Abstract Geometric Art

Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, har...

Artist: Josef Albers Title: untitled from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition: 1000 Paper Size: 15 x 20 inches (38.1 x ...

"Clue #2" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas ...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Signed and dated in pencil lower right; Annotated: Artist's Proof in pencil lower left; printer's chop mark lower right Edition: 18 impressions and 2 ar...

Ettoja is one of the most prominent illustrators and street art creators in Lithuania. His work explores themes such as social issues, ecology, environmental protection, and the rela...

Perez Melero, Spanish/Venezuelan (1938 - ) Born in Spain, PEREZ MELERO began his career in Venezuela where he lived from the late 1950's until the early 1980's. Maintaining workshops in Caracas and New York, he is an artist who exhibits his work internationally. He is in public collections including the Spanish Museum of Contemporary Art, CANTV, Fundarte, the White House, the American Institute of Architects, and the Women in Military Service to America Memorial at Arlington National Cemetery. ARTIST STATEMENT My 3-dimensional constructions are built mostly from wood, paper, canvas and acrylic paint. Their ideas evolves from an organic and intuitive process. The final work is a combination of my creative vision and a highly organized process employing disciplines of geometry and applied design. Viewers should interact physically with my constructions. They need to walk around them and view them from different perspectives. Up close one can see the detailed and intricate methods of their construction. From further back, one can appreciate their total effect. Color and light and how they interact are central to my work. Color is painted on pieces of wood attached to a high-contrast geometric background. Light penetrates between them, reflecting color from one to another and on the background. These reflected colors seem to mix in the air and produce an impression of others. As light sources change angle or intensity, and as the viewer moves around the work, new colors can be perceived even though they aren't really there. The interaction between color and light has produced an illusion. This relationship between color and light, in part, defines my work. His work is in the tradition of Latin American Modernity made famous by artists: Carlos Cruz-­Diez, Jesús Rafael Soto, Eduardo Ramírez-Villamizar, César Paternosto, Carlos Rojas, Omar Rayo, Fernando De Szyszlo, Julio Le Parc, Omar Carreno, Raul Lozza...

Artist: Josef Albers, German (1888 - 1976) Title: Variant - P2, F9, I2 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image: 12 x 13.5 inches Siz...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

This striking three-dimensional artwork features a lion’s face intricately constructed from hand-painted layers of metal in varying shades of blue. The fragmented yet cohesive compos...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. ...

This diptych contains Pink Coastal Reflections alongside Coastal Reflections II. This diptych contains a sophisticated colour palette and considered use of negative space in her comp...

Pedtro Gasto Vilanova (Spanish, 1908-1997) Untitled (Family), 1944 Oil on canavas 21 7/8 x 18 3/8 in. Framed: 24 3/4 x 21 1/3 in. Signed and dated on left side. Inscribed verso: PAG...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Menorah Series 4 Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Size: 52 in. x 1...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

New York City based artist, Alysha Marko is a figural and abstract painter from Central New Jersey. Growing up, Alysha moved around the US which allowed her social personality to but...

Robert Petrick's "Line Control" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece is both timeless and contem...

Coffee Time Medium: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Lu...

Scott McMillin is perpetuating the tradition of well-known scrap metal artists such as John Chamberlain or Cesar to create unique abstract geometric compositions. Using discarded car parts and salvaged scrap metal cut into squares and rectangles, McMillin rearranges them into geometric patterns and free form abstractions. Scott McMillin has shown in galleries and sculpture parks across the country. He participated in the prestigious Navy Pier Walk exhibit, in Chicago and the El Paseo...

Artist: Kyohei Inukai Title: Embedded Orb Year: 1978 Medium: Serigraph, Signed and numbered in pencil Edition: AP 30 Size: 26 x 34 inches

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States Dimensions: 49 3/4" x 38 3/4" This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Fellowships and Grants Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International. Select Solo Exhibitions Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others. Select Group Exhibitions Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Blue City Year: circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Size: 30 in. x 22.5 in. (76.2 cm ...

Fear NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

Robert Petrick's "Rushhour" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece...

This painting by Alex McClurg consists of an underpainting of grey equilateral triangles with a labyrinth of mint green lines overlapping the geometric de...

Printed on heavy Strathmore paper. Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. i...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Rheinisches Landesmuseum Bonn (Shrine)" Year: 1968 Medium: Original Relief Print (Letterpress), Exhibition Poster on...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant III" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited ed...

Signed, titled, dated, and numbered (1/1) in pencil, verso Archival pigment print on rag paper 30 x 24 inches, sheet This artwork is offered by ClampArt in New York City.

This contemporary, mixed media Wall Relief by Ned Evans features multicolored oil paint and resin on wood. Its modern design turns your guest ...

Artist: Hong Hao, Chinese (1965 - ) Title: Untitled (Blue Squares) Medium: Etching, signed and numbered in pencil Edition: 175 Image Size: 25.5 x 18 inches Size: 29 x 21.5 in. (73.66...

