Chair Art

Ellie Hesse was born in New York in 1972 but spent most of her childhood in the Yorkshire Dales. Travel has always been an important feature of her life since then, exploring Asia an...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

archival pigment print

Bluesman's house 2018 oil on canvas 60x80cm Signed with authenticity certificate Jean-Pierre Brissart, who currently lives in La Roche de Glun in Drôme, began his self-taught art...

"Exploring the East Coast, Raynott painted the coastal glamour and the sense of nostalgia of traditional wooden houses. He is also passionate about contemporary houses with clean lin...

I was born in Martínez, in the province of Buenos Aires, Argentina, on March 16, 1971. I am the Sun in Pisces, the Moon in Scorpio and ascendant in Cancer. Younger daughter. Lover of...

This striking fine art painting captures the stillness of an empty public pool at twilight, its vibrant blue water contrasting with the muted tones of the surrounding concrete deck a...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child during a "Friday-night-smoked-filled-room-critique" where his father and friends would meet to look at slides of contemporary artists and their work. His father worked as a painter and a designer. His father's familiar designs included the "Grey Hound Bus" logo and the "Circle K" logos. Brett studied painting, film and theater at the University of Wisconsin, Madison. He supported himself working in professional theater as a set builder, in television as an art director and after moving to Southern California in 1987, worked in Hollywood as a special effects miniature artist. Notable films include, Star Trek IV, Karate Kid...

George Long received his BFA from the Atlanta College of Art in 1995 and currently lives and works in Atlanta. His first solo exhibition was at Marcia Wood Gallery in Atlanta in 2004, where he introduced the widely acclaimed 8 x 8 work. Long’s solo and 2 person exhibitions include Flux Projects, Atlanta, the Zuckerman Museum, Kennesaw State University, Space Eight, St Augustine, FL, Gallery One Twelve, Atlanta, Tempus Projects, St. Augustine, FL,Cosms, Dashboard Coop, Atlanta, Columbus Museum, Columbus, GA, the University of West Georgia, Carrolton, GA, the Madison County Art Council, Marshall N.C. among others. Group exhibitions have included the International Kunstler Kolonie Exhibition,Nuremburg, (and residency), The Atlanta Contemporary Art Center (2007 Biennial and 2012 "Day Job: Georgia), the Jacksonville Museum of Modern Art, Jacksonville, FL, the Zuckerman Museum, Kennesaw, GA, Art on the Beltline, Atlanta, GA, Paco Sas Artes, Sao Paulo, Brazil, Tempus Projects, Tampa, FL, Dalton Gallery, Agnes Scott College, Georgia, and Brenau University, Georgia. In 2010 he received an NEA grant for public sculpture. Sculpture exhibitions include theAnn Marie Sculpture Center in Solomon Island, Maryland, North River Park, Charleston, SC, and the Chattahooche Nature Center, Roswell, GA, Art in Freedom Park, Atlanta, and Bonaroo, Manchester, Ten. Long has collaborated with Spelman University choreographer T. Lang, New Orleans Airlift, Georgia Tech, Lucky Penny...

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Creating sculptures of exquisite peculiarity is an art in which Takei excels. His elegantly crafted works embody the notion of the whimsical, contradictory and idiosyncratic. There is an immediately detectable sense of humor and quick wit about the sculptures in this exhibition. Beyond playfulness, however, Takei’s aim is to challenge the viewer to alter the way in which they look at reality. Taking cues from the Surrealists of the early 20th century, Takei transforms the mundane into the fantastic - and sometimes absurd. His work is a constant inquiry into the meaning of functionality and the perception of purpose. Much like Man Ray’s iconic readymade sculpture, The Gift (1921), and Meret Oppenheim’s infamous fur-covered teacup (Object, 1936), Takei recontextualizes those pragmatic objects that we immediately recognize. With his piece Soft Shoulders (2011), Takei deconstructs a wooden clothes hanger...

Untitled gelatin silver print from the artist's early street photography. Signed and numbered (2 from and edition of 6) verso.

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

In this photograph by Paul Raphaelson a lone bench seat, from a van, in a solitary parking lot overlooks the East River and the Williamsburg Bridge. This color photograph is an archi...

30"x40" available unframed edition 1 of 5 Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. Th...

Kenny Harris is represented by George Billis Gallery NYC. Kenny Harris’ new paintings evoke the light and mood of architectural spaces from his travels around the world. He is fascin...

