Brick Art

Oil on canvas

The Other Door is a black and white vintage photo, realized in Mid-20th century. Good conditions and aged. It belongs to a historical and nostalgic album including historical momen...

Hand monogrammed and dated. Ink and watercolour on cardboard. Matted. Very good condition.

Rosemary Ellis Windows XIV Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photograp...

"House" is an original ink drawing on paper, realized by an Anonymous Artist of the XX Century . The state of preservation of the artwork is very good. Sheet dimension:26 x 18.3 cm. The artwork represents beautiful detail of the house drawn in ink...

Almazan Realistic Still Life Acrylic Painting MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and translates ...

City Watercolor Original Painting Artist: Lin Qingyi Title: Impressions of an Ancient House Medium: Watercolor on Paper Year: 2024 Style: Impressionism Dimensions: 7.5" x 3.5" x 0.1"...

Shadows cast shepherd's hooks over three crosses at El Santuario de Chimayó, the church of miracles in Chimayó, New Mexico. This beautiful fine art photograph is a standout in a...

Offset poster realized after Franco Fontana in occasion of the exhibition held at Galleria Rondanini, Rome, in 1979. Publisher’s credit printed lower right. Excellent condition. A...

Neil Young walking with Graham Nash in Greenwich Village, New York City. 1970 This is the original full frame photograph that was used for Neil Young's "After the Gold Rush" album c...

Up for sale is a beautiful original painting by Valentine Thomas GARLAND (1868-1914). Garland was a painter of animal and genre subjects, working in both oil and watercolor. He was ...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...

The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...

Seen is widely regarded as one of the most influential and innovative graffiti artists of all time. His unique style, incorporating elements of calligraphy and abstract expressionism...

This painting is not signed, Work on wood Plaster molding frame and gilded wood Dimension with frame : 36.5 x 28.5 x 4.5 cm

Barron Theater, Pratt, KS by Peter Brown is a color archival pigment print depicting the front of the Barron theater along a street. The movie theater's sign promotes a bargain show and the premiere of Ghostbusters 2. The theater sits in between two stores, the Ladies' Nook to its left, and the Total Image Salon to it's right. The stores appear closed, with covered windows and empty parking spaces out in front. Edition of 25 Signed and dated by Peter Brown 16 x 20 in. *Images and video show print in size 16 x 20 in. Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

One photograph on rag paper, 2006, signed in pencil, dated 2005, from the edition of 54, 704 by 856 mm, 27 3/4 by 33 5/8 inches (sheet) . Printed by Chad Kleitsch, New York, publishe...

Two young girls dancing together in the street. TITLE: Dancing in the Street PHOTO: Thurston Hopkins SIGNED LIMITED EDITION PAPER: SILVER GELATIN FIBRE PRINT FULLY FRAMED: 17 x 21 ...

Burritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the full sheet. ...

'In which Time and Tide Strip Back The Layers of love' Limited Edition (1 of 25) Archival Photograph. Unframed. _________________ Crystal Cove, Orange County, California, an empty beach cottage...

A feat of superrealism masterfully done using watercolor, a notoriously difficult medium. (I apologize for the reflections on the glass - I took a couple of shots at a slight angle t...

edition of 100 plus 15 AP

The painting depicts a typical Venetian courtyard. A house has two windows: one shuttered and one barred. Flaking plaster reveals red brickwork. To the right, laundry hangs to dry ab...

Melisandre by Nando Kallweit bronze sculpture, edition of 13 Dimensions: 166cm tall

Barchetta, ref. 531 Etching, mm 216 x 292 - inches 8,5 x 11,5 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outs...

Original oil painting by Richard Combes featuring a Bombay Sapphire sign. Richard Combes (b. 1963, Manchester, England) trained as an architect in the...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

Bernard Brussel-Smith, 'City Scene I', wood engraving, 1949, edition 100. Signed, titled, and numbered '93/100' in pencil. A superb, richly-inked impression, on white wove paper, wi...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

'Petits Hotels. Boulevard Berthier 45 et 47, a Paris. Elevations, Coupe et Plans, par Mr Boland, Archte.' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lac...

Lithograph realized in 1980s. Hand signed and numbered. Edition of 100. Excellent condition.

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten corners of New York City, subway stations, the cobblestone streets with puddles in Tribec...

Courtesy of a private collection A monumental diptych depicting an expressive view of Williamsburg, Brooklyn. Executed in heavily layered acrylic on wood panel, the work emphasizes ...

Ricky Powell ANDY WARHOL & JEAN-MICHEL BASQUIAT SOHO. NYC. 1985 - 44 X 32 INCH EDITION Archival Pigment Print on 310gsm Fine Art Paper 44 x 32 Inches Run of 25 (Printers Proof) Bor...

Photo-realist oil painting of a classic red brick building exterior in New York City Oil on linen mounted on panel in a handmade walnut frame 10 x 27 x 2 inches framed Wire backing ...

This exquisite lithograph after Jean-Edouard Vuillard (1868-1940), titled Sur le pont de l'Europe (On the Europe Bridge), from L'oeuvre grave de Vuillard (The Graphic Work of Vuillar...

Craig Cowan — Concrete Abstractions (Hollyhock House, Frank Lloyd Wright) Limited Edition Book with Original Gelatin Silver Print, 1992 A stunning fine-press photographic portfolio...

Procession of Nuns, Rangoon, Burma, 1994 Signed by Steve McCurry 19 × 23 inches / 50 × 60 cm - paper size Edition of 90 With hand signed, dated ...

Vintage French lithograph of a rustic stone building and stairway with a figure in the shade of an alcove by artist Andre Trost, circa 1960....

Title: Roquemaure French Village Landscape with Town House and Gardens Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 7.5 x 5.25 in...

“Metope” is an etching, aquatint, and drypoint, hand colored. Created in 1993 in an edition of 80. This impression is inscribed “43/80” – meaning it is the forty-third impression o...

Pierre-Jean COUARRAZE Impressions of Egypt Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22.04 x 29.92 in) Excellent condition

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

The painting depicts an old courtyard in St. Petersburg in winter. It is a closed courtyard-well, from which the exit to the outside is through an arch on the right. Behind the iron ...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil. Image Dimensions: 35 x 47.5 cm. Num...

'College Ste Barbe. Facade sur la rue Valette a Paris, par Mr L Heureux, Archte' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of ...

Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...

Neil Young walking with Graham Nash in Greenwich Village, New York City. 1970 This is the original full frame photograph that was used for Neil Young's "After the Gold Rush" album c...

Vintage black and white photograph realized in the Mid-20th Century. Good conditions.

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

An early Devonshire landscape, ex-collection West Collection of British Watercolors & the Fine Art Society, London. Circa 1800 Ink and brown wash on paper, 7 1/8 x 10 1/4 inches (...

Laundry Day turns an ordinary street façade into a tender meditation on place, routine, and the quiet theater of everyday life. Surdo fixes his attention on a weathered building with...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

Lithograph realized in 1980s. Hand signed and numbered. Edition of 100. Excellent condition.

I read the literature of artists on art and they all say it's expression. It's a very personal kind of thing. I don't look at it that way. To me, it's a discipline. It's not plea...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 14”h x 11.5”w x 4.25”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...