Polymer Prints and Multiples

Tracey Emin, Grand Hotel I, Lithograph Print, 2016 A Polymer gravure lithograph printed on Somerset 300gsm paper From a limited edition of 100. 81/100 Hand signed, titled and numb...

2015 Polymer gravure in colours 31.5 x 25.5 cm Edition of 50 Signed, titled, dated and numbered by Emin Excellent condition as issued Framed Tracey Emin (born 1963) is best known f...

This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...

Go Forward By Tracey Emin 2013 Signed, titled, dated, and numbered from an edition of 200 in pencil, published by Emin International Polymer gravure etching on wove paper 37 x 3...

Debossed archival pigment print on surface Gampi Chine collé to Strathmore Bristol. Published in 2012 by Lincoln Center’s Vera List Art Project, New York, to commemorate the project’...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...

16 x 24 inches - Edition 3 of 5 with 2 APs Available framing $420 Shot in 2011 in Amsterdam Inspired by an anonymous artist of the Fontainebleau School’s Presumed Portrait of Gabr...

deluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...

Lilies - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate Lilies is a beauti...

This etching is from my private collection of 20th Century artists. It is original, signed and numbered. Edouard Righetti (1921-2001) was a French post impressionist artist who speci...