Symbolist Art

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - He gave him Two Tables of the Testimonie, even tables of stone, written with the ...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moses wrath waxed hote, and he cast the Tables out of his handes, and brake them...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Then all the people pluckt from themselves the golden eare-rings, and they brough...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

The artwork size is 15.25"x 26", oil on canvas. Signed lower left and dated and signed on verso. A gallery certificate is available.

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Named "The lion cries", this hyper-realist oil painting on lin canvas by Andrée Bars invokes our planet situation, with the symbols of the lion and humming...

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

Abel Pann (1883–1963) was a European Jewish painter who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel Academy of Art under...

abstract "Golden sky" acrylic on linen canvas 750x73cm light yellow gold see taking the liberty of painting a type of sky that does not exist, an improbable water color… it is quite ...

This captivating painting by Minas Halaj portrays a couple, a man and a woman, with their heads beautifully adorned with a vibrant arrangement of colorful flowers. The oil on panel c...

This gorgeous and subtle still life print by Laurent Schkolnyk, realized in France during the latter half of the 20th Century. The work features an arrangement of objects on a plane, presumably a table. Fabric, appearing to be drapes in a sumptuous copper hue, gathers the right edge of the composition next to a perfume bottle with a bulbous base that tapers to a elegantly attenuated neck in a vibrant lime green hue with stylized foliate detailing in azure. The perfume bottle also offers an umber hued atomizer. Moving from right to left, there is a half circular bowl with an abstracted white...

"Papá Noel-labón L". Oil on canvas by Spanish artist Alexis. 2007 Dimensions: 100 x 100 x 2 cm. Framed dimensions: 130 x 130 x 4 cm. In inches: 39.37" x 39.37" x 0.79". Framed: 51.18...

Nele Zirnite (1959) 2003 Associate Professor, Art Department, the Latvian Christian Academy 2000 M.F.A., the Latvian Art Academy 1995 – 2003 Lecturer, Graphic Arts Department, the Latvian Art Academy 1988 – present Member, the Latvian Artists' Union 1984 B.F.A., the Latvian Art Academy 1959 Born in Lithuania Selected Awards 2005 – Grand Prix Biennial of small graphics, GRAFIX, Breclav, Czech Republic 2003 – Award and Prize - Professional performing in 6.th exhibition of Small forms of Art, Gallery Riga, Latvia 1998 – Prize, Riga in Contemporary Art, Bastejs Gallery, Riga, Latvia 1998 – Grand prix award, Miniature Art, R. Vitols, Valmiera, Latvia 1997 – Riga City Council Award, Riga in Contemporary Art, Riga, Latvia 1997 – Award of Distinction, the Best in Printmaking, Rockport Publishers, Gloucester, MA, USA 1992 – Prize and Diploma, 9th Graphic Triennial, Tallinn, Estonia 1987 – Second Prize, Roads and People, Smiltene, Latvia 1987 – Diploma, 13th Graphic Art Exhibition, Riga, Latvia 1987 – Special Prize, Miniature Graphic Triennial, Riga, Latvia 1984 – Award, Best Drawing Artist of the Year, Vilnius Art Institute, Lithuania Selected Solo Exhibitions 2015 – Army of Beauty, Conversations in Culture, European House, USA 2015 – ORIGIN, Daugavpils Mark Rothko Art Centre, Latvia 2014 – Behind Rain, Gallery "Art Bank", Riga, Latvia 2014 – BALZEKAS Museum, Chicago, USA 2014 – Latvian House, Washington, USA 2014 – Lithuanian Consulate in USA, New York, USA 2013 – Transfusion, Oslo 12, Raum D, Basel, Switzerland 2010 – Rezerved, Gallery Antonija, Riga, Latvia 2009 – Reservoir of Time, Solo Exhibition, National Museum of Art, Riga, Latvia 2008 – Nele Zirnite Solo Exhibition, Xativa, Spain 2008 – Meiles slenis, Galerija "Dalia", Vilnius, Lithuania 2007 – NEXUS, Riga’s Gallery, Riga, Latvia 2007 – Art Gallery of Mary Olla Miller, Panama City, FL, USA 2006 – NEXUS, Gallery ARTima, Vilnius, Lithuania 2005 – NEXUS, Ciurlionis Art Gallery, Chikago, ASV 2004 – Graphic, Gallery BAS, Naperville, ASV 2003 – Nele Zirnite: Gravure a l’eau forte, Paloma Gallery, Ann Arbor, MI, USA 2003 – Etchings by Nele Zirnite, Monroe County Community College Library, Monroe, MI, USA 2001 – Traces of the Wings, Ivonna Veiherte Gallery, Riga, Latvia 2000 – Art Gallery of Mary Olla Miller, Panama City, FL, USA 1999 – Flowers, Bastejs Gallery, Riga, Latvia 1999 – Carriers, Rigas Gallery, Riga Latvia 1999 – Dragons Gallery...

