Abstract Geometric Art

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Acrylic paint on galvanized steel plates X2 120X155 CM, Thickness 5.5 CM, 2022 Signed on the back

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

The idea of Ben Nicholson and his circle was to apply constructivist principles to public and private art. Especially, they were against ornaments and advocated for clean lines. Artworks were created with mathematical precision. “Geometric shapes...

François MORELLET Op Art : Geometrical Abstraction Original etching with aquatint Unsigned as issued On vellum 46 x 46 cm (c. 18 x 18 in) Authenticated with the Chalcographie du Louvre...

Artist: Jack Graves III (American, 1988-) Title: "Aura IV" Series: Aura *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acryli...

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 113x83 (x5)cm Signed on the back

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of ha...

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of ha...

Color lithograph, Edition 25. The artist describes this project: My Field Lines body of work is inspired by the electromagnetic lines depicted in scientific and mathematical litera...

Valentin Abad est un artiste français. Son travail repose sur la volonté de créé un support visuel, une forme tangible aux conflits de la conditions humaine. Il propose de faire exis...

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of ha...

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 113x83 (x5)cm Signed on the back

Accomplish (To Accomplish * Goals & Task) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction /...

Susan Kiefer Confronting the Void Oil on Wood Panel Year: 2023 Size: 12x12x1.35in Signed by hand COA provided Ref.: 924802-1488 Tags: texture, hard-edged abstract, angular shapes, t...

A painting will, or will not be made. For all the romance involved in creation, there is a pragmatic objectivity at work in the studio… Whatever profundity one hopes for is found in ...

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 83x63 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 70x70 (x5)cm Signed on the back

This image is the artist's interpretation of the Hyper Cube which he had been contemplating since 1973. It represents the Hyper Cube in higher dimensions with collinear point inters...

BOARD 1 is an abstract painting by Peter Husband in acrylic paint, oil pastel and modeling paste on stretched canvas. It measures 36 x 36". The artist's ...

Irregular triangle, 1993 Laminated acrylic Hand signed and dated: Vasa / 1993 4" H x 12" W x 3" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an American artist based in Los Angeles, California. Born in Yugoslavia, Vasa has lived in Los Angeles since his arrival in the United States in 1960. He is an academically trained painter and was a professor at the University of California, Los Angeles UCLA in the Department of Design and Media Arts. He taught theories of color to understand interdependence and interaction of color and form, color and quantity, color and placement, and after-image. In the 1960s, Vasa developed techniques for working with cast laminated acrylic forms based on simple Euclidean shapes. These prisms of luminous construction are created by composing colored planes within these geometric forms. To fully appreciate these works of art, it is essential to observe them from different angles―the sculptures dimensionality contributes to an ever-changing appearance. Now retired as a professor emeritus, Vasa focuses on his conceptual art practice. His studio, designed to accommodate the technology required for his work, is located in the heart of Los Angeles. He makes laminated acrylic sculptures that reflect and refract light. He has had solo exhibitions at galleries in the United States, Japan, Italy and Serbia, including the Museum of Contemporary Art, Belgrade, the San Diego Museum of Art, and the Palm Springs Desert Museum. Vasa is best known for his sculptures made from colored pieces of the plastic, poly(methyl methacrylate), which is also known as acrylic and by the brand names Plexiglas and Lucite. Untitled from 1975, in the collection of the Honolulu Museum of Art, demonstrates the effect of these minimalist sculptures. His work straddles the West Coast Light and Space art movement, Artists such as Robert Irwin, James Turrell, John McCracken, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, and Lita Albuquerque...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throu...

Birth (One of the Arts) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstracti...

Museum in a car - The artsiest of art museums is artfully depicted in street photographer Mitchell Funk's imaginative photograph. A passing red car with similar curvilinear forms has the museum's facade reflected in its roof window...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matter and technique, Rasch ...

Ben Abu's work is intriguing and intricate. This piece is part of the Color Eclipse series and comes in 14 different colors (Including the highly appreciated White and Black). It is...

This piece is framed with plexiglas For as long as I can remember, I have been drawn to shapes, patterns, geometry, and structure. Math was never my strong suit. So, I looked for o...

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of hard...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himself and built it from 1982 to 1986, afterwards donating the sculpture to the state of Utah. Known For remaining true to the initiation he received early in his career into the modernist paradigm that still informs his distinctive style to the present day. Momen is the most long-lived exponent of early twentieth century Geometric abstraction movement. bauhaus, futurism art...

Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Original minimalist acrylic painting by Karli Henneman. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of hard...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with...

Since 1969 Mitchell Funk has been photographing the Chrysler Building in dramatic and novel ways. This recent image incorporates the Chrysler Building's pointy neighbor, the supertall skyscraper One Vanderbilt. Its modern spire harmonizes with the 1930 soaring Art Deco icon. Notice how Funk incorporates accents of yellow that offsets the twilight blue. The entire image is accented by a cozy moon that consummates the composition. Signed and dated on the lower right, numbered on verso, 3/15 other size available, unframed, Printed Printed on Hahnemühle Fine Art paper. Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" show...

Matt Neuman (American, b. 1985) is a painter and printmaker based in the Bronx, NY. Interested in the visual interplay of color, line, geometry and repetition, he creates optically d...

Tango Passion, is an abstracted art work, multi layered and impasto textured with elements of printmaking. It is oil and acrylic on canvas. Discover beautiful artwork by Maggie LaPor...

Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 83x63 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 83x63 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 83x63 (x5)cm Signed on the back

This piece is part of the Color swirl series and comes in 8 different designs and in 14 different colors (Including the highly appreciated White and Black). It is cut and Folded Car...

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 113x83 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 83x63 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 113x83 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 70x70 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 70x70 (x5)cm Signed on the back

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 90x90 (x5)cm Signed on the back

Artist Marlene Hilton Moore continues to explore the theme of listening with the creation of more beautiful ‘singing bowls.’ Like ancient vessels they are intended to be objects of h...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himself and built it from 1982 to 1986, afterwards donating the sculpture to the state of Utah. Known For remaining true to the initiation he received early in his career into the modernist paradigm that still informs his distinctive style to the present day. Momen is the most long-lived exponent of early twentieth century Geometric abstraction movement. bauhaus, futurism art...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throu...

Ink on handmade paper Artwork done with a compass Natural wood exterior frame - white background Framed dimensions: 165x125 (x5)cm Signed on the back

Arthur Secunda Long Distance Ocean - 1980 Print - Serigraph   40'' x 23'' inches Edition: signed and numbered in pencil from the edition of 250 Secunda's exploration into printmakin...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

Inspired by ancient vessels, Marlene Hilton Moore’s colourful, contemporary wall sculptures are made from polished powder-coated steel. The deep blue-green colour of the vessel draws...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...