Plexiglass Prints and Multiples

Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lama...

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 in

The Three Graces Acrylic+Digital+Diasec Plexi Plexi Ed. 1/3 120 x 90 cm / 47 x 35 in

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 inch

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

A digital photography print entitled "Children from heaven" Numbered 1/20 by the contemporary artist Marc Vandermeer ( American, 1950's ). Featuring shapes of children floating in a ...

An exceptional mixed media photo collage printed on ultra premium photo luster by the contemporary artist Marc Vandermeer ( American, 1950's). The art work entitled "End of Days" and depicts a city in flames. Dimensions: 21” H x 27” W x 0.5” D About the artist : Marc Vandermeer Art has been a part of Marc's DNA since birth. His mother, a New York-based artist, sculptor, and teacher, continually exposed him to the world of galleries and museums, between their home in SoHo and summers spent in Provincetown, MA. He began practicing early, attending high schools specializing in art and summer workshops in Provincetown, and studying art history in Florence, Italy. In 1971 he enrolled at The Philadelphia College of Art, initially as a painter but ultimately graduating with a BFA Film in 1976. He studied under photographer Ray K...

"VINYL BATWOMAN" Plexiglass Print 55' x 39' in Ed. of 50 by Edyta Grzyb Image form: pigment print behind acrylic glass, glossy, inlaid. On the back wit...

This piece can be framed for an additional $1,500. 4" white border

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legendary and complex...

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 10 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

This piece can be framed for an additional $1,500. 4" white border

Before I left for this trip to take wild horse photography, a friend of mine and I were having dinner at a restaurant in NYC. She asked, “what are you going to do differently this time?” And, ” how will you photograph beautiful wild horses?” It was as though someone stabbed me with a dagger. However, she was right. I was coming back with similar-looking photographs and nothing different as well to have people shop for wild horse photography. So I consciously made a significant effort to change things around to capture my horse pictures...

As much as I would love to have these animals closer to my reach, I am comforted by the fact that they’re isolated. Their majestic white coats can make them a target for poaching and...

This piece can be framed for an additional $1,500. 4" white border

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lama...

Text by Sevan Injejikian Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lamarche crumples, heats, sculpts, scans, crops, and projects recuperated plastic – his material of choice – to create images and sculptures that are at once ambiguous and evocative. Lamarche’s manipulation of plastic as a medium retains a sense of play. The resulting works include an oversized sculpture...

For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...

Businessmen gathered around a conference table in what is closer to a high-stakes game of poker.

Two-dimensional work of a businessman at a crosswalk with a small umbrella. Edition of 10.

Two-dimensional work of a businessman wearing a life vest rowing in a lifeboat.

Two-dimensional interpretation of Jim Rennert's A Deal's A Deal. Work is a UV print on ultra-clear polyester faced with acrylic with white backing on an aluminium back. Edition of 10.

This piece can be framed for an additional $1,500. 4" white border

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in a tube.

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing.

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing.

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in tube.

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in a tube.

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in a tube.

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in a tube.

digital c print on plexiglass Please allow 3-4 weeks for printing and mounting. Price does not include any mounting or framing. Can be shipped in tube.

This piece can be framed for an additional $1,500. 4" white border

Béatrice Hug Feuertanz, 2018 In Feuertanz, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, vibrating with an intensity more...

Béatrice Hug Ruby, 2018 In Ruby, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, vibrating with an intensity more commonly ...

Béatrice Hug Rythme, 2018 In Rythme II, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, vibrating with an intensity more co...

Béatrice Hug Masque Jaune, 2018 In Masque Jaune, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, vibrating with an intensit...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

"Seascape" (Foot) 1967 Screenprinted Vacuum-Formed Plexiglass In Colors Scratch-Signed, Dated and Numbered 92/101 14 1/4 x 12 15/16 x 3/4 in (36.1 x 32.9 x 2 cm). Known for his Pop-...

Béatrice Hug Ruby, 2018 In Ruby, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, vibrating with...

Cibachrome print face-mounted to Plexiglas Inscribed "Griechenland" in pencil, verso Provenance: Jay Gorney Gallery, New York Private collection, 1990 Private collection, 2005 This...

Béatrice Hug Blue Velvet, 2018 In Blue Velvet, Béatrice Hug transforms light into a luminous, almost tactile presence. Colour radiates across the image, ...