Abstract Geometric Art

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Torsion / primer is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 24 prints, plus 2 APs Image size ⋅ 88cm H x 72.2cm W Sheet size ⋅ 100cm H x 82.2cm W . Torsion / primer is a variant of an original base drawing that was used to create the ‘torqued’ forms of the more complex Torsion / REZ works on Plexiglass. The idea comes from a number of places but in particular the modernist sculptural work of Walter Leblanc, and his idea that if you heat up a thin bar of steel, and torque one end through a number of rotations, whilst clamping the other end firmly, the resulting form will be a hugely satisfying candy twist of metal, spiralling up or down, depending on your choice of rotational direction. For Torsion / primer I drew tall...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Limited edition of 30 museum quality Giclee prints ...

Metal Frame included. Hsu Yun Chin is a multi-faceted Artist who lives and works in London. Her background is one that has been immersed in various art forms, most predominantly - ...

Abstract geometric artwork by a contemporary artist Gerald Wolfe. Gerald Wolfe’s wall pieces have a three-dimensional, architectural feel. The artist’s approach to his paintings is intuitive. He meticulously creates his works step by step, imbuing shapes and lines with energy. The interplay of forms, color, and texture creates tension between flatness and depth. His work can become a unique gift and will be a wonderful addition to any space, be it a living room of a modern home or a lobby of a commercial building. Gerald Wolfe received a Bachelor of Arts degree in history from the University of Maryland in 1972, discovered his interest in art and went on to study fine arts at the School of Visual Arts in New York City. In the summer of 1974, he also studied at Skowhegan School of Painting and Sculpture in Maine. From his first show in 1979, a summer invitational at OK Harris Gallery, Gerald has shown his work on a consistent basis in New York, including such galleries as Denise Bibro Fine Art, NYC, and Kim Foster Gallery, NYC . In addition, he has had solo exhibits at the Paterson Museum in Paterson, New Jersey...

Abstract geometric artwork by a contemporary artist Gerald Wolfe. Gerald Wolfe’s wall pieces have a three-dimensional, architectural feel. The artist’s approach to his paintings is intuitive. He meticulously creates his works step by step, imbuing shapes and lines with energy. The interplay of forms, color, and texture creates tension between flatness and depth. His work can become a unique gift and will be a wonderful addition to any space, be it a living room of a modern home or a lobby of a commercial building. Gerald Wolfe received a Bachelor of Arts degree in history from the University of Maryland in 1972, discovered his interest in art and went on to study fine arts at the School of Visual Arts in New York City. In the summer of 1974, he also studied at Skowhegan School of Painting and Sculpture in Maine. From his first show in 1979, a summer invitational at OK Harris Gallery, Gerald has shown his work on a consistent basis in New York, including such galleries as Denise Bibro Fine Art, NYC, and Kim Foster Gallery, NYC . In addition, he has had solo exhibits at the Paterson Museum in Paterson, New Jersey...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Force. 1970, linocut, print size 50x53 cm; total 65x63 cm Social realism theme Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publication...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Crafted by the brilliant mind of Taos, New Mexico based Jeweler/ Metal Smith, Julie Lake. The Atrium Earrings are stunning and complex pieces of jewelry. Featuring layers of interwoven three-dimensional geometric shapes made from highly polished stainless steel wire assembled with a triangular earring post. Bio Julie Lake hand fabricates her metal work exclusively from a spring tempered, fine gauge stainless steel. She uses an arc welding process at precise settings to join the metal by melting and fusing it together at the tiny joints. The nature of this stainless steel, along with the welding process, allows Lake to create complex and visually fragile, yet deceptively strong forms with very small diameter wires. Although the welding of steel is typically regarded as an industrial process, Lake likens her technique to the domestic act of sewing or knitting. By way of welding, she methodically and repetitively stitches together the threads of stainless steel which accumulate into larger forms. Her decision to only create with this very specific material is quite minimalistic, but Lake engages with the material with multidisciplinary intent. Her work spans from large scale art installation, to design-driven functional items, to wearable and decorative pieces rooted in fine craft. This multidisciplinary approach allows the individual pieces to cross-pollinate with and inform each other. Lake's training as a maker started at a very young age. Her father, Ron Lake, is a machinist who went on to establish a career creating fine folding knives...

