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Medium: Rosewood
Francis Linke - Table, oak, mahogany, marble, gilded bronze, h 75.5 cm; d 59 cm
Located in Riga, LV
Francis Linke (1855-1946) Oak table, veneered with mahogany, marble top, gilded bronze, legs from mahogany wood, 75.5 cm; d 59 cm
Category

19th Century Rococo Rosewood Sculptures

Materials

Marble

Origins of the Universe
Located in Nashville, TN
Indian Rosewood with hand tint by Tennessee sculptor Brad Sells. Sells explores the relationship between man and tree in his sculptural woodwork. He approaches each piece with a stro...
Category

2010s Contemporary Rosewood Sculptures

Materials

Rosewood

Wood Wall Sculpture: “3v-As Above/ So Below”
Located in New York, NY
Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...
Category

2010s Rosewood Sculptures

Materials

Rosewood, Mixed Media

Village of Iseh, Bali (1948)
Located in Amsterdam, NL
Theo Meier (1908-1982) View of the Village of Iseh, painted from the house of Theo Signed and dated 48 Theo Meier lower left Oil on canvas, 68.5 x 50 cm In original frame carved by the artist. Note: Theo Meier arrived in Bali in 1936 with the intention of going on to Tahiti where he had been before. However Bali turned out to be the paradise he had been searching for in his dreams and he had no desire any more to move elsewhere. Bali at that time was still a very traditional place where society lived according to an acient religious system and in a luscious tropical setting the modern world was ignored. Here he met Walter Spies...
Category

Mid-20th Century Expressionist Rosewood Sculptures

Materials

Canvas, Rosewood, Oil

Bateau - Hydroplane - Arno XI - 8/8
Located in Miami, FL
Signed limited edition number 8 of 8. It’s by being aware of his roots that a man can grow. Antoine Dufilho is aware of the roots that plunge into art and his work proves it. As a...
Category

2010s Abstract Rosewood Sculptures

Materials

Stainless Steel

Golden Botrus Teapot
Located in Kansas City, MO
Artist : Genevieve E. Flynn Title : Golden Botrus Teapot Materials : Sterling Silver, Rosewood Date : 2016 Dimensions : 4.5 x 4 x 4.25 in. Description : This Saul Bell International Award finalist teapot was inspired from Flynn's love of mineral specimens with botryoidal crystal structures as a young girl. The body was raised from a single sheet of sterling silver, using chasing and repousse techniques. 23 1/2 karat gold leaf is applied over the surface of the "bumps." The handle is made of Pau Rosewood. ONE OF A KIND. Award winning silversmith, Genevieve Flynn, has been working in precious metals for 44 years creating hollow-ware and art jewelry family heirlooms. Flynn has been invited to create numerous private commissions, including an intricately chased and engraved hand mirror that was presented to music industry personality, Paula Abdul and a commemorative 1985 World Series pin for the late Ewing Kauffman, then owner of the Kansas City Royals and Marion Laboratories. contemporary art, ceramics, contemporary ceramics, contemporary fine art, ceramic artists, sculpture, contemporary sculpture, jewelry, contemporary jewelry, jewelry art, Margaret De Patta, René Lalique, Bruce Metcalf, fine art jewelry, Suzanne Belperron, Stanley Lechtzin, Art Smith, Margret Craver...
Category

