English School Art

Portrait of William Parker (see biographical details in photos) 18th Century English School oil on canvas, unframed canvas: 30 x 25 inches Labeled verso Provenance: private collectio...

The Metal Worker by John Edwards (1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, UK Condition: very good c...

1780's-1800 Fine English School Ink & Watercolor Cavalry Crossing Bridge Pursuit Scene with Soldiers and Horses Late 18th / Early 19th Century English School circa 1780–1800 ink draw...

Staperton Tore, Dartmoor by Brian D. Horswell, Britsh b. 1939 signed, titled verso oil on canvas, framed framed: 26 x 30 inches canvas: 20 x 30 inches Provenance: private collection,...

Cornish Beach Scene with Distant Island English School, early 20th century signed oil on canvas, framed Framed: 23.5 x 27.5 inches Canvas: 20 x 25 inches Provenance: private collecti...

Charcoal and white chalk highlight on paper Label of J.M Maas Gallery (verso) 36cm × 28cm (54cm × 43cm framed) Etty, a student of Thomas Lawrence, R.A., was the first significant Br...

Classical Venice English School, late 20th century oil on canvas, framed Framed: 24.5 x 30.5 inches Canvas: 18 x 24 inches Provenance: Private collection, UK Condition: The painting ...

circa 1960. Oil on canvas, 28 x 24 inches (712 x 610 mm). Signed in oil in the lower right corner, recto, and on the verso, and signed, and titled in ink on a label on the frame bac...

Watercolor on watercolor paper, 9 3/4 x 11 3/4 inches (248 x 299 mm), the full sheet. With charming primo pensiero and unfinished detail in the form of a small child lying in his sto...

'Scampi' Portrait of a characterful White West Highland Terrier Dog British School, signed and dated signed oil on canvas, framed framed: 22 x 17.5 inches canvas : 18 x 14 inches Pro...

A bucolic woods landscape with an ivy-covered country manor. Watercolor and graphite on heavy gauge watercolor paper, 4 7/8 x 7 inches (125 x 178 mm), the full sheet. In very good c...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

"A Quiet Corner" by Beete Hardinge-Smith (British, 20th century) signed oil on board, framed framed; 22.5 x 18.5 inches board: 20 x 16 inches Provenance: private collection, Surrey, ...

Graphite and watercolor on light weight salmon-colored wove paper, 4 1/4 x 7 5/8 inches (109 x 194 mm), the full sheet. An unfinished study in good condition. On the mat-back is a n...

A collection of gruesome 19th century images illustrating the barbarism of the Qing penal code. London: William Miller, 1801. Six (6) stipple point engravings with hand coloring in...

The English Countryside English School, 20th century oil on canvas, framed Framed: 27.5 x 40 inches Canvas: 23.5 x 36 inches Provenance: private collection, Suffolk, England Conditio...

Graphite on J Whatman 1835 paper with a partial watermark 4 1/4 x 6 7/8 inches (108 x 176 mm), the full sheet. Scattered uniform age tone and discoloration throughout. Brown ink spot...

Summer Meadow Scene with Wildflowers & Trees in a serene English Countryside by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14 x 9 inches Frame measures 18.5 x 13.5 inches Vintage British 20th Century Oil Signed, unique original, entitled "Heaven in a Wild Flower" Presented in the original vintage frame This original painting by Pamela Derry beautifully captures the serenity of a summer meadow in bloom...

Watercolor on watercolor paper, 5 1/8 x 8 1/4 inches (130 x 210 mm), the full sheet. Initialed "H.D.W.L." in watercolor in the left image area (in the area of the sky), and titled an...

18th Century Gentleman In Burgundy Coat English School, mid 18th century, unsigned Circle of Arthur Pond (British, circa 1705-1758) Portrait of a gentleman, three-quarter-length, in...

Title: Miniature Watercolor of Bristol Looking Toward Clifton Suspension Bridge by Jack Grunwell, 20th century British artist Medium: Waterc...

"The Barn Owl" limited edition color print, unframed very thick fine quality paper/ card. Adrian Rigby (British, b. 1962) signed in pencil to the lower corner numbered out of 250 pu...

Portrait of Lady Mansfield of Ringwood Oil on Canvas, unsigned Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame Provenance Descended through the Family Estate Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784. Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered. Thomas Hudson Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes. He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family. He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds. Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...

The Lioness English artist, circa 1930's oil on board, framed framed: 10.5 x 9.5 inches board: 8 x 7 inches provenance: private collection, UK condition: overall good and sound

Watercolor with white heightening through abrasion with the brush stick on watercolor paper, 7 x 9 7/8 inches (177 x 248 mm), the full sheet. In good condition with scattered light f...

The Woodsman by John Edwards (1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches board : 23 x 18 inches Provenance: private collection, UK Condition: very good condit...

Title: Historic Miniature Watercolor of Wine Street Looking to Corn Street in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

‘The Thames at Pangbourne’ by John Keeley Halswelle ARSA, ROI (1831-1891). The painting is signed by the artist and dated 1877 (and 1882 when it was retouched by the artist). It is p...

