Brick Art

Edition of 25 Signed, titled, dated and numbered in black ink on print verso by Peter Brown C-print Paper size: 20 x 24 in., Image size: 18 x 22 1/2 in. Available in additional size...

White pen on Black paper Kamsar Ohanyan is an Armenian artist born in 1991 who lives and works in Yerevan, Armenia. He studied in Yerevan at State Pedagogical University with Kh. Ab...

White pen on Black paper Graphic work Kamsar Ohanyan is an Armenian artist born in 1991 who lives and works in Yerevan, Armenia. He studied in Yerevan at State Pedagogical Universi...

Monika Laborcz (Hungarian, b. 1941) Figural Group Red Glazed Ceramic Relief Plaque, signed "MONIKA" to reverse. 5.25" H x 14.25" W x 1.25" D. Provenance: From a New York City Collect...

Kosuke (*1986, Japan) WARNING #39, 2011 Silver gelatin print Image 39.2 x 52.7 cm (15 3/8 x 20 3/4 in.) Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 15, plus 3 AP's; Ed. no. 1/15 prin...

You are viewing an original mixed media work by emerging American artist Anne Muntges. Anne Muntges is an artist who makes highly detailed drawings, prints, and installation art b...

Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Acrylic on canvas.

Represented by George Billis Gallery, NYC & LA --Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air ...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) Rugby School Linocut 62 x 46 cm Signed, titled, and inscribed A/P in pencil. Possibly unique. Hoyle's view of Rugby School. The school's architecture is depicted in shades of blue and grey, with an orange patch of sun in the cloudy sky above. A green lawn peeks out from between the buildings, which lean gently away from one another. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

Cooked Clay Sculpture

Listing is for UNFRAMED print. Inquire within for framing. Edition 3 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Portofino 1957 C print Signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate. The Westin Excelsior Hotel on the Lido in ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Black and White, American, Urban, Landscape, Figurative, suburban, black & white, b&w, sign, letters, bikini, bikini bash, high contrast, vignette, sign, suburban, wall, america, L...

Black and White, Suburban, American, Figurative, Abstract, photography, doorway, american, hair, portrait, b&w, black & white, vignette, high contrast, rural, home, brick house, amer...

Rosemary Ellis (1910-1988) Windows Original photography for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photog...

From a series of similar photographs, to view the others scroll down to 'more from this seller'. Rosemary Ellis Windows V Original proof photograph for Windows in the Outlooks and I...

From a series of photographs, to see the others scroll down to 'sell all from this seller'. Rosemary Ellis (1910-1988) Windows II Original proof photograph for Windows in the Outloo...

Rosemary Ellis Windows XI Original photography for Windows in the Outlooks and Insights series published by Bodley Head, composed by Rosemary & Charlotte Ellis. Gelatin Silver Print ...

Rosemary Ellis Windows XIV Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photograp...

An older man and a young boy standing at the Wailing Wall.

Original painting by Richard Combes. Richard Combes (b. 1963, Manchester, England) trained as an architect in the UK before moving to New York City. In 1995, he completed his MA in ...

Realm of Flora, Oil on canvas, cityscape, Park Slope

A feat of superrealism masterfully done using watercolor, a notoriously difficult medium. (I apologize for the reflections on the glass - I took a couple of shots at a slight angle t...

Monotype Ms. Murray is notable for capturing the crystalline quality of northern light. She has an extensive exhibition history and she is represented in both private and public co...

This original oil on birch-wood panel is a signature painting of Roanheads, Scotland by Agnes Murray. Ms. Murray is notable for capturing the crystalline quality of northern light. ...

For Victoria Montoro Zamorano, the art of seeing consists not in actively looking for the striking or unusual, but in being ever open and receptive to see the world with new eyes. This unguarded, spontaneous approach gives her images a quality of abstract realism that turns undulating sand dunes into a woman’s prone body, and equally captures the emotional content of a crumbling façade or an old woman’s face. An avid world traveler. Cuban born Zamorano has a special sensibility for people and places off the beaten path. Having no preconceived notions of what a photograph should be, Zamorano’s instinctual approach has led her to the poignant remains of the Jewish synagogues...

The Stuck is a depiction of a human stuck in his own thoughts. His thoughts are illustrated as bricks and stone blocks that buried him. His feet already hardened and became rocks gro...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAulay Estate stamped and hand numbered edition of 150...

In this richly detailed oil painting from 1905, American artist Winfield Lukens captures a bustling maritime streetscape outside a mid-19th-century merchant storefront. This work exe...

ref. 516 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

Oil on canvas Elene Melikidze is a Georgian artist born in 1999 who lives & works in Tbilisi, Georgia. She started painting since childhood in various media. Her other profession is...

“Fading Identitiesâ€

Oil on canvas Ramaz Chantladze is a Georgian artist was born in 1960 who lives and works in Tbilisi, Georgia. He studied at Jacob Nikoladze School of Art. In 1979-1985 he studied at...

I am fascinated by nature and the calmness it brings. That's where we all belong. That's my inspiration. This painting comes with a contemporary floater frame. It's ready to hang! ...

Kati Horna Stairway to the Cathedral, (Subida a la Catedral), 1938 Signed and stamped with artist's copyright ink stamp on reverse Silver gelatin print, printed later 9 3/4 x 7 1/2 i...

Acrylic on canvas Juliette Lamarca is a French artist born in 1982 who lives and works in Clamart, near Paris, France. After higher studies in applied arts, for ten years she create...

Photographic Fine Art Paper 325 g, ed. 1/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

Photographic Fine Art Paper 325 g, ed. 1/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

Photographic Fine Art Paper 325 g, ed. 2/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reaso...

Illustration of a dog in front of a church near a sign that says "Strangers Welcome" Canvas Dimensions: 20" x 16" Framed Dimensions: 25" x 21" Medium: Oil on Canvas Signature: Signe...

Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard. Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty. Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.” This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them. Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists. During the 1950s, Fransioli was represented by the progressive Margaret Brown...

Digital Photograph HP Premium Satin Photo Paper with archival inks     Edition 2 of 9 Shipped in a tube 

Digital Photograph HP Premium Satin Photo Paper with archival inks     Edition 2 of 9 Shipped in a tube 

Oil on canvas

A warm textured painting of a stucco wall at sunset, depicting a warm light and a detail of a shutter with shadows of leaves. Full of depth and intrigue as sand as scene has a very...

A warm textured painting of a stucco wall at sunset, depicting a warm light and a detail of a shutter with shadows of leaves. Full of depth and intrigue as sand as scene has a very...

black + white toy-camera image from the series 'homeland' 10x10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable paper ...

Shipped in a tube Digital Photography HP Premium Satin Photo Paper with archival inks Edition 2 of 9 Born in Japan in 1940 and educated at The Art Center College of Design in Cal...

Digital Photograph from Film Original ed. 3 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California...

Signed on bottom left

Pastel on Arches paper

Original oil painting by Richard Combes featuring a Bombay Sapphire sign. Richard Combes (b. 1963, Manchester, England) trained as an architect in the...

Kennedys in Georgetown 1959 nb_014_015. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. ...