Plastic Abstract Sculptures

Contemporary Mixed Media Tapestry, Wall Sculpture, Metals, Found Objects, Beads John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in...

In stacked glossy ovals of white, highlighted in blue and green, Israeli-based sculptor Benny Katz creates the playful essence of a ocean waves. This work is number 2 in an edition ...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

Untitled 03, 2016 Mixed media on metal sheet Signed on reverse 70,8 H × 39,4 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of etch...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

This figurative sculpture titled "Date Palm" is an original artwork by Roxana Azar made of UV print on acrylic. The piece measures approximately 16.25"h x 9"...

"Obsidian Geode" is an original work from Paige Smith's ongoing series of geode sculptures. The piece is solid resin cast by the artist and painted. This work measures 8in x 7in x ...

Pink drip wall relief sculpture from the Domino Series combining glossy sculptural texture, playful pastel elements, and contemporary pop minimalism on black wood panel. This vertic...

This Mixed Media piece titled "Cry No More" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 30”h x 23”...

Monumental panel of 15 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is signed and unique, with beautiful tarnished...

This original hanging piece titled "Small Suncatchers 3" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 24”h x 6”w x 0.5”d. Ro...

Friedrich Gräsel Bochum 1927 - 2013 Osnabrück Untitled, 1968 PVC Monogrammed and dated "68" on the reverse 68 x 59 cm Catalogue raisonné 534 Authenticity guaranteed in writing. The ...

Turquoise mixed media wall relief with glossy sculptural drip form and pastel elements mounted on a black panel. This vertical mixed media wall sculpture belongs to the Domino Serie...

1.75 x 3.75 x 2 Mixed Media 2023 Each mini is a unique and original artwork. Biomorphic sculpture that draws you to play with it.

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...

"Ut Tenebras" is an original sculptural work in a painted wooden frame by Paige Smith (A Common Name). The piece is solid resin dyed and cast by the artist and measures 18in x 12in ...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-discipli...

This Mixed Media piece titled "Leafy Leaf" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 21”h x 15”w x 1”d. Roxana Azar’s wor...

"From the series- “Visions from a White Hole” (small)" is an original an original ceiling-hanging luminous sculptural work made of PVC and light element measuring approximately 11" x...

“Rock Wall” is a vibrant wall-mounted installation by contemporary artist Ray Beldner. Each of the 18 sculptural forms—resembling abstract, painted rocks—is individually crafted from...

This Mixed Media piece titled "Rhaphidorpha Tertasperma Suncatcher" is an original artwork by Roxana Azar made of a digital print on acrylic, plastic chain, metal, and glass. The pie...

"Care Bear 3" Mexican Huichol Sculpture, by Chroma aka Rick Wolfryd 2026, ALTERATION ART . . . is a collaboration process between Rick Wolfryd fine artist and art dealer with over 40...

Blue ocean waves rise from the surface of this round mixed-media wall relief, where small sailboats emerge between layers of intensely textured modeling clay. Created in 2025 by Ita...

Poly resin sculpture. Romero Britto signature stamped lower right (not hand signed). Numbered 1642/4000 on the base. Size: 5.8 x 5.8 x 3.3 inches. 2nd Edition release. Brand new...

Edmund De Waal 1964 - Current Who shall I listen to IV, 2018 1 porcelain vessel, 1 porcelain shard, 1 alabaster fragment, 1 alabaster block and gold leaf in an aluminium and plexigla...

Greg Chann Hygge, 2024 acrylic and ink 26 x 20 x 1.25 in. (cha033)

This figurative sculpture titled "Orchid Star" is an original artwork by Roxana Azar made of UV print on acrylic. The piece measures approximately 8"h x 7.5"w. Roxana Azar uses a com...

This Mixed Media piece titled "Fern Spiral Series 2" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measure...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

Colorful abstracted color field painting of matchsticks by Bay Area artist Michael Pauker (American, b. 1957), circa 2000. Unsigned, but was acqui...

Created in 1967, this cast polyester resin sculpture demonstrates Peter Alexander's early mastery of geometry as a vehicle for exploring light, color, and perception. During this for...

"Yellow Constellation (96 85 93)" is a captivating 2025 contemporary wall sculpture by the celebrated Czech-born artist Yvette Kaiser Smith, who currently lives and works in Chicago...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

'Diversity (Yellow)', An abstract organically shaped sculpture reminiscent of totems. It is a spatial composition from the Void series. Composite materials and fiberglass is 84 x 25...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Hydrocal, concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Celestial moon wall relief from the Domino Series combining sculptural texture, cratered surface, and monochrome contrast on a black panel. This vertical mixed media wall sculpture ...

White foam-clay domino wall relief in mixed media on black wood panel, a tactile modular sculpture exploring form, void and repetition. This mixed-media wall sculpture employs foam ...

The distinctive shape of a bull’s head attached to a horn-like stand pops in glossy bright colours of red, yellow and black in this whimsical sculpture by Benny Katz. As a former gra...

Modular domino wall sculpture in pale aqua foam clay with painted vertical stripes and subtle relief detailing, a compact mixed media work conceived for panel installations. This mix...

Multi dimensional tower sculpture (polymorph screen print on folded PVC) on brass base. Hand signed by Yaacov Agam. Hand numbered 66/150 (slightly faded - see pic). Size: 34.25 x ...

Fiberglass/carbon fiber with a burnished graphite finish on composite base "Don Frost, sculptor, creator of completely unique, innovative and original fine art. ""We can only truly...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

This sculptural wall relief transforms layered blue and white ocean waves into a tactile seascape inhabited by a solitary miniature figure. Created by Italian artist Vera Vizzi in 2...

Future Summary Twenty-Five is a sophisticated contemporary abstract wall sculpture by Kal Mansur that explores the relationship between light, color, transparency, and spatial percep...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

H48"&42" xW12" x 8" Fiberglass, violet and gold mica top coat over endura white, filled polyester resin base "I am an artist, a sculptor not by choice but by destiny as each ste...

Stunning original panel made of 9 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is unique, with beautiful rust and copper tones, and several are signed by the artist. This very large, striking piece has a great Brutalist and Modernist feel. It is particularly notable as an example of Hitchin’s mastery of finishing techniques in simulating aged metal. The relief sculptures were visible outside of Ron’s house and became a Hackney landmark. They were carefully removed by the artist's estate after Ron passed away. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Rust and copper tones Signature: 5 of the relief sculptures bear the artist's trademark initials “RH” Framing: The sculptures have been carefully mounted on a cotton covered board with a walnut wood trim and a hidden subrame on the reverse for ease of hanging. Authenticity: This piece was purchased directly from the Artist's Estate and comes with a certificate of authenticity signed by the sole executor of the Ron Hitchins...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

CARLOS CRUZ-DÍEZ - CHROMOINTERFERENCE MANIPULABLE LA DIFFERENCE Date of creation: 2011 Medium: Screen print on plexiglass Edition: 99 Size: 40 x 35 x 10 cm Condition: In perfect cond...

Lofty one of a kind branch coral assemblage or sculpture handcrafted with organic specimens, with its ocean inspired form and texture, exclusively designed by F.S. Henemader antiques...

In ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Artist: Nancy Graves (American, 1939-1995) Title: "Rope Trap" *Titled, signed, and dated by Graves (inscribed into the metal) on red cylinder lower right Year: 1985 Medium: Original ...