Expressionist Figurative Sculptures

Expressionist bronze sculpture in lost wax casting exploring contained emotion and inner tension. Containing the Rage is a unique figurative work by Galician sculptor Óscar Aldonza, ...

Large ceramic head sculpture with an expressive and textured surface, part of Óscar Aldonza’s Testa series. This monumental head (70 × 36 × 34 cm) is crafted from refractory clay wit...

Expressive ceramic head sculpture in stoneware with vanadium glaze and oxidized iron base. Testa No. 13 belongs to Óscar Aldonza’s “Testas” series, a body of work in which each ceram...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

This is a mid 20th century mod abstract large bronze sculpture by Wolfgang Behl (German/American, 1918-1994). The sculptural group titled "The Family" features a mother and father with two children. Numbered 20/20. Signed. 21" H x 10 1/4" x 10 1/4 Wolfgang (Johann Wolfgang) Behl (1918 - 1994) was active/lived in Connecticut, Illinois / Germany. Known for Sculpture and as an architectural carver. A carver,designer, and teacher, Wolfgang Behl was born in Berlin, Germany where he studied at the Berlin Academy of Fine Arts. His teacher was otto Hitzberger, sculptor and architecture carver. I have seen some his work, particularly in carved wood compared to Constantin Brancusi although this one seems way more reminiscent of Alberto Giacometti. In 1939, Behl came to the United States and taught briefly in Pennsylvania at the Perkiomen School and in Rhode Island at the Rhode Island School of Design. There in 1943, he won the Joseph N. Eisendrath prize for sculpture. He also became a friend of Louis Mayer, sculptor from Milwaukee. In 1944, Behl took a job as Art Director at the Lake Forest Academy in Lake Forest, Illinois, and he also began a one-year teaching assignment at the Layton School of Art in Milwaukee. The last years of his life until his death were in Hartford, Connecticut. Source: Peter C. Merrill, "German-Immigrant Artists in Early Milwaukee" Originally from Berlin, Germany, Mr. Behl immigrated to the United States in 1939 and became a citizen in 1947. He studied with Waldemar Raemisch at the Academy of Fine Arts in Berlin, and later at the Rhode Island School of Design. He began teaching at the Hartford Art School in 1955, retiring in 1983 to devote his time to sculpting. Mr. Behl had exhibitions throughout the United States and Germany. Some of his solo exhibitions include the Arts Exclusive in Simsbury from 1976 to 1981, and the Bertha Schaefer Gallery in New York City from 1950 to 1973. He showed at the New Britain Museum of American Art, in New Britain, Connecticut in 1969. He also had several retrospectives, including one at the Greater Hartford Jewish Community Center in West Hartford until the end of this month. His works in bronze have a German Expressionist quality to them a pathos found in the works of Kathe Kollwitz and the Expressionist movement. He was known for his classically inspired, but often surrealist sculpture. Among his most-well known pieces are a series of sculptures done for the University of Connecticut Health Center. Several examples of Behl’s work are found on the campus of the University of Hartford. He was included in the show Monumentality in Modern Sculpture at the Contemporary Arts Museum Houston, Texas, 1957. Artists featured in the exhibition: Kenneth Armitage, Hans Arp, Ernst Barlach, Wolfgang Behl, Dorothy Dehner, Edgar Degas, José de Rivera, Max Ernst, Alberto Giacometti, Joseph Glasco, Julio González, Paul Granlund...

Artist: Chaim Gross, Austrian/American (1904 - 1991) Title: Bust of Yitzhak Rabin Year: 1967 Medium: Bronze Sculpture, signature inscribed Size: 12.5 x 6.5 x 8.5 in. (31.75 x 16.51 x...

Testa 6 is a contemporary expressionist ceramic head from the ongoing Testas series of sculptural heads. Created in refractory stoneware, the piece is fired in reduction and subseque...

Nephiline and manganese glazed Buño clay head sculpture channels organic textures and existential introspection in Aldonza’s evocative “Testas” series. Nephiline-Manganese Glazed Cer...

Ceramic expressionist head sculpture created in refractory stoneware with a semi-transparent copper glaze. This ceramic head belongs to the Testas series, a body of work composed of ...

Small Jewish Portrait Relief Plaque Signed and numbered in Roman numerals from limited edition Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk...

I have seen this piece identified as Wizard and as Micawber from Charles Dickens David Copperfield ("something will turn up") Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

This ceramic head sculpture from the Testas series, titled Testa Nº12, is an expressionist exploration of the human face in refractory stoneware fired in reduction. The sculpture pre...

This large ceramic head sculpture, Testa nº 10, is part of the Testas series, a body of expressionist ceramic heads created in refractory stoneware and fired in reduction. The series...

This gorgeous porcelain sculpture from Hutschenreuther porcelain is of two galloping horses, sculpted in exquisite detail and signed by the sculptor, Max Hermann Fritz...

Mans Best Friend C.M. Junghans 1985 This is done in a German Expressionist style. It is bronze over some sort of fill. It depicts a man gentleman and his dog. a Cocker Spaniel or Co...

Deaccessioned from the Spertus Museum in Chicago Hand signed by artist in wood carving Chaim Goldberg -- born in the Polish shtetl of Kazimierz Dolny Chaim Goldberg has worked in ne...

Title: El Doctor Year: circa 1990 Medium: Bronze Sculpture, signature and number inscribed Edition: V/XXX Size: 12.5 in. x 6 in. x 6 in. (31.75 cm x 15.24 cm x 15.24 cm)

We have not located any markings on the piece and it does not appear to be signed. it bears similarities with works by Wilfredo Lam and other Cuban and Latin American masters and it ...

Translucent alabaster head sculpture with expressive natural veins, carved in direct carving for a unique interplay of light, stone and human form. This unique alabaster head sculpt...

This exceptional Murano glass piece was created in 1970 by Alessandro Barbaro (Dorsoduro, 1936), a renowned artist and master glassmaker celebrated ...

Felipe Castañeda Mujer Agachada (Crouching Woman), 1972 Bronze, wood base 12 x 9.5 x 11.5 inches Edition III/VI Most recent owners acquired this limited-edition bronze sculpture fro...

Guitar or Mandolin playing musician. Music themed bronze sculpture Signed and numbered Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigra...

Agnes Yarnall LePage, began studying sculpture at the age of 6 at the Liberty Tadd School of Modeling. She went on to study with Charles Grafly at the Pennsylvania Academy of the Fin...

Artist: Nili Carasso Title: Family Year: circa 2001 Medium: Pair of Bronze Sculptures on Base, signature and numbering inscribed Edition: 2/25 Size: Man: 11 x 7 x 4 inches ; Woman: 1...

Miriam Sommerburg (American female artist, born Germany, Hamburg, 1900–1980 New York) Modernist Wood Carved Sculpture, Carving depictin...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

This figurative ceramic and bronze bust sculpture highlights a fragmented surface that evokes repair, continuity and embodied memory. Part of the Xentes series by Spanish sculptor Óscar Aldonza...

Figurative ceramic bust sculpture with textured coat and expressive glaze, created in high-temperature reduction firing with oil-based polychromy. This sculptural work forms part of ...

This bronze patina sculpture is set on a warm toned marble base. The sculptor, Ruth Gutman, has created an expressionist rendering of a woman praying. ...

Hand-carved sycamore wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 2008. It is part of a series of sculptures of facial expressions. The sculpture measures 40...

Hand-carved sycamore wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 2008. It is part of a series of sculptures of facial expressions. The sculpture measures 41...

Standing horse sculpture in bronze 2001. The first cast of a proud standing horse, looking to the side. A fine bronze statue by Patrick Villas (°1961), in his typical expressionist ...