24"x 30" photograph, edition of 5, signed on reverse. This photograph is taken at Greystone Park Hospital, in an area of the building where snow has drifted into the abandoned complex. Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody...

30"x40", edition of 5 available unframed Amanda Alic's series "Off Season" portrays abandoned play areas, racetracks, mini-golf courses and resorts. All are immediately strange. ...

This photogravure is the sixth plate presented in Josef Folnesics publication "Alte Innenräume österreichischer Schlösser, Paläste und Wohnhäuser" (Old interiors of Austrian Castles,...

This photogravure is the sixth plate presented in Josef Folnesics publication "Alte Innenräume österreichischer Schlösser, Paläste und Wohnhäuser" (Old interiors of Austrian Castles,...

This photogravure is the third plate presented in Josef Folnesics publication "Alte Innenräume österreichischer Schlösser, Paläste und Wohnhäuser" (Old interiors of Austrian Castles,...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

" Wherever You Look You See The Chrysler Building: Third Avenue and 38th St." was photographed looking uptown from the rooftop of a building on Third Avenue and 38th St. In the for...

Acrylic paint on canvas Signed Artist’s statement : "Painting, for me, is an expressive endeavor in which one depicts the evolution of the various facets of the artistic self. There is, on each canvas, a tension where violence and stillness naturally coexist. By playing with different materials, I seek to establish a sort of unexpected dialogue between these states, and aspire to express this tension through profusion of color. The canvas is the stage that allows me to unite narration with the action of painting the fantastic—even the outrageous---and the everyday. I develop scenarios borrowed from the imagination, which join fantasy, even fables, with the everyday. Pulling threads from each domain, I bring together the mythical and the quotidian, so that the worlds of reality and fantasy merge. I rely on “creatures,” improbable little characters that could exist in some other realm or dimension. They materialize, issuing forth from the surprising, unbelievable and wondrous world of childhood. Human or animal, both find themselves entangled in inextricable and melancholic situations. These inextricable situations create distance; the humor comes through this breach. It is the absurdity of their predicaments that manifests the humor in the work. In each of my paintings, the sentiments are heightened by an intentional, provocative tone that transforms the work. An Otherness is attributed to objects; objects become personified, and by their very presence, they become witnesses or guinea pigs torn between and bound to their dilemma. The titles of my paintings, whether invented or quotations taken out of context, come from literature, theater, or song lyrics. Accident and chance are often major actors in my work.” Emmanuelle Messika BIOGRAPHY : Emmanuelle Messika was born in France in 1979. She works and lives in Paris. STUDIES 1999-2005 École Nationale Supérieure des Beaux-Arts de Paris Diplômée en Juin 2005 2004 Échange universitaire à Hunter College, New York NY, USA 1993-1999 Ateliers des Beaux-Arts de la Ville de Paris, Montparnasse PERSONAL EXHIBITIONS : 2019 Claire Corcia Gallery, Paris 2018 Claire Corcia Gallery, Paris Outsider Art Fair, Paris 2012 Art Contemporain Sèvres, "La Chartreuse", Sèvres 2011 Espace Seven, Galerie De Vos, Paris 2010 Les Trois Baudets, Paris Galerie Mariska Hammoudi, Paris Galerie Crous -Beaux-Arts, Paris L'Apparemment Café, Paris 2009 Espace Rachi, Paris 2008 Galerie Console, Paris 2007 Exposition Place du Québec, Mairie du sixième, Paris 2006 Galerie Eonnet-Dupuis, Paris 2005 Galerie Crous Beaux Arts, Paris 2004 The Mark Bar, "Bring your own flashlight", Brooklin, New York 2003 Le Glaz’art, Paris 2002 9 rue Dauphine, Paris 2001 Galerie Gauche, École des Beaux-Arts, Paris 2000 La grosse caisse, Paris La liberté, Paris GROUP SHOWS 2011 Chic Art Fair, Galerie Mariska Hammoudi Galerie De Vos, Espace Seven 2010 Galerie Mariska Hammoudi, Paris Chic Dessin, avec Cherry Gallery...

Boy In Wheelchair, 2022 by Collin Sekajugo 3D-print, silicon on canvas, mounted on Dibond Signed and numbered by the artist on the back of the artwork Edition of 35 Framed (Wood) In ...

