English School Art

Title: Miniature Watercolor of Scene in Corn Street Bristol Featuring The Nails by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Title: Historic Miniature Watercolors of The Hatchet Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.5 inches ...

An iconic image satirizing the Prime Minister at the 1832 London Conference. The Cat's Paw (Charles Maurice de Talleyrand-Périgord, Prince de Benevento & Henry John Temple...

Title: Redcliffe Bristol Historic Maritime Watercolor Sailing Ships River Scene by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

A rare, extensively hand-colored impression of this charming British satirical image. London: 1830. Lithograph with hand coloring in watercolor on cream wove paper, 12 1/4 x 9 5/1...

John Wootton (1686 - 1764) The Bloody-Shouldered Arabian Oil on canvas Inscribed below, 'Bred by Lord Oxford in 1755 & Sire of many famous Racers, including the Duke of Bolton's 'Swe...

English School, Pastoral Landscape Scene, Oil on Canvas, 1910, illegibly signed and dated lower left, giltwood frame. Image: 24.75" H x 29.5" W; frame: 32.5" H x 37" W x 3.75" D. Pro...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

Title: Historic Miniature Watercolor of Chequers Inn Henham with Boat and Horse Riders by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Rare, beautifully detailed oil painting on board of “Harrow o the Hill”, on a bright summer’s day. Though not signed on the front, it is signed twice verso “E.E. Bradley” and titled ...

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

Title: Historic Miniature Watercolor Triptych of Bristol Sailing Ships by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: each min...

‘Going to Market, Woking Common’ by George Cole RBA (1810-1883). The painting is signed by the artist and dated 1853 in which year it was exhibited at the Society of British Artists ...

Botanical Watercolour watercolour drawing on artist paper, unframed drawing: 9.75 x 7.5 inches Provenance: Private collection Condition: Great condition Description: This beautiful...

Title: Historic Miniature Watercolor Paintings of St Michael Archangel Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3 inches (width) Condition: Very good and highly presentable Provenance: from a large private collection of this artists work in Bristol, England. Description: This beautifully detailed watercolor by Jack Grunwell captures St Michael the Archangel...

The Grand Coronation Banquet of King George IV at Westminster Hall, the oldest building on the Parliamentary estate. A Prospect of the Inside of Westminster Hall; The Grand Coronati...

Dapper Gentleman in the London Park by Philip Henry Rideout (British, late 19th century) signed & dated 1895 oil on canvas, framed Framed: 17.5 x 14.5 inches Canvas : 12 x 10 inches ...

English Fox Hunting Scenes Set of three (3) x Watercolours 3 x watercolours on paper, framed each framed: 8.5 x 10.5 inches each watercolour painting : 8 x 10 inches Provenance: pri...

The Trainer & Jockey British School, early 19th century watercolour on artist paper mounted on board, framed in wooded frame framed: 17.5 x 22 inches board: 15 x 19 inches Provenance...

Title: Historic Miniature Watercolor of Ye Shakespeare Inn and Temple Tower in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Title: Historic Miniature Watercolor of St Peters Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4.5 inche...

Title: Historic Bristol Church and Cathedral Collection of Four Watercolors by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 5 i...

Classical Venice English School, late 20th century oil on canvas, framed Framed: 24.5 x 30.5 inches Canvas: 18 x 24 inches Provenance: Private collection, UK Condition: The painting ...

Summer Meadow Scene with Wildflowers & Trees in a serene English Countryside by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14 x 9 inches Frame measures 18.5 x 13.5 inches Vintage British 20th Century Oil Signed, unique original, entitled "Heaven in a Wild Flower" Presented in the original vintage frame This original painting by Pamela Derry beautifully captures the serenity of a summer meadow in bloom...

Title: Historic Miniature Watercolor of Theatre Royal Bristol 1766 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.5 inches (...

A market scene; the spot on which the execution of Joan of Arc took place. London: R. Bower, 1825. Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inc...

‘Parley at Bristol, 1643’ by Charles Cattermole RI, RBA, ROI (1834-1900). The painting – which depicts the surrender of Parliamentary forces under Nathaniel Fiennes to Prince Rupert ...

Title: et of Five Miniature Watercolors of The Matthew and Early Steamships by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements (eac...

Watercolor and pencil on watercolor paper, painted along the top portion of a sheet measuring 9 1/4 x 11 7/8 inches (235 x 302 mm), the full sheet. Titled in pencil in the lower left...