This is a straight photo without a photoshop strip in. The silverman is from a trophy and is being held in the left hand of the photographer while his Nikon is in his right hand. It's an on-location shot set against three colorful fuel tanks...

Spray paint on canvas. Jason Woodside has been making exterior walls all over the world amaze viewers for years. His collaborative projects and commissions include high fashion and street brands, boutiques, galleries and museums, such as Colette in Paris, Adidas, Faberge, and Obey Clothing, as well as the New Museum in NYC, Saatchi & Saatchi, and Jeffrey Deitch...

Woodcocks return. 1970, Paper, linocut, print size 52x55 cm; total 70x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. ...

Tree of life. 1982, Paper, linocut, print size 50x56 cm; total 60x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The ...

Turbulence IV 64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 67.5" x 46.5": $12,500

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1991 Medium: Screenprint, estate stamped verso and numbered in pe...

Artist: Arthur Boden, American Title: T Series (Yellow) Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 i...

By Yang Dongying Series Spring Landscape No.5 Giclée Print, ed. 65/99 51 x 49 x 0,1 cm Yang Dongying is a Chinese artist born in 1980 in Inner Mongolia...

By Yang Dongying Series Spring Landscape No.3 Giclée Print, ed. 63/99 51 x 49 x 0,1 cm Yang Dongying is a Chinese artist born in 1980 in Inner Mongolia...

By Yang Dongying Series Spring Landscape No.2 Giclée Print, ed. 61/99 51 x 49 x 0,1 cm Yang Dongying is a Chinese artist born in 1980 in Inner Mongolia...

By Yang Dongying Series Spring Landscape No.1 Giclée Print, ed. 66/99 51 x 49 x 0,1 cm Yang Dongying is a Chinese artist born in 1980 in Inner Mongoli...

"Upsurge" is a minimalist, abstract pedestal sculpture in fabricated bronze. It was conceived in 1989 and can be considered a Mid-Century Modern artwork. It is finished with Clement ...

Jacqueline Dee Parker’s collages are interdisciplinary in approach and concept. Her materials include antique literature and music books and other e...

Turbulence III 64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 67.5" x 46.5": $12,500

Susan Hensel designs images in the computer using specialized software.  It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...

Abstract geometric artwork by a contemporary artist Gerald Wolfe. Gerald Wolfe’s wall pieces have a three-dimensional, architectural feel. The artist’s approach to his paintings is intuitive. He meticulously creates his works step by step, imbuing shapes and lines with energy. The interplay of forms, color, and texture creates tension between flatness and depth. His work can become a unique gift and will be a wonderful addition to any space, be it a living room of a modern home or a lobby of a commercial building. Gerald Wolfe received a Bachelor of Arts degree in history from the University of Maryland in 1972, discovered his interest in art and went on to study fine arts at the School of Visual Arts in New York City. In the summer of 1974, he also studied at Skowhegan School of Painting and Sculpture in Maine. From his first show in 1979, a summer invitational at OK Harris Gallery, Gerald has shown his work on a consistent basis in New York, including such galleries as Denise Bibro Fine Art, NYC, and Kim Foster Gallery, NYC . In addition, he has had solo exhibits at the Paterson Museum in Paterson, New Jersey...

Jay Rosenblum Polarity #3, 1981 Acrylic on paper 6 × 9 1/2 inches Signed and titled in graphite pencil on the front Unframed This gem of a work is an acrylic painting on paper by ren...

Shatter Stainless 14.5" x 8.5" x 8.5" High Chromium Stainless Steel Unique $60,000

"Clue #3" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #3 measures...

