English School Art

William Marlow (1740 - 1815) A bridge over river Oil on canvas  Inscribed, 'William Marlow' to old label verso Provenance: J. Palser & Sons, 27 King Street, London Dimensions: (Fra...

Benjamin Herring Snr (British, 1830-1871) Saddled bay hunter 1863 Oil on canvas With old Christie's stencil verso Property of a gentleman From the collection of Peter Roe Dimension...

Vintage River Landscape Oil in English Countryside - 20th Century British Art Art measures 11 x 7.5 inches Frame measures 13 x 10 inches Don Micklethwaite is a British Postwar & ...

Title: Historic Miniature Watercolor of Christmas Steps and St Bartholomew’s Hospital by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

Title: Historic Miniature Watercolor of Street Scene on the Christmas Steps in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Harvest Time in a farm on East Coast of England by 20th Century British Artist Art measures 8.75 x 6.25 inches Frame measures 11.5 x 9 inches Don Micklethwaite is a British Post...

Catherine of Braganza (1638–1705), Circle of Sir Peter Lely (1618–1680) Queen consort of England, Scotland, and Ireland, married to King Charles...

Title: Redcliffe Bristol Historic Maritime Watercolor Sailing Ships River Scene by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...

'Chow and Spaniel' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. ...

This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...

Title: Historic Miniature Watercolor Paintings of St Michael Archangel Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3 inches (width) Condition: Very good and highly presentable Provenance: from a large private collection of this artists work in Bristol, England. Description: This beautifully detailed watercolor by Jack Grunwell captures St Michael the Archangel...

'Irish Wolfhound and Wire Haired Terrier' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, s...

Woman in the Woods walking through trees towards Cottage in English Countryside, by 20th Century British Artist, David Mead (1906-1986) Art measures 24 x 20 inches Frame measures 30 x 25 inches Oil on Board, Presented in the original ornate frame David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...

Title: Historic Miniature Watercolor of John Wesley’s Chapel, Broadmead in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

A 19th century black and white spaniel standing in a landscape, with a country house in the distance. Signed C B Spalding, lower right. Oil on canvas in a giltwood frame. Charles B...

A rare, extensively hand-colored impression of this charming British satirical image. London: 1830. Lithograph with hand coloring in watercolor on cream wove paper, 12 1/4 x 9 5/1...

Farm Horse Drunking Charcoal and pastel on artist's board, c. 1920 Signed lower right in pencil (see photo) Titled in ink lower center, as are all the illustration for At the Farm (s...

Fishing at Sunset English School, early 19th century circle of Sebastian Pether (1793-1844) oil on canvas, unframed canvas: 8 x 11 inches provenance: private collection, Berkshire, E...

Title: Historic Miniature Watercolor of Corn Street and The Nails in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.5 inches (height) x 2.75 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This detailed watercolor by Jack Grunwell captures Corn Street, one of Bristol’s most historically significant streets, featuring the iconic "Bristol Nails." These four ornate bronze tables, seen prominently in the foreground, were once used for business transactions between merchants and traders, giving rise to the phrase "paying on the nail." The grand Corn Exchange, built in 1741, dominates the background with its elegant Palladian façade, while the clock tower of St. Nicholas Market stands...

'Waiting for Supper' English School, 20th century oil on board, framed Framed: 8 x 10 inches Board: 5 x 7 inches Provenance: private collection, UK Condition: very good condition F...

Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...

Winter landscape with snow covered fields & farmhouse in the English Countryside by British Artist Art measures 30 x 20 inches Frame measures 35 x 25 inches Richard Wood was born i...

'Ibiza Hound puppy' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life....

Title: Miniature Watercolor of Chapel of the Three Kings, Christmas Steps in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurem...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

Travellers in Landscape English artist, early 19th century oil on canvas, framed framed: 22 x 24 inches canvas: 15 x 15.5 inches provenance: private collection, England condition: ve...

A poignant and highly affecting 19th century image of an African American church congregation in Washington DC after the emancipation of slaves, published in London. London: The Ill...

Title: Miniature Watercolor Paintings of St Georges Church and Cabot Tower Brandon Hill by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Title: Historic Miniature Watercolor of Gatehouse of Bristol Cathedral c. 1156 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: ...

Title: Historic Miniature Watercolor of Busy Wells Market Square by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, u...

Cornish Beach Scene with Distant Island English School, early 20th century signed oil on canvas, framed Framed: 23.5 x 27.5 inches Canvas: 20 x 25 inches Provenance: private collecti...

