Archaeology Sculptures

"LarA 019" is a portrait sculpture in tinted cement, presenting a symbolic female head where the contours of the face are progressively overtaken by a dense cluster of architectural ...

Kashan Terracotta Head of a Bearded Man, c. 1st-2nd Century AD Terracotta head of a bearded man, with polychrome to the face, lips, and beard, mounted to wood stand. 5.5 in. h. x 3.7...

A very unusual and interesting monumental marble relief, hand carved in Italy in the early XX century that shown an interesting scene: the Apotheosis of the emperor Augustus. Apotheo...

The Griffin Marco. Patinated bronze. Marble base. Signed and titled. Charles Valton was a French sculptor known for his works created in the animalier style, a 19th-century movement ...

"LarA 013" is an original sculptural bust in dark gray cement, part of José Perozo’s ongoing LarA series, created in 2024. This piece reinterprets the relationship between the human ...

This young saint or angel has suffered over the centuries, but his spirit has not been broken - and miraculously, his beautiful face has remained intact. With a gentle face and an al...

Figure of Recumbent Lion, 19th Century Carved gray veined marble 4.5 x 8 x 4.5 inches

Impressive cast iron sculpture titled "Polymnie," Tusey Foundry, late 19th century. Fine Arts export certificate available. In modern times Tusey, a village in the Meuse, was best k...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

From Memories of Egypt Series. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-s...

Confabulations is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 37.5 × 16 × 8.5 cm (14.8 × 6.3 × 3.3 in). The sculpture is signed and numbered, it ...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

'Preoccupied' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's w...

Mother Goddess Figurine Early Indus Valley Civilization (circa 3500 - 2800 BC) Handmade pottery, 140 mm x 45 mm, 60 g Provenance: Prince Collection, 1990s-2014; Pierre Bergé Colle...

CITES Documentation: IT/CE/2023/MI/00454 Exceptional composition with ivory microsculptures and landscape made of semi-precious stones, shells, and small corals in coeval carved and...

They may be damaged and battered, but real historic objects will always give you a sense of awe. Can you sense it, looking at this ancient carved granite which depicts, as it is call...

After studying fine arts, a need for contact with solid material was needed. Ybah took a classic artistic path from an academic education from the Louvre reproductions, learning at t...

Elegant 15th-century wooden sculpture of a finely executed infant missing his arms. The work, of central Italian provenance, recalls the Donatello manner in the delicacy of the featu...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

PORTRAIT HEAD OF BEARDED MAN Central Italy, 16th/17th Century marble with traces of polychromy height 39 cm height 15 1/4 in

"LarA 008" is a light gray cement bust from the LarA series by Spanish sculptor José Perozo, created in 2024. The sculpture presents a fusion of human form and urban structure, where...

After studying fine arts, a need for contact with solid material was needed. Ybah took a classic artistic path from an academic education from the Louvre reproductions, learning at t...

Madonna and Child, polychrome stucco relief, workshop of Luca della Robbia. Second half of the 15th century. Modeled as half-length, the Child holds his mother's veil in one hand, th...

Diorama in Wood and Polychrome Stucco Attributed to Thomas Gaudiello (Naples, active 1685-1727) This fascinating diorama depicting the Nativity is distinguished by its complex three...

ROMAN MADONNA “Sedes Sapientiae” Auvergne Around 1175/80 Pine wood Polychrome remains Height 40 cm This depiction of the Madonna is a masterfully carved, extremely early figure made...

19th century Bronze Sculpture of Cupid After Pierre Chenet Base diameter 6" 9"W x 23"H

ANCIENT ROMAN MARBLE RELIEF FRAGMENT Rome, 1st Century b.C. marble 23 x 15 x 5 cm without base 9 x 6 x 2 in

Bronze sculpture of blind Samson collapsing the temple in the ultimate act in the story of Samson and Delilah created by American artist Arnold Goldstein...

You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at the gallery until a few years ago. We restore this trad...

Walter Sinz (American, 1881-1966) Zinnia, c. 1930 Plaster Signed on base 9 x 8 x 4 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fa...

For sculptor/ painter/ photographer Roberto Santo, art became a way of life when, at age16, he embarked upon an apprenticeship with Bob Peak, the celebra...