Sz: 14 1/2"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Salon Interior

Pastel on paper Image size: 22 x 14 3/4 inches (55.75 x 37.5 cm) Original frame Gordon Scott Gordon Scott was trained at the Royal College of Art (1934-38) under Gilbert Spencer, ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled L’Entracte (The Intermission), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), origin...

This Blue Dog work consists of a dark blue fading into 2 shades of pink background and a dog sitting on a dark red chair in front of earth. The dog has...

Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarel...

Archival giclée print Edition of 70, Set of 8 Paper size: 57.2 x 56 cms (22 1/2 x 22 ins) Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins) Starting from a belief that all forms, and li...

Archival giclée print Edition of 70, Set of 8 Paper size: 57.2 x 56 cms (22 1/2 x 22 ins) Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins) Starting from a belief that all forms, and li...

Printer’s ink from rubber stamp on vélin de Rives BFK paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publishe...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

Signed and dated on lower right, numbered on verso, 3/15 , other size available, unframed

Signed and dated on lower right, numbered , 2/15 Printed later, other size available, unframed. printed later Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Co...

This exquisite heliogravure after Diane Arbus (1923–1971), titled The Backwards Man in His Hotel Room, N.Y.C., originates from the 1979 folio Diane Arbus, Electa Editrice Portfolios....

archival pigment print

Effortlessly capturing the spirit of the supermodel era, Arthur Elgort’s "Christy Turlington and Naomi Campbell Sitting, 1992" is a striking portrait of two of fashion’s most influen...

Signed by the photographer

Signed by the photographer on the verso

Signed by photographer

Signed by the photographer on label of authenticity

Lisa Martin - Red Chair, Year: 1989, Medium: Offset Reproduction, Size: 17 x 11 in. (43.18 x 27.94 cm)

Lina Condes is a contemporary American - Ukrainian artist known for her stick figure sculptures, earned her MFA in Fine Arts, Interior and Furniture Design from Kiev University of T...

Signed by the photographer on the verso

Skyfall (Colour) Glencoe, Scotland - 2025 Standard Edition of 12 Unframed 27" x 78" Framed 42" x 93" Large Edition of 12 Unframed 36" x 103" Framed 51" x 118" David's Narrative: ...

Bond (Colour) Glencoe, Scotland - 2025 Standard Edition of 12 Unframed 29" x 77" Framed 44" x 92" Large Edition of 12 Unframed 38" x 102" Framed 53" x 117" David's Narrative: Bo...

Bond (B&W) Glencoe, Scotland - 2025 Standard Edition of 12 Unframed 29" x 77" Framed 44" x 92" Large Edition of 12 Unframed 38" x 102" Framed 53" x 117" David's Narrative: Bond ...

Jimmy DeSana Untitled (Nude Man Standing on Dining Table) 1972/1991 Offset print (Edition of 50) 11 x 14 inches

Solitaire (It’s 3am) Nicholas Maravell, American Date: 1992 Oil on Canvas, signed, titled and dated in marker on verso Size: 78 x 54.5 in. (198.12 x 138.43 cm)

Hangovers Biker Convention, a black and white photograph by Dan Nelken Dan Nelken Hangover Biker Convention Gelatin silver print mounted to black museum board 8 x 12 inches, shee...

Capri (Colour) Capri, Italy - 2024 Available Sizes: Standard Edition of 12 Image Size: 37" x 78" Framed Size (with a 5" mat): 52" x 93" Large Edition of 12 Image Size: 49" x 103" ...

This is a color photograph of an entrance to a motel with colorful chairs in front by Alec Soth. The Seneca, 2004 Signed, titled, dated, and numbered on mount, verso Chromogenic p...

Santiago Medina (b. 1964) Desire in Black, 2023, (/5) Italian Stainless Steel Sculpture72 x 8 x 6 in (182.88 x 20.32 x 15.24 cm)

"Still Room" (2023) by Keith Garcia Acrylic on wood panel 16 x 20 x 1.5" square Figurative painting depicting an imagined room with windows on each wall that look out onto purple skies and green hills in the distance, overlooking a waterscape. The interior painting features a restful room with a hardwood floor, covered almost entirely by an area rug in a green and gray geometric pattern. Two chairs remain empty but on a nearby side table sits a teapot and cup...

Dated in pencil on verso. Stamped by artist stamp on verso. Gelatin silver print Image: 10" x 6 3/4" Paper: 14" x 11", Matted: 20" x 16"