2010s Art Deco Rosewood Sculptures

Materials

Silver

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Category

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Louvre, Bronze after P. Julien Executed from a Marble Ordered by Marie-Antoinette
Located in Paris, FR
This splendid sculpture represents Young Girl with a Goat (Amalthea and Jupiter's Goat), after the original by Pierre Julien commissioned by Louis XVI in 1785 and completed in 1787 for the cot of Queen Marie-Antoinette in Rambouillet. The work of the sculptor Pierre Julien decorated the interior of a grotto in a pavilion decorated with bas-reliefs by the same sculptor (acquired by the State by dation in 2003). The work was the main element of a rock basin, which was destroyed during the renovation of the gardens of the small castle. The same sculpture was seized during the Revolution and exhibited in the Louvre from 1829. The terracotta sketch, which belonged to the collector Ernst May, must have adorned his château de la Couharde (Yvelines) before entering the Louvre's collections in 1920. The bronze set with a beautiful gilded patina presented here is a work after the original by Pierre Julien (1731-1804) and dates from the 19th century (around 1850). The superbly preserved sculpture, which has belonged to the same family since its acquisition, is presented on its original base in grey serpentine marble. The quality of this work is doubly certified: - on the one hand it is stamped with a round stamp at the top "A. This stamp is a sign of high quality. Achille Collas (1794 - 1859) was the French engineer, engraver and illustrator, inventor among other things of the patented mathematical reduction process of the 19th century to reproduce sculpted objects in reduction, which was very successful. He was awarded a prize at the 1855 exhibition: his "Procédé mécanique", the name under which he prints all his productions, is easily recognisable by the finesse of its execution and by the famous stamp which appears on the base (terrace) of this sculpture. - On the other hand, an important signature is found on the terrace of the sculpture "F. Barbedienne Fondeur", founder. In 1844, Achille Collas, in order to protect his invention, formed the Société Collas et Barbedienne (Paris) with the art founder Ferdinand Barbedienne (1810-1892), which began to produce and sell famous but smaller sculptures in plaster, wood, bronze or ivory. The first object to be marketed was the Venus de Milo after the original in the Louvre Museum. Other sculptures such as the sculpture of George Washington, of which a bronze bust was made by the Barbedienne & Process Collas foundry, are currently in the Metropolitan Museum of Art. HEIGHT OF THE SCULPTURE without base 69CM + BASE = 84CM WIDTH OF THE SCULPTURE without base 28 CM + BASE = 30,5 CM LENGTH OF THE SCULPTURE without base 46 CM + BASE 51 CM The Collas and Barbedienne company was highlighted at the Great Exhibition in London in 1851, the objects of the Barbedienne foundry received a medal and sales soared. At the 1889 Universal Exhibition in Paris, the Barbedienne company again presented a large number of its compositions, including the large neo-Renaissance clock of 1878. This clock, which was part of the Leblanc-Barbedienne estate, was donated by his heirs to the city of Paris, and is kept in the city hall. Pierre Julien (20 June 1731 - 17 December 1804) was a French neo-classical sculptor who worked in the full range of rococo and neoclassical styles. He had an early apprenticeship in Le Puy-en-Velay, near his native village of Saint-Paulien, and then at the École de Dessin in Lyon, before entering the Paris workshop of Guillaume Coustou le Jeune. In 1765, he won the Prix de Rome for sculpture with a bas-relief panel depicting a subject from Antiquity and entered the Royal School for Protected Pupils, which offered a special curriculum under the direction of the painter Louis-Michel van Loo. He was a boarder at the Académie de France in Rome from 1768 to 1773, where he was influenced by the wave of neoclassicism affecting his fellow students. As boarders were required to do, he sent back to France a slightly reduced marble copy of the so-called Cleopatra, the Sleeping Ariadne from the Vatican, which survives in Versailles. Back in France and with his former master, he worked on the sculpture of the mausoleum of Louis, the Grand Dauphin, in the cathedral of Sens. After a failed attempt in 1776, with his Ganymede, he was accepted by the Royal Academy of Painting and Sculpture in 1778, with a Dying Gladiator. He was appointed one of the first members of the Institut de France in 1795, and knight of the Legion of Honour in 1804. He was commissioned by the Count of Angiviller, director of the King's Buildings, on behalf of Louis XVI, to paint the figures for a series of life-size portraits of the great men of France: he produced a Jean de La Fontaine and a Nicolas Poussin, whom he chose to depict in a nightgown, similar to the draperies of a Roman toga. While fulfilling commissions in Paris, for the church of Sainte-Geneviève (now the Panthéon, Paris), or for the Pavillon de Flore in the Louvre, he sculpted in 1785 a virtuoso marble set representing the nymph Amalthée and Jupiter's nurse goat for the Queen's Dairy at the Château de Rambouillet; for his model, he adapted the pose of the famous Venus of the Capitoline. The bas-reliefs of the Dairy, considered his masterpieces, were sold at auction in 1819, but were recovered by the State in 2005, thanks to a gift from the son of the great dealer-collector Daniel Wildenstein. 19th century French school, after Pierre Julien (1731-1804)Amalthea and Jupiter's Goat Bronze with a light brown patina and gilding, reduction made after the marble by Pierre-Julien 1785 executed for Marie-Antoinette at the Laiterie du parc du château de Rambouillet in the Louvre Museum. Among his major works: - Dying Gladiator, marble, 1779, Musée du Louvre. - Ganymede pouring nectar to Jupiter changed into an eagle, [4] marble group, 1776-1778, Paris, Musée du Louvre. - Jean de La Fontaine, marble, 1783-85. Musée du Louvre - Nicolas Poussin, marble, 1789 - 1804. Musée du Louvre - Sketch of a model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat, marble group, 1787 for the Rambouillet Dairy. The Queen's Dairy at Rambouillet - The girl with the goat, terracotta statuette, 1786. Louvre Museum - Sainte Geneviève restoring her mother's sight, terracotta bas-relief, 1776. Musée du Louvre The works of the famous sculptor Pierre Julien have been referenced in several books and catalogues, including The exhibition catalogue. Gilles Grandjean and Guilhem Scherf. "Pierre Julien 1731-1804". Le Puy-en-Velay, France: Musée Crozatier, 2004. The Lure of Classical Sculpture 1500-1900 (Yale University Press, 1981), cat. no. 24, pp 184-87). Michael Preston Worley, 2003. Pierre Julien: Sculptor to Queen Marie Antoinette. The first modern monograph. Europe in the age of enlightenment and revolution, a catalogue from the libraries of the Metropolitan Museum of Art (fully available online in PDF format), which contains information on Julien. 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Born from the desire to bring together, in a unique space, vintage pieces of 20th century design, contemporary creations, original works of art and interior design know-how, AYN GALLERY was created in 2017. Our gallery presents an eclectic and daring mix, driven by a total freedom of styles and periods. We offer a collection that combines aesthetics and authenticity, in a word what we like and what our customers like. We offer an inspiring selection of furniture from the last century with rare antiques, but also precious objects and lighting with a special emphasis on vintage Italian...
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Category

