate Stamped Mrs F C Winston Guest (1920 – 2003) (aka Cee Zee Guest) with her dogs in front of the Grecian temple pool on her ocean-front estate, Vill...

Capote’s House 1970 - Slim Aarons Estate Stamped American writer Truman Capote’s house in Palm Springs, California, January 1970 20 x 24" inches / 51 x 61 cm paper size Estate St...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...