Book Art

Paper Size: 39.25 x 23.5 inches ( 99.695 x 59.69 cm ) Image Size: 39.25 x 23.5 inches ( 99.695 x 59.69 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Paper Size: 8.25 x 11.5 inches ( 20.955 x 29.21 cm ) Image Size: 6 x 8.5 inches ( 15.24 x 21.59 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograp...

"Art washes away from the soul the dust of everyday life." Created in 1958 to promote an exhibition of his new Ceramics produced in the South of France,...

This original exhibition poster from 1993 showcases the works of Pierre Soulages, one of the most renowned French painters of the 20th century, at the prestigious Galerie de France. ...

"Art washes away from the soul the dust of everyday life." -Pablo Picasso This colorful lithographic poster was designed to promote an exhibition of Pablo Picasso's paintings at the...

Devils depicted. Artist Wilson Bigaud paints a graphic narrative of mid-century life in Haiti without modern medicine. A man is dying yet there is no doctor present. In the struggle...

Mark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...

Artist: Fernand Leger Medium: Lithographic Poster, 1956 Dimensions: 30 x 20 in, 76.2 x 50.8 cm

Original lithograph of Josef Fenneker’s German Expressionist poster design for the 1919 silent film Die Prostitution starring Anita Berber ...

Stefan Norblin (1892-1952), a versatile artist renowned for his mastery of the Art Deco style, left an indelible mark on the world of visual arts and de...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

The iconic 1930 poster, "Lys Chantilly - Chemin de fer du Nord," is a testament to the genius of its creator, Adolphe Mouron Cassandre, one of the most influential poster artists of ...

Persian Ballet is a xylograph on ivory-colored, realized at the beginning of the XX century by the Italian artist Arturo Martini (Treviso, 1889 - Milan, 1947). On the lower right ma...

Original lithograph of Josef Fenneker’s German Expressionist poster design for the 1920 silent film Hass (Hate) directed by Manfred Noa. J...

The ninth "Books and Butterflies" painting from Steven Levin, and the ONLY remaining available from the series, was delivered to our gallery in August 2025. A meticulously rendered s...

Apple and Butterfly is an original Contemporary artwork realized in 1970 ca. by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in pencil on ivory-colore...

Title: Garden of Earthly Delights Artist: TheDirtyFabulous Media: Oil on metal with polyurethane varnish Size: 60 x 40 inches / 153 x 102cm Year created: 2012-2014 Societies have long employed images that visualize their belief systems or attempt to encapsulate a narrative of our human destiny. This work follows in that tradition. The uppermost vignette is a silhouette from the nursery rhyme “Jack be nimble”, a children’s rhyme that refers to a 19th century game and a form of fortune telling. In Roman mythology Parcae (plural) were the personifications of fate. They are used in this painting as bookend figures on either side of a cosmic machine that answers questions of fate. Three vintage light bulbs labeled “yes”, “maybe” and “no” sit atop the clock – like machine and illuminate answers to humanity’s eternal questions. At the top of the composition are several re- configured tarot / divination cards belonging to an anonymous person circa 1930’s. The cards here are labeled; satisfaction dark woman, jealousy, dark man and betrayal. The grouping of these four cards refers to both positive and negative potentials concerning fate and offer clues to the viewer on a number of possible scenarios it could describe. The lower portion of the picture contains two silhouetted vignettes on either side of a central image of stars and planets against a dark void. The left image is of two children in a small wagon being pulled by a beetle. This is a reference to Egyptian mythology and the sun god Khepri. who personifies birth / rebirth. Khepri is portrayed as a beetle that pushes the sun across the sky. Here the young innocents...

Jason and the Argonauts: The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece. Ar...

Pablo PICASSO (1881-1973) (after) Man with a Beard, 1967 Color lithograph (atelier Mourlot) Signature printed in the plate 77 x 52 cm (c. 31 x 21 inch) Created for the exhibition in Chateau de Culan...

CIGARS,CIGARETTES by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free. CIGARS,CIGARETTES is a modern, Art Deco styled portrait of a glamorous and shapely cigarette girl...

This captivating original lithographic poster by Cazals, created for the 7th Exposition of the Salon des Cent (Salon des 100) in December 1894, offers a rare glimpse into the vibrant...

Artist: Mark Drew Title: My Real Doggs (RIP Nate Dogg) Size: 60 x 60 Inches Medium: Acrylic on Canvas Edition: Original Year: 2021 Notes: Hand Signed and Dated on Verso. Abo...

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

In the golden age of glamorous air travel, artist Jean Picart le Doux crafted a masterpiece that not only encapsulates the elegance and sophistication of an era but also pays homage to Air France's commitment to making France accessible to the world. Titled "France Air France," this 1956 original travel poster is a timeless representation of the allure of French travel. Air France, a pioneering force in the aviation industry, commissioned Picart le Doux to create a visual masterpiece that would not only promote the airline but also embody the spirit of French sophistication. Jean Picart le Doux, born in Paris in 1902, was a renowned French artist celebrated for his contributions to the field of tapestry, ceramics, and graphic arts. His artistic flair and distinctive style made him a sought-after figure in the mid-20th century. Picart le Doux's ability to blend traditional artistic elements with modern aesthetics is evident in "France Air France," where he skillfully captures the essence of both travel and national pride. As a piece of travel memorabilia...

Beautiful original US threesheet (104×206 cm) for CAT GIRL directed by Peter Hennessy in 1957 starring Barbara Shelley. Poster is linen backed for restoration and longevity purpose...

This stunning 1937 original travel poster by Roland Hugon was commissioned by the PLM (Paris-Lyon-Méditerranée) railway company to promote luxurious overnight travel to the Côte d’Az...

Genesis 14 -Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607 ca. Passpartout...

Manifesto for Circus is an original poster realized by Waldemar Swierzy (Poland, 1931-2013) in the 1980s. Good condition. Hand-signed. Waldemar Swierzy (Poland, 1931 - 2013); born in Katowice, Poland, he graduated from the Kraków Academy of Fine Arts in 1952. He was subsequently Professor in the University of Fine Arts in Poznań from 1965 and Professor in the Academy of Fine Arts in Warsaw from 1994. In 1992 the government of Poland issued a postage stamp to honor one of his Cyrk posters, 'Clown with derby'. Swierzy is one of the Polish School of Posters' most prolific artists, having created over 2500 posters. He employed unusual concepts with a variety of techniques, frequently mirroring Polish social history from 1950s through 1980s, with a myriad of styles: folk art from the 50s, pop art from the 60s...

David Shrigley See Me As I Really Am, 2022 Linocut Format 50 x 65 cm Paper: Somerset 300 gr. Edition of 100 printed by hand Hand-signed and numbered Published by...

"Upper Lusatian Library of Sciences, Görlitz", photograph of the Upper Lusatian Library of Sciences in Germany by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plex...

GATSBY GIRL 1984 is an original hand drawn lithographic poster printed on archival printmaking paper 100% acid free created by the artist Gustave Kaitz, ...

Official Vintage 1937 program of the Coronation of King George and Queen Elizabeth. Framed in a dark brown wood shadowbox with an off-white colored ma...

This sublime psychedelic poster was made for a concert of Creedence Clearwater Revival , Jethro tull & Sanpaku. Rock concert posters are one of the...

Artist: Antoni Tàpies Medium: Original Lithographic Poster, 1990 Dimensions: 30.3 x 24.4 in, 77 × 62 cm Classic Poster Paper - Perfect Condition A+ This vintage exhibition poster...

1750Immerse yourself in the captivating world of Pablo Picasso with this exceptional lithographic poster. Created by Imprimerie Mourlot for the Picasso exhibition 'Tauromachies' at L...

This circa 1900 Art Nouveau advertising poster, designed by Peruvian-born artist Daniel Hernández, is a stunning example of early 20th-century luxury brand marketing. Created for JOB cigarette rolling papers, the advertisement reflects the era’s elegant aesthetics and sophisticated lifestyle appeal. The slogan, "Fumar el papel JOB o dejar de fumar" ("Smoke JOB paper or stop smoking"), emphasizes the brand’s prestige and superior quality, making it seem indispensable for tobacco connoisseurs. The artwork features a sensual and dreamlike composition, characteristic of the Belle Époque. A radiant red-haired woman, partially draped in sheer fabric, lounges in a relaxed pose, smiling seductively as she delicately holds a lit cigarette. The soft pastels, golden hues, and fluid lines create a warm, ethereal atmosphere, reinforcing the romantic and luxurious associations of the JOB brand. The swirling wisps of smoke, artistically integrated into the design, echo the organic, flowing forms typical of Art Nouveau illustration. The ornate green decorative border further enhances the visual richness, framing the central figure like a jewel in an exquisite setting. At the turn of the century, tobacco advertising was at its peak, and brands relied on opulent, aspirational imagery to captivate consumers. JOB, a French rolling paper company founded in the 1830s, became known for collaborating with renowned artists to create highly collectible posters. This particular piece, executed with remarkable softness and luminosity, reflects Hernández’s mastery of portraiture and classical technique, which he refined during his studies in Europe. His ability to capture the sensuality and grace of the female form made him a sought-after artist for both fine art and commercial illustration. Beyond its commercial function, this poster is an important example of the fusion between fine art and advertising, a defining feature of Art Nouveau poster design. It demonstrates how companies in the early 20th century elevated advertising into an art form, commissioning celebrated painters to craft exquisite promotional imagery. Today, original JOB posters...

Marc Chagall, After by Charles Sorlier, Russian (1887 - 1985) - Musee Galliera Exhibition Poster - Revolution. Year: 1963, Medium: Lithograph Poster...

Francis Hewlett RWA (British, 1930 – 2012) A Welsh Idyll Signed and titles ‘Francis Hewless RWA, Welsh Idyll’ (on the stretcher) Oil on canvas 24 x 30 in. (61.3 x 76 cm.) Francis He...

Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, then shipping in two days after manufacture. Other sizes available. The pictures of...

Original French tourism poster advertising the spa town of Bagnoles de l'Orne. The poster presents an idyllic scene of this picturesque village that seems to have remained in a distant and bygone era. This poster was created by Charles Lucien Léandre...

Image dimensions. 26x18 cm. Mele 4 is a rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914. An advertising poster of the famous Neapolitan tailo...

This wonderful lithographic and photographic poster was created as a mixed media to promote an exhibition of Jacques Prévert's surrealist and symbolist...

Actress Marilyn Monroe reads the book ‘To the Actor: On the Technique of Acting’ by Michael Chekhov in a quiet moment at the Ambassador Hotel in March 1955 in New York City, New York...

The timeless tale of "La Belle et la Bête" has captivated audiences for centuries, with its origins dating back to Gabrielle-Suzanne Barbot de Villeneuve's 1740 novel. In 1946, the visionary filmmaker Jean Cocteau brought this beloved story to life in his first feature film adaptation. His cinematic masterpiece enchanted viewers with its breathtaking sets, lavish costumes, and groundbreaking visual effects. The film, starring Jean Marais and Josette Day, has since become a cherished gem of French cinema, with its enduring legacy living on in both animation and live-action adaptations. In 2017, the tale was reimagined once again in a live-action format. However, in the realm of film poster art, the 1951 original second edition by Jean-Denis Malclès stands as a true work of art. Jean-Denis Malclès, an accomplished French artist, was known for his expertise in various artistic mediums. From opera set designs to book illustrations, his passion for painting shone through. His lifelong friend and renowned filmmaker, Jean Cocteau, commissioned Malclès to create a poster that would capture the essence of his fantasy romance film, "La Belle et la Bête." Malclès' foray into the world of film poster design was a departure from his usual artistic pursuits, but it resulted in a work of sheer magnificence. Malclès' poster for "La Belle et la Bête" is nothing short of magnificent. It exquisitely captures the magical and surreal imagery that defines the film. The central imagery depicts a stunning representation of Belle and the Beast, with the Beast in a regal pose as Belle gently embraces him. The use of color, shadow, and light in the poster evokes the enchanting atmosphere of the film. It is a true testament to Malclès' ability to convey complex emotions and themes with simplicity and elegance, much like the film itself. Jean-Denis Malclès' poster for "La Belle et la Bête" is widely regarded as one of the most iconic and definitive film posters of the 20th century. Its ability to capture the essence of Cocteau's cinematic masterpiece while retaining its artistic integrity is nothing short of remarkable. The poster has endured through the decades and remains a testament to the enduring power of art to evoke the magic of cinema. In conclusion, Jean-Denis Malclès' 1951 original second edition movie poster for "La Belle et la Bête" is a testament to the everlasting appeal of both the film and the story. Malclès' exceptional artistic talent was instrumental in creating a work of art that transcends the boundaries of mere film promotion...

In the realm of travel ephemera, Antonio Simeoni's circa 1925 original poster promoting the Lago di Garda and Riva through E.N.I.T. (Ente Nazionale Italiano per il Turismo) emerges a...

Black Guard Scotland is a poster designed by I.Sosteni, printed in Italy by Aga Cuneo" Edizione Aga il Portichetto". Good condition. The rare edition poster in the silver backgrou...

This early 20th-century propaganda poster, titled Les Sans-Patrie… Voilà l’Ennemi! (The Stateless… Here is the Enemy!), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by Le Petit Patriote, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation. At the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values. This poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called Sans-Patrie—those accused of betraying France by undermining its traditional values. The poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation. Surrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that true French citizens stand together against those who would weaken the country. The bold headline, “Les Sans-Patrie… Voilà l’Ennemi!”, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying "true" French citizens to defend the homeland. The text addresses “Aux Vrais Français” (To True French People), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity. Among its claims, the poster states that: French schools are being used to indoctrinate children against patriotism. Military service, a key element of national strength, is under attack by those who wish to weaken France. The nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival. The final rallying cry at the bottom, “À bas les sans-patrie & Vive la France...

Zodiac Signs - Capricorn is original Black and white xilography artwork, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original xilo...

"Art is a mirage of the conscious and the unconscious." -Jean Cocteau This original lithographic poster by Jean Cocteau was created for an exhibition of works related to his project...

The 1952 original poster Parade de fête nationale by Raoul Dufy is a vivid and lively piece of mid-20th century art that captures the vibrant energy and spirit of French national cel...

This poster was produced for the Organization of Solidarity of the Peoples of Asia, Africa and Latin America (OSPAAAL) created by Fidel Castro. This organization was born during the ...

The picture was painted in Ukrainian hryvnia. This is a new world direction in art. In 40 countries of the world. My paintings are in the collections of world museums. This is an exc...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Rare original autographed black and white photograph of Argentinian president Juan Perón, dedicated to Elizabeth Lewis (Bess Huggins Lewis), by an unkn...

Around 1900, a beautifully crafted poster was designed by the renowned French illustrator Chéri Hérouard, promoting A. Bichot & Cie, a respected wine house in Beaune, Burgundy. Titled Vins de Bourgogne et de Bordeaux, the poster embodies the artistic and commercial spirit of the Belle Époque, capturing both the elegance of wine culture and the artisanal craftsmanship of French poster art during this vibrant period. The image is a lively and colorful depiction, filled with charm and historical references. At the heart of the poster, an older man dressed in traditional medieval garb sits comfortably on a wooden chair, enjoying a glass of wine poured by a playful court jester. The jester, adorned in vibrant reds and greens, contrasts sharply with the older man’s more somber and scholarly appearance. This contrast suggests a blend of wit and wisdom, reflecting the dynamic character of French wine and the cultural tradition of savoring both pleasure and knowledge. The design is not only visually engaging but also rich in symbolic elements. Scattered books and scrolls at the older man’s feet hint at knowledge and history, invoking the deep tradition of winemaking in Burgundy and Bordeaux. The careful balance between the whimsical jester and the contemplative elder evokes both pleasure and reverence, mirroring the way fine wine was (and still is) celebrated and respected in French culture. The grapevine motif framing the scene enhances the connection to wine, grounding the image in its subject matter. Hérouard’s skill in illustration is evident in the intricate details of the figures and objects. From the curling vine leaves to the worn pages of the books, every element has been carefully rendered. The color palette, dominated by earthy tones with splashes of vibrant reds and greens, conveys the warmth and richness of the wine-producing regions of Bourgogne and Bordeaux, further reinforcing the poster's celebratory tone. To the right of the image, the elegant typography reads A. Bichot & Cie, proudly announcing that the wine house was founded in 1831 in Beaune, one of the centers of Burgundy’s prestigious wine industry. The mention of Grands Vins des Hospices de Beaune further emphasizes the poster’s focus on promoting the finest wines from this historic region. The combination of stylized fonts and classic imagery positions A. Bichot as a trusted name in the wine world, blending tradition with sophistication. Chéri Hérouard, the artist behind this work, was one of France’s most accomplished illustrators of the early 20th century. He is best known for his long career as an illustrator for La Vie Parisienne, a popular French magazine that featured sophisticated and often provocative illustrations. Hérouard’s versatility as an artist allowed him to move seamlessly between erotic art, magazine illustration, and more commercial commissions like this one. His ability to imbue his work with both elegance and a touch of humor made him a beloved figure in the art world of his time. Born in 1881 as Chéri-Louis-Marie-Aime Haumé, Hérouard took on his mother’s maiden name after the death of his father. He began his artistic career in the early 1900s, quickly gaining recognition for his distinctive style. Though most of his work was published in magazines, Hérouard also created posters, advertisements, and book illustrations. His work often combined lush, decorative elements with finely detailed figures, making him a perfect fit for projects that required both artistry and commercial appeal, such as this A. Bichot & Cie poster. The Vins de Bourgogne et de Bordeaux poster...

 Ex-Libris  - D.Logeman-Van Der Willigen is an artwork realized in Mid 20th Century. Woodcut B./W. print on paper. The work is glued on cardboard. Total dimensions: 21 x 15 cm. Ex...