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Materials

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Antique Bolognese Dog- Dresden Porcelain- after Meissen Johann Gottlieb Kirchner
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Materials

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Located in Kansas City, MO
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Previously Available Items
American Contemporary Sculpture by Scott Troxel - Bois de Rose
Located in Paris, IDF
Artwork made with Acrylic, enamel, Rosewood, ebony, lacqueron MDF
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2010s Abstract Rosewood Sculptures

Materials

Enamel

Three foot long Carved Mahogany sculpture of a Blue Whale and her calf
By Ron Redden
Located in Woodbury, CT
An amazing carved wood piece in the form of a blue whale. Redden was a Nova Scotia artist from the latter part of the 20th century. His work is the...
Category

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Materials

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Beginnings Abstract
By Brian Willsher
Located in Soquel, CA
Rosewood abstract Sculpture by Artist Brian Willsher circa 1988 (United Kingdom, 20th Century) Brian carves the forms and glues the assembly together for a dramatic 3 dimensional effect. Size, 22"H x 9"W x 4"D. Signed on bottom "Brian Willshire '88." "Brian Willsher sculptures: a collector’s perspective on a lesser known mid century classic The work of British mid century sculptor Brian Willsher echoes the work of the St Ives school; there is a fluidity in the forms of Willsher’s sculptures that is reminiscent of Henry Moore and Barbara Hepworth. We ask Collector Gary Howard about what first drew him to Brian Willsher’s sculptures and the friendship that followed. Born in Catford, South London, Brian Willsher studied engineering between 1945 and 1948, and then drifted through a succession of occupations, before finally qualifying as a dental technician. In 1954, he suffered a near fatal motorbike accident, and spent six months convalescing. During this time he began making plaster objects using techniques learnt through dentistry, and resolved to commit his time to some form of creative work. In 1956, Brian Willsher began working with wood, applying his experimental forms to lamp bases. This fusion of abstract shapes with everyday domestic articles resulted in immediate success. Geoffrey Dunn, of Dunn’s department store in Bromley, Kent, offered him his first exhibition in their shop window, which they called ‘Brian Willsher’s Things’. Shortly afterwards Christopher Heal, of 1960s department store Heal’s, asked him to supply table lamps and lighting for his flagship store on Tottenham Court Road, London. These proved very popular, but Brian Willsher tired of the monotonous production process and of his neighbours’ complaints about the noise of the circular saw. He purchased a bandsaw, which was much quieter, and which allowed him to pursue what he called ‘doodling in wood’. This was the start of Brian Willsher’s career as a sculptor. In 1966, Heal’s give him his first solo exhibition, which proved so successful that a second one followed in 1967. In June 1968, Customs and Excise disputed the status of Brian Willsher’ work, claiming that his creations were ornaments rather than sculpture, and therefore subject to a 40% manufactured goods tax. Some respected names leapt to his defence, as was reported in The Guardian: ‘Here’s pure sculpture, indeed! More than that, memorable sculpture!’, wrote Sculptor Sir Henry Moore. In spite of such praise, Brian Willsher refrained from showing his work in commercial galleries throughout the 1970s and ‘80s, instead subsisting by selling sculpture...
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1980s Abstract Expressionist Rosewood Sculptures

Materials

Rosewood, Glue

Rosewood sculptures for sale on 1stDibs.

Find a wide variety of authentic Rosewood sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Loren Eiferman, Theo Meier, and Scott Troxel. Frequently made by artists working in the Impressionist, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Rosewood sculptures, so small editions measuring 0.12 inches across are also available

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