Art Deco

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

Presenting an outstanding Art Deco inspired painting by contemporary French artist Pierre DeMougins. "The Chestnut Vendor", is an original oil on canvas, signed, c.2004, offered f...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

Painted by Nura Woodson Ulreich (American, 1899-1950) as a full-page illustration for the book 'The Buttermilk Tree', circa 1935. A rare example of a fully-developed pen, ink and gou...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

A rare, early original oil painting by American artist Robert McIntosh(1916-2010) Robert McIntosh was extremely prolific and exhibited throughout his lifetime, including first prize...

Our Gallery acquired the estate of a Northern California artist, Thelma Terrell. Terrell lived in Oakland and was an illustrator and profes...

Romain de Tirtoff, called Erte (French/Russian, 1892-1990) Décor pour une entrée des danseuses Ink pen Signed with studio stamp (lower right) 5 x 7 in. (12.8 x 17.8 cm.) Provenance :...

Roger Cortet (1910-1978) Still-life with a white sculpture Oil on canvas Signed lower right 64 x 80 cm Framed : 70 x 85.5 cm There is a small but inconspicuous hole in the frame groo...

A unique original silver gelatin black and white photography. On April 12, 1927, the iconic "Foire a la Ferraille" an iconic outdoor flea market in Paris. ...

"In triptych form, the mythical Dubo, Dubon, Dubonnet is in a way the ancestor of the animated gif! A simple, poetic visual narrative wrapped in a humorous tone. A silhouette darkens as the Dubo, Dubon, Dubonnet sequence progresses. Some say that it's these gestures and features that have given rise to our image of the aperitif. Cheers, Cassandra! Today, the Evin law would forbid this type of alcohol promotion, but that hasn't stopped this poster from becoming a cult image, taken up and quoted by every generation of graphic designers. Dubonnet is a brand of vermouth flavored mainly with cinchona, available in red and white. It was created by French chemist Joseph Dubonnet. It was in Paris, near the future site of the Garnier opera house, that Joseph Dubonnet developed his cinchona wine in 1846. To combat malaria, he developed this bitter-tasting medicine, which he masked with a strong-tasting decoction of herbs and spices. Soldiers in the Foreign Legion...

Vintage Erté Poster is an original offset poster about an exhibition of the famous "alphabet suite",held in Marino Gallery in Rome, Navona Square.

Edward Julius Detmold (British, 1883 – 1957) Hornbill Pen and ink on paper Signed with initials’ ED’ (lower right) 16.3 x 15.8 cm. Edward Julius Detmold (21 November 1883 Putney, Wandsworth, Surrey - 1 July 1957 Montgomery) and his twin brother Charles Maurice Detmold (1883-1908) were prolific Victorian book illustrators. Their parents were Edward Detmold and Mary Agnes Luck. Their father, an electrical engineer was chronically ill, and they lived with their uncle and guardian, Dr Edward Barton Shuldham, who saw to their tuition and was a noted collector of porcelain and Japanese woodprints of plants and animals. Dr Shuldham occupied a house in Upper Richmond Road, Putney, where the twins had been born. He ensured their interest in natural history and art, and created a nurturing environment for their precocious talents. They also spent time with another uncle, the painter Henry E. Detmold, who encouraged them in their art. Most of their prodigious energy was expended on depicting animal subjects and their work showed great influence from traditional Japanese art, Albrecht Dürer and later the Art Nouveau movement. They were exhibiting watercolours at the Royal Academy and the Royal Institute of Painters in Water Colours at the age of 13. Edward Burne-Jones praised their work and warned against the dangers of uniformity inherent in art schools. The twins subsequently mastered the techniques of watercolour etching and of colour printing with copper plates, buying a printing press and producing their own proofs at home. In 1898 they compiled a portfolio of colour etchings of animals and flowering plants done in the Japanese style. These were much sought after and were rapidly sold out. They collaborated on the etchings and illustrations for their first book Pictures From Birdland published in 1899. This book resulted from a number of drawings being shown in the autumn of 1897, to the publisher J. M. Dent, who was so impressed that the two brothers were asked to provide coloured illustrations for a book of his. The first title mooted was Alphabet of Birds, eventually becoming Pictures from Birdland. "Particularly noticeable are the early influences in the paintings, Edward's design for an osprey, with its unusual water effects, testifying to a Japanese contribution. Already apparent is that style in which a searching study of natural forms, especially bird plumage, is subordinated to decorative arrangement" - David Larkin (The Fantastic Creatures of Edward Julius Detmold) This was followed in 1900, by an exhibition at the Fine Art Society's Gallery in London. Their next joint project was to produce a set of 16 watercolours for Rudyard Kipling's The Jungle Book published in 1903, by Macmillan. The success of their painting careers seemed assured, but Maurice ended his life by inhaling chloroform in April 1908, shortly before they were due to leave for a holiday in Sussex with Dr Shuldham, who had arranged that Maurice put down the household cats using the anaesthetic. Although stunned by the death of Maurice, Edward threw himself into his work. The recognition accorded the twins' illustrations of Kipling's classic tale was extraordinary. Consequently, in 1909 Edward illustrated The Fables of Aesop, producing 23 colour plates and a host of pen & ink drawings. This proved so popular that in 2006 The Folio Society of London published a facsimile of the original Hodder & Stoughton edition. In 1911, Detmold worked on illustrations for Maurice Maeterlinck's The Life of the Bee, Camille Lemonnier's Birds and Beasts and Florence Dugdale's Book of Baby Beasts. In the following year he worked on Maeterlinck's Hours of Gladness, in 1913, on Florence Dugdale's Book of Baby Birds and in 1919, on W. H. Hudson's Birds in Town and Village In 1919, he also produced a portfolio of Twenty Four Nature Pictures and, in 1921, on Our Little Neighbours and Jean-Henri...

