Bronze Nude Sculptures

Eliara embodies the moment of becoming — a fragile yet powerful transition between stillness and life. Emerging from an undefined mass, the form evokes a body in the process of awake...

This AFTER BOTERO sculpture is a very beautiful, faithful reproduction in the style of BOTERO'S work that has sold very well here on 1st Dibs. The edition is 50 in Roman numerals. ...

Large Lying Figure I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 46 × 120 × 17 cm (18.1 × 47.2 × 6.7 in). The sculpture is signed and numbered...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

After Jean-Antoine Houdon (French, 1741-1828) Bust of Diana Bronze Signed on side, Susse Frères foundry stamp on base 28.5 x 16.25 inches Jean-Antoine Houdon's bust of Diana is an 1...

19th Century Italian School Grand Tour Bronze Sculpture of Dionysus, 19th Century Bronze with black-green patination 24 x 10 x 10 inches Dionysus, in Greco-Roman religion, a nature ...

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

Unknown Artist, Possibly Arbit Blatas - Standing Nude Man, Medium: Bronze Sculpture, Size: 14.25 x 3.5 x 3.5 in. (36.2 x 8.89 x 8.89 cm)

Alan Cottrill (American, Ohio, b. 1952) Nude Female Torso, 1994 Bronze mounted to green marble base Signed, dated and numbered 14/20 verso of leg, with foundry stamp 17. in. h. x 6 i...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Retrorsum Bookend Bronze Sculpture Nude Boy Classic Contemporary In Stock Wim van der Kant, born in Kampen in 1949, is a sculptor known for his refined, realistic bronze sculptures....

Madeleine by Nando Kallweit. Bronze sculpture, edition of 7 Dimensions: 153cm tall

Artist: Salvador Dali (1904-1989) Title: Piano surréaliste Year: 1984 Medium: Bronze Edition: 350, plus proofs Size: 26.3 x 15.7 x 12 inches Condition: Excellent Inscription: Incised...

Handmade Benin sculptural tribal bronze figural judgement throne chair. The base of the chair with two tiers of standing figures. The back of the chair with two more tiers of standin...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

Franz Iffland (1862 Tempelhof - 1935 Berlin), Javelin thrower, after 1910. Olive-black patinated bronze with cast plinth mounted on a white-veined black marble base (7 cm high). Tota...

Pietro Chiapparelli (Italian, 19th Century) Sleeping Ariadne, c. 1865 Bronze on marble base Inscribed 'P. Chiapparelli F.I. Roma' 22 x 24 x 10.5 inches 136 lb. (34 lb. bottom marble,...

After Giambologna (Italian, 1529-1608) Mercury Standing on the Breath of Zeus Bronze 27.5 x 14.25 x 5.5 inches The sculpture depicts Mercury wearing his winged helmet and sandals and holding a caduceus. Created after one of Giambologna's most celebrated sculptures in the Renaissance, Mercury, was designed as part of a fountain for the Villa Medici in Rome.The head on which Mercury steps symbolizes the figure being “exhaled, purified, unburdened.” When the Giambologna sculpture...

Tom Otterness Lovers, 1992 Incised with the artist's initials and inscribed AP 5/10 on the underside Bronze 4 3/8 x 4 x 3 1/2 inches Tom Otterness (born 1952) is an American sculpt...

The Borghese Gladiator, 19th Century Bronze on marble base Musée du Louvre signed on base 15 x 12 x 8 inches Since its discovery in the early seventeenth century, the Borghese Gladi...

Edition of 12 For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory...

Theseus slaying the Minotaur by Antoine-Louis BARYE (1796-1875) A rare bronze group with a nuanced greenish dark brown patina Signed "Barye" on the base Cast by "F. Barbedienne Fon...

Edris Eckhardt (American, 1905-1998) Vernal Equinox, c. 1975 Bronze Signed on base 16.5 x 4 x 3 inches Born in Cleveland, Ohio January 28, 1905, Edris was given the name Edythe Alin...

Siesta by Benson Landes. A bronze figurative sculpture of a woman reclining in a hammock captures an exquisite balance between relaxation and elegance. The sculptor presents the fem...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

In this work, the author turned to classical mythology and created the image of the goddess Venus. Goddesses of youth, beauty and love. He created the classical female torso on a marble basement. Кeferring to the classical works of antiquity, the sculptor created his own version of the Venus statue...

'Stepping Stones' by Benson Landes is a Solid Bronze 20th Century Nude Ballet Dancer - she is so light on her feet and beautifully elegant. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing...

Bronze founder CHAPON 3/8. Lost wax. Sophie Susplugas lives and works in Paris. From her earliest years she carved busts, hands, dancers and dancers. It all starts with the ground...

Ver Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises...

Confabulations is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 37.5 × 16 × 8.5 cm (14.8 × 6.3 × 3.3 in). The sculpture is signed and numbered, it ...

Bronze Numbered 10/10 36cm × 11.5cm × 18cm (incl. base) Ian Rank-Broadley is one of the foremost sculptors working today. His effigy of the late Queen Elizabeth II appears on all UK...

Miratio Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively pract...

Ausum Bronze Contemporary Sculpture Marble Stone Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high scho...

Crepis Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at...

Tollit Bronze Sculpture Nude Boy Contemporary Male Figure Balance Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his bu...

Walter Sinz (American, 1881-1966) Zinnia, c. 1930 Plaster Signed on base 9 x 8 x 4 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fa...

realism, academism manner, vintage collectible sculpture, cast bronze, "I create this sculpture at the very beginning of my career. I sculpted it from a real model. The girl was ver...