Title: Historic Miniature Watercolor of Hanham Court and St. George’s Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 4.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: Jack Grunwell’s charming architectural watercolor captures Hanham Court & St. George’s Church, a historic medieval estate and chapel in South Gloucestershire, England. Hanham Court is depicted with its Gothic-style stonework, towering chimneys, and lush surrounding gardens. St. George’s Church, with its classic medieval English architecture, stands in the foreground, framed by mature trees and a winding countryside path. Grunwell’s signature soft washes and delicate detailing create a scene that feels timeless and tranquil. The contrast between the grey stone and the vibrant greenery adds depth and warmth to the painting, making it a perfect addition to any collection of English countryside art...

Title: Historic Miniature Watercolor of Christmas Steps and St Bartholomew’s Hospital by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

Title: Clifton Suspension Bridge and Bristol Cathedral Historic Miniature Watercolor by Jack Grunwell, 20th century British artist Medium: W...

Watercolor with graphite on heavy gauge watercolor paper, 9 3/4 x 7 1/4 inches (249 x 185 mm), the full sheet. Titled and dated August 27, 1896 in pencil in the lower right margin. I...

Watercolor and graphite on heavy gauge watercolor paper, 6 x 9 1/2 inches (152 x 241 mm), the full sheet. Scattered light foxing, otherwise in good condition. Sophia Beale was born...

This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...

Vice-Admiral Lord Horatio Nelson by John Edwards (British. 1940 - 2020) signed oil on canvas with board backing, unframed canvas : 30 x 24 inches Provenance: private collection, UK C...

Title: Historic Miniature Watercolor of Bristol University Wills Memorial Building by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measuremen...

Viewing the delicacy and grace of this portrait, one can appreciate that British artist Rosa Koberwein (1876–1903) was well recognized during her career for producing excellent portr...

This charming 19th-century drawing by British artist Edmond Albert Joseph Tyrel de Poix (1840-1916) depicts a timber-framed public house, figures, horses and a leaning signpost. De ...

Red crayon on cream laid paper, 3 3/4 x 4 inches (95 x 102 mm) ; 3 3/4 x 3 1/8 inches (95 x 80 mm). Each with scattered early repairs done with non-archival tape on the verso; the sm...

ARTIST: Unsigned (early / mid 20th Century) English School TITLE: "Self Portrait In A Round Mirror" SIGNED: appears unsigned MEDIUM: oil on canvas SIZE: 73cm x 62cm inc frame CONDIT...

Title: St Peter and St Paul Northleach Historic Cotswold Church Watercolor by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75...

Vintage English Woman at a Seaside Beach Resort in Summer 1960's 1970's England entitled 'Summer Collection 1' by Retro Nostalgic Artist, Paul F Harding...

Portrait of Lady Mansfield of Ringwood Oil on Canvas, unsigned Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame Provenance Descended through the Family Estate ...

Title: Historic Miniature Watercolors of Abbey Gate of Bristol Cathedral by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.25 i...

Title: Historic Miniature Harbourside Watercolor of the Llandoger Trow Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This characterful watercolor by Jack Grunwell captures the Llandoger Trow Inn, one of Bristol’s most iconic and storied pubs, located near the city’s historic harbourside. Built in 1664, the timber-framed building has long been associated with maritime history and folklore, said to have inspired Robert Louis Stevenson’s Treasure Island and once frequented by pirate Edward Teach...

Title: Historic Miniature Watercolor of St Werburghs and Corn Street Bristol 1870 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

This charming 19th-century drawing by British artist Edmond Albert Joseph Tyrel de Poix (1840-1916) depicts a mother and child standing by a mill pond before a rustic watermill. De Poix was a gentleman artist descended from French nobility...

Title: Pair of Watercolors of St John the Baptist Horfield and St Mary Redcliffe Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Title: Historic Miniature Watercolor of a 16th-Century Hatchet Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3 inches (height) x 4 inches (width) Condition: Very good and highly presentable Provenance: from a large private collection of this artists work in Bristol, England. Description: This evocative watercolor by Jack Grunwell captures the Hatchet Inn, one of Bristol’s most historic pubs, dating back to the 16th century. Located near the city's harborside, the Hatchet Inn has long been associated with sailors, smugglers, and local folklore. Legend has it that the pub’s door...

A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...

Title: Historic Miniature Watercolor of Brislington Village Smithy and Kings Arms Inn by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none. London: Thoma...

Cornish Beach Scene with Distant Island English School, early 20th century signed oil on canvas, framed Framed: 23.5 x 27.5 inches Canvas: 20 x 25 inches Provenance: private collecti...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

Title: Historic Miniature Watercolor of Minster House and Bristol Cathedral circa 1833 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Sunlit Country Path, Lush Greenery, Autumn Tones, Serene Countryside Landscape by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14 x 9 inches Frame measures 18...

The Metal Worker by John Edwards (1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, UK Condition: very good c...