Raphael DELORME (1886-1962) Study of woman's legs Watercolor and pencil on paper Annotated “antithèse” lower right 32 x 21 cm Small traces of folds, tiny tear at the top edge Born ...

Octave Denis Victor Guillonnet (1872 - 1967) A young woman seated signed lower leftt Charcoal, red and white chalks on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x ...

A. E. Halliwell (1905-1987) Buy From Our Own Empire the Best Market (in blue) Gouache 19 x 76 cm c.1930 Design for Empire Marketing Board Provenance: Family of the artist A.E. Hall...

A. E. Halliwell (1905-1987) Royal Air Force Display, 'Book to Colindale' Gouache 26 x 32 cm c.1930 Stamped to reverse A E Halliwell Provenance: Family of the artist A.E. Halliwell ...

A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon) Gouache 21 x 28 cm 1928 Signed and dated 1928, inscribed 'Roughs Submitted for the 1929 Air Display'; wit...

A. E. Halliwell (1905-1987) Royal Air Force Display by Underground (Hendon) Gouache 16 x 24 cm 1930 'Rough for 1929 Air Display Bill A E Halliwell' (signature and title mounted to r...

A. E. Halliwell (1905-1987) Design for Underground Poster Gouache 15 x 12 cm 1927 Signed, dated and inscribed "Design for Underground Poster, executed 30" x 20", A. E. Halliwell '27...

A. E. Halliwell (1905-1987) Underground to Escape the Fog Gouache 19 x 13 cm c.1930 Signed to the bottom right and inscribed 'Design for a Poster, Carried out 12" x 20".' Provenance:...

A unique original silver gelatin black and white photograph by Agence Meurisse, Paris. Car racing in Boulogne-sur-Mer, France, circa 1911. Features: Original silver gelatin print pho...

German Steel Fireplace "Bowl Cube" d = 70 cm with tall square base 80 cm. This square tube bowl is a true upcycling beauty and eye-catcher in your home or garden. Here, a seemingly ...

Flower labyrinth Original floral painting on canvas 70x70 cm

This unusual garden decoration on oxidized oak stele is a real eye-catcher for your home or garden. Customizable and designed in 2010. Also available in stainless steel to order. We ...

I dedicate this picture to my garden, lost among winter snowdrifts. It is winter now, and somewhere under a pile of snow my flowers are sleeping, the insects that pollinate them are ...

Jean-Francois Ibos, French (1951 - 1992) - Mother Nature, Medium: Screenprint, signed and numbered in pencil, Edition: 187/199, Image Size: 30 x 42 inches, Size: 35.5 x 47 in. (90.17...

A unique original silver gelatin black and white photography. Paris, La Place De La Bastille, November 1928. Features: Original Silver Gelatin Print Photography. Press Photography. Press Agency: Anonymous. Photographer: Anonymous. Title: Paris, Place de la Bastille, 1928. Provenance: Private collection. Image Size: 6.32 in high (15.9 cm) x 4.50 in wide (11.6 cm) - Archivally matted in a 17 x 13 mat. The piece will be shipped in a mat (17 x 13 in) that fits a standard-sized frame. No ink stamp, no legend. Note: The Place de la Bastille is a square in Paris where the Bastille prison once stood until the storming of the Bastille and its subsequent physical destruction between 14 July 1789 and 14 July 1790 during the French Revolution. No vestige of the prison remains. The July Column...

Constasts is an original modern artwork realized in 1929 in France by Paul Hermann (1879 - 1969). Original woodcut print on paper. Dated and Hand-signed by the artist in pencil on...

An original silver gelatin black and white photograph by Wide World Photos - New York Times in Paris. View of a railroad freight station in Wales, England circa 1930. Features: Orig...

A unique original silver gelatin black and white photograph. The subway construction in Place de la Bastille, Paris, November 1928. Features: Original Silver Gelatin Print Photograph...

Still Life Quiet Life reflects the mood of the evening of a summer day. Flowers bloomed in the garden near the house. The lights were turned on. Butterflies flew to the light. The da...

A unique original silver gelatin black and white photograph. In the countryside near Paris, France, April 1926. A soldier in uniform poses in front of the ruins of a house destroyed...

