Airplane Art

From a series of Black and White photographs of Lancaster Bombers dating from the 1940s we have listed. Why not check out the others. Lancaster bombe...

A classic Bi-plane rigged as a seaplane buzzes a lighthouse as it takes to the early dawn sky. This painting has been created using professional grade acrylics on archival quality c...

Signature: Signed lower right “Tony Fachet” and dated ’80 Illustration depicting a WWII Naval Battle.

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

30"x45" C-Print Photograph, #3/5 signed on reverse by the artist. This limited edition Chromogenic Print captures the moment flight 1549 was pulled from the waters along the Hudson R...

Old School Magician 2023 Acrylic on canvas 10 x 8 inches Signed and dated on verso by the artist Matthew Hanzman is a self taught painter whose work ranges from bold, whimsical figu...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through February 25, 2017. Any framed photographs purchased during the show will ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will...

18"x18" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

40"40" photograph, edition of 5, signed and editioned on reverse framed in natural wood shadowbox frame This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

The painting is being offered with a work and authenticity certificate

Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subject is modernism’s footprint on the outposts of Americana—places typified by harsh artificial light and hard shadows on concrete. The show makes clear that for Young, despite the contemporary art world’s preferences for irony, disjunction, and tongue-in-cheek intellectual gamesmanship, painting is at its best when it attempts to offer an unpretentious accounting of where and how we live our day-to-day lives. The celebrations of urban sprawl offered by artists like Ed Ruscha—who famously took no-nonsense aerial photographs of thirty four LA parking lots in 1967, and created sleek, stripped down paintings of Standard Oil stations—are an obvious point of reference in Young’s work. But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his own memories of road trips, photographs, and pure invention, and rendered with a sense of atmosphere and drama seemingly at odds with his use of hard lines and simple geometric shapes. Painters today tend to lean on pastiche, on art-historical mashups and code-switching. This typically results in images with no unified style and no concern for pictorial space, illusionistic or otherwise. For many contemporary painters, the picture plane is simply a flat, delimited arena in which different types of visual syntax collide, floating freely. This is a non-strategy in which artists make an end run around some of the thornier problems of composition, perception, and cognition. Young bucks this trend. He activates every square inch of his canvases, blocking in large passages of negative space with skeins of scruffy countervailing strokes. He is not a fussy painter, nor is he out to prove his own mastery to an audience. Like Edward Hopper, Young tends to eschew a lot of paint’s seductive properties, preferring to create hard edges and large, gently undulating planes of subdued color. He draws the viewer into an unpopulated, uncluttered world with a clear horizon line—but one that is also filled with hiccups, discontinuities, and compromises. In Service in the Rear, for example, a shelter for gas pumps in the foreground—closest to the viewer and, therefore, logically a dominant compositional element—is rendered as a hazy silhouette that flagrantly disobeys the rules of linear perspective. This is intentional: The structure is only important to Young in the way that it draws the viewer’s eye below and past it, to the glowing, low-slung building dominating the lefthand side of the picture. Thus Young shows his talent for creating visual tension and drama—and for sidestepping the viewer’s expectations. Young understands that some might regard his brand of painting as obsolete. He also understands the troubled legacy of modernism, and what the triumph of universal technology has meant for cultures around the globe. Still, for Young, the cold comfort offered by outposts of convenience—gas stations, airports, cheap hotel rooms—is not so easily dismissed. Young shares the strange buoyant optimism of his hero, Jonathan Richman, who, in his early ‘70s proto-punk single, Roadrunner, exults in the simple act of driving past the Stop’n’Shop with the radio on...

1964 Ford Falcon with surfboards. Limited Edition of 15 Signed by photographer on bottom right.

TWA Skyliner certificate presented to (philanthopist) Seymour H Knox for having flown from New York to London on April 7, 1955 Print Sz: 8 3/8"H x 10 5/8"W Frame Sz: 9"H x 12"W

Nature is my muse. Animals are losing their habitat and they are, at the very least, confronted by or threatened by all of our discards. Though the birds in my paintings are not vict...

This is a unique work. Dated 'Apr 23 1982' (on the reverse). This photo was taken by Warhol during a shoot for a U.S. Airways commercial. Andy notes in his diary on April 12, 1982: ...

Fisherman on boat

A father and son watch a World War II era air show as a man in military uniform looks on. Original promotional calendar illustration for Goodyear, published 1941 Medium: Oil on Can...

Graphic depiction of a regional airport on Long Island.

On April 11, 2022, I painted the airplanes landing into Burbank airport from my backyard. I live streamed the event on my YouTube channel Letspainttv. 30 canvas panels mounted onto a...

Photographer Mitchell Funk looks up at the Met Life and Chrysler Buildings from Grand Central Station. He perfectly designs dark and light areas with golds set against blues. A silh...

