English School Art

Romantic Scene - Figurative Oil on canvas painting cm.115x95 this painting is a reinterpretation of the painting 'a Cautious Approach' by Master Roberts ...

A quintessential example of the Picturesque tradition, popular among both professional artists and "gentleman sketchers" of the Georgian and Victorian eras. c1840. Ink and wash on w...

Softly rendered European street scene by an unknown artist (20th Century). A group of well-dressed women are standing at the side of the road, near some trees. To the right and in the background, a horse an carriage is passing by. The scene is executed with small, circular strokes, giving the piece a soft yet dynamic feel. Signed in the lower right corner. Presented in an ornate gilded frame...

Moonlight Schooner by Chris Golds (British, 1936-1924) signed and dated 78 titled/ inscribed verso oil on canvas, framed framed: 18.5 x 33 inches canvas: 16 x 30 inches Provenance:...

Countryside, 1876 Oil on canvas 13 1/2 x 11 in. Framed: 17 1/2 x 15 x 1 1/2 in. Signed lower left and dated 1876

Gilt Picture Frame With Decorative Corner Mounts European, late 20th century giltwood picture frame with decorative applied corner and centre mounts Overall outer size: 26.75 x 20 in...

The Close of Day English School, early 19th Century, unsigned oil on canvas, framed framed: 20 x 28.5 inches canvas: 16.5 x 24 inches Provenance: private collection, Surrey, England ...

A wonderful study of Grecian vases at the Louvre. English School, early 20th century c1910. Watercolor and ink light wove paper, 9 1/4 x 6 inches (235 x 152 mm), the full sheet. In v...

1780's-1800 Fine English School Ink & Watercolor Occult Ritual Scene with Figures and Demonic Forms Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with wat...

Signed 'BDandridge/ pinxit' lower left Provenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by ...

An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique. Rowlandson, Thomas (after George Murgatroyd W...

The Highland Loch British School, early 20th century signed with initials lower left corner oil on artists board, unframed board: 7 x 10 inches provenance: private collection, UK con...

Soldiers and Camp Followers by a Fireside, English School Figure Study Late 18th / Early 19th Century English School circa 1780–1800 Watercolour wash on artist paper, unframed Drawin...

Fine English School Ink & Watercolor Cavalry Pursuit Scene with Mounted Figures Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on art...

L.W.Fraser English, mid 20th century The Scottish Terrier Original pastel drawing signed on artist paper Framed: 20.5 x 14 inches Glass covering Provenance: private collection, UK ...

A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...

Title: Historic Bristol Church and Cathedral Collection of Four Watercolors by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 5 i...

English Countryside Oil Painting with Thatched Cottage, River & Cows Grazing by British Artist Art measures 24 x 18 inches Frame meas...

Graphite on J Whatman 1835 paper with a partial watermark 4 1/4 x 6 7/8 inches (108 x 176 mm), the full sheet. Scattered uniform age tone and discoloration throughout. Brown ink spot...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the full sheet. ...

Portrait of a Red Setter/Spaniel English school, mid 20th century oil on canvas, unframed Canvas: 14 x 12 inches Provenance: private collection Condition: stretcher bar marks showing...

Sailing - John Stevens Italia 2006 - Oil on canvas cm. 60x120. John Stevens, using subtle washes of oil paint, slowly builds his highly detailed paintings of sea battle...

Circle of John Constable (English, 1776-1837) A fine woodland sketch, with a figure ambling Oil on panel, unframed Dimensions: (Panel) 13 in. (H) x 10.5 in. (W) Condition: overall...

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Watercolor and graphite on watercolor paper, 5 3/4 x 11 3/8 inches (147 x 290 mm), the full sheet. On the verso is an unfinished sketch in graphite which is titled "Gardens, 3 Kent T...

Benjamin Hudson 1823 - 1900 Signed Antique oil painting on canvas Picture size: 36 x 28" (91 x 71 cm) Frame size: 44 x 36" (112 x 92 cm) Benjamin Hudson (c. 1823–1900) stands as ...

"Extensive Early Industrial Landscape with Mill" by John Pennington (1773-1841, British) subsidiary buildings, bleaching fields and a country house beyond, three children with a bir...

The Army Officer *see notes below by Kathleen Emily Temple-Bird (British 1879 - 1962) oil painting on canvas , unframed canvas: 24 x 18 inches condition: very good, minor surface scu...

Ponies on Dartmoor by Frank Wright (1928 - 2016) signed oil on canvas, unframed canvas : 16 x 20 inches Provenance: private collection, England Condition: very good condition For mo...

Fine English School Ink & Watercolor Falconer on Horseback Equestrian Study Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artist ...

Oh, to look this dashing when atop a mount. On offer is a portrait of an officer or orderly from a British cavalry regiment, perhaps commissioned for the rider’s sweetheart or family...

circa 1960. Oil on canvas, 24 x 26 inches (610 x 660 mm). Signed in oil in the lower right corner, recto. In very good condition, presented in a handsome basic wood frame. Elizabet...

Title: Historic Miniature Watercolor of St Bartholomews Gate with Various Figures by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measuremen...

‘The Oaks of Cranbourne Chase, Windsor Great Park’ by Andrew MacCallum (1821-1902). The exceptional detail and draftsmanship in the painting is nothing less than extraordinary and ...

A 19th century study of a mounted Life Guard; a member of the military unit charged with protecting high-ranking individuals, such as a monarch. c1890. Black crayon with white heigh...

1780's-1800 Fine English School Ink & Watercolor Chaotic Cavalry Battle Scene Riders Horses and Cannon Study Late 18th / Early 19th Century English School circa 1780–1800 ink drawing...

Watercolor on watercolor paper, 5 1/8 x 8 1/4 inches (130 x 210 mm), the full sheet. Initialed "H.D.W.L." in watercolor in the left image area (in the area of the sky), and titled an...

Sunset by the River English School, late 19th century signed "T. Woods" signed oil on board, framed framed: 19 x 25 inches board: 18 x 24 inches Provenance: private collection, UK Co...

Rydal Water by Arthur Terry Blamires (English, born 1930) signed oil on board, framed titled verso framed: 22 x 30 inches board : 27 x 25 inches Provenance: private collection, Cumbr...

LARGE OIL PAINTING MARITIME SHIP MASTER PIECE 20th CENTURY FINE MARTINE PAINTING ORIGINAL 20th Century OIL PAINTING GOLD GILT FRAME Good condition for age , (see pictures) Descri...

1780's-1800 Fine English School Ink & Watercolor Fantastical Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artist paper...

Woman in the Woods walking through trees towards Cottage in English Countryside, by 20th Century British Artist, David Mead (1906-1986) Art measures 24 x 20 inches Frame measures 30 x 25 inches Oil on Board, Presented in the original ornate frame David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...

An image of Jerusalem from the first comprehensive collection of documentary images of the Holy Land. London: Cassell, Petter & Galpin, circa 1850. Lithograph with hand coloring an...

Fine English School Ink & Watercolor Military Cavalry with Fallen Horse Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with watercolour wash on artis...

William Richard Waters Picture Size: 36 x 28" (92 x 72cm) Outside Frame Size: 44 x 36" (112 x 92 cm) Oil on Canvas signed bottom right and dated 1847 This painting is nearly 200 year...

Fine English School Ink & Watercolor Mounted Cavalry Officer Equestrian Study Late 18th / Early 19th Century English School circa 1780–1800 ink and watercolour on artist paper, unfra...

c1960. Oil on canvas, 20 x 24 inches (509 x 610 mm). Signed in oil in the lower right corner, recto, and signed, and titled on a label on the frame back. In very good condition, pres...

Two watercolor compositions on one sheet of watercolor paper, 10 x 6 7/8 inches (255 x 175 mm), the full sheet. Signed illegibly and dated in pencil on the lower right corner of the ...

Chatsworth House, Derbyshire by Barry Renshaw, English 20th century signed oil on canvas, framed dated 98' framed: 26 x 36 inches canvas: 20 x 30 inches Provenance: private collecti...

Title: Historic Miniature Watercolor of Chequers Inn Henham with Boat and Horse Riders by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

A painted watercolor of joyous village festivity with music playing and dancing people by Walter Goodall, signed and dated 1862. In the foreground, a young girl in a white dress danc...

Title: Historic Miniature Watercolor of Christ Church in Clifton by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4.25 inches (h...

Portrait of Lady Mansfield of Ringwood Oil on Canvas, unsigned Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame Provenance Descended through the Family Estate Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784. Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered. Thomas Hudson Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes. He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family. He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds. Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...

Chestnut mare ‘Nancy’ is in the English School tradition of horse portraiture, signed lower left and dated 1912, framed in a rich mahogany frame with brass plate. This was most certa...

Portrait of Mrs Bonne Wilson (nee Boileau 1749 - 1818) English School, late 18th century, unsigned oil on canvas, framed framed: 22.5 x 18.5 inches canvas : 18 x 14 inches Provenance...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on watermarked J Whatman Turkey Mill 1843 paper with a gilded edge, 11 1/2 x 14 3/4 inc...

Watercolor on watercolor paper, 9 3/4 x 11 3/4 inches (248 x 299 mm), the full sheet. With charming primo pensiero and unfinished detail in the form of a small child lying in his sto...

**Fine English School Ink & Watercolor Military and Figure Studies Group, circa 1800** Late 18th / Early 19th Century English School circa 1780–1800 ink drawings with watercolour was...

A lovely coastal view of Dorset from the bluffs of what is now Parkstone Golf Club. 1895. Ink and wash on wove paper, 7 1/2 x 11 inches (190 x 280 mm), the full sheet. Signed in ink...