Testa 14 is a large-format work from the Testas series, a sculptural project dedicated to the exploration of the human head as a universal and timeless form. Crafted in refractory st...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Filcer made very few sculptures in his artistic career and this is one of his most special pieces. Limited Edition: 1/10.

Large-scale ceramic head sculpture in refractory clay with manganese patina and forged iron collar. Testa No. 17 is one of the most monumental works in Óscar Aldonza’s “Testas” serie...

Cobalt carbonate-glazed Buño clay head sculpture evokes organic textures and introspective narratives in Aldonza’s “Testas” series. This hand-built ceramic bust (33 × 20 × 25 cm) is ...

Verdigris bronze figure suspended within a sculptural rusted iron orb offers a poetic meditation on confinement and transcendence. Caged Woman 2 (Ø 32 cm) by Aldonza features a slend...

Patinated bronze torso suspended within a rusted iron globe evokes ancient Venus iconography and contemporary themes of constraint and resilience. Caged Woman 3 (Ø 32 cm) by Aldonza ...

A cast bronze sculpture depicting an elderly jewish peddler carrying a basket of geese going to the shtetl market. Signed on base. This is not editioned...

Testa 16 is one of the largest works within the Testas series, a sculptural project exploring the human head as a space of identity and collective resonance. This contemporary sculpt...

Testa 9 is an expressionist ceramic head sculpture created in white stoneware with a bismuth Rakú glaze. This ceramic head belongs to the artist’s Testas series, a body of work compo...

A bronze sculpture by Reuben Nakian from 1978. An abstract-figurative sculpture representing the Greek myth of Leda and the Swan- in which the Greek god Z...

Expressionist ceramic head sculpture in red stoneware with Shino glaze. This Testa head sculpture No 7 belongs to Óscar Aldonza’s ongoing “Testas” series, where each ceramic bust is ...

Testa nº 8 is an expressionist ceramic head sculpture from the Testas series, modeled in white stoneware and finished with a distinctive bismuth raku glaze. This ceramic head, measur...

Janus. Pair of bronze sculptures. Edition by Artcurial. Numbered 27/250 and 28/250. He was born Henri Étienne-Martin 4 February 1913 in Loriol, Drôme, France. He attended the Ecole des Beaux Arts de Lyon from 1929 to 1933, where he met Marcel Michaud. Martin moved to Paris in 1934, working at the studio of Charles Malfray at the Académie Ranson where he came into contact with such painters as Roger Bissière, Jean Le Moal, Jean Bertholle, Alfred Manessier, Zelman, Véra Pagava...

Mallorca landscape original ceramic sculpture. piece unic born in the town of Estellencs on the island of Mallorca, from his youth he dedicates himself to drawing and watercolor, g...

Artist: Peter Rockwell (1936 - 2020) Title: Acrobats Year: 1968 Medium: Bronze Sculpture, signature engraved Size: 18 in. x 14 in. x 10 in. (45.72 cm x 35.56 cm x 25.4 cm)

Bronze sculpture by Lina Binkele is a modern expressionist rendering of a horse. In the classic tradition, her horse sculptures capture the wonder of the animal's anatomy and the ma...

JOAN STRAUSS CARL 1927-2021 "INVOCATION" CALIFORNIA HARD WOOD, SIGNED DATED 2005 38 INCHES OVERAL -2021 Joan Strauss Carl was a Los Angeles artist, teacher, and humanitarian ac...

Angelo Canevari’s Bucranium is a 34 x 19 inch mix media surrealist sculpture. It is made of metal, resin, green automotive paint, and cardboard. It is a surrealist interpretation of the carved decoration, representing ox-skulls, commonly used in Classical architecture for the friezes of Doric temples. The same motif was also later used on Renaissance, Baroque and Neoclassical buildings. Canevari's contemporary interpretation is evident in the medium he chose to shape this artwork and yet it maintains the same commanding and monumental presence of the classical monuments that have inspired it.. The use of metal and wires to develop a tridimensional sculptural quality, as well as the expressionistic outcome of the imagery, has echoes in some contemporary African sculpture...

