Book Art

Paper Size: 19.75 x 26 inches ( 50.165 x 66.04 cm ) Image Size: 12.5 x 21 inches ( 31.75 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

This first printing lithograph page was produced by Sonsel and included in the influential 1897 book Das Moderne Plakat (The Modern Poster), published by Verlag von Gerhard Kuhtmann ...

First edition lithograph softcover in four colors, by Peter Paul especially for this catalogue. Profusely illustrated in black and white with over 500 images of posters and prints,...

This rare 1975 portfolio Settings & Models is an extraordinary suite of ten photographic plates printed posthumously, published by Academy Editions London and printed by Graphics Int...

Les belles Images de la Loterie Nationale (1953 - 1961), published in Paris in 1961, is a beautifully illustrated volume spanning 38 pages. Richly illustrated in color, this book sho...

"LOVE in Blue and Green" is a notable silk-screen poster designed by Robert Indiana and published by Posters Originals in 1971. The piece is rooted in Indiana's iconic "LOVE" series,...

Paper Size: 9 x 8 inches ( 22.86 x 20.32 cm ) Image Size: 9 x 8 inches ( 22.86 x 20.32 cm ) Framed: No Condition: A: Mint Additional Details: Title page from "Chagall" by Lassa...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.25 x 5 inches ( 20.955 x 12.7 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogra...

Paper Size: 32.75 x 20.5 inches ( 83.185 x 52.07 cm ) Image Size: 24 x 19.5 inches ( 60.96 x 49.53 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwid...

Paper Size: 61.75 x 45.5 inches ( 156.845 x 115.57 cm ) Image Size: 61.75 x 45.5 inches ( 156.845 x 115.57 cm ) Framed: No Condition: B: Very Good Condition, with signs of handlin...

Published in Japan in 1982 by the Seibu Department Stores, this exhibition poster reproduces Renoir’s tender Mother and Child (originally painted in 1895). The image highlights Renoir’s celebrated impressionist brushwork, soft palette, and luminous treatment of maternal affection—one of the artist’s enduring themes. Beyond its role as exhibition ephemera, the poster reflects Japan’s important role in promoting Western masters during the late 20th century. The large-format printing captures the warmth and intimacy of Renoir’s original...

Paper Size: 40 x 25 inches ( 101.6 x 63.5 cm ) Image Size: 27 x 20 inches ( 68.58 x 50.8 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additional Det...

Je Parle Avec Les Mains by Roland Breucker, published in 1985 by Gilbert Salachas, Paris, is a hardcover edition bound in cloth with a dust jacket. While the jacket shows a few small...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 3 inches ( 21.59 x 7.62 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograph...

Paper Size: 46 x 30 inches ( 116.84 x 76.2 cm ) Image Size: 46 x 30 inches ( 116.84 x 76.2 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Addi...

This original circa 1970 travel poster captures the breathtaking skyline of Hong Kong's Central District at dusk, showcasing the city's vibrant energy as lights illuminate Victoria Harbour. The high-rise buildings, bustling waterfront, and iconic junks dotting the harbor embody Hong Kong’s rapid urbanization and economic boom during the mid-20th century. The poster design features a striking aerial photograph, framed by a muted beige border that enhances the dramatic cityscape. At the top, bold red Chinese calligraphy spells out "香港" (Hong Kong), providing an elegant cultural touch. The bottom is anchored by a strong, modern black “HONG KONG” typography, reinforcing the city’s bold and cosmopolitan identity. This vintage piece reflects Hong Kong’s transformation into a global financial powerhouse during the 1970s. Central District, the heart of the city’s business and commercial hub, became a symbol of progress, attracting international trade, banking, and luxury developments. A true collector’s item, this poster is a timeless representation of Hong Kong’s skyline before its modern skyscraper boom. It encapsulates the charm of old Hong Kong...

First edition lithograph softcover in six colors, by Corneille especially for this catalogue. Profusely illustrated in black and white with over 500 images of posters and prints, te...

This poster was created to promote the Potsdamer Platz Benz Competition, an event organized by the Bauhaus Archives Museum for Gestaltung in Berlin, with sponsorship from Daimler Ben...

Title: The Photographer Showed Me His Album Medium: Oil on canvas Size: 19 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condi...

Seki is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Pop Roses! is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Pop! x Bang! series, where his signature popcorn bo...

Ex Libris - Attilii Vicentini is an Artwork realized in 1930 s. by the Italian Architect Luigi Angelini(1884-1969)  Woodcut print on ivory paper. Hand Signed on the right corner and...

This original Emprunt SNCF poster from 1969 reflects the continued national push for infrastructure development at the close of a transformative decade. Though the artist is unknown,...

Leonard Tsuguharu FOUJITA The Fortune Teller, 1960 Original woodcut Signature printed in the plate On vellum 37 x 28 cm (c. 15 x 11 in) REFERENCES : Catalogue Raisonne Sylvie Buiss...

Guy Peellaert's "Pravda with Françoise Hardy" poster, created in 1968, is a remarkable work distinguished by its strongly comic-book-influenced style. Guy Peellaert was a Belgian art...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 5, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), P...

