Cottage Art

Started as plein air panting in France 2017 and finished in my Studio. This was the Driveway leading to the Hotel. What a greeting, so colorful and inviting. I have rarely shown...

This painting was inspired by her last visit to Tuscany. This small farmhouse with vineyard was 15 minute’s walk away from home. It was beautiful sunny day. She instantly took he...

A house sitting on a cliff on the Charente-Maritime coast (west of France), painted in oils in an impressionistic manner, on a primed wood panel. Left to dry for a year before varnis...

Contemporary Impressionism This charming plein-air watercolour was painted on a blustery September afternoon and features Hardingham village sign and bus shelter...

It's winter in Alberta And the gentle breezes blow. Seventy miles an hour, At thirty-five below. Oh, how I love Alberta, When the snow's up to your butt, You take a breath of w...

original en plein air oil on panel paint at Bobcat Pass location :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist ::...

A Plein Air painting of the Work Shop Building at Presby Gardens in Montclair, NJ. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by t...

A Plein Air oil painting of the Presby Memorial Iris Gardens, an internationally renowned garden that began with flower donations from the Presby family, John Wister, American Iris Society, Kellogg Gardens, Joseph Van Vleck, and international admirers. It is the largest public iris garden in the United States and is listed on both the State and National Registers of Historic Sites. With more than 10,000 irises of around 1,500 varieties, more than 100,000 blooms can be seen throughout the month of May...

Two Pink Houses paint in plein air oil on panel , contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signe...

Oil on canvas Framed - 45 x 55 x 4 cm

Rowan-tree at the house. Studio painting done after the plain air at the location. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticit...

Winter landscape with houses, painted by oil on canvas. Sunny and positive. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by th...

Edition of 10 Please inquire for additional sizes Born in San Francisco in 1966, Mark Stephen Kornbluth was raised in Montreal, then Cleveland. Since graduating high school, Mark ha...

Painting of the mild day of winter original oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of ...

Old New Mexico Chapel paint at location in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificat...

Summer view of a winding path from a valley near Cahors in SW France. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: ...

Two linden trees which grace the hill top village of Les Roques in SW France. These trees are hard pruned every few years which compels me to paint them as I love the exposed branche...

Plein air painting from Black Forest, Germany; An old castle near Stuttgart. Painted on oil primed linen. The painting ships unframed on loose canvas to offer you the best shipping...

Farm Land In Autumn Light offers a scene located in rural California enlightened with the warmth of afternoon's late sun. :: Painting :: Impressionist :: Thi...

Coming Home is a view along the Marginal Way in Ogunquit, Maine.As I climbed up the rocks, I was struck by the simplicity of these homes at this angle.Whi...

Cape Captain's House side entrance with gardens :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: ...

Spring melt snow by Big Dry Creek Original oil on canvas :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signe...

original oil on gallery wrapped canvas ready to hang :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to H...

village architecture oil on panel painting :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: ...

houses in Indonesia original oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: ...

Indonesia architecture and forest original oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

original en plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: ...

This is a view of Sheep Meadow in Central Park New York. It is a sunny Summer day highlighting a brick structure with a stately steeple. :: Painting :: Contemporary :: This piece co...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable wood panels, he created about sixty scenes of daily life, among them this picturesque vignette of a Japanese tea garden...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas

"Mountain home" is a painting, oil on canvas by Maestro Natalia Yampolskaya. About the artwork: TECHNIQUE: oil painting STYLE: Contemporary Edition :...

"August 2021" is a painting, oil on canvas by Maestro Natalia Yampolskaya. About the artwork: TECHNIQUE: oil painting STYLE: Contemporary Edition : Unique, signed Weight: Approxi...

Georges R. Quinio (1927 - 1999) After studying at Ecole Nationale des Beaux-Arts in Paris, Georges R. Quinio lived in his native Island of Corsica & devoted his time to the painting...

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas

"Spring Sun" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's paintings on the viewer is s...

b. 1960 Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begin a painting. Fidelity to the landscape, the figure, or the still life is relative, as she isn’t interested in literal depictions; instead, it’s the abstract relationships of these shapes and colors, the abstract pictorial design. Her work is rooted in the tradition stemming from Courbet, Derain, Bonnard, Matisse, Morandi, German Expressionism, the Canadian Group of Seven, to her artist-teachers Paul Resika, Robert de Niro Sr., and finally, the contemporary artist, Peter Doig. Her artistic evolution stretches across this continuum. It is the “in-between”, the hovering between representation and abstraction, that interests her, not the labeling effect of details; instead, she aims directly at the spirit of the painting – of making something come to life. John Goodrich wrote in her catalog essay, “Elizabeth Higgins’ direct brushwork and simplified forms suggest an energy, but crucially, reveal a painter who knows the power of color…” Elizabeth Higgins was born in Toronto, Canada, in 1960. As a Helena Rubenstein Award recipient, Higgins earned her MFA from Parsons School of Design, where she studied with Leland Bell, Paul Resika, Albert Kresch and Robert deNiro...

"St. St. Petar and Pavel Monastery" is an impressionist painting by Maestro Krassimira Mihaylova. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edi...

"Spirit And Matter, Asen’s Fortress" is an impressionist painting by Maestro Krassimira Mihaylova. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Ed...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

American, b. 1948 My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and color relationships f...

ABRAM ADOLPHE MILICH 1884-1964 Tyszowce, Poland 1884-1964 Paris (Polish) Title: Chateauneuf, 1957 Technique: Original Signed Oil Painting on canvas size: 65.5 x 81 cm / 25.8 x 31...

A plein air painting of a dirt road with a church at the end of it. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident ...

Orsolic Dalessio's plein air painting is a picturesque depiction of the French countryside. Her impressionistic brushstrokes along with the soothing colors of nature, create a dreamy...

Signed and dated (at lower right): Randall Exon 2016

Alejandro Rubio Three Cypress Trees, 2023 Oil on canvas 40 x 30 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

"A Village High Street" by Sir Herbert Tripp. Sir Herbert Tripp c.b.e 1883-1954 was a painter poster artist draughtsman illustrator and writer. Regular exhibitor Royal Academy. Assis...

Alejandro Rubio Red Roof, 2023 Oil on canvas 12 x 36 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

Original watercolor painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant view of the Pacific Ocean and Santa Monica Bay from the hills above H...

"The Little House" oil on canvas by French artist Sheila Querre Dimension: 65 cm H x 92 cm W x 3 cm D The colours of the original work are lighter than those on the photo. The pictur...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Richard Wedderspoon (1889 - 1976). Richard Wedderspoon was an important member of the New Hope Art Colony as both an Impressionist and Modernist painter. Wedderspoon was not only a respected painter, but also a teacher who spent summers at his Bucks County home and the school year at Syracuse University where he was Professor of painting. He was born in Red Bank, New Jersey and first studied art at the Carnegie Institute in Pittsburgh. He continued his studies at the Corcoran School of Art in Washington, and at age twenty four, he enrolled at the Pennsylvania Academy of the Fine Arts studying with Henry McCarter and Daniel Garber. While there his roommates were Charles Garner and Lloyd Ney. Wedderspoon began friendships with fellow artists, Charles Hargens, Clarence Johnson and Stanley Reckless...

Paul Brown first began to paint in oils as a teenager and won several prizes for painting was still at school. His art teacher at the time felt that Brown was the most naturally gift...