Plastic Abstract Sculptures

Pigmented hydrocal, concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

"Lara" Figurative Sculpture 16" x 13" x 9" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

Ultramarine textural wall relief from the Domino Series combining sculptural surface, material density, and monochrome abstraction on a black panel. This vertical mixed media wall s...

Colorful abstracted color field painting of matchsticks by Bay Area artist Michael Pauker (American, b. 1957), circa 2000. Unsigned, but was acqui...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Life Size Fiber Sculpture, Light Weight, 48 x 32 x 28 in, Hand Made, Ethan Meyer Lightweight (approximately 35 lbs), non fragile, soft sculpture Groot Foundation Grant Honorable Me...

Each Set of 8 panels, Spray paint on upcycled plastic Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in I...

SUNSET is a summer-inspired wall sculpture by Vera Vizzi that fuses foam clay, acrylic paint and enamel on a 45 × 45 × 7 cm fir wood panel. The composition depicts an aerial tennis c...

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Using smooth, minimalist forms in black with bright green, blue, red and white, Israeli-based sculptor Benny Katz creates the playful essence of a body builder...

The distinctive shape of a bull’s head attached to a horn-like stand pops in glossy bright colours of red, yellow and black in this whimsical sculpture by Benny Katz. As a former gra...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

Hydrocal, pigmented concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...

Circular blue wall sculpture in foam clay and acrylic on wood panel with bas-relief texture and miniature sculptural elements. This circular wall sculpture is constructed in hand-modeled foam clay over a round fir wood panel, finished with layered acrylic pigment and enamel accents. The composition operates as a mixed media wall sculpture that merges relief sculpture and contemporary sculptural painting, emphasizing tactile surface and chromatic depth. The bas-relief structure is built through low sculpted craters and raised spherical forms, creating a dynamic surface that shifts under light. Acrylic washes develop tonal variation across saturated ultramarine, matte greys, and luminous blue gradients, while enamel highlights introduce reflective contrast. Small sculpted spheres and miniature painted figures are integrated directly into the relief, reinforcing scale contrast and spatial layering. Material presence is central: foam clay is modeled to maintain structural lightness while achieving dimensional articulation. The circular wood support provides stability and a defined compositional boundary, strengthening the object’s identity as a circular relief sculpture rather than a conventional painting. The work is designed for vertical display and functions as a sculptural focal point in contemporary interiors. Its strong blue palette positions it effectively within searches for blue wall sculpture, mixed media relief, and circular wall art...

This wall-mounted pop object sculpture by María Magán features dozens of hand-molded chewing gum-like elements crafted in polyvinyl silicone, a material commonly used in dental pract...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This wall-mounted pop sculpture by María Magán consists of dozens of hand-molded silicone forms arranged in a dense gradient composition within a classical white wooden frame. Made f...

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth, piled upon one another into a column, or as the artist calls it, a totem. The pastel pigmented concrete in peach and lavender looks almost soft. This sculptural votive candle holder is a functional and decorative tabletop art...

"Lemon Squeeze" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

The sculpture is a part of the series - Forward to the Future. The core idea of this project is to encourage people to use infinite and environmentally friendly natural energy. The ...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

The work is built up with the acupuncture used needle cases threaded on bright pink elastic and sits well on a surface , Susan had made a smaller one of these on residency in German...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Wait, Weight - Abstract Wall Sculpture with Reflective Spheres Abstract wall sculptures by Cassandra Jacobs (American, b. 1964). Each piece is constructed from plaster bandages, wra...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Lofty one of a kind branch coral assemblage or sculpture handcrafted with organic specimens, with its ocean inspired form and texture, exclusively designed by F.S. Henemader antiques...

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes...

1.75 x 3.75 x 2 Mixed Media 2023 Each mini is a unique and original artwork. Biomorphic sculpture that draws you to play with it.

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

This hand-made paper sculpture and lithography in plexi-box by British Modernist Sir Anthony Caro (1924 - 2013) is a minimalistic rendering of the Biblical story of Adam and Eve. Si...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a gold background, the artist has attached several objects, ...

Contemporary Abstract Fiber Sculpture, Woven and Crocheted, 30 x 20 x 15 in Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involv...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Mystery is a unique Statuario Carrara marble and plexiglass sculpture by contemporary artist Francesca Bernardini. The dimensions are 10 × 40 × 30 cm (3.9 × 15.7 × 11.8 in). The scu...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Black and bright red expressive brushstrokes are layered with glass ...

Tom Holland (American, b. 1936) Hopps fiberglass and aluminum with epoxy paint Mixed Media Wall Sculpture 1982, hand signed and dated Dimensions: 65.5 X 78 X 10 inches Tom Hollan...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Mask III is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 48 cm (27.6 × 18.9 in). The sculpture is signed and comes with...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Blue coastal wall sculpture with miniature boat, ocean wave relief and layered marine imagery inspired by travel, memory and the experience of the sea. This unique mixed-media wall ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...