Plastic Abstract Sculptures

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Mystery is a unique Statuario Carrara marble and plexiglass sculpture by contemporary artist Francesca Bernardini. The dimensions are 10 × 40 × 30 cm (3.9 × 15.7 × 11.8 in). The scu...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Mask III is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 48 cm (27.6 × 18.9 in). The sculpture is signed and comes with...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a gold background, the artist has attached several objects, ...

"Lemon Squeeze" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall...

Linda Stein, Leaving Home with Mementos 1286 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the traditio...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Black and bright red expressive brushstrokes are layered with glass ...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

“Rock Wall” is a vibrant wall-mounted installation by contemporary artist Ray Beldner. Each of the 18 sculptural forms—resembling abstract, painted rocks—is individually crafted from...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

Fiberglass & Chrome Edition 1/3 Valentin Korzhov is a Russian artist born in 1975 who lives & works in Moscow, Russia. Valentin Korzhov is known for his multi-media works combining...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Fever Songs is an interactive public sound installation project that brings together the vocal traditions of many religions, creating an active sonic experience that explores spiritu...

"Trash Fish" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, googly eyes, paint. This piece measures 10.75"h x 24.75"w x 2.5"d and comes with a galler...

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides. Unsigned, but was acquired with a collection of his work. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Lofty one of a kind branch coral assemblage or sculpture handcrafted with organic specimens, with its ocean inspired form and texture, exclusively designed by F.S. Henemader antiques...

Abstract composition reverse-painted on an acrylic sheet (Plexiglas) by Laurel Morley (American, b. 1969). Acrylic sheet is mounted on a steel structure with "wings" on either side. ...

This vibrant sculpured painting titled "Life" is a contemporary mixed media wall sculpture by Italian artist Vera Vizzi, exploring the symbolic and emotional resonance of transformat...

"Sunline (JUST PILL)" is a one-of-a-kind circular wall sculpture by Italian artist Vera Vizzi, created in 2023. Crafted in mixed media on hand-shaped fir wood, this minimalist piece ...

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

Contemporary Abstract Fiber Sculpture, Woven and Crocheted, 30 x 20 x 15 in Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involv...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

Ettore Sottsass 1917 - 2007 “Festone“ ceiling lamp mod. 12625, 1956 White lacquered metal, violet, blue, red and yellow Plexiglas, brass mod. 12625 “Festone“ ceiling lamp. Edition Ar...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

Linda Stein, Loose Wire 295 - Mixed Media Metal Wood Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incorpor...

Anastasia Pelias was born in New Orleans, LA to a Greek immigrant mother and a first generation Greek-American father. She received her BFA from the Newcomb College of Tulane Univers...

This artwork is a composition of three stones made by Piero Gilardi in 1969. The Certificate of Authenticity is provided by Archivio Piero Gilardi n. 1969.01 dated 17/12/2017. This s...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

Transponder 24" x 24.5” x 1” Transponder is a low relief wall sculpture made with bright orange latex washes on birch finished with satin lacquer. It is mounted on a MDF backer that...

This Mixed Media piece titled "Squiggly Leaf" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 23”h x 14”w x 1”d and is hand-signe...

This Mixed Media piece titled "I’m on Fire" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 16”h x 11”w x 1”d. Roxana Azar’s wo...

This Mixed Media piece titled "EMBRACING A TIDAL WAVE" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. ...

This Mixed Media piece titled "Adansonii Suncatcher" is an original artwork by Roxana Azar made of a digital print on acrylic, plastic chain, metal, and glass. The piece measures app...

This Mixed Media piece titled "Adansonii Leafr" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 20”h x 14”w x 1”d. Roxana Azar’s...

This hand-made paper sculpture and lithography in plexi-box by British Modernist Sir Anthony Caro (1924 - 2013) is a minimalistic rendering of the Biblical story of Adam and Eve. Si...

Artwork made with MDF, latex & satin lacquer Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Tex...

Resin cast geodes in cracked marble in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Title: Liquid Sunshine: Gear Column Year: 2009 Medium: Hand-dyed cast polymer rubber, painted steel Size: H 24 x W 10 x D 10 (in) Niho Kozuru is a Japanese-born mixed media artist ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Beautiful rare tall magnificent modern Lucite Pyramid Modern Decorative Centerpiece midcentury

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...