English School Art

Artist: John Arthur Dees (English, 1876-1959) Title: "In Cambridgeshire" *Signed by Dees lower right Circa: 1915 Medium: Original Watercolor on paper Framing: Recently beautifully fr...

After John Constable (British, 1776-1837) Portrait of A Man, c. 1800 Oil on canvas 23 3/4 x 19 3/4 in. Framed: 34 x 29 3/4 x 2 3/4 in. Sotheby'...

Oil on canvas, signed and dated ‘1724’ bottom right Image size: 48 x 36 inches (121 x 91 cm) 19th Century hand carved gilt frame This exquisite rediscovered artwork by Monamy showca...

Portrait of a Privateer Francis Hayman 1708 - 1776 Oil on canvas Image size: 20 x 14 inches (51 x 36 cm) Contemporary style frame Provenance Charles Fleischmann Esq Here, a small ...

Lithograph in colors on card stock (as issued), 15 x 10 5/8 inches (380 x 268 mm), full margins. In good condition with some minor toning and some extremely minor and unobtrusive edg...

19th Century Oil Painting "The Naughty Child" After Sir Edwin Landseer Delightful antique oil painting of "The Naughty Child" by a mystery artist. The original painting was done by ...

A beautiful view of warwick castle with 2 swans on the river avon One of Englands finest medieval castles in the heart of warwickshire oil on canvas by George Willis Pryce...

Oil on board, unsigned Image size: 5 1/2 x 4 1/2 inches (14 x 11.5 cm) Original 19th century oval mount and frame Provenance; With Richard Naworth, Blackburn William Edward Frost (September 1810 – 4 June 1877) was an English painter of the Victorian era. Virtually alone among English artists in the middle Victorian period, he devoted his practice to the portrayal of the female nude. Specialising in portraiture from about 1830, Frost painted more than 300 portraits during a 15-year period, and showed some as his first exhibits from 1836. William Edward Frost was born in Wandsworth, then in Surrey, in September 1810. He showed artistic talent from an early age, and was encouraged in this by his father: first by his arranging drawing lessons with a Miss Evatt, a neighbouring amateur, and then, in 1825, by his introducing him to William Etty, who became his mentor. On Etty’s recommendation, he entered Henry Sass’s School for Drawing and Painting at 6 Charlotte Street, in 1826, and spent three years there, while also studying at the British Museum each winter. Frost was educated in the schools of the Royal Academy, beginning in 1829; he established a reputation as a portrait painter before branching into historical and mythological subjects, including the subgenre of fairy painting...

Official Vintage 1937 program of the Coronation of King George and Queen Elizabeth. Framed in a dark brown wood shadowbox with an off-white colored ma...

An important & fine antique George IV period oil painting; a portrait of John & Sara Ogle of Kirkley Hall Northumbria, England, by Sir John Hayter RA, signed & dated 1829. Sir John ...

Lovely landscape painting of sunset titled Shere, Surrey by George Vicat Cole, RA (1833-1893). The painting is in the tradition of plein art, monogrammed VC lower right and dated 187...

18th Century Style Giltwood Picture Frame English School, early 20th century decorative giltwood frame with former name plaque attached. Overall size: 28 x 24 inches Internal rebate...

Elegant Seated Woman in Blue High Neck Sweater British Interior Portrait Oil by Agnes H. Swift (British, active 1930-50s) signed & dated 1958 oil on canvas, framed Framed: 41 x 33 in...

Title: Historic Miniature Watercolor of Lewin’s Mead in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, un...

Portrait of a Saddled Horse in a Stableyard English School, circa 1840 period circle of John E. Ferneley Snr. (1782-1860) oil painting on canvas, framed canvas: 25 x 30 inches framed...

US buyers pay no import tariffs on this item. This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire....

'Flamsteed' Copper-line engraving by Joseph Baker after T Gibson. 1790. John Flamsteed FRS (1646 - 1719) was an English astronomer and the first Astronomer Royal. He catalogued ov...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

Richard Henry Brock (1871–1943) often known as "Dick" Brock, was born on July 21, 1871, in Colney Hatch, London. His family moved to Cambridge shortly after his birth, where his fath...

Stonehaven Harbour at Dusk East Coast Scotland Coastal Oil Painting by H. B. Davis (British, late 19th–early 20th century) signed, dated 1926 and titled verso oil on canvas, framed f...

Wilson Hepple Wilson Hepple was a British landscape painter active in the late 19th and early 20th centuries. He is particularly associated with Northumberland and the north of Engl...

Late 18th Century English Georgian Lady with Birdcage Watercolour Painting Late 18th Century English School watercolour on paper laid on board, framed Framed size: 15.75 x 12 inches ...

Sir George Harvey was a prominent Scottish painter, born on 1 February 1806 in St Ninians (now Stirling), the son of a watchmaker. Although he initially apprenticed as a bookseller i...

Viewing the delicacy and grace of this portrait, one can appreciate that British artist Rosa Koberwein (1876–1903) was well recognized during her career for producing excellent portr...

St Marys Hall Coventry by J Jenshall ( 1833) oil on canvas, unframed inscribed verso canvas: 9 x 11 inches Provenance: private collection Condition: very good condition For more a...

Title: Historic Miniature Watercolor of Busy Wells Market Square by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, u...

Title: Miniature Watercolor of Corn Street Bristol St Werburghs Church 15th Century by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

Title: Miniature Watercolor Paintings of St Georges Church and Cabot Tower Brandon Hill by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

English School, 19th Century Dever’s, A busy shoe shop Oil on canvas 17 x 14 in. (43.2 x 35.7 cm.)

Late 18th Century English Gentleman with Spaniel Watercolour Painting watercolour on paper laid on board, framed Glass covering Framed size: 15.75 x 12 inches Painting size: 14.5 x 1...

