Brick Art

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

16 x 20" vintage silver gelatin photograph of Artist Louise Bourgeois with her work, 1982. It is signed by Jack Mitchell on the recto and in pencil on the verso. Comes directly from ...

Oil on canvas on board, signed lower left Image size: 14 1/2 x 17 1/2 inches (36.5 x 44.5 cm) Hand made frame In this atmospheric scene a drunk is walking home, he must be causing some noise as another person is leaning out of his window to the right looking at him. The artist has captured old London beautifully with the old bins, advertising on the walls and the cats bemused by the drunken figure. It sometimes takes an outsider such as Sancha to appreciate the beauty of the scene. Francisco Sancha Lengo Self portrait in London Francisco Sancha y Lengo was born in Malaga in 1874. He attended the School of Fine Arts there and studied under Joaquín Martínez de la Vega, the eccentric, influential teacher that baptised a young Picasso with champagne. Such an education served him well, and by 1897 Sancha was studying at the Royal Academy in Madrid under José Moreno Carbonero...

Mr. Brainwash, Love Catcher (Blue), 2023 Screenprint on Archival paper 22 × 22 in (55.9 × 55.9 cm) Frame included Edition 30 of 75 Mr. Brainwash, the pseudonym of Thierry Guett...

Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...

Wherever you look, you see the Chrysler Building, which is particularly true from the Lower East Side. Street Photograph Mitchell Funk isolates a red pre-war parking sign from a busy...

Basswood, cyprus and Chinese walnut wall sculpture.

Miniature wall sculpture created by Ruth Vidal, currently part of the "Côte à Côte" exhibition at the Vilaño de Camariñas Lighthouse, on the Galician Costa da Morte. The artist focus...

Taken on Hikkaduwa Beach, Sri Lanka as the sun was setting; casting its golden rays along the beach... The image endeavours to celebrate of the noble presence and elegant sway of the...

I am fascinated by nature and the calmness it brings. That's where we all belong. That's my inspiration. This painting comes with a contemporary floater frame. It's ready to hang! ...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that captures the great lighting and shadows of ...

Rebecca Skinner’s “Fallen” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. A white cup lays beside the red fall br...

Listing is for UNFRAMED print. Edition 1 of 10. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

ref. 516 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

Barron Theater, Pratt, KS by Peter Brown is a color archival pigment print depicting the front of the Barron theater along a street. The movie theater's sign promotes a bargain show and the premiere of Ghostbusters 2. The theater sits in between two stores, the Ladies' Nook to its left, and the Total Image Salon to it's right. The stores appear closed, with covered windows and empty parking spaces out in front. Edition of 25 Signed and dated by Peter Brown 16 x 20 in. *Images and video show print in size 16 x 20 in. Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

This print is signed in pencil on the front of the mount and stamped on the back of the mount. Despite Morley Baer’s adherence to the West Coast landscape tradition, his interests i...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Contraband - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1043. Not mo...

Venezia, Calle della Madonna, 1983, rif. 516 Platemark mm mm 692 x 195 Original etching, signed and numbered limited edition of 90. The etching was exhibited last year in the crit...

'CHELSEA 101' by noted New York downtown art scene photographer, Fernando Natalici Vintage original sepia toned photo taken in Manhattan's historic Chelsea area in 1979. Artist statement: "As I was riding by 101 West 25th Street, north-side of block, closer to 6th Ave., workers were removing a newer sign that was mounted on top of CHELSEA 101, unaware what was under… They didn’t show much surprise and proceeded to mount the new sign… Seeing that, from my bike, I stopped and got the shot before they covered it up with another sign… CHELSEA 101 remained there until the building was renovated; today, a window into a bygone era of family owned sewing machine shops..." Silver gelatin print, 1979 8.5 x 11 inches (full frame printed to the edges) Hand signed from an edition of 2 A/P's on the reverse Obtained directly from artist. Seller is a primary dealer rep of Natalici. Well-preserved; very good to excellent condition New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories William Klein. Henri Cartier Bresson. Saul Leiter. NYC street signs...

Miniature wall sculpture created by Ruth Vidal, currently part of the "Côte à Côte" exhibition at the Vilaño de Camariñas Lighthouse, on the Galician Costa da Morte. The artist focus...

Date: 1952 Medium: Oil on Canvas Dimensions: 30.00" x 24.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, May 10, 1952. The Post describe...

Signed and dated on the front of the mount. Printed later in the artist's career.

In reading the introduction of his first book Diesels and Dinosaurs, Fitch paints a vivid image of a young version of himself speeding down a two lane highway in back of his father's...

A young boy is looking for coins that has fallen down between the grid bars. Edition of 25 signed and numbered by the artist JJK is a pseudonym for one of the world's most successfu...

Nocturne Venice landscape, Giudecca, plate mm 343 x 641 Original etching, signed and numbered, limited edition of 90. Maison Valentino set up the Giu...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Image of a ballerina wearing a tutu sitting in front of a brick wall. Signed Lower Left. Artist Francois Cloutier captures the essence of ballet in paintings of dancers who maintai...

