Abstract Geometric Art

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Marcel Duchamp Lithograph "Broyeuse de Chocolat No. 2" – New York Graphic Society, 1972 Available for sale: A rare lithograph of Marcel Duchamp's iconic 1914 painting Broyeuse de C...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

Irene Zweig creates exquisitely detailed works constructed from her own watercolor and ink drawings, which she carefully dissects and reorganizes into entirely new compositions on pa...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Sarah Morris, Lunar, January, 2022 Screenprint 62 x 62 cm (24.4 x 24.4 in) Edition 28 of 68 Hand-signed and numbered by the artist

John Newman (b.1952) Color Double, 1990 Color Lithograph Signed, annotated, and dated in graphite pencil on the front. Edition of 2 (PP II, aside from the regular edition of 32) 27 × 19 3/4 inches Unframed Accompanied by gallery issued Certificate of Guarantee A rare signed Printers Proof, aside from the regular edition of only 32 John Newman received his Masters of Fine Arts degree from the Yale School of Art...

"Peace and Power" is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a horizontally oriented rectangular piece and measures 30 inches high by 40 inch...

Movement on Metal is part of a series of graphic, industrial, black and white photographic images. All are limited editions and produced with infused archival inks on metal which means the image is permeated into the metal thereby becoming part of the material versus being merely printed on the surface. It can be inside or outside in all seasons for years with very little loss of resolution. A mounting system would be included. The finish is a metal black gallery wrap. What that means is, imagine a metal frame that the image rests on. It is an inch deep and presents the art in an elegant, museum quality fashion...

Colorful houses on Fresno Street in the North Beach district of San Francisco. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/1...

Artist : Susan Kiefer Title : Thus Spake Zarathustra Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 1.5 Description : Intersection of a circle and square in bl...

Line, Color, Form Number 1, 1959, by Albert Manchak (b. 1925) Oil on canvas 35 ½ x 35 ½ inches unframed 37 x 37 inches framed Signed on bottom right Lab...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Dramatic abstract geometric lithograph by Patricia A. Pearce (American, b. 1948). Labeled "State 2" in the lower left corner. This piece ...

Artist: Jack Graves III (American, 1988-) Title: "Aura VI" Series: Aura *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2024 Medium: Original Acryl...

Gaia 21 by Jaume Llorens Bach Gaia 21 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory This size in a Limited Edition of 10 + 2 Artist's ...

"Shards" Large Scale Abstract Geometric Composition in Acrylic, Signed, 58x48 This large scale composition by Betty Usdan-Zwickler depicts a lively arrangement of patterned textiles...

Erin O'Brien I Remember You, 2025 acrylic on linen 12 x 11 in. (obri038) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, yel...

At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...

Artist: Nicholas Krushenick Title: Greensboro Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 34 x 26 inches

A Visual Journey: Landscape #10, Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

A Visual Journey: Landscape #8, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

A Visual Journey: Landscape #7, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

A Visual Journey: Landscape #5, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Go Figure, No. 17, 2026 (Pink and White Abstract Geometric Oil Painting on Antique French Linen floated in Shadow box frame without glass) oil and oil stick on antique linen 42 x 47....

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall g...

Abstract Composition by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 39.5 x 29 inches condition: the work is in overall very sound and good conditio...

Pierre Clerk Plate V : Yellow-Red - 1973 Print - Serigraph on Somerset paper 32'' x 36'' inches Edition: signed in pencil and marked 34/100 The images ...

Title: Mid Century French Geometric Abstract in Black White and Blue Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

This large painting is made with acrylic paint and Persian tea on canvas. A highly abstract piece, half red and half yellow circle-like shapes closely pattern the entire surface of the 48" x 72" canvas. Horizontal and vertical lines appear to scratch through the circles, with several of them in the shapes of small American flags...

Title: Pensées Entrelacées Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood floater frame (black optional) Signed lower right – ...

Contemporary British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, Surrey, England condition: The painting is in ...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Pierre Clerk Plate II : Green - 1973 Print - Silkscreen on Somerset paper 32'' x 36'' Edition: Signed in pencil and marked 22/100 image size: 28" x 32" i...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content. Pat Lay has used computer data and computer parts...

Black and white fine art photograph capturing the sculptural elegance of an agave plant. The interplay of light and shadow emphasizes the organic geometry of the plant’s serrated edg...

b. 1941, New York, NY Judith Murray’s work is a particularly telling example of the power of the innate form. Her paintings over the last thirty years have displayed clarity, discip...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

Burton Wasserman Untitled Mid-Century Modern Geometric Abstraction, 1967 Color pencil on thin vellum paper Hand signed and dated by the artist on the front Frame Included: elegantly ...

This is a special edition poster designed by artist Valerie Jaudon for the Lincoln Center Information Center in 1986. The poster, a striking screenprint, incorporates both traditiona...

Christopher Barrow has studied the smallest details of life in urban society and translated these details into engaging paintings. His scenes are familiar to us but also ever so slig...

This vibrant mixed media painting by Ukrainian artist Yaroslav Petrovets explores the visual language of numbers, texture, and color as symbolic elements of urban memory and coded me...

"Ode to Roundel" Abstract Painting in Acrylic and Gouache, Signed Embellished with added texture and machine sewn gold thread patterns throughout the gouache. Signed "Morgan" and ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Paul Reed Zig - Field D, 1969 Acrylic On Canvas 28 x 96in Signature and title on reverse stretcher Paul Reed ( 1919 - 2015 ) was a member of the " Washington Color School " an art ...

Signed, dated, numbered lower right, recto 4/15, unframed, other sizes available, printed later, Printed on Hahnemühle Fine Art paper In-camera multiple exposures with red, orange,...

Alexander Calder Stabiles Lithograph poster Made for the exhibition of Alexander Calder at Maeght Gallery Printer: Arte Paris Editor: Maeght 77 x 55 cm (c. 30.3 x 21.6 in) Excellen...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon RUE DE BELLE VILLE II 1960 Gouache on paper 48 x 61 cm. Signed and dated: lower right ‘Quirijn 60’ Herkomst: Private collection, The Net...

Joyce Kozloff Pictures and Borders II, 1977 Color lithograph on wove paper Signed, dated, titled and numbered "Artist's Proof XVI" in graphite pencil on the back of the sheet Edition...

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

Artist: Georg Karl Pfahler, German (1922 - 2002) Title: Untitled 4 Year: 1970 Medium: Screenprint Edition size: 100 Size: 29.5 x 26 in. (74.93 x 66.04 cm)

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-D...

A mid-century modern geometric abstract painting titled Beacon by American artist Richard Huntington. This work features bold colors and incredible texture. Richard Huntington (b. ...