Cast paper, edition 16/50.

Arieh Merzer was a prominent Israeli artist and metal worker. Arie Merzer, an artist who worked in hand-hammered copper, was born in Warsaw, Poland in 1905, the scion of a large Has...

Alfred Van Loen signed 32 piece chess set. In heavy solid bronze. Rare Chess Game: Liberty versus Slavery Dimensions: a) Joy-Tenderness H. 6 3/16 in. a...

Artist: Chaim Gross, Austrian (1904 - 1991) Title: Mother and Child Medium: Bronze Sculpture, signature inscribed Size: 10 x 5 x 5 in. (25.4 x 12.7 x ...

This is a one of a kind original figurative expressionist sculpture by southern California artist, Linda Literal. Its dimensions are 11"x14"x6". A certificate of authenticity will fo...

Frank Kleinholz (Brooklyn, 1901 - 1987) Lovers Ceramic unique glazed miniature sculptural plaque with gold leaf or foil under the glaze. Initialled recto and hand signed verso with a self portrait drawing. Framed measures 8.75 X 8.75 inches, Plaque is 6 X 6 inches. c.1950's-1960's Born in Brooklyn, New York, Frank Kleinholz was a painter based in New York City whose work spanned several art movements including Expressionism and Social Realism. His work was strongly influenced by Max Beckmann, is a late survival of the social com­mentary expressionism of the WPA era; His early lithograph works were intensely personal and reflected the influence of the Depression and the World Wars, but his palette lightened as he increasingly focused on families and the bonds between adults and children. He was contemporary of William Gropper and Ben Shahn. As the son of a blind father and hard-working mother who supported the family with a delicatessen. From early childhood, he had to earn a living and sold newspapers and ran errands for local businesses. He graduated from Fordham Law School, and at age 23 was admitted to the bar. In the mid-1930s, while practicing insurance as well as law, he began oil painting and printmaking with teachers including Yasuo Kuniyoshi and Sol Wilson. He gained quick recognition and between 1941 and 1980 participated in numerous exhibitions including the National Academy of Design, the Brooklyn Museum and the Worcester Art Institute. Born in Brooklyn, New York, Kleinholz graduated Fordham Law School in 1923. In the 1930s, he began studying painting under Yasuo Kuniyoshi and Sol Wilson. He quickly rose to prominence with the inclusion of Abstract art in the Carnegie Institute exhibition of 1941. His painting Backstreet won a purchase prize by the Metropolitan Museum of Art. Chronology His strongest influences were American Social Realists Reginald Marsh and Philip Evergood, the German Expressionists George Grosz and Kathe Kollwitz, the Mexican muralists Diego Rivera, Jorge Orozco, and David Alfaro Siqueiros, and the early 20th century Paris Modernists. Described by Newsweek as a "Brooklyn-born Gauguin," Kleinholz focused on urban life in New York, Brooklyn and Coney Island, as well as intimate, social realist scenes of parents and children, watercolor paintings of flowers and birds, and sunbathers. His political works include anti war paintings...

Artist: Kuno Lange, German (1950 - ) Title: Mother and Newborn Year: 1997 Medium: Bronze Sculpture, signature and number on base Edition: 2/9 Size: 28 in. x 7 in. x 3.5 in. (71.12 cm...

Chana Orloff (1888–1968) Seated Woman, 1958 Bronze, Height: 55 cm Signed, dated, and numbered 3/8 Stamped with foundry mark Susse Fondeur, Paris A masterful example of Chana Orloff’...

Man on the Rock - Sculpture is a superb artwork realized by the Italian artist Giuseppe Migneco (Messina, 1903 - Milan, 1997). Bonded bronze sculptur...