Het Depot Rotterdam’s latest acquisition is the Depot Boijmans Van Beuningen. There was this online première in Januari 2021 during corona times but it drew less attention than d...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

He Was A Wing Man, 2005 Archival pigment print in heavy rag paper 40 x 73 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engine...

A jet zooms through the heart shaped cloud echoing the romantic image of a heart shot through by love. Soft pastel colours. This painting is sold without a frame, see the photogra...

El Al 787 Dreamliner ***** Limited Edition Fine Art Prints, series of 10 per each size: Each print comes with a hand signed and numbered certificate of authenticity (will be s...

A fantastic original pop art screenprint, from an edition of 50 on 260gsm Fabriano paper. 5 colour print (plus gloss varnish over image). Print has a white border. Print size 50cm x 70cm All prints numbered signed & embossed with artists stamp. :: Hand Printed...

Hand signed and numbered by the artist. Silkscreen on Arches paper. Image size 30 x 30 inches. Artwork is in excellent condition. Certificate of Authenticity included. Published by C...

Henry Fonda (1905 - 1982) on a rubber dinghy during the filming of Mister Roberts, in which he starred, 1955 Henry Fonda 1955 C print Estate signature sta...

"Low Tide - Martha's Vinyard" is an original watercolor painting by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's world. Sc...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled with ecology, making their lives more diverse and fascinating'' Rusiko Chikvaidze is a Georgian artist born in 1970, who lives and works between Tbilisi, Georgia and Chevy Chase...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled with ecology, making their lives more diverse and fascinating'' Rusiko Chikvaidze is a Georgian artist born in 1970, who lives and works between Tbilisi, Georgia and Chevy Chase...

We are not equal but different. I am a white man and my wife is black. Natives from distant lands, from opposite cultures, our children are bilingual and caramel. Each human being ...

For a little over 3 hours on March 22, 2019, I painted all of the planes as they flew over my backyard. 30 paintings in all, each painting is 8" x 10". Oil on canvas panels. Panels m...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

A large unframed original acrylic painting that captures a dramatic sunset as the backdrop to a lone Spitfire returning to the English coast. Edges are painted so that the artwor...

Jesse Spears (American, XX-XXI), Blue Flame Car, Oil on Unstretched Canvas, unsigned, white frame. Image: 35" H x 48.5" W; frame: 39.25" H x 53.25" W x 2" D. Provenance: From a Los...

Las Vegas Limited edition, (series of 50), signed and numbered. Printed on archival pigment based inks on acid free archival ?fine art paper. I ship all prints, rolled, ?in a heavy ...

Original cityscape paint in en plein air :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: S...

Looking Up at the High Line focuses on a medium view of the structure. The viewer sees a large black band of the High Line with sky above, and activity below. :: Painting :: Contemp...

In order to fly higher, see further, eagle needs to challenge its limits again and again. This is a kind of courage. The gull wing door created in helplessness has been criticised fo...

In Unforgettable 752 (2022), Soudeh Davoud pays tribute to the victims of Ukraine International Airlines Flight 752, tragically downed in 2020. Set against a luminous green background, a model aircraft...

Oil on linen - tryptich Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper...

Purvis Young (1943 - 2010) Drawing from the 1990's #469 ink on paper 10.50 x 8 in

Trailblazing Color Photographer Mitchell Funk once again sets the standard for originality and inventiveness. His use of hyper-lighting and composition produces a retina-numbing imag...

"Gusts of Wind" is a romantic art line painting by the Bulgarian Lachezar Yavroukov, The painting is unframed. “The impressions of Lachezar Yavroukov'...

Figurative Painting. American Flag with symbolism of disparate views of the states. About the Artist. Mothes is an artist living and working in East Hampton.  His work has be...

Before there was Photorealism, there was Austin Briggs. Done in 1951, this work has all the hallmarks of the 1970's fine art movement and more. Briggs is using photographs as a refer...

Medium: Gouache on Board Signature: Unsigned Frame dimensions: 24 x 31 in. Image Area: 15.25 x 22.5 in.

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Framed: 12h x 17.50w in ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in ...

After: : “The Landing Craft Raised into Take-off Position” by Chesley Bonestell (c. 1956) In the 1940s and 50s, we didn’t have the necessary techn...

Medium: Oil on Canvas Dimensions: 24.50" x 36.00" Signature: Signed Lower Left

Medium: Oil on Board Signature: Initialed 'RI' Lower Right "Defense in the air begins on the ground." Study for a World War II propaganda poster for the "Industry--The Arsenal of De...

Medium: Ink on Paper Signature: Signed 'Adams' Lower Right American Girl Illustration- Signed Adams

Black and white original photography by Cyrille Druart. Handsigned and Numbered Edition: I/VIII Dimensions: 80 x 80 cm Cyrille Druart is a Frenc...

Story illustration for “Partridge” by Ben Ames Williams for The Saturday Evening Post, published March 15, 1924, illustrated page 4. The full caption reads: “She rode up in the sta...