Original Poster Politics - Photography - Photomontage - Germany - Anti-Semitism John Heartfield’s Die Lehre des Wolfes (The Teaching of the Wolf) is a striking example of his mastery of political photomontage, a technique he pioneered to expose the dangers of fascism and authoritarianism. This powerful composition presents a grotesque anthropomorphic wolf, dressed in military regalia, addressing a group of farm animals. The image serves as a biting satirical critique, likely targeting the deceptive rhetoric of totalitarian leaders who manipulate the masses for their own gain. Heartfield, a German artist closely associated with the anti-fascist Dada movement and a fierce critic of the Nazi regime, frequently used visual irony to challenge propaganda. In this work, the wolf—traditionally a symbol of cunning and predation—is portrayed as a figure of authority, dictating to an audience of sheep, goats, chickens, and other livestock. The accompanying text reinforces the theme, suggesting that the idea of "animals" as a unified group is an illusion—each species exists only to be consumed by the wolf, mirroring the ways oppressive regimes divide and exploit society. Created in the context of the 1930s and 1940s, Heartfield’s work was a direct challenge to the growing influence of fascist ideology in Europe. His photomontages, published in leftist magazines and posters, were acts of visual resistance, exposing the hypocrisy and brutality of political leaders. Die Lehre des Wolfes remains a timeless warning against manipulation, dictatorship, and the dangers of blindly following authority. Today, this piece is celebrated not only as an artwork but also as a historical document of resistance, reminding viewers of the enduring power of visual satire in the fight for truth and justice.The "working session of the Reich professional group of higher education professors of the League of National Socialist German Lawyers", which met under the chairmanship of Professor Carl Schmitt...

This listing is for two individually framed artworks, 'Wanderlust Goes South', and 'Go Lucky'. Vintage book spines photograph from Richard Heeps' Norfolk series. Browsing second hand...

An original color lithograph poster with drawings of Charlie Chaplin, Buster Keaton, Laurel and Hardy, Andy Clyde, and Billy Bevan. 62" x 47 1/4" art 66 1/2" x 51 5/8" framed Les P...

Silkscreen Edition 1 of 50 Signed, numbered and titled on the front Mint

Forellenweiher is a wonderful black and white etching and drypoint on wide rod cream paper realized by Franz von Stuck in 1890-1891. Hand signed in gr...

1987 U2 Joshua Tree Official World Tour Vintage Poster measures 37×53" inches / 97 x 136 cm unframed (framing options are available pls enquire) Ships securely from London condit...

Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With front and back covers by Parrish, and an ad by Will Bradley for Victor Bicycles on th...

Suzanne Boland Van de Weghe's Exhibition is an original lithograph poster realized in 1985. There is The state of preservation of the artwork is very goo...

Charles-Jean Hallo (Alo)'s 1927 poster for Chemin de Fer de Paris à Orléans, showcasing Le Mont-Dore in Auvergne, stands as a visual ode, transcending the boundaries of a mere advert...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

This original 1943 World War II poster, designed by Sloan Roberts, was part of the U.S. government’s War Bonds campaign, encouraging American citizens to financially support the war effort. During WWII, War Bonds were a crucial means of raising funds for military operations, and posters like this played a significant role in mobilizing patriotic sentiment across the nation. Roberts’ artwork for this poster is a striking example of wartime propaganda, using bold imagery and compelling text to inspire action. The composition typically features heroic figures—soldiers, civilians, or symbolic American icons—set against a powerful backdrop, reinforcing themes of duty, sacrifice, and national unity. The typography is strong and direct, emphasizing the message: "Buy War Bonds", a rallying cry repeated across numerous government-issued posters during the war. As a wartime artist, Sloan Roberts was known for his ability to evoke emotion and urgency through dynamic compositions and dramatic lighting. His work exemplifies the graphic design style of the era, which combined realistic illustration with bold, patriotic color schemes—often featuring reds, whites, and blues to reinforce national pride. These original 1943 posters were distributed widely across public spaces, factories, schools, and military recruitment centers, serving as a visual reminder of the home front’s responsibility in the war effort. Today, Sloan Roberts’ War Bonds poster is a highly collectible piece of WWII history, valued for its artistic, historical, and patriotic significance. This poster remains an iconic representation of American resilience and unity, making it a prized addition for collectors of vintage military propaganda, WWII memorabilia...

This first edition exhibition poster was created for David Hockney's Complete Prints show at Galerie Mikro in Berlin in 1968. It features the artwork Two Boys Aged 23 or 24 from the ...

Published in England by King Graphics, part of a series of twelve posters dedicated to European famous landmarks.

Robert Indiana's design for The Mother of Us All, an opera by Virgil Thompson (based off of a libretto by Gertrude Stein). Susan B. Anthony was an American social reformer and women...

"Derrière le Miroir" (DLM) is a notable art publication series produced by Galerie Maeght in Paris, featuring original lithographs by renowned artists. The first edition lithograph y...