An image of Jerusalem from the first comprehensive collection of documentary images of the Holy Land. London: Cassell, Petter & Galpin, circa 1850. Lithograph with hand coloring an...

Victorian landscape painting at its finest, gentle countryside and wonderfully drawn figures by a highly regarded British Artist. A beautiful pair of oils on canvas, mounted on stre...

Victorian landscape painting at its finest, gentle countryside and wonderfully drawn figures by a highly regarded British Artist. A beautiful pair of oils on canvas, mounted on stre...

This 19th-century English maritime painting portrays a lively coastal scene filled with movement, light, and atmosphere. In the foreground, choppy water rolls toward the viewer in te...

Bronze Numbered 1/10 83cm × 22cm × 46cm (incl. base) Ian Rank-Broadley is one of the foremost sculptors working today. His effigy of the late Queen Elizabeth II appears on all UK an...

William Gronow‑Davis (1941–2015) British painter, collector, and estate custodian William Gronow‑Davis was born in 1941 in India and later moved to England, where he established hi...

Pocket Deep Blush Pear 1 [2023] Pocket Ripe Banana by Dani Humberstone [2022} original Oil paint on canvas Image size: H:7 cm x W:5 cm Complete Size of Unframed Work: H:7 cm x W:5 cm...

Comic Tavern Brawl Scene, English School Figure Study Drawing c.1800 Late 18th / Early 19th Century English School circa 1780–1800 Watercolour wash on artist paper, unframed Drawing ...

Although this painting has a plaque stating Duncan Cameron, I don’t believe it is by that artist. This charming 19 century painting of a Scottish f...

Fine English School Study of Two Cavalrymen with Horses Late 18th / Early 19th Century English School circa 1780–1800 Ink drawing with watercolour wash on artist paper, unframed Draw...

A small, intimate 19th-century genre scene: a country lane where a boy sits astride a compact, shaggy pony while the pony drags a second animal by a short rope. The composition feels...

T Harrison (British, 19th Century) Villagers before a pub at dusk Oil on canvas Indistinctly signed and dated `THarrison…1899’ 15 x 22 in. (38 x 56 cm.)

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

Scottish Mountain River Landscape with Cottage at Sunset Oil Painting by Charles McKinley (British, late 19th century/ early 20th century) Oil on canvas, signed, framed Framed: 18.5 ...

Signed 'BDandridge/ pinxit' lower left Provenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by ...

George Goodwin Kilburne landscape horse/equine hunting scene 19th century oil painting A fine painting by the renowned artist George Goodwin Kilburne .oil on panel, framed the size ...

Elsie Marian Henderson (British, 1880-1967) Crouching Leopard Charcoal and pastel on paper 8 x 12.1/8 in. (20.3 x 30.8 cm.) Provenance: The estate of the artist Sally Hunter Fine Art, London Elsie Marian Henderson was born in Eastbourne in Sussex and with the encouragement of her mother, a keen amateur painter, she attended the South Kensington Schools before studying at the Slade School of Fine Art between 1903 and 1905. She continued her art education in Paris and in 1916, after returning to London she enrolled at the Chelsea Polytechnic, where she was taught lithography by the artist Francis Ernest Jackson...

Sir William Beechey (Burford 1753-1839 Hampstead) Portrait of a Gentleman, c. 1810-20 Formerly identified as Joseph Greaves Esq., High Sheriff of Derbyshire (?-1780) Oil on canvas 76...

Bronze Numbered 5/9 87cm × 44cm × 21cm (incl. base) Pratley is a Sculptor working from life models in his West London studio. His inspirations range from ancient Greek masterpieces ...

Portrait of Collie Sheepdog in an English Landscape by C.L. Mason (English, Early 20th Century) Signed Oil on canvas, framed in ornate and elaborate gilt frame Framed: 23 x 29 inches...

Amberley Boy, No. 2 Etching with stipple, 1928 Signed in pencil lower right (see photo) Signed in the plate in reverse (see photo) Provenance inscription in pencil verso A proof outs...

1780's-1800 Fine English School Ink & Watercolor Mameluke Chief in Turban Robe with Sword and Cane Standing Figure Late 18th / Early 19th Century English School circa 1780–1800 ink d...

circa 1840. Watercolor and pencil on wove paper, 4 1/4 x 6 7/8 inches (109 x 175 mm), the full sheet. In good condition with moderate attenuation and some toning, especially around t...

A wonderful example of fairy painting which became such a popular subject for Victorians and was most notably explored by John Anster Fitzgerald and Richard Dadd. The picture is a ra...

Oil on canvas Image size: 10 x 7 1/2 inches (25.5 x 19 cm) Contemporary gilt frame This painting is a copy of Thomas Lawrence’s 1822 portrait of Armand Emmanuel du Plessis, Duke of ...

Children with Pony in Woodland Landscape English Pastoral Scene Oil Painting by English School (19th century) oil on canvas, unframed canvas: 22.5 x 35 inches private collection, Uni...

Portrait of Lady Mansfield of Ringwood Oil on Canvas, unsigned Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame Provenance Descended through the Family Estate Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784. Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered. Thomas Hudson Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes. He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family. He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds. Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...

1780's-1800 Fine English School Ink & Watercolor Cavalry Charge Horsemen with Sabres Military Battle Scene Landscape Study Late 18th / Early 19th Century English School circa 1780–18...

Graphite on paper Image size: 5 1/4 x 8 inches (13 x 20.25 cm) Mounted Jane Ross Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met...

Large British Antique Oil Painting of Two Horses by Walker English, Late 19th Century Canvas: Height 54cm, width 87cm Frame: Height 71cm, width 107cm, depth 8cm This tranquil scene ...