Amanda Alic

Fantasyland #2

"Transfer" 20"x30" photograph edition 2/5 (unframed) please inquire about additional editions and availability This photograph is from Stephen Mallon's series entitled:...

"Commute" 20"x30" photograph edition 2/5 (unframed) please inquire about additional editions and availability This photograph is from Stephen Mallon's series entitled: "Next ...

available unframed C-Print photograph, 4/10 (24"x20") Sean Hemmerle is a New York-based photographer whose work ranges from international conflict zones to contemporary architect...

photograph, edition of 5, unframed This photograph is from Stephen Mallon's series: "Prelude" - an examination of the “Prelude F.L.N.G.,”* the “largest ...

20"x30" C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the SS Uni...

20"x 24" edition of 10, c-print photograph This photograph is from Sean Hemmerle’s poignant photographic series “Rust Belt” which features theaters, banks, factories, and abandone...

Tippi Hedren and Alfred Hitchcock, Los Angeles, 1962. Digital Chromogenic Print 16 x 20 inches AP 2/5 *Please inquire for additional sizes* Lawrence ...

When Lawrence Schiller got the assignment from the French magazine Paris Match to photograph Marilyn Monroe on the 20th century Fox set of Something’s Got To Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Lawrence Schiller describes this photo of Barbra from 1968 as “The Nefertiti-like profile taken in London. There she exudes a regality that true divas portray. Her neck is long, her ...

When Lawrence Schiller got the assignment from the French magazine Paris Match to photograph Marilyn Monroe on the 20th century Fox set of Something’s Got To Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Andy Warhol, Parlour, East 66th Street NYC, 1987 4X5 In Format Film Chromogenic Print on Archival Paper *Also available on Aluminum. Please inquire regarding sizing and prices* Available sizes: 20 x 24 inches Edition size: 10 48 x 40 inches Edition size: 5 Signed, titled, dated, and annotated on the reverse. Also shown: • American School, 19th Century Child With Blue Dress and Red Tassels • Egyptian Revival Parcel Gilt and Painted Armchair early 20th Century. Legs formed as walking lions. ”Gamble has superimposed a day-glo image of Warhol- in the style of his own acid-hued screenprints– into the house. Andy’s ghostly presence imbibes the images with a strange sense of Warholian immortality” - ID Magazine...

Malibu, California, 1963. Chromogenic Digital Print 16 x 20 inches Edition size: 15 *Please inquire for additional sizes* Lawrence Schiller is an American producer, screenwriter...