With Base - 96" x 52 " x 24" Llisa Demetrios has been a bronze sculptor for over twenty years. She often begins a series by making small wood maquettes and then fabricating in bronz...

This photograph by Bill Costa is offered by CLAMP in New York City. They Stripped Him and Put on Him a Scarlet Rob[e] 1990 Signed, titled, dated, and numbered in ink, verso Gelati...

Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard. Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty. Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.” This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them. Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists. During the 1950s, Fransioli was represented by the progressive Margaret Brown...

Shadows cast shepherd's hooks over three crosses at El Santuario de Chimayó, the church of miracles in Chimayó, New Mexico. This beautiful fine art photograph is a standout in a...

Shapiro's Entrance on Rivington Street, 1984 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proo...

Edition of 3 More sizes on request. Dirty ballet shoes. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

Photograph, 2016. Ultra HD, printed on Fuji Crystal DP I II. 1 of 30 prints behind acrylic glass. Framed. Signed, titled, dated and numbered on the back. It comes directly from the s...

Signed limited edition print of grunge band Nirvana featuring Kurt Cobain, Chris Novoselic and Foo Fighters Dave Grohl, from acclaimed music photographer, Chris Cuffaro. Taken in March of 1991 in an alleyway in Seattle Signed limited edition 17x22" print, edition number 24/50 Chris Cuffaro has shot the best of the best in the music world including ground-breaking bands like Jane’s Addiction...

A captivating Mid-Century watercolor of an old Chicago house (with a female figure standing in the window) by Chicago artist George Yelich. The watercolor bears its original frame. ...

An early Devonshire landscape, ex-collection West Collection of British Watercolors & the Fine Art Society, London. Circa 1800 Ink and brown wash on paper, 7 1/8 x 10 1/4 inches (...

Jim Richard Afternoon, 2017 Flashe on canvas 41 1/2 x 56 in (105.4 x 142.2 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his fourth...

Portofino 1957 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The Westin Excelsior Hotel on the Lido in Venice, 1957. (...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

Work on wood Plaster molding frame and gilded wood 36.5 x 28.5 x 4.5 cm

Lithograph on paper. Hand signed, numbered and dated by the artist. Image size 12 x 16 inches. Sheet size 16 x 20 inches. From the edition of 100. Artwork is in excellent conditi...

Mitchell Funk's photograph of a Red Brick Factory in Long Island City is as much about color-field theory as it is a document of a brightly painted factory facade. Additionally, Fun...

William A. Berry (American, 1933-2010) was an accomplished artist and renowned illustrator who left thousands of drawings, paintings, photographs, and mixed media works, a multitude ...

The Couple is an elegant figurative bronze sculpture by Nando Kallweit. A male and a female figure as a single piece.  Both are strong and independent individually but gain an added...

Title: British Impressionist Watercolor of a Flower-Lined Courtyard with Rustic Charm By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes ...

Paper Size: 23 x 34.75 inches ( 58.42 x 88.265 cm ) Image Size: 14.75 x 26.75 inches ( 37.465 x 67.945 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Artist: Lowell Nesbitt (1933-1993) Title: Studio Series (Chair with Sheet and Brick Wall) Year: 1979 Medium: Oil on canvas Size: 78 x 114 inches Inscription: Signed, dated by the art...

Albumen print on thin photographic paper (printed out from glass plate); 8 5/8 x 7 inches (219 x 178 mm). Marked by the photographer in pencil on verso "Vieille maison, 93 Rue Broca ...

This hand-signed offset lithograph by Davis Cone, titled Wink, represents the historic Wink Theater in Dalton, Georgia. The Wink Theater, built by J.C.W. Wink in 1941, stands as one ...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...

Chromogenic print. Signed, dated and numbered on the verso. Literature: Charles Johnstone. New York Storefront Churches. 2011. Ill. plate 6.

This piece titled "RECLAIMERS" is an original artwork by Jim Houser and is made of acrylic paint and assembled objects. This piece measures approximately 10”h x 10”w x 3.5”d and was ...

Rebecca Skinner’s “Resolute” is a 11 x 17 inch metal print of graffiti on a wall of peeling paint in a deserted school. The color photograph with hues of peach and brown is almost ab...

"Pueblo Portals" - Intaglio Print in Ink on Archival paper, #3/15 Tan interior intaglio print with blue accents by Marcia Pagels (American, 1930-2010). This piece shows a stark interior of a Pueblo building, with two bright blue accents - the window and the door. This piece also has an asymmetrical trapezoid border that is imprinted (but not printed) around the edge. Titled, numbered, signed, and dated along the bottom edge: Pueblo Portals 3/15 Marcia Pagels © 1989 Presented in a new brown mat Mat size: 12"H x 16"W Paper size: 11"H x 14"W Impression size: 7.5"H x 10"W Marcia Pagels (American, 1930-2010) was born in Taft, California, and moved to Glendale in her early teens. She attended Stanford University, where she earned her BA in Art, and then went on to study at the Sorbonne in Paris. She later moved to East Palo Alto with her husband and children, where she studied with Richard Bowman...