Antique Bronze Dog Portrait of a Cavalier King Charles "Thigley" French School (possibly Franck Burty Haviland) Lost wax bronze casting Circa 1910 5 7/8 x 9 x 3 1/4 A sophisticated bronze casting of a Cavalier King Charles spaniel made in lost wax casting (cire perdue) from the beginning of the 20th century by Valsuani Foundry. This an unusual bronze approached in its aesthetic that’s reminiscent of the work of great animal sculptors of the second half of the 19th century except in this presentation which is more avant-garde for the time with a much looser, more impressionistic execution. The patina is a superb bronze color, brown and slightly greenish, going in places towards a more antique green. The attitude of the dog is extremely well and sensitively rendered with the placement of material unlike the renderings of a bronze by Barye...

A gray sandstone head of Avalokiteshvara, Khmer, Cambodia, Bayon Style from the 13th century. The artwork is unsigned. Provenance: Charles Craig, Privat...

3 Carved Wood Plaques Outsider Modern Mid 20th Century Latin Gay Male LGBT Beefcake Each plaque is 16 x 10 x 1 1/4 inches. Two are vertical and one is horizo...

Very Rare! Ex Nihilo, working model, is the intermediate scale model for the full-scale plaster for the final stone sculpture of Ex Nihilo, commissioned as part of The Creation Sculptures at Washington National Cathedral...

Late 15th Century Florentine School Madonna with Child Bas-relief Pietra serena (a blue-gray sandstone) 85.5 x 60.5 cm Provenance: - via Stefano Bardini purchased in 1896 by Prince ...

3 Seated Figures I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 42 × 49 × 16 cm (16.5 × 19.3 × 6.3 in). The sculpture is signed and numbered, it...

BUST In Marble Probably From Carrara Representing King Henry IV Late 18th Century" Marble BUST probably from Carrara representing King Henry IV with a laurel wreath. late 18th centur...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

This contemporary figurative tabletop sculpture is by Paul Duval. This charming series of contemporary indoor sculptures showcases Quebec artist Paul Duval’s skill in capturing the ...

Capturing a climactic moment from Shakespeare’s famed tragedy, this exquisite marble sculpture was created by acclaimed Italian sculptor Fausto Biggi in t...

"Bronze Statue - Ife, Nigeria" is a bronze sculpture created in circa 1920. This figure has short legs and a short torso, but a large head. They held out their hands with two objects...

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 345/375 Numbered, 37 AP Size: 8 x 7 inches Condition: Excellent Inscription: Incised w...

This is an Edward Kemeys Sculpture Bronze “crow Warrior” Signed Titled. In good condition. Measures 8x8

Augustus Saint-Gaudens Jules Bastien LePage Bronze 14 1/4 x 10 1/8 inches Augustus Saint-Gaudens was born in 1848 in Dublin, Ireland. His father, Bern...

Very rare wooden helmet-bearing head, datable between the 13th and 14th centuries, extraordinary evidence of medieval material culture. This object, carved with essential and primiti...

Bedouin Mother with Child by Céline LEPAGE (1882-1928) Bronze with a dark greenish brown patina signed on the base "Lepage" cast by "Alexis Rudier, fondeur, Paris" (with the foundry...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

"Rustic Mare" (2016) by Amy Laugesen is an original, handmade ceramic sculpture that depicts a horse with detailed patterning, this piece is attached to a wood and metal base.

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

Roman Marble Altar fragment from the 1st/2nd Century A.D. with the typical element of Roman rituals. Provenance: Nicolas Koutoulakis (1910-1996), Paris...

"King with Two Tribesmen" is a bronze relief sculpture from the Nigeria-Benin area tribe. It depicts three figures: two tribesmen on the left a...

BLUE HANDLE HORSE is a stoneware clay sculpture with blue clay inlay by Brooklyn, New York artist Rene Murray. It measures 24"H x 18"W x 7"D. It's an encha...

Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...

"Ex Nihilo Fragment 6" by Frederick Hart is a figurative bronze with the edition of 55/65. Ex Nihilo Fragment No. 6, detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, was commissioned as part of The Creation Sculptures at Washington National Cathedral...