Group of original vintage color and black and white photographs related to Grandma Moses. Dimensions: Largest is 6 X 8 with mat. the rest are smaller. There are a total of photos. most with hand inscriptions and dated verso. They are not signed. Provenance: the collection of the Beers family and is from the estate. Anna Mary Robertson Moses (1860 – 1961), or Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses gained popularity during the 1950s, having been featured on a cover of Time Magazine in 1953. She was a subject of numerous television programs and of a 1950 Oscar-nominated biographical documentary. Her autobiography, titled My Life's History, was published in 1952. She was also awarded two honorary doctoral degrees. She embroidered pictures with yarn, until disabled by arthritis. In her 1961 obituary, The New York Times said: "The simple realism, nostalgic atmosphere and luminous color with which Grandma Moses portrayed simple farm life and rural countryside won her a wide following. She was able to capture the excitement of winter's first snow, Thanksgiving preparations and the new, young green of oncoming spring ... In person, Grandma Moses charmed wherever she went. A tiny, lively woman with mischievous gray eyes and a quick wit, she could be sharp-tongued with a sycophant and stern with an errant grandchild." Moses's work has been a subject of numerous museum exhibitions worldwide and has been extensively merchandised, such as on greeting cards. In 2006, her 1943 painting titled Sugaring Off was sold at Christie's New York for US$1.36 million, setting an auction record for the artist. Her work is fundamental for any Naive art or Americana collection. She was known as either "Mother Moses" or "Grandma Moses", and although she first exhibited as "Mrs. Moses", the press dubbed her "Grandma Moses", and the nickname stuck. As a young wife and mother, Moses was creative in her home; for example, in 1918 she used house paint to decorate a fireboard. Beginning in 1932, Moses used yarn to embroider pictures for friends and family. She created quilt objects, a form of "hobby art". Lucy R. Lippard stated in "The Word in Their Hands" that she found "hobby art" to be "an activity so 'low' on the art lists that it still ranks way below 'folk art'". She found that hobby art often involves reuse of otherwise discarded objects. Moses painted scenes of rural life from earlier days, which she called "old-timey" New England landscapes. Moses said that she would "get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live." From her works of art, she omitted features of modern life, such as tractors and telephone poles. Her early style is less individual and more realistic or primitive, with a lack of knowledge of, or perhaps rejection of, basic perspective. Initially she created simple compositions or copied existing images. As her career advanced, she created complicated, panoramic compositions of rural life. During a visit to Hoosick Falls in 1938, Louis J. Caldor, an art collector who worked as an engineer in the state of New York, saw paintings made by Moses in the window of a drug store. He bought their supply and ten more from her Eagle Bridge house for $3 or $5 each. The next year, three Grandma Moses paintings...

TECHNICAL INFORMATION: Shepard Fairey Big Brother is Watching You 2006 Screenprint 24 x 18 in. Edition of 300 Pencil signed and numbered Condition: This work is in excellent condit...

Very nice original poster of David Hockney, Images and thoughts for Vogue magazine at the Claude Bernard gallery. David Hockney was born in 1937 in Brad...

Liberté -fraternité -  égalité - April 25th is a vintage poster realized in 1970s , in occasion of the Liberation Day in Italy (April 25th). Printed by Il Torchio di Porta Romana, T...

Galerie de Paris, celebrating his deep artistic connection with Italy. Known for his bold, expressive brushstrokes and vibrant use of color, Brayer’s work captures the spirit and gra...

Conversation in the style of Roy Lichtenstein by David Mar (20th Century). Two people are discussing a psychological topic. The man on the right is wearing a red sportscoat, a green bowtie, and smoking a pipe. The woman on the left is wearing a green vest with a white shirt, and has a red headband...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

Original lithograph, realized in the last years 0f 19th Century. A striking and highly graphic Belle Époque composition by the celebrated French illustrator Hermann-Paul, created fo...

Etching realized in the ancient style by Levasseur in 1847. Outlined hand color applied at the time of printing. It shows the region of Garonne, whose capital is Toulouse. Full ma...

The 1977 original poster by Koukryniksy serves as a sharp and incisive Soviet caricature targeting NATO, also known by its French acronym OTAN (Organisation du Traité de l'Atlantique...

The 1948 travel poster “Périgord” by Mac'Avoy for SNCF (Société Nationale des Chemins de fer Français) is a stunning representation of the Périgord region in southwestern France. Kno...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Louis John RHEAD (1857-1926) The Sun Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 8 of "Les Maîtres de l'Affi...

In 1969, the Musée des Arts Décoratifs in Paris bore witness to a profound artistic convergence as it hosted an exclusive exhibition showcasing the masterpieces of Edward Munch. This...

Pamela Denyer (1923-2013) Crime 29 x 22 cm Provenance: The family of A. E. Halliwell Although little is known about Pamela Denyer other than that she studied under A. E. Halliwell...

Liberté - égalité- fraternité is a vintage poster realized in second half 20th. Century , in occasion of the International Women's Day (March 8) Printed by Il Torchio di Porta Roman...

This strikingly modernist 1953 poster by renowned graphic artist Paul Colin highlights Électricité de France (EDF) and its initiative, Parts de Production, reflecting the optimism an...

Watercolor Landscape Painting by American artist J.H. Twachtman (1853-1902) Watercolor on board Unframed 10" x 13.25"