Golden Light in the English Countryside early 20th century, signed Albert Stanley? oil on board, framed framed: 11 x 14 inches board : 8 x 10.5 inches provenance: private collection,...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

This early 20th-century marine painting depicts a group of small sailing vessels navigating rough, wind-driven seas. The composition is animated and dramatic: dark, churning waves fi...

A incredibly characterful and atmospheric study of a barn owl, painted in the style of William James Webb, with the owl brought into dramatic focus against a dark background. Handso...

Watercolor and graphite on heavy gauge watercolor paper, 5 3/8 x 8 7/8 inches (132 x 221 mm), the full sheet. Extensive, fresh brushwork with nice primo pensiero and the unfinished f...

An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique. Rowlandson, Thomas (after George Murgatroyd W...

Lewis Creighton ( British 1918-1996) signed oil on board, unframed board : 20 x 24 inches Provenance: private collection Condition: very good condition Lewis Creighton was born in ...

Tan Greyhound in Landscape, English Sporting Dog Oil Painting English School, 20th century, unsigned. oil on canvas, unframed Canvas: 52.5 x...

Full Moon Etching by Robin Tanner (1904-1988), signed by the artist in pencil. Very good, strong impression with excellent contrast. From the edition issued in 1977. Robin Tanner’...

Sailing - John Stevens Italia 2006 - Oil on canvas cm. 60x120. John Stevens, using subtle washes of oil paint, slowly builds his highly detailed paintings of sea battle...

The Yorkshire Terrier Dog in a Yellow Hair Bow by F. S. Woodard, English second half 20th century signed oil on board framed framed: 20.5 x 19 inches board : 13 x 12 inches Provenanc...

Sweet Dreams - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 Gold leaf gilded wooden frame cm. 134x94 The painting by Eugenio De Blasi is inspired by the painting "Sweet Dreams" by John William Godward, a neoclassical Victorian painter...

Watercolor and pencil on heavy gauge watercolor paper, 11 3/4 x 9 3/4 inches, (298 x 248 mm) the full sheet. In good condition with fresh, detailed brushwork and saturated pigments. ...

The Legal Gentleman portrait of a lawyer/ barrister by Victor Hume Moody (British 1896-1990) *see notes below signed and dated 1974 oil on canvas, unframed canvas: 36 x 28 inches pro...

The Old Stone Bridge British School, second half 20th century indistinctly signed oil on canvas, framed framed: 27.5 x 40 inches canvas: 24 x 36 inches Provenance: private collecti...

Classic country watercolor by esteemed British artist William Carter. Watercolor on paperboard. Signed lower left. William Carter was a portrait, animal and still life painter. He w...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

London: Fine Art Trade Guild, c1900. Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...

Portrait of a Country Lady, depicted Seated wearing a silk glove and with a Quill Pen English artist, circa 1820's, unsigned oil on canvas, unframed canvas: 35 x 29 inches provenance...

Signed 'BDandridge/ pinxit' lower left Provenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by ...

Provenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by With Lane Fine Art, UK, where purchased ...

Abraham COOPER Canvas Size: 28 x 36" (70 x 90cm) Outside Frame Size: 38 x 46" (95 x 115cm) A fantastic example of Cooper's work. A piece on a grand s...

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

The Seven Wonders of the Classical World English School, early 20th century set of seven (7) 7 x oil paintings on paper mounted on board, framed Glass covering framed: 22 x 14 inch...

Title: Mountain River with Timber Bridge. Golden mountain peaks rise above a quiet river where light and solitude meet Medium: Oil on canvas Dimensions: Painting 20 x 16 in (51 x 4...

A luminous landscape of the Roman ruins at Timgad, with the Aurès mountains aglow in the background. Watercolor on artist board, 9 7/8 x 7 inches (252 x 178 mm), the full sheet. Tit...

Graphite and watercolor on grayish-tan wove paper, 7 5/8 x 6 7/8 inches (194 x 175 mm), the full sheet. An unfinished study in good condition. On the mat-back is a notation that the...

This exceedingly charming mid-18th-century English oil painting depicts a girl wearing a red gown with a train over a white petticoat. She’s holding a posy or nosegay. Evidently once commissioned for an English country house, the identity of this young lady remains a mystery. Her gown appears to be inspired by the popular ‘robe à la française...

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...

Pompeian Scene - Angelo Granati Italia 2011 - Oil on canvas mis. cm. 50 x 80. Gold leaf gilded wooden frame ext. mis. cm. 70 x 100. In this painting, Maestro Angelo Granati drew in...

‘Fabbriche di Careggine’ by Edmund John Niemann (1813-1876). Fabbriche di Careggine is the name of a Italian ghost village that today lies beneath Vagli di Sotto, a man-made lake in Tuscany. Prior to its flooding in 1953 the village was home to a community of subsistence farmers who raised sheep and Garfagnana goats. We only offer original antique artwork for sale in the finest condition it can be for its age having been professionally cleaned, conserved, and re-varnished. Clients should also note that tracked and signed for international tariff-free shipping is always complimentary. It is not uncommon for paintings by one member of famous family of artists to be mistakenly attributed to a relative; a picture by “the Elder” is erroneously credited as being by “the Younger” and the work of one brother is confused with another, and so on. In 19th century British art...

Painting of River with Winter Trees in the English Countryside by 20th Century British Artist, James Wright. Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame....