English School Art

1780's-1800 Fine English School Ink & Watercolor Hunting Fall Scene Riders Thrown from Horses in Motion Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with...

1780's-1800 Fine English School Ink & Watercolor Cavalry Officer in Plumed Helmet on Horse Study Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with waterc...

1780's-1800 Fine English School Ink & Watercolor Comic Donkey Riding Scene with Falling Figures and Dog Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with...

1780's-1800 Fine English School Ink & Watercolor Dramatic Pistol Shooting Cloaked Figure Interior Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with...

1780's-1800 Fine English School Ink & Watercolor Brighton Horse Riders Lady with Parasol Coastal Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with ...

1780's-1800 Fine English School Ink & Watercolor Mounted Duel Pistol and Sword Horseback Chase Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with wa...

1780's-1800 Fine English School Ink & Watercolor Rustic Man in Feathered Hat Leaning Figure Study Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with water...

1780's-1800 Fine English School Ink & Watercolor Man Carrying Table with Knives Piercing Top Dramatic Figure Study Late 18th / Early 19th Century English School circa 1780–1800 ink d...

1780's-1800 Fine English School Ink & Watercolor Grotesque Figures Devils Musicians Satirical Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with wat...

1780's-1800 Fine English School Ink & Watercolor Gentleman Bowing to Lady in Bonnet Georgian Fashion Scene Late 18th / Early 19th Century English School circa 1780–1800 ink drawing w...

If ever there was a heart-tugger—assuming you’re a dog person if you’re reading these details—the duo in this picture hits the mark. The unknown artist, inspired by noted painter of ...

1780's-1800 Fine English School Ink & Watercolor Eccentric Cloaked Figure Reading Book in Broad Hat Late 18th / Early 19th Century English School circa 1780–1800 ink drawing with wat...

1780's-1800 Fine English School Ink & Watercolor Equestrian Scene Drawing Late 18th/Early 19th Century English School circa 1780-1800 period ink drawing wtih watercolour wash on arti...

Title: Historic Miniature Watercolor of Busy Wells Market Square by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, u...

‘Crepuscular Rays’ by Henry Dawson RBA (1811-1878). The painting – which depicts shipping off the English coast at sunset – is signed by the artist and dated 1863. We only offer ori...

Title: Historic Miniature Watercolor of Bristol Cathedral West End and Garden View by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measuremen...

Title: Miniature Watercolor Paintings of St Georges Church and Cabot Tower Brandon Hill by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Tan Greyhound in Landscape, English Sporting Dog Oil Painting English School, 20th century oil on canvas, unframed Canvas: 52.5 x 60 inches P...

Portrait of Lady Mansfield of Ringwood Oil on Canvas, unsigned Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame Provenance Descended through the Family Estate Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784. Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered. Thomas Hudson Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes. He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family. He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds. Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...

Although this painting has a plaque stating Duncan Cameron, I don’t believe it is by that artist. This charming 19 century painting of a Scottish f...

US buyers pay no import tariffs on this item. This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire....

Fine British River Landscape Watermill Bridge Figures by William Henry Crome (British, 1806-1873) signed and dated 1838 oil on canvas, framed framed: 32 x 37 inches canvas: 25 x 30 ...

circa 1960. Oil on canvas, 24 x 26 inches (610 x 660 mm). Signed in oil in the lower right corner, recto. In very good condition, presented in a handsome basic wood frame. Elizabet...

Official Vintage 1937 program of the Coronation of King George and Queen Elizabeth. Framed in a dark brown wood shadowbox with an off-white colored ma...

Signed 'BDandridge/ pinxit' lower left Provenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by With Lane Fine Art, UK, where purchased by the present owners in 1996 Literature 'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill. A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13 This is a portrait of Ann Austen, nee Grey, three-quarter-length seated in a landscape with her dog. Painted in a superb white satin dress, she holds horn spectacles and a spectacle case...

A very good antique 19th century British oil on canvas painting, seascape coastal scene by Samuel C. Bird, circa 1870. This very attractive oil on canvas painting depicts a coastal s...

Provenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by With Lane Fine Art, UK, where purchased by the present owners in 1996 Literature 'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill. A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13 This is a three-quarter-length portrait of Ralph William Grey in a mole-coloured velvet coat and a long waistcoat of green satin, heavily embroidered in gold. Under his left right hand is a black chapeau bras. He has white doe-skin gauntlet gloves. Son of William and Ann Grey of Backworth: born 19 December 1707. He married Mary the daughter of William Rawstorne of Newall in 1741 and died 5 November 1786. He was educated at Eaton and Trinity College, Oxford. Within a year of his birth Mrs Grey died and, according to the Country Life article 'From that time forward all Mr Grey's faculties were concentrated on the well-being of his son. The possession of an heir gave zest to his efforts to build up the family fortune: he was successful in most of his ventures. Years later his interest in life was centred in the home of his daughter-in-law and grandchildren'. Grey's right hand is depicted in the present portrait resting on Locke's Essays and the Country Life article also records that there are constant references to John Locke...

Oil on canvas, 24 x 20 inches (610 x 509 mm), unframed. Signed in oil on the lower right recto, and signed, titled and dated in pencil on the verso. In very good condition with some ...

Harvest, Surrey England. Signed and titled antique gold leaf frame. John Horace Hooper was born in 1851-1906 England. Known for his captivati...

19th century silhouette of a male , description to reverse gives name and date, copied from back of silhouette see photo framed and glazed and in good condition with only minor sig...

Hedley Fitton (British, c. 1857-1929) John Knox's House, c. 1900 Etching 17 x 12 3/4 in. Framed: 25 x 20 1/2 in. Signed in the plate by Hedley Fitton Sig...

Amberley Boy, No. 2 Etching with stipple, 1928 Signed in pencil lower right (see photo) Signed in the plate in reverse (see photo) Provenance inscription in pencil verso A proof outs...

Portrait of a Nobleman, English School Oil Painting, Early 18th Century English School, early 18th century oil on canvas, unframed Canvas: 38.5 x 33 inches Provenance: private col...

Elsie Marian Henderson (British, 1880-1967) Crouching Leopard Charcoal and pastel on paper 8 x 12.1/8 in. (20.3 x 30.8 cm.) Provenance: The estate of the artist Sally Hunter Fine Art, London Elsie Marian Henderson was born in Eastbourne in Sussex and with the encouragement of her mother, a keen amateur painter, she attended the South Kensington Schools before studying at the Slade School of Fine Art between 1903 and 1905. She continued her art education in Paris and in 1916, after returning to London she enrolled at the Chelsea Polytechnic, where she was taught lithography by the artist Francis Ernest Jackson...

This tinted lithograph, titled "Interior of the Temple of Abu Simbel," was created by Scottish artist David Roberts, R.A. (1796–1864) at a time when the temple was largely obscured b...

Lovely landscape painting of sunset titled Shere, Surrey by George Vicat Cole, RA (1833-1893). The painting is in the tradition of plein art, monogrammed VC lower right and dated 187...

Sailing off the White Cliffs of England by G. Wilson ( British School) signed and dated 1922 oil on board, framed framed: 17 x 20 inches board: 9 x 12 inches Provenance: private coll...

The Mill House, Andoversford signed R. Thorpe, English 20th century oil on board, framed framed: 21.5 x 25.5 inches board: 16 x 20 inches Provenance: private collection, England Cond...

Scottish Highland Sunset Mountain Landscape River Oil Painting by J. Lewis by J. Lewis, British late 19th century/ early 20th century signed initials lower right oil on board, unfram...

19th Century Portrait of Young Girl with Spaniel Watercolour Painting English School, 19th century dated verso 1835 watercolour on paper laid on board, under glass, framed Framed: 11...

Signed and dated '1902' lower right Contemporary style hand made frame Provenance: Tryon Gallery Private collection In this painting we can we Blackfriars Bridge in the background reaching across the River Thames with smoke billowing up into the sky behind. On the far right the unmistakable, and instantly recognisable, silhouette of St Pauls also breaks the sky line of the city. Finished in the early 18th Century, St Pauls has been a noticeable addition to the London cityscape ever since. This work by Wilkinson depicts 'The Pool' of London, a stretch of the River Thames from London Bridge to below Limehouse. As part of the Tideway of the Thames, the Pool was navigable by tall-masted vessels bringing coastal and oversea goods to the wharves that originally made up the Port of London. In 1909 the Pool came under the jurisdiction of the Port of London Authority. The docks here thrived until the late 1950s, despite suffering from extreme bomb damage during the Second World War. The tall-masted ships that Wilkinson has depicted here are perfect examples of traditionally rigged sailing craft of the time. They differ from modern sailing vessels in that they did not use newer materials (such as aluminium and steel) and have more complex rigging as a result. The term tall ship later came into widespread use in the mid-20th century with the advent of Tall Ships' races. Here, incredible attention to detail has been applied by Wilkinson in the accurate depiction of the various ships rigging...

Portrait of Lady Mansfield of Ringwood Oil on Canvas, unsigned Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame Provenance Descended through the Family Estate ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Three Terriers at a Rabbit Hole Woodland Scene Oil Painting by Clodagh Cave (Irish, mid 20th century) signed lower right oil on canvas, framed Framed: 14.5 x 16 inches Canvas: 12 x 1...

Michael Grimsdale (born 1936 in London) is a British artist known for his equestrian and sporting subjects, as well as portraits and landscapes. Raised in a military family, he spent...

Sir George Harvey was a prominent Scottish painter, born on 1 February 1806 in St Ninians (now Stirling), the son of a watchmaker. Although he initially apprenticed as a bookseller i...

circa 1840. Watercolor and pencil on wove paper, 4 1/4 x 6 7/8 inches (109 x 175 mm), the full sheet. In good condition with moderate attenuation and some toning, especially around t...

Oil on canvas Shooting by the woods by Chapman Bayley (1818-1832) Early 19th Century gent standing by the woods with his two dogs shooting. Signed by the artist in original frame. Ch...

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

c1960. Oil on canvas, 20 x 24 inches (509 x 610 mm). Signed in oil in the lower right corner, recto, and signed, and titled on a label on the frame back. In very good condition, pres...

circa 1962. Oil on canvas, 28 x 24 inches (713 x 610mm). Signed in oil in the lower right corner, recto, and signed, titled and dated in pencil on the verso. In very good condition ...

Victorian landscape painting at its finest, gentle countryside and wonderfully drawn figures by a highly regarded British Artist. A beautiful pair of oils on canvas, mounted on stre...

St Marys Hall Coventry by J Jenshall ( 1833) oil on canvas, unframed inscribed verso canvas: 9 x 11 inches Provenance: private collection Condition: very good condition For more a...

Battleship - John Stevens Italia 2011 - Oil on canvas cm. 100x150 In this precious oil painting Stevens is inspired by the sea battles of the English paint...

Portrait of William Parker (see biographical details in photos) 18th Century English School oil on canvas, unframed canvas: 30 x 25 inches Labeled verso Provenance: private collectio...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Sailing on Choppy Seas by Jean Laurent (French 1898-1988) signed oil on board, framed framed: 22.5 x 27 inches board: 18 x 21 inches provenance: private collection, UK condition: ove...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

‘On the Arun, Sussex’ by George Vicat Cole RA, RBA (1833-1893). The painting is signed with the artist’s monogram and dated 1869, in which year Vicat Cole was elected an Associate ...