Book Art

This elegant and symbolic Air France poster by Vinci, created in 1937, presents a poetic vision of global aviation at a time when international air travel was rapidly expanding. The ...

These days are also bringing "full windows", happily full with books. Done during a city walk. Hope you like the look, limited edition of 15. Signed by the author.

Le Voyage au Japon Portfolio by Bernard Buffet, French (1928–1999) Date: 1981 100 Page Portfolio Book with 24 Lithographs, Loose As Issued, Hand-Signed by Bernard and Anabelle Buffet...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Gil Blas Illustrated, Medium: Double Sided Lithograph, Size: 15 x 10.25 in. (38.1 x 26.04 cm), Description: From the colle...

Linda Stein's Below the Eyes prints draw from her Profiles series—drawings, collages and paintings of facial profiles she made in the 1960s and 1970s when she was coming to terms wit...

Linda Stein's Below the Eyes prints draw from her Profiles series—drawings, collages and paintings of facial profiles she made in the 1960s and 1970s when she was coming to terms wit...

Original Les Codes de CHANEL Poster – Pink Fashion Wall Art, Modern Luxury Décor, Iconic Designer Brand Print for Bedroom, Living Room, Glam Office poster. Archival linen backed in...

Andre Masson, French (1896 - 1987) - Don Giovanni (Metropolitan Opera), Year: circa 1977, Medium: Poster, Size: 36 in. x 24 in. (91.44 cm x 60.96 cm)

Richard Lindner, German/American (1901 - 1978) - Galerie Maeght, Year: 1977, Medium: Lithograph Poster, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

China ink and white lead technique on paper. Hand monogrammed. Good condition.

A black and white photograph from the 1950s capturing the famed cinema director Otto Preminger reading the publication Variety. Otto Preminger, 1959 by Burt Glinn is a gelatin silv...

Published by Haddad's Fine Arts Good Condition 28.5 x 24.5in.

David Bowie Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style. About the Artist: Wo...

Rainer Ehrt (*1960 Elbingerode), Graphic portfolio for E. T. A. Hoffmann ‘Miss of Scuderi’, 2003. Seven color aquatint etchings, 53 cm x 38 cm in linen folder, each signed in lead lo...

Frozen 2: Frozen II is a 2019 American computer-animated musical fantasy film produced by Walt Disney Animation Studios. The 58th animated film produced by the studio, and the sequel to the 2013 film Frozen, it features the return of directors Chris Buck and Jennifer Lee...

Linda Plotkin, American (1938 - ) - Landscape II, Year: circa 1965, Medium: Etching, signed, titled and numbered in pencil, Edition: 18/75, Image Size: 6 x 4.25 inches, Size: 15...

Plaisir de France II Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with it...

Plaisir de France II Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with it...

Plaisir de France II Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with it...

Plaisir de France I Edition of 25 signed and numbered by the artist Plaisir de France was a French magazine owned by the Groupe L'Illustration, owned by the Baschet family, with its...

"Light Shines Through a Book on the Sinai" is an original lithograph by James Rosenquist to benefit The Associates of the American Friends of Israel Museum in 1980. The print is sign...

Beauty and the Beast: Variant Before Disney Animation Movie Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. Beauty and the Beast focuses on the relationship between the Beast (voice of Robby Benson), a prince who is magically transformed into a monster and his servants into household objects as punishment for his arrogance, and Belle (voice of Paige O'Hara), a young woman whom he imprisons in his castle. To break the curse, Beast must learn to love Belle and earn her love in return before the last petal falls from an enchanted rose or else the Beast will remain a monster forever. The film also features the voices of Richard White, Jerry Orbach, David Ogden Stiers, and Angela Lansbury. Artists: Ben Harman...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...

3D design on Hahnemühle Velvet 2021 Hand signed and numbered, verso Edition: 25 In great condition El Bocho's work can be found on the streets of more than...

Hand-finished, unique 3D constructed screen print on thick, fine art paper 2020 Hand signed and numbered, verso Edition: 50 In great condition El Bocho's work can be found on the str...

Gelatin silver print Signed and numbered, verso 17.5 x 21.25 inches, sheet (Edition 7/8) This photograph is offered by ClampArt, located in New York City. About the artist: Vadim Gu...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Larry Bell Rare, historic Signed and Inscribed Poster, 1981 Silkscreen Poster Exhibition entitled "Fragments and other Considerations" Hand Signed, inscribed and dated by the artist ...

Group of original vintage color and black and white photographs related to Grandma Moses. Dimensions: Largest is 6 X 8 with mat. the rest are smaller. There are a total of photos. most with hand inscriptions and dated verso. They are not signed. Provenance: the collection of the Beers family and is from the estate. Anna Mary Robertson Moses (1860 – 1961), or Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses gained popularity during the 1950s, having been featured on a cover of Time Magazine in 1953. She was a subject of numerous television programs and of a 1950 Oscar-nominated biographical documentary. Her autobiography, titled My Life's History, was published in 1952. She was also awarded two honorary doctoral degrees. She embroidered pictures with yarn, until disabled by arthritis. In her 1961 obituary, The New York Times said: "The simple realism, nostalgic atmosphere and luminous color with which Grandma Moses portrayed simple farm life and rural countryside won her a wide following. She was able to capture the excitement of winter's first snow, Thanksgiving preparations and the new, young green of oncoming spring ... In person, Grandma Moses charmed wherever she went. A tiny, lively woman with mischievous gray eyes and a quick wit, she could be sharp-tongued with a sycophant and stern with an errant grandchild." Moses's work has been a subject of numerous museum exhibitions worldwide and has been extensively merchandised, such as on greeting cards. In 2006, her 1943 painting titled Sugaring Off was sold at Christie's New York for US$1.36 million, setting an auction record for the artist. Her work is fundamental for any Naive art or Americana collection. She was known as either "Mother Moses" or "Grandma Moses", and although she first exhibited as "Mrs. Moses", the press dubbed her "Grandma Moses", and the nickname stuck. As a young wife and mother, Moses was creative in her home; for example, in 1918 she used house paint to decorate a fireboard. Beginning in 1932, Moses used yarn to embroider pictures for friends and family. She created quilt objects, a form of "hobby art". Lucy R. Lippard stated in "The Word in Their Hands" that she found "hobby art" to be "an activity so 'low' on the art lists that it still ranks way below 'folk art'". She found that hobby art often involves reuse of otherwise discarded objects. Moses painted scenes of rural life from earlier days, which she called "old-timey" New England landscapes. Moses said that she would "get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live." From her works of art, she omitted features of modern life, such as tractors and telephone poles. Her early style is less individual and more realistic or primitive, with a lack of knowledge of, or perhaps rejection of, basic perspective. Initially she created simple compositions or copied existing images. As her career advanced, she created complicated, panoramic compositions of rural life. During a visit to Hoosick Falls in 1938, Louis J. Caldor, an art collector who worked as an engineer in the state of New York, saw paintings made by Moses in the window of a drug store. He bought their supply and ten more from her Eagle Bridge house for $3 or $5 each. The next year, three Grandma Moses paintings...

Alexandre Schaller is a Swiss artist from Geneva, known for his contributions to the Pop Art movement. His artwork exemplifies his distinctive style, characterized by vibrant colors...

The face of Ludwig van Beethoven, likely taken from his death mask. Signed in plate and signed in graphite below the plate line. Inscribed in graphite with the print number 'No.86'. ...

Screenprint by Escotete (Scott Jacobs) of a fashionable woman in red, sitting in the passenger seat of a convertible. This print is signed, numbered, and ...

Jason and the Argonauts: The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece. Ar...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Vintage Exhibition poster - created on the occasion of the exhibition at Galerie Lelong Paris 1989 In great condition

Robert Moser - Above the Clouds, Medium: Screenprint and Gold Foil, signed and numbered in pencil, Edition: 52/325, Image Size: 29.75 x 21.75 inches, Size: 36.25 x 27.75 in. (92.08 x...

This tri-tone woodcut depicts children gathered around a menorah for Hannukah, the Jewish Festival of Lights. As it appears that all of the candles are lit, it is likely that this ei...

Liberalitas Duke Humfrey's Library Oxford 50 x 40 inches ed. of 10 $6,000 62.5 x 50 inches ed. of 7 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso ...

Original French vintage travel poster: "FRANCE, Société Nationale des Chemins de Fer Français." Printed in France by the French National Railroads. Original linen-backed poster; read...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

The art book is 30x30cm，contains most of the works and some sketches from November 2020 to early November 2021. The total number of pages is 200, and the books are hardcover. 157g ar...

This charming watercolours scene depicts a young boy fishing with a pole in a woodland river. Unsigned. Well presented in a glazed wooden frame and white card mount. On paper.

A breathtaking homage to the grandeur of knowledge, Reinhard Görner’s Shining Wall of Books captures the luminous beauty of one of the world’s most revered libraries. This masterfull...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mes...

flesh and green (Equivalent) 2009 Signed and numbered, verso Archival pigment print (Edition of 4) 29 x 42 inches This work is offered by ClampArt in New York City. Listed price ...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Detroit Institute of Arts (Two People - The Lonely Ones)" Year: 1972 Medium: Original Screenprint, Exhibition Poster on sm...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

International Lonely Guy from The House of Fairytales, 2008 Harland Miller Lithograph printed in colours, on white wove Signed and numbered from the edition of 60 Published by The H...

Reinhard Görner Inter Arma Charitas Lisbon, Portugal 2014 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

Andy Warhol Japanese style PINK Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style.

Caitlin 2019 5-color photopolymer letterpress relief print of hand-torn kozo paper (Edition of 300) 20.5 x 13.5 inches This work is offered by CLAMP in New York City.

Very large original advertising poster created by Paul Davis in 1979 for Mobil Oil Corporation, the principal sponsor of Masterpiece Theatre. This striking poster was produced to pro...

This poster for Relsky Vodka is a particularly exciting poster by famed artist Leonetto Cappiello. It was produced and printed in 1925, and stands out in a realm of liquor posters fr...

Dominion (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory ...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

A breathtaking homage to the grandeur of knowledge, Reinhard Görner’s Shining Wall of Books captures the luminous beauty of one of the world’s most revered libraries. This masterfull...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” perhaps more human than they appear. And for Adorno's negative dialectic, the problem was given as a human being in a world hostile to humans, the characters of Etem seem so natural to us to the extent that their presence is outside the pose of the portraits of the kings of the past, rather resemble the workers, peasants, common people in general, portrayed by Gustave Courbet or the realists of the mid-19th century, these new realists are captured by the camera in the usual development of their daily lives, in the hostile world of the desert or the swamp or the storm…” In recent years -through the use, production, and appropriation of content hosted on the net- The artist has been developing a body of work that aims to resignify narratives from the files. The series "All the faults of the world", 2021/23 are digital prints printed on Hahnemuhle smooth canvas. The Images are taken by Google Street View (GSV) users that cover a 360º viewing angle and are captured to show everything that is around the subject taking the photograph. These images, uploaded to the application (GSV) are geolocated at the precise point where they were taken so that other users can access them. Due to involuntary human errors in the capture, a small percentage of these images present anomalies because some fragment does not have a record, and a void is produced in the image and an opaque figure without representation. The entry of these anomalies into the system interferes with any attempt to full representation of the world. Motivated by this, the artist in the game "travels the world" from the app, looking to build my collection of failures from around the world. Rodrigo Etem...

Morgan Library New York 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label,...

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trim...

Hommage for Ville de Nantes Lithograph poster after Jean Cocteau Jean Cocteau was a French poet, playwright, and filmmaker known for his avant-garde works that spanned multiple art...