Abstract Geometric Art

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Title: Abraçada means "hug" in Catalan. "The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cem...

Putu by Al Held, American (1928–2005) Date: 1988 Aquatint Etching, signed, numbered and dated in pencil verso Edition of 16/25 Image Size: 35.5 x 44.5 inches Size: 41 in. x 53.5 in. ...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

John Chamberlain Flashback I - 1981 Print - Silkscreen   20" x 28¾" inches Image size 19" x 14½" inches Deluxe Edition Printed on Rives BFK Paper Edition: Signed in pencil and marked...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

'Window' Detail of Christ Church by architect John Peter Darvall. 2023 Printed on 30 x 30cm Hahnemühle Photo Rag fine art paper. Photograph is signed front and back and comes wi...

In 1963, Calder settled into a new workshop, overlooking the valley of the Lower Chevrière to Saché in Indre-et-Loire (France). It wasn’t long before tapestry became a new way for Al...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 26 x 20 inches provenance: private collection, Paris, France condition: overall g...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: V from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Si...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Karl Momen, Swedish b. 1937. This oil on canvas was painted in 1989 and finished in 1990, titled "The Golden Force." It is titled and signed on the reverse. Provenance: Marissa de...

Charles Arthur Arnoldi (b. 1946) Macchu Picchu 4, 2019 Woodcut in colors on wove paper Edition: 25/30 Signed, editioned, and dated in pencil along lower edge Printed by Peter Kosowicz, Thumbprint Editions, London Published by Harvey Bayer...

Cut-Up Paper II.8 (Abstract Painting) Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often r...

Pls note that the artworks are possible to purchase separately (2500Euro/artwork). I titled my work "Upstairs and Downstairs," drawing inspiration from the daily climb or descent of...

Artist : Susan Kiefer Title : Castor & Pollux Adrift on the Wine Dark Sea Materials : oil on canvas Date : March 2020 Dimensions : 40" x 30" x 1.5" Description : Hard-edged geometri...

Paeonia Red Charm by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please conta...

BRYAN INGHAM (BRITISH 1936-1997) COLLE VAL D'ELSA, 1991-92 oil and pencil on wood relief signed, titled and dated 'Bryan Ingham Colle Val d'Elsa 1991-1992 (relief)' (on the reverse)...

This Futuristica skyline series by Mauro Oliveira has been a bestseller for the past 10 years. All pieces of the series are one of a kind, representing well known cities such as New...

This expressive artwork "Heart.Soul.Mind" underlines the importance of having an inner maturity based on harmony between heart, sould and mind. As an artist and as a woman in my ...

Alstroemeria Striped Bird by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, plea...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #1, by Jeanette Fintz in 2018 24 x 24 x 2 inches...

For me, Venus de Milo is the magnificent feminine essence. I displayed the female power and versatility of a woman in color light behind her. This artwork is on canvas on a wooden ...

Tadas Burba (Lithuania b. 1939) "Untitled: Black, Blue and Silver", Abstract Lithograph signed in Pencil, 23 x 16, Late 20th Century Colors: Black, Bl...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

Eryngium Planum by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please contact...

Michael Challenger Not Yet - 1979 Print - Silkscreen   25'' x 25'' Edition: Signed in pencil, titled, dated and marked AP VIII Challenger's work is a powerful interplay of op-art an...

Title: Hometown Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Phlox Paniculata Blue Evening by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, ...

Confusion ritmique I no. 8/10 is one of a series of three different medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia...

Artist: Arthur Boden, American Title: Seasons Series Year: 1974 Medium: Six Screenprints, each signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm) (e...

This graphic and flatwork was an Interior illustration for the Saturday Evening Post. George Giusti( Italian - American 1908-1990)- ''The Last Snapshot''- ink and acrylic on illust...

Francis has continued this pursuit with a series of gossamer-like paintings with colors that appear in constant flux, changing as one moves about them. Utilizing interference paints...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered XXIX 54/115 in pencil Image size: 17 x 17 inches Signat...

Old cars parked in front of vintage Wigwam Motel off U.S. Route 66 in Holbrook, Arizona. This archival color photograph by fine art photographer Mitche...

Rosa Loving Memory by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please cont...

Melanie Sherman Cufflinks with Red & Gold Flowers on Black Porcelain Dimensions: 20mm x 17mm x 17mm Materials: Porcelain, Glaze, Vintage Decal Metal type: Brass COA Provided Melanie Sherman is a ceramic artist, born in Germany and currently residing and working in Kansas City, Missouri. She has a Bachelor of Fine Arts Degree in ceramics from the Kansas City Art Institute. Her background is in graphic design, where she developed an eye for pattern and decoration. In her ceramics she combines her love for ornamentation and her fascination with the history of ceramics, referencing 18th century European porcelain...

Untitled, c. 20th Century Acrylic on paper 20 x 16 1/4 in. Matte: 24 x 20 in. Signed center: Shapiro

Description: Liu Gang(b.1965) 421509102 water-based and oil-based pigments on rice paper 138.6 by 145 cm Dated 2019 mounted and framed The artwork comes wi...

Meg Hitchcock The Nine Eyes Widely Opened, 2022 Text from The Tibetan Book of the Dead, acrylic graphite, ink, embroidery thread 14 x 11 in. frame size: 17.75 x 14.75 in. (Hit005)

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of VIII/XXX.

Rhododendron Denny Hybrid by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, plea...

David Morris Minuamo Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

Osteospermum Sunny by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please cont...

Fine Art Giclée print on Hahnemühle German Etching 21 x 29. 7 cm Edition of 100 Accompanying certificate of authenticity with the artist's digital signature Patrick Hughes is a ren...

James Siena Untitled geometric abstraction (The Christmas Print), 2006 3-Color etching on paper with deckled edges Signed, dated and numbered 8/54 in graphite pencil on the front Fra...

Artist: Ben Nicholson, British (1894 - 1982) Title: Olympia Fragment (LaFranca 9) Year: 1965 Medium: Etching, signed and numbered in pencil Image: 8 x 9.5 inches Paper Size: 12.5 x ...

Hemerocallis Teenie Weenie by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, ple...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year -Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Papaver Rhoeas The Corn Poppy by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, ...

Measurements 35x35 Frame 65x55

Date: circa 1975 5 screenprints in colors each consisting of 5 die-cut sheets of wove paper, signed and numbered in ink Edition of 89/175 Size: 23.5 x 23.5 in. (59.69 x 59.69 cm) Pri...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Collectors searching for a statement contemporary mixed media artwork with crushed crystals, mirrored surfaces, black textures, and metallic sculptural elements will be captivated by...