Car Art

An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st

Leaving II (Sidewinder) - 2005 48x46cm each, installed 110x215cm, Edition of 10. 8 archival C-Prints based on the 8 Polaroids. Signature label and Certificate. Artist Inventory No...

MICHEL A. (1911-NC) Notre Dame de Paris - Seine River Banks Oil on canvas signed low left New golden wood frame Dim canvas : 95 X 76 cm Dim frame : 114 X 95 cm MICHEL A. (1911-NC) 2...

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a caboose from the Union Pacific railroad, taken in Great Salt Lake, UT- the dust and dirt from use ...

Hobo on Bowery Street by Rollercoaster by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

American Legion on Flatbed Truck by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 ...

Empty Town with post in Foreground by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 202...

Ana Guzman is known for work that is fresh, colorful, vibrant, and often playful. Her drawing resonates with electric energy, and her subject matter has the ability to transport the ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

St Jean Pied de Port (South West France) signed by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 15 x 18 inches condition: the painting is ...

Artworks sold in perfect condition : Set # 1 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

This hand-signed offset lithograph by Davis Cone, titled Wink, represents the historic Wink Theater in Dalton, Georgia. The Wink Theater, built by J.C.W. Wink in 1941, stands as one ...

Eve Nethercott, American (1925 - 2015) - Gloucester (83), Year: 1961, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Moored alongside the docks, t...

'Christine's '52 Henry J & teardrop' was captured in Bonneville Salt Flats, Utah, the iconic home of speed. This photograph captures the mountains in the distance meeting and contras...

We acquired a series of marine works from Laurence Dunn's Archives. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Laurence D...

'Cowboy on Ranch with Cows' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

In this dynamic and energetic piece, Patrick Cornee brings together nostalgia and urban excitement, placing the beloved Snoopy at the heart of a high-speed adventure. Seated confiden...

Gorgeous watercolor depiction of the Liberty Class Dry Cargo Ship "Charles Scribner" docked in Torre Annunziata, Italy, with a portrait of a man in pencil in the upper left corner, by Giovanni Gallo...

Founded in 1899, the Renault Frères family business grew so fast that by 1918 it was the largest factory in France, capable of producing the full range of motorized vehicles, from ca...

This piece titled "busy day" is original artwork made from monoprint, pencil, marker, acrylic gouache collage panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture...

'Lech Ice Bar' by Slim Aarons Sim Aarons Estate Edition limited to 150 only - numbered in ink & emboss stamped on front - certificate of authenticity provided. The Ice Bar at the H...

Josh George's (US based) "Cherish the Chariot" is an original, handmade mixed media painting that depicts an urban cityscape of crowded, colorful buildings with a trusty truck parked...

"Pontiac Cheiftain" by Shan Fannin is an original acrylic painting depicting a close up view of a fin and ornament of a classic yellow Pontiac. Born 1969 in California, artist Shan...

A beautiful mid 20th century French naïf oil on canvas depicting Lyon, with the Pont Tilsitt and the Fouviere church, by André Demonchy. The artist is featured in Anatole Jakovsky's...

'Lech Ice Bar' by Slim Aarons Sim Aarons Estate Edition limited to 150 only - numbered in ink & emboss stamped on front - certificate of authenticity provided. The Ice Bar at the H...

Adriaan Lubbers, 'Times Square', lithograph, 1929, edition 50. Signed, dated, titled, and editioned '(50)' in pencil. A fine impression, on cream wove paper, with full margins (2 1/2...

Parisian Café Eiffel Tower Paris France Limited Edition Print by British Artist. A high quality limited edition print of Angela's European Series, incorporating the Eiffel Tower - on...

'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...

