Dan Anderson

Block Plane

2018

Jennifer Nehrbass is a painter living and working in Albuquerque, New Mexico. She was born in West Bend, Wisconsin in 1970. She received her B.S. in Art and Textile Design from the U...

Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from East Carolina University (1977), as wel...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from East Carolina University (1977), as wel...

Striking in form, colour and texture, this is one of a new series of clay vessels created by American ceramicist Heather Allen Hietala. The boat-shaped vessel symbolizes life’s journ...

American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was inspired to ex...

Nicholas Licausi says of his work… “My artistic practice is driven by a fascination with emerging technologies and their capacity to redefine the frontiers of art, architecture, and...

Abstract sculpture in polychrome enameled earthenware, La Borne, signature to be identified, France circa 1970’s

Stainless steel

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings and Sculptures abstracted figures, made from cut twigs, are impressed into wet clay. As I investigated, the figures kept running, fleeing, tumbling, searching, moving away from and towards something else. They moved across landscapes, towards glowing buildings/edifices, systemized structures/societies, which both beckoned them and somehow dominated them. The figures were present, yet also in spirit form, floating and dissolving in diaphanous light and shimmering waters. Twigs became, fathers, mothers and children. They became surrogates, rather like a small child’s dolls, playing out a deeply psychological fiction of desperately moving toward “something”. Something hopeful, yet presently out of reach. Something eternally becoming …” Tony Moore is an English-American sculptor and painter represented in international museum collections including the Guggenheim Museum, Brooklyn Museum, Greenville Museum, San Angelo Museum of Fine Arts, Woodstock Artists Association & Museum, Art Museum of the U. of Memphis and ASU Art Museum, US and the Yorkshire Museum and Derby Museum, UK. He received a MFA in Sculpture from Yale University and is the recipient of prestigious awards, including a Louis Comfort Tiffany Award...