Title: Historic Miniature Watercolor of Chapel of the Three Kings in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

The Lioness English artist, circa 1930's oil on board, framed framed: 10.5 x 9.5 inches board: 8 x 7 inches provenance: private collection, UK condition: overall good and sound

'Spaniel and Chow' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of an...

19th Century Oil Painting "The Naughty Child" After Sir Edwin Landseer Delightful antique oil painting of "The Naughty Child" by a mystery artist. The original painting was done by ...

Title: Miniature Watercolor Paintings of Bath Abbey West End and York Street View by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

"Longshore Bill" by David W. Haddon, British early 1900's signed oil on board , framed framed: 18 x 14 inches board: 15 x 12 inches provenance: private collection, UK condition: very...

Head Portraits of Cavalier Spaniel Dogs by Henry Percy, British early 20th century signed oil on board, framed framed: 7 x 9 inches board: 5 x 7 inches provenance: private collection...

The Pilgrim Fathers Landing at Plymouth Rock Anglo/ America School, early 20th century ink/ watercolor on paper stuck on board, framed - glass covered framed: 12 x 14 inches board : 6.5 x 8 inches Provenance: private collection, Cotswolds, England Condition: very good condition The scene possibly depicts the Pilgrim Fathers landing in the 'New World', particularly at Plymouth Rock in 1620. The visual elements support this interpretation: The central figure in dark clothing and a wide-brimmed hat: This could represent a leader like William Bradford or John Carver...

Title: Historic Miniature Watercolor of Lord Mayors Chapel in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.5 inche...

Rowing on the River English Impressionist, 1980's period signed oil on canvas, framed framed: 25 x 30.5 inches canvas: 20 x 26 inches Provenance: private collection, UK Condition: ve...

Classical Venice English School, late 20th century oil on canvas, framed Framed: 24.5 x 30.5 inches Canvas: 18 x 24 inches Provenance: Private collection, UK Condition: The painting ...

Serene lakeside scene with delicate reeds in soft, misty twilight tones by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 9 x 5.5 inches Frame measures 13.5 x 1...

A well-colored Victorian portrait of the woman whose ghost is known to haunt the Bank of England and Threadneedle Street. Lithograph with hand-coloring in watercolor, 9 x 6 1/2 inch...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

Two Warwickshire hounds, named Hermit and Wildboy, standing in a landscape. Signed and dated 1889 (lower right) and signed, inscribed and dated on the reverse. Oil on canvas in a gil...

The Close of Day Scottish Highland Loch at sunset with cattle watering British School, early 20th century signed initials lower left corner oil on board, unframed board: 7 x 10 inche...

This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire. On either side of a shallow river, trees clin...

‘The Baron’s Charger’ by John Frederick Herring Jr. (1815-1907). The painting – which depicts a 17th century Caroline nobleman with his battle horses and attendant hounds – is sign...

19th century silhouette of a female , framed and glazed and in good condition with only minor signs of age as to be expected. 2nd image with flash to show highlights etc.. Apologie...

'Sealyham and Setter' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of...

An iconic image satirizing the Prime Minister at the 1832 London Conference. The Cat's Paw (Charles Maurice de Talleyrand-Périgord, Prince de Benevento & Henry John Temple...

Ornate Still Life of Fruit by Jonny Gaston, British 20th century signed and dated oil on board, framed framed: 15 x 23 inches board: 10 x 18 inches provenance: private collection, UK...

One of the Crew by David W. Haddon (British early 20th century) signed oil on board , framed framed: 18 x 14 inches board: 15 x 12 inches provenance: private collection, England cond...

A bay hunter and a black and white short haired dog (possibly a bull terrier) in an extensive English landscape. a rustic barn in the near distance. Indistinctly signed 'Br...' and d...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

A finely detailed silhouette of a Victorian lady, unusuallly depicted wearing an elaborate hat with lace brim and plume. Circle of Hinton Gibbs (1783-1839) Portrait of a lady, bust ...

Charles Dixon was born in England in December 1872 died 1934. Extremely well known for his nautical watercolours. Exhibited several time at the Royal Academy in London as well as the...

Oil lithograph in colors on light card stock, 3 1/2 x 2 7/8 inches (88 x 72 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. The image sh...

Winter landscape with Seagulls on ploughed fields in the English Countryside by 20th Century British Artist Art measures 24 x 20 inches Frame measures 28 x 24 inches Richard Woo...