Female torso and portrait of the 1920s. Double sketch on canvas. The very rough canvas, similar to jute, is painted both on the front and on the back. The painting is in good conditi...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

This original Art Deco lithograph from the 1930s captures the elegance and dynamism of tennis during the golden age of the sport. The artwork, crea...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

[SET OF 2] This outdoor fire pit "Drop" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. (Optional prepared for natural gas t...

In the realm of vintage advertising, certain posters stand out as captivating windows into the aesthetics and allure of their respective eras. The circa 1920 original advertising pos...

Alternate cover for Fortune Magazine February, 1940. Gouache on board. 350x285 mm; 13 3/4x11 1/4. Signed "A. Petrucelli" in lower left image. Tipped t...

Original poster in a totally Art Deco style realized by Savignac 🇫🇷 (1907-2002), a famous French poster artist. Many of his creations for advertising posters are now part of the Fr...

Signed lower right, 'Nura' for Nura Woodson Ulreich (American, 1899-1950) and painted circa 1935. This early twentieth-century painter, lithographer, muralist, author, poet and ill...

The original advertising poster for Veedol, with the slogan "Even faster, surely further", is an iconic work that embodies the spirit of innovation and performance in the automotive ...

Edward Gordon Craig (British, 1872 – 1966) Army of Fortinbras Woodcut Signed with monogram (lower right) 4.3/4 x 8.1/4 in. (12 x 20.8cm.) A beauti...

Margrete Levy 1881-1962 Levy was a Danish artist; she worked in Paris from 1905-1911. Levy was niece to the Danish master painter Kristian Zartmann. She married French author Louis Nicolai Levy in 1911. She applied for technical school at Charlotte Sode and Julie Meldahl's school before applying for admission to the Academy of Fine Arts for Women, where she studied at Viggo Johansen 1900-1902. In 1902 she traveled to Florence as a nanny for a Danish family, giving her the opportunity to study the old masters of the art collections. When she returned home, she continued her education in 1904-05 at Bertha and Dorph's painting school. In 1905, she traveled to Paris and taught at various drawing schools while studying the collections of the Louvre, especially Leonardo da Vinci, who inspired her for the symbolic painting Five Sisters , 1905, which she debuted at the Charlottenborg Spring Exhibition the following year. 1906-07 she was a student at the French Academy in Rome. With a few interruptions she exhibited at Charlottenborg's Spring Exhibition 1913-43, and on several occasions she also participated in Charlottenborg's Autumn Exhibition and the Artists' Autumn Exhibition. She had several personal exhibitions, including 1910 in Ole Haslunds Hus, 1919 and 1923 in Kunstforeningen, 1927 at Møntergården and 1945 in Alfred Andersen's Art Shop. She participated in several foreign exhibitions, for example Modern Danish Artists in Brighton, England 1912, and Exposition présentée par le Club international Féminin , Paris 1958. She was often represented at exhibitions reserved for women, for example Nine Painters in Admiral Gjeddes Gaard, in 1936 and Nordic Artists in Stockholm 1948. She participated in the Women's Artists Retrospective Exhibition in 1920, which was organized by the Women's Artists Society, on whose board she sat. Along with 18 other members, including Anna and Helga Ancher, Christine Swane, Elisabeth Neckelmann and, Olivia Holm-Møller, she exhibited at the Kunstforeningen in 1930. For the painting Three Sisters , she was awarded 1931 Carlson's Prize by the Academy. The painting shows both back to the old masters and to the new realists such as Niels Strøbek...

This outdoor fireplace "Globe" is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless steel. (Optional prepared for nat...

This is a beautiful sanguine chalk drawing portrait of a young woman, by Count Mario Grixoni, dated 1922. Executed by one of the leading artists of the day, it is a very striking and...

Work on paper Gilded wooden frame with a glass pane 39 x 51 x 1 cm

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

Hein Kaske's original poster, created in 1932 for Hapag and the Hamburg American Line's round-the-world cruise on the three-screw "Reliance", is a rema...

Traviata - Rodolphe - 2nd act is a modern artwork realized in 1948 century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower margin. Titled and numbered "9893" on the back. Includes frame Provenance : - Erté personal collection. - Serge Leeman collection. Erté is responsible for the costumes and sets for Les Mamelles de Tirésias. This opera bouffe in two acts by Francis Poulenc based on a play by Guillaume Apollinaire...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an indivi...

With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

GATSBY GIRL 1984 is an original hand drawn lithographic poster printed on archival printmaking paper 100% acid free created by the artist Gustave Kaitz, ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Original VIVIANE DECK linen-backed vintage poster. The artist signed the poster with the initials V. D. Printed by Lacrois, Paris, France. She is shown dancing as a butterfly w...

Original TELEVISION GRAMMONT vintage poster. Printer: Draeger. Size 23.75" x 32". Original lithograph. Archival linen backed in very good condition; ready to frame. This poster is a French advertisement for a company that made both television sets...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

The original Chemins de Fer de l'État poster by Hermine David in 1937, entitled "Le Réseau de la Mer Bretagne", is a true masterpiece of French advertising art. Hermine David, a tale...