Bold geometric screen print with purple and teal composition by an unknown artist (American, 20th Century). Texture has been added with impressions in the upper right corner. Present...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. Light diffuses through their frosted surfaces and softens ...

Gerlinde Beck Untitled Geometric Abstraction (Black) - Design for a Sculpture Pencil Drawing Year: 1969 Size: 21.3 × 17.6 in Signed by hand COA provided ---------------------------...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** **IMPORTANT: This is a Limited edition of 30 museum quality prints on...

Sincronia Rosa - Abstract Oil on Canvas Paintng , Angelom Palazzini, Italy Angelo Palazzini was born in Lodi in 1953 where he still resides and has his own studio. His encounter wit...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Dish" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k German Gold Luster...

Artist: Richard Smith, CBE (1931-2016) British Title: Untitled Abstract Grid Date: 1972 Medium: Serigraph (screenprint) Sheet size: 29.5 in x 22 in Framed size: 36.75 x 28.25 inches ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

"Structure Relief 254" is an abstract structural relief painted in earth tones. Throughout his life Barr was interested in engineering, structure, mathematics and nature. Although i...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

MA (間 ) Is a Japanese term that can be translated as "interval", "space", "pause" or "empty space between two structural elements." It is an aesthetic, philosophical and artistic concept, also frequently used in everyday life. It is also linked to the Mahāyāna Buddhist philosophy, in which the doctrine of emptiness is central MA, intended as "void full of meaning", used in art «An imaginary room that is in an indefinite position between the sky and the earth, is said to be the original way to represent the concept of but. We imagine both spatial and temporal uncertainty simultaneously: the room is neither in one place nor in the other, it is in an indescribable space " Delineating space spontaneously marks non-outlined voids, which is where freedom of interpretation and reflection can fill it up. This empty space is profoundly beautiful, full of mystery and promise. In significant ways the empty space contributes a unique quality of structure, balance and definition in a composition. In this series, extra attention is paid to the structures and textures of original and natural materials, and organic shapes. For the beholder, the empty space is calming as well as energizing. Mahmoud Saleh Mohammadi...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Original acrylic painting by Karli Henneman. Executed in hard-edge painting technique. Framed in white washed box frame. Karli Henneman is a Los Angeles based artist exploring abstr...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction through...

"Light as Light " (Lichtleicht) is a geometric painting of German artist Klaus Heuermann. The artist depicts the golden triangle in various forms ...

Jean Marie Haessle, French-American (1939-) Serigraph silkscreen Hand signed in pencil and numbered Bermuda Triangle (Blue background) 1980 Jean Ma...

Flow / turquoise base is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I ten...

oil on canvas - diptych (27.25 x 21.25 x 1.75 inches, framed, each) Mark Pomilio’s method, motives, and conceptual considerations are centered on visually articulating recent develo...

A black, grey, beige, and white silkscreen by Josef Albers from, "Articulation : Formulation," published by Harry N. Abrams, 1972, and printed by Ives - Stillman. The individual imag...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XLII" Series: Diamond *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 26" x 22" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

The Perpetuations Neckpiece ( w/ detachable brooch) is a one-of-a kind wearable art piece by Alexandra Forsythe. The necklace has a detachable pin that can be removed and worn as a complement to the necklace or on it's own. This remarkable conversation piece is made of Sterling silver, with petrified wood, and agate. The Instantiating Time Collection is a body of work reflecting objects...

Artist/ School: Modern British contemporary Title: abstract composition Medium: oil on canvas , unframed Canvas : 19.5 x 19.5 inches Provenance: private collection, UK Conditi...

Artist/ School: Modern British contemporary Title: Geometric Abstract composition Medium: acrylic on canvas , unframed Canvas : 15.5 x 15.5 inches ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Artist: Leo Bates (1944 - ) Title: Gradation I Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP Paper Size: 30 x 22.5 inches