Judy Rifka, American, 1945 Laborde Head Mixed Media on Canvas (acrylic paint and ink) 1989 Hand signed, titled, and dated verso 30 X 24 inches Provenance: The Estate of Theodore A Bonin. (Ted Bonin was a principal in Alexander and Bonin, a New York gallery known for its diverse slate of conceptual artists. He started at Marlborough gallery London in the 60s, then in partnership with Brooke Alexander. In its stable were a host of esteemed artists: Willie Cole, Rita McBride, John Ahearn, Paul Thek...

The snow was blowing. 1973, Paper, linocut, print size 45x50 cm; total 60x58 cm artworks from the cycle "Story about Latvian rifleman" Dainis Rozkalns (1928 - 2018) Artist, graphic...

Signed, titled, dated, and numbered (1/3) in pencil, verso Pigment print on rag paper 30 x 24 inches, sheet This artwork is offered by ClampArt in New York City.

Artist: Budd Hopkins Title: Guardian X Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: AP 45 Paper Size: 40 x 26 inches (101.6 x 66...

Anne Youkeles' work blurs the line between painting and sculpture. Her works on paper, like this one, are made with several folded pieces of paper, cut, colored, and placed together ...

Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Knots in Green: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Luisa Duarte works out of her studio in Houston, Texas. Price is unframed. Price for frame can be quoted and turn around from wholesale frame is approximately 3 weeks or less. Luisa Duarte’s works has a strong connection with her Latin American roots, with special focus in the geometrical abstract movement, a movement adopted by Latin America during the late 50’s. It was very prominent in Venezuela. Probably the most prominent collection of geometric abstract art was given to MOMA by Patricia Phelps de Cisneros who now resides in the USA. Her works are focused on explorations of shapes, lines , color and also on memories of her childhood in a promising country. Those memories are transformed into dynamic works invoking good energies to bring back what we have lost. In these complex geometrical systems, objects intersect, merge and collide, producing negative spaces that call the viewer to attention. In some cases, the almost imperceptibly off-kilter placement of geometrical elements within a composition speaks to her emphasis on relationships - the objects always exist in relationship to each other. There is a constant interest in constructing and deconstructing, and the consideration of endless juxtapositions. There are other works by Luisa Duarte available on 1stdibs and can be found by searching her name. Bio: Luisa Duarte Venezuelan-American visual artist, based in Houston, Texas Selected solo show 2020 Inseparable Ties, TC Energy Building Atrium, curated by Kinzelman Art Consulting and presented by M-M Properties, Houston, Texas Mi casa ya no es, Solo show, MACZUL, Museo de Arte of Contemporaneo del Zulia, Maracaibo, Venezuela 2019 Artist of the Month, MADI Museum, Dallas, Texas 2018 The New Border, Site Specific Installation, Art League Houston, Houston, Texas 2017 Personal Scapes; Recent Prints, Galveston Arts Center, Galveston, Texas Museum Shows 2021 Withstand: Latinx Art...

Sarah Morris (American, born 1967) Deviancy is the Essence [Sound Graph], 2023 Medium: Screenprint on 400 g/m Hahnemühle Dimensions: 42 × 42 cm (16.5 x 16.5 in) Edition 40 + 8 AP: Ha...

acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...

Dana Piazza's creates abstract colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon algorit...

James Minden 51902 Holographic style painting- incised plastic and acrylic on wood panel 44 x 36 inches 2019 To get a sense of the holographic effect look at the video on that vime...

This painting by Alex McClurg depicts an underpainting of dark grey equilateral triangles with hard-edged bright blue lines forming a multi-layered upside...

Steven H. Rehfeld (American, 1954) "Circles" 2018 Oil paint, Canvas, Stretcher bars The artist signed the back of the painting. "Circles" is a vibrant abstract composition that bala...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...

Signed, titled and numbered in pencil Edition: Epreuve d'Artiste viii/X Reference: Passeron 359 "Mario Avati was both an etcher and a painter born in Monaco in 1921. In 1947, afte...

Milan Tiff Cracker 48 x 48 inches Hand-signed by artist Artist's signature, artwork title and date on back of canvas Milan Tiff was born in 1949 in Shaker ...

Artist: Josef Albers, German (1888 - 1976) Title: Portfolio 1, Folder 1, Image 1 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Editi...

The way. 1976, linocut, print size 65x50 cm; total 75x60 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main directi...

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 31 Year: circa 1976 Medium: Lithograph, signed and numbered in pencil Edition: 175 Size: 29 x 35 in. (73.66 x 88.9 cm)

Times Square Fragment #8 Chryssa, Greek (1933–2013) Date: 1979 Screenprint, signed and numbered in pencil Edition of 300 Size: 32 in. x 25 in. (81.28 cm x 63.5 cm)

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Clare Halifax Switch Views, London Limited Edition Silkscreen Print Edition of 50 Size: H 38cm x W 37cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indicatio...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1994 Medium: Screenprint, numbered in pencil, estate stamped in pen...

From Dream to Dust Vol. I 20.0 x 16.0 x 1.5, 10.0 lbs Acrylic Paint, Archival Paper, Wood Panel Hand signed by artist Artist's Commentary: "A gradient of pink over gold-painted w...

Artist: Josef Albers Title: Variant from the Formulation: Articulation portfolio Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 1000 Image Size: 9 x 1...