The 1972 original poster by Albert Brenet for the Musée français du chemin de fer in Mulhouse is a captivating work that captures the essence of France's rich railway heritage. Created by the renowned French painter and illustrator, the poster reflects Brenet’s talent for depicting scenes of transportation and industry with a sense of grandeur and nostalgia. This piece was part of a promotional campaign to attract visitors to the museum, which is dedicated to preserving and showcasing the history of French railways. Albert Brenet was a distinguished artist known for his dynamic illustrations, particularly in the fields of maritime and transport subjects. His work is characterized by a meticulous attention to detail and a vibrant, lifelike quality that brings industrial scenes to life. In this 1972 poster, Brenet turns his attention to the world of trains, presenting an evocative scene that highlights both the mechanical beauty of the locomotive and the human connection to it. The poster features a striking depiction of a historic steam locomotive, rendered in rich, vivid colors. The powerful engine, meticulously detailed, stands as a symbol of the technological advancements and the spirit of progress that defined the railway era. The setting, likely a large train shed or museum hall, creates a dramatic backdrop that emphasizes the grandeur of the locomotive. Brenet’s skillful use of light and shadow adds depth and realism, making the engine appear almost tangible. At the heart of the scene are two figures—likely visitors to the museum—gazing up at the locomotive in awe. Their presence adds a human element to the image, emphasizing the role of the Musée français du chemin de fer as a place of education and inspiration. By including these figures, Brenet captures the wonder and curiosity that trains continue to evoke, bridging the gap between past and present. The text on the poster, Musée français du chemin de fer - Mulhouse, is elegantly placed, with a clean, classic typeface that complements the visual composition without detracting from the central image. The simple, yet effective typography reflects the museum’s focus on heritage and the timeless appeal of the railway. The Musée français du chemin de fer, located in Mulhouse, Alsace, is one of the largest railway museums in Europe. Established to preserve the rich history of French rail transport, the museum houses an extensive collection of locomotives, carriages, and railway artifacts. The poster by Brenet was part of an effort to promote the museum to a broader audience, inviting them to explore the fascinating world of trains and their impact on modern society. The 1972 poster is not only a piece of advertising but also an artwork that encapsulates the spirit of the museum. Brenet’s artistic interpretation captures the essence of the museum’s mission: to celebrate the technological and cultural achievements of the railway industry and to share this legacy with future generations. Today, the poster is considered a collector’s item, valued for both its artistic merit and its historical significance. It serves as a reminder of the golden age of rail travel and the enduring fascination with the power and elegance of trains. Albert Brenet’s work continues to be admired for its ability to convey the majesty of industrial subjects, making the Musée français du chemin de fer poster...

Josh Talbott's (US based) "Who's Driving This Thing" is an acrylic painting that depicts yellow scorpion appendages with the body of a black car having been released from a glass jar. Bio: Josh Talbott grew up in suburban/rural Georgia in the southern US. His first work as a professional artist was in scenic painting and murals for various production companies. An attempt to deepen his well of possibilities led to New Orleans where as a street artist he sold works to people from all over the world before loosing everything in hurricane Katrina. With short stints in Santa Fe and then Los Angeles Josh arrived in the small coastal city of Los Osos, California where he lives and works today. His curiosity is voracious and interests are many, including scuba/ free diving, sailing, surfing, gardening, geology, rock hounding, rationality, AI, history, and philosophy. In his studio there is always an audiobook on, and outside of the studio there are all manner of activities making there way into his work. He has many private collectors scattered across the globe and murals in San Francisco. ARTIST STATEMENT We live in a time of extreme and accelerated change, growing complexity, and specialization. At every stage in our human trajectory from primitive beginnings crawling out of the sea to the present gauntlet of challenges, our thinking tools and their uses are central to the story of what it means to be human. My work is informed by a fascination with thinking tools and the effects of programming and environment through the different phases of life and our capacity for storytelling. My practice consists of constructing small-scale still life scenarios of toys and other artifacts of human development, then creating photorealistic acrylic paintings of these scenes. The work juxtaposes the familiar and playful with a contemporary, complex, adult world. While I am interested in the science of the mind, and what it means to be a human, my work seldom features the human form, focusing instead on the objects and items that are frequently left behind. As such, the subject of the painting becomes the viewer him or herself because their own humanity is ultimately what is revealed. My work honors toys as thinking tools for small people and the scenes depicted explore the ways in which the culture of our formative years leaves a lasting mark and continues to shape our storytelling. The plastic artifacts of my formative years carry memories of simultaneous confusion and wonder at the world around me. These are sensations and emotions still very much present in my life. What were your imaginings and dramas when you played with toys? Are you living them today? The multileveled still life paintings of familiar toys are bright and accessible and connect to the viewer's nostalgia and playfulness while provoking deeper insights into our current evolutionary, cultural, and technological moment. I place each little curio with care into meaningful relationship to their interlocutors and environment. The plastic dinosaurs often depicted are emblematic of childhood curiosities, of great wonder and speculation at past worlds and the depth of evolutionary time, and yet they are made of a material that illustrates our shortsightedness, a quintessential human quality that makes it quite possible that these plastic creations will outlast us all. I do my best to draw inspiration and resources from everywhere to build a visual language. In my divergent path I find the musical compositions and the story of composer, Philip Glass inspiring. The story of his devotion to his craft and his subsequent successes have encouraged and inspired me. I'm influenced by writers such as Kurt Vonnegut, Robert Sapolsky, and Yuval Noah Harari, the many books by Simon Winchester, Daniel Dennet, Robert Wright...

Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame. Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...

In this artwork, captured using acrylic paints, I highlighted the vintage allure and vividness of an American roadside scene. Vibrant contrasts and symbolic elements such as the oran...

Donald Leas Mr and Mrs Donald Leas with their Rolls Royce and two pet dogs outside The Flagler Museum in Palm Beach, Florida. 1968 Slim Aarons Archival Pigment Print. Printed 2024....

"Bentley Flying B" by Shan Fannin is an original acrylic painting depicting a close up view of a grill and hood ornament of a classic blue Bentley. Born 1969 in California, artist ...

PLEASE NOTE: The painting will be shipped WITHOUT a frame. The framing option is available ON REQUEST with additional shipping costs. On the last day before leaving Chamzinka, I pain...

The American Dream abandoned in surburbia perhaps…. on the outskirts of its cities the reality of life can be both beautiful and harsh. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a road trip is not the arriving but all the crazy stuff that happens along the way”. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 10 Presentation: Photographic print...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Unframed, printed later, other size available Mitchell Funk's use of late golden light is on full display as a shimming cobblestone street transforms into an abstract pattern. Photog...

Two Run-Down Fashion Shops is a Color Photographic Print on Hahnemuhle Paper in an Edition of 20 in this size of 20" x 24". States of America is the photographic legacy of one of th...

“Yes, I find there’s nothing like a motor for giving me ideas for new dance steps.” Humorous illustration for Life magazine, published December 31, 1914 Signed lower left Lowell ...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original etching and drypoint with vernis mou. Published in Paris in 1910 by Gazette des Beaux-Arts. The catalogue reference is Sanchez and Seydoux 1910-5. Plate size: 8 1/4 ...

Old Days - Camping is a vintage photograph realized in the Mid 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captured. Good conditio...

Havana, Cuba – Watch out! A vintage, red careens around a corner with a cargo of people going here, there, somewhere and everywhere. A lot of the older cars, the ones that are not al...

Dreamscape - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1152. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

Hobo on Bowery Street by Rollercoaster by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the...

One of the photographers at Mauritius Publishing based in Berlin was Nolte. His work is an unparalleled and intriguing insight into the working and everyday life of the time. Impress...

This black-and-white photograph from the 1950s captures the iconic, winding Lombard Street in San Francisco, USA. In the foreground, a classic Volkswagen Beetle carefully navigates t...

Work on canvas Beige wooden frame 65 x 74 x 7 cm

Empty Town with Post in Foreground by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 202...

Medium: Pencil on paper Size: 10 inches (height) x 7 inches (width) Signed: Yes Condition: Good condition Provenance: From the artist's estate Description: This pencil drawing by K...

Brooklyn based artist Nicholas Evans-Cato draws his inspiration from the continually changing landscape of New York City. He has stated: “These perspectives are an effort to exploit ...

Ferguson Racing Streamliner, in the iconic home of speed, Bonneville Salt Flats. Bonneville has been the setting of many land speed attempts and records, the unique landscape creates...

Volvo 1800ES (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 201. Not...

Shan Fannin's (US based) "1971 Mercedes AMG 300 SEL (a.k.a. "Red Pig")" is an limited edition giclée print that depicts a 1971 Mercedes AMG 300 SEL. Born 1969...

The Depot (The Last Picture Show) - 2000, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artis...