Bronze Numbered 2/10 57cm × 18cm × 40cm (incl. base) Ian Rank-Broadley is one of the foremost sculptors working today. His effigy of the late Queen Elizabeth II appears on all UK an...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

William Zorach (American, 1887-1966) Seated Woman Painted plaster Inscribed underside "V" 12.5 x 9 x 5 inches Provenance: The Tatti Family Collection Bill Zorach was born in Lithuan...

"El Torso" Bronze Sculpture. The sculpture is dedicated to female beauty and grace. The author portrayed a beautiful girl who is a little shy about her nakedness. Her body is stylize...

Auguste Rodin 1840-1917 French L'Éternel Printemps (The Eternal Spring) Bronze with brown patina Signed "Rodin" (on base), with Barbedienne foundry mark Perhaps one of the most w...

Between Heaven and Earth is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 57.5 × 13 × 16.1 in / 146 × 33 × 41 cm. The sculpture is signed and numbe...

In this thoughtful sculpture by Canadian artist Richard Tosczak, the gestures of a female figure, head bent, arms wrapped, are captured in bronze. Known for his beautiful figurative work, this piece retains the artist’s signature highly textured appearance and green-black patina. Tosczak’s pieces are first conceived on paper in quick pen and ink drawings. The spontaneity of this approach is evident in the almost abstract appearance of the sculpture. This piece is number three in an edition of eight. “The ineffable, vital qualities of the human spirit (is what I’m trying to communicate.)” - Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

Allegory of Spring Mathurin Moreau (1822-1912) A Belle Epoque bronze statue depicting an Allegory of Spring with a seated maiden looking over to view two birds as a putto gathers a...

Neile is an elegant figurative bronze sculpture of a female nude by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the sty...

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). not signed . rare. museum...

John W. Kearney (American, 1924-2014) Godiva on a Rhinoceros Bronze Signed with monogram to base 6.5 x 3 x 8.5 inches Born in Omaha, Nebraska, he studied at the Cranbrook Acadamy of...

RIL Warrior is a bronze sculpture by contemporary artist Walter Peter Brenner, dimensions are 80 × 80 × 40 cm (31.5 × 31.5 × 15.8 in). This sculpture is part of a limited edition of...

This large bronze statuette of a reclining nude with legs outstretched, arms tucked in and straining to sit up was created rapidly in gestures that verge on abstraction. The modern and dynamic formalism that departs from realism allows the viewer to focus on emotive qualities of pure form. This is number 1 in an edition of 8. Tosczak is a Belgian-born, Edmonton-based figurative sculptor. He studied philosophy and modernist sculpture, working in steel, at the University of Alberta where a number of the professors had a strong affiliation with Sir Anthony Caro and Clement Greenberg. Richard pursued further artistic training in the Loire Valley with Martine Vaugel...

Morning Glory is a beautiful nude bronze figurative sculpture by Carl Payne, showcasing the artist’s celebrated ability to blend classical influences with contemporary elegance. Part...

A fine patinated cast bronze of a classical nude male figure running on three steps, the Greek messenger Pheidippides, and titled “Nenikhkamen” purportedly ancient Greek for “We are ...

Prorsum Bookend Bronze Sculpture Classic Contemporary In Stock Wim van der Kant, born in Kampen in 1949, is a sculptor known for his refined, realistic bronze sculptures. Although h...

This thoughtful female figure has wrapped her arms around herself. The light green patina highlights this gentle gesture. The study feels intimate, and indeed, the sculptor's wife wa...

20th Century Continental School Europa Bronze on stone base 11 in. h. x 8.5 in. w. x 4.5 in. d., overall Inspired by the Greek myth Europa and the Bull Phoenician princess abducted to Crete by Zeus...

Very Fine cast and patina / Italian Bronze circa 1800's / Dancing Faun Note : its large size and high quality chiseling make it on of the best examples we have found

Duco Lineam Bronze Sculpture Boy Male Nude Figure Marble Duco Lineam is a bronze male nude figure, a sculpture on a marble foot, from a boy bending and wri...

Dean Kugler Atlas Shrugged, 2024 bronze, ed. 9/12 22h x 14.50w x 16d in 55.88h x 36.83w x 40.64d cm ed. 9/12 DK0046 Dean Kugler is a seasoned interdisciplinary artist, painter, and ...

This female torso represents the young woman's strength and vulnerability. It´s was conceived in the 70ths and is signed with the artists initials on a thumbprint. Gunnar Knut Nilsson, born 1904 in Karlskrona, died 1995 in Versailles in France, was a Swedish sculptor. Gunnar Nilsson studied watercolor painting and modeling at the Technical Vocational School in Karlskrona in 1918-19 and on his own in addition to working as a clerk at Finspångs Metallwerk. His debut exhibition was in Finspång in 1927. With the help of a local fundraiser, and after the encouragement of Carl Eldh, he traveled to Paris in 1928 to study sculpture for, among others, Charles Despiau and Paul Niclausse. In Paris he socialized with Bror Hjorth, whose former studio he also rented, Carl Frisendahl and Alberto Giacometti. He came to belong to "Le groupe des Neuf'' with Paul Cornet...

The sculpture depicts a naked girl walking. Her body is stylized and refined. Polished bronze creates a play of reflections on the metal, as if the sun's rays were playing on a livin...