Factory Prints and Multiples

This exquisite lithograph after Laurence Stephen Lowry (1887–1976), titled Punch and Judy, S.P.21., originates from the School Prints Ltd. serie...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...

Discover the elegance of graphic design with an advertisement page from "The David Lance Goines Poster Book," published in 1978. This page exemplifies Da...

William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...

Louis Lozowick, 'Tanks #1', lithograph, 1929, edition 50, Flint 39. Signed, titled, and numbered '11/50' in pencil. Signed with the artist's monogram in the stone, lower left. A superb, richly-inked impression, on cream wove paper, the full sheet with margins (3/4 to 1 7/8 inches), in excellent condition. Matted to museum standards. Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 3/4 x 11 1/4 inches (400 x 286 mm). Exhibited: 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Literature: 'Prints and Their Creators, A World History', Carl Zigrosser, Crown Publishers Inc, 1974; 'American Lithographers...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically or horizontally and across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork...

Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....

An expressive etching by British artist James Priddey (1916-1980) depicting a man in his workshop, where machinery and equipment line the walls and fill the cobbled floor. Titled and...

Poster made in 1953 to promote Dufy's exhibition at the Louis Carré Gallery in Paris to support the preservation of the Palace of Versailles. Raoul Dufy 🇫🇷 (1877-1953) was a Frenc...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplat...

Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere. This print captures the moment a 'pod' is bein...

GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...

The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...

An evening view of lower Manhattan rooftops, looking north towards Times Square and kleig lights in the distance. New York: 1974. Etching on white wove paper, 7 1/8 x 11 15/16 inche...

Carol Wax's "Singer Needle" is a mezzotint issued in an edition of 100. It was originally designed to illustrate the step by step mezzotint process in the Abrams publication: "The Mezzotint: History and Technique" authored by Carol Wax. It is FIROS #44 in the catalogue raisonne. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplat...

Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce. Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed. ABOUT THE IMAGE The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway. The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...

Louis Lozowick, 'Corner of Steel Plant', lithograph, 1929, edition 25, and 10 printed in 1972; Flint 21. Signed, titled, dated, and numbered 'I/X' in penci...

Bauxite Factory, Suriname Clarence Holbrook Carter American (1904–2000) Date: 1980 Lithograph, signed and numbered in pencil Edition of 200, AP 30 Image Size: 17.75 x 26 inches Siz...

GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...

Pejac A Forest highlighting the issues of deforestation and environmental pollution. This special mini print was available exclusively at Pejac’s Waterline show that was held in Pari...

A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

After the fish market closed surfaces have been washed in a morning ritual and the floor has taken on the quality of a mirror. – Cawston won the BJP Nikon Endframe Award in 2009. His...

A factory in Avonmouth. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmo...

Published by Probst, Johann Friedrich, 1721-1781 Augsburg. Copper etching print; hand-colored; - condition: Printed on 2 sheets joined together; size (in cm) 38 x 104; Large and very decorative view of Vienna with numbering of the important houses and buildings. The Werner / Probst views are distinguished by the their large size that allows considerable architectural and landscape detail, extending to the delineation of farm buildings, boats and individual trees. Each includes a numbered key identifying important sites and buildings. Friedrich Bernhard Werner was a German printmaker, draftsman and writer of chronicles; Bénézit states he was born in Reichenau, other sources indicate Silesia. As a young man he lived an itinerant and rather bohemian existence as a writer, translator and working in theater. Eventually he settled in Augsburg, where he drew views for the publishing houses of a Martin Engelbrecht...

Wonderful black and white aquatint showing an antique view of Munchen, capital of Bavaria. From the collection by Braun G. and Hogenberg F., "Civitates Orbis Terrarum", Cologne, T. ...

Piazza di Pietra is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,171...

Color lithograph, on Magnani-Pescia paper. Paper size 22.5cmx33cm, work size 22.5cmx33cm. Excellent condition, no defects. Pedro Cano (Blanca, 1944), one of the greatest contemporar...

S. Angelo dei Lombardi is an original lithograph on paper realized by Giuseppe Megna. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 187/200 pri...

The Factory is a lithograph on paper realized in 1980 by  Giuseppe Megna. Hand-signed and dated on the lower right, artist's proof. Good conditions. The artwork represents the a f...

The Factory is an lithograph on paper realized in 1980 by  Giuseppe Megna. Hand-signed and dated on the lower right, artist's proof. Good conditions. The artwork represents the a ...

Heinrich Glintenkamp was American painter, printmaker, and illustrator. His work was featured in "The Masses" and in the the Metropolitan Museum of Art and Pennsylvania Academy of th...

This artwork titled "Dreamland Touys" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...

Henry Winzenreid (American, 1892-1981) Untitled (Steamboats and Factories), 20th century Lithograph Sight size: 10 x 14 in. Framed: 17 1/8 x 21 1/4 in. Signed lower right: AP/60 Wi...

The Cultivation of Dictators is an original woodcut print by Primo Zeglio in the 1940s. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition.

Cityscape is an original etching print on paper realized by an unknown artista and signed "Marra". Hand-signed in pencil on the lower right. Image Dimensions: 20.5 x 27 cm. Numb...

Image dimensions: 7.2 x 12.7 cm. New Orleans is a black and white xylograph on paper, realized in 1890 by anonymous artist, of incredible fineness. Of little dimensions but high meticulousness of sign, this original print presents us a lost and historical view on the New Orleans port...

This Mechelen is an original etching realized by George Braun and Franz Hogenberg, as part of the famous "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of Cities ...

"Military" is a beautiful print in the lithograph technique, realized by Anselmo Bucci (1887-1955). Signed on the lower right. Good conditions. Anselmo Bucci (1887-1955): Italian...

Eye and Ear is an original print by Renzo Vespignani. Etching on paper. Hand-signed on the lower right. Numbered, edition,88/99. Good condition except for consumed margins and som...

Luneburgo is an original etching realized by Georg Braun and Franz Hogenberg, as part of the famous "Civitates Orbis Terrarum". Precious etching, show...

Greek Café is an original lithograph by the Italian artist, painter, and printmaker Anselmo Bucci. Signed on the plate on the lower right and titled. In very good conditions. The ...

"Luneburg", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest print...

Braun G., Hogenberg F., Nurnberg or Nuremberg, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Nuremberg. Strongly influenced by Hartmann Schedel's Nuremberg Chronicles...

View and Entrance of the Royal Mosque and the Imperial Market Etchings, Hand-Watercoloured. Vol. V, Plate XXXV Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim:...

Rebecca Skinner’s “Silk Mill” was photographed at an abandoned textile mill and is part of a series documenting the loss of industry in America. The mill interior has long rows of ru...

Georges BRUYER (1883-1962) The Carriage Accident, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edit...

Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower ...

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

18th Century View of Cambridge Engraving 15 x 20 cm This detailed engraving captures an 18th century view of Cambridge from the West. Green expanses dominate the piece, featuring s...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - L'Obelisque (B227). Year: 1878 (of original 1650), Medium: Heliogravure, Size: 3.25 x 6.25 in. (8.26 x 15.88 cm), ...

Artist: C.J. Yao, Taiwanese (1941 - 2001) Title: Building Reflection Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Paper Size: 22 x 28 inches

A limited edition (out of 25) black and white photographic print. Framed with a black or white box frame and floated to the backboard. The dimensions of 33.5 x 47.2 cm is that of the...

The Empress cinema building in Manchester before its demise – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is ...

Day breaks and the morning ritual of making bread begins – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the leng...