Taya Bell (born 1974 in Semey, Kazakhstan) was educated in Almaty until 2000, graduating with a Bachelor's degree in Arts, as well as degrees in Pedagogy and Foreign Language. From 2...

A striking image from Gail Potocki's Seven Deadly Sins series, Lust is personified through a figure encircled by caressing tentacles Inspired by Hokusai's 1814 woodblock "The Dream o...

James Ensor (1860-1949), Exterminating Angel (L'Ange Exterminateur), etching with drypoint, 1889, signed and dated in pencil lower right, also titled and countersigned verso. Referen...

Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...

Serenity. 1992., paper, lithograph, 65x50,3 cm

Shrouded in light and shadow, a figure halts in anxiety while a precipice forms the horizon. Carrière echoes fellow Symbolist Edvard Munch’s Der Schrei der Natur (also known by the popular name “The Scream”) in L’Aurore, a quintessential example of Carrière’s misty and spectral body of work. An 1897 oil study for this work sold for 26,400 GBP (approximately $36,190) at Christie’s in 2007. Stone lithograph of Eugène Carrière...

Etching on vélin paper, realized by Beier in the early 20th Century. Signed on the plate at the top right, countersigned in pencil at the bottom right. Good condition.

Etching after Bocklin, realized in the early 20th Century. Titled in the plate in bottom center. Published by Druck & Verlag. Very good condition.

The artwork size is 7"x5", oil on canvas board. The frame is included.

Confess, paper/etching, 9.8x7.5 cm

Judith I, paper/etching, 13.5x9.5 cm, 1987

Monument X, paper/etching,86/99, 13.5x10 cm, 1989

Monument VII, paper/etching, 14x9.5 cm

Judith III, paper/etching, 13.5x9.5 cm, 1987

Architectural Details Catalog 7, paper/etching, 59/75,10x9 cm,1990

Architectural Details Catalogue 3, paper/etching, 72/99,10x9 cm,1989

Architectural Details Catalogue 2, paper/etching, 86/99, 10x9 cm, 1989

Front/Back, paper/etching, 41/99, 9.5x7.5 cm, 1988

Connoisseur, paper/etching, 11.5x8.5 cm, 1986

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Absolut. 1991, 25/200, paper, silkscreen printing, 50x27 cm Bright colorful print, advertising poster for Absolut vodka

Gail Potocki's study from her Seven Deadly Sins series personifies Sloth through a frozen figure and her icy snail companion. Symbolist oil painting on linen, 2017. This artwork is presented professionally framed and arrives accompanied by a certificate of authenticity. Gail Potocki (b. 1961) is a contemporary artist whose work crosses multiple boundaries: she has been lauded by popular media (Huffington Post, Mother Jones) and pop culture art...

Aija Zariņa is a prominent personality in Latvian art, actively advocating for idealism and personal freedom, against conformism. Her main theme is human existence, its fundamental c...

"Máscara", by the Argentine visual artist and sculptor Blas Castagna (Buenos Aires, 1935). Hand-colored Symbolist Monotype. Mixed media on handmade paper. Image size: 26 × 25 cm Fr...

Anita Birkenfeld, Bronze sculpture, figurative sculpture, soul, Garment, Israeli art, Israeli artist