Cow Art

A great painting from the second half of the 18th century. Oil on canvas artwork depicting a splendid Italian landscape in Arcadian style, a pastoral scene set in the Roman countrysi...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

Charles Henry Miller (American, 1842-1922) The Road and The Ridge, c. late 1800s-early 1900s Oil on canvas 24 x 32 in. Signed lower left: Cha. H. Miller Inscribed verso: "The Road and The Ridge" Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is Glen Sannox, Arran in the Scottish Highlands. Glen Sa...

"""Sacred Ground"" Black & white image of the expansive Mundari cattle camp Portrait of the Mundari's surreal cattle camp in South Sudan with dust and smoke rising In these scenes...

This atmospheric pastoral landscape depicts a drover guiding cattle and goats through a gentle stream beside a dramatic rock face. The painting presents an idealised, sun-drenched vi...

Lilian Harrison (British, late 19th - early 20th century) - Highland cattle by a mountain loch. 47 x 61 cm. Oil on canvas, unframed. Signed lower left: «Lilian Harrison». The com...

Country Landscape - Emilio Pergola Italia 2005 - Oil on canvas cm.80x120. This oil on canvas painting depicts a pastoral scene. The painting assumes as its subject a form of landsca...

'Cowboy on Ranch with Cows' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibiti...

Artist/ School: 19th Century English School Title: Barges In A River Landscape at Sunset, Cattle resting in pastoral landscape Medium: o...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

John Frederick Herring Jnr British, (c1820-1907) Farmyard Friends Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 29.75 inches x 41.75 inches Provenance: Frost & Reed; Stacy Marks, Eastbourne A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church. John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820. Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children. By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street. After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907. Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

Epic image of a young boy in the dusty Mundari cattle camp before nightfall A young boy stands in the epic Mundari cattle camp, leaning on a stick in between herding his animals I...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Title: Cows Size: 23.5" x 30" x 0.8'' inch,...

Here for your consideration is a wonderful original etching on archival paper by the well known American artist, Ralph Fabri. Strong impression; signed in pencil by the artist lower right margin. Titled and dated bottom left of the sheet “1947-Americana”. Condition of the etching is excellent. Top corner of sheet and bottom right corner of sheet have tiny creases. Not visible, under the mat. Sheet size is 12 by 15 inches. Image size is 8 by 9.75 inches. Matted but not framed. Provenance: A Long Island, New York collector. Painter and printmaker, commercial artist, writer, and teacher, Ralph Fabri was born Fabri Reszo in Hungary in 1894. He was educated in Budapest, first studying architecture at the Royal Institute of Technology from 1912 to 1914. He then enrolled in the Royal Academy of Fine Arts, from which he graduated in 1918 with a Professor's Diploma (M.A.) "for teaching drawing, painting and geometry – including descriptive and projective geometry – in schools of higher education." Fabri arrived in New York City in 1921 and soon adopted the anglicized version of his name, Ralph Fabri. He began doing commercial design work and during the academic year of 1923/24 was enrolled as an evening student at the National Academy of Design. After becoming an American citizen in 1927, he traveled extensively in Europe. Upon returning to New York that same year, Fabri decided his financial situation was stable enough to allow him to focus his attention on fine art. During the Great Depression, Fabri's already inadequate portrait commissions and art sales further declined and he returned to commercial work. He established a workshop known as the Ralph Fabri Studios, that designed theatrical and movie sets, window displays, and retail interiors. But Fabri found the workshop dirty and distasteful, and eventually was able to concentrate on advertising work which could be done from home. The largest clients for his pen and ink drawings were The Stamp and Album Co. of America, Inc. (for which he designed covers for stamp albums and produced illustrations for envelopes housing sets of stamps sold to collectors), Geographica Map Co., and Joseph H. Cohen & Sons (for whom he designed and illustrated mail order catalogs). Another source of income during this period was the design and construction of an addition to "Iroki," Theodore Dreiser...

Wonderful and outstanding example by one of England's known and much-loved 18th and 19th-century painters. Morland was an English painter who became one of the most popular artists o...

Black and White Fine Art Panorama Photography. Cows in the field in the Irish highlands, Ireland. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by arti...

Elsa Sroka is a popular contemporary artist based in Colorado, celebrated for her wonderfully creative and evocative paintings. Her work blends elements of realism and abstraction, r...

Cecile Hertz-Eyrolles (1875-1974), Oil on canvas. Summer landscape with golden stooks and several grazing cattle. Presented in an elaborate gilt effect frame with floral and acanthus...

Oil on Canvas. Central European school of the 18th century. The vast northern landscape, rich in vegetation, is traversed by a small stream, along which, in the foreground, a herd o...

The Pass of Glencoe by Edwin Longstaffe (British, late 19th century) signed with monogram to the lower corner titled to label verso Oil painting on canvas, framed Framed: 24 x 18 inc...

This 19th-century American School river landscape painting by an unknown artist embodies the essence of the era’s reverence for nature and the burgeoning national identity. These wor...

A finely executed and highly atmospheric pastoral landscape by the English painter Henry Brittan Willis (1810–1884), renowned for his romantic depictions of the British countryside a...

"From the Earth" Expansive portrait of life in the Mundari cattle camp in South Sudan In these scenes of life from South Sudan, experience the surreal, r...

Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was born in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter, and he alternated between these two occupations for about eight years. He still felt a strong desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty, he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. Subsequently, he returned to Canterbury, where he was able to earn a living as a drawing master and by the sale of sketches and drawings. In 1827, he settled in Brussels and married before taking up a position as a teacher in Brussels in 1829. There he befriended Eugène Joseph Verboeckhoven, the great Belgian animal painter, who greatly influenced his style. He was also influenced by the 17th Century Dutch School. Because of the Belgian Revolution, he returned to London where he settled and first exhibited at Suffolk Street in 1833. He exhibited forty-eight pictures at the British Institution between 1833 and 1863. ‘Landscape and Cattle’, Royal Academy 1833, was shown until 1902 without a break - a record for a continuous exhibit at the Royal Academy. Sheep and cattle were his most frequent subjects, although he did paint a few figurative subjects. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...

Water in Amongst the Reeds, in a Mountainous Landscape by Sidney Richard Percy British, 1821-1886 Oil on canvas Canvas size: 42 x 60 inches Framed size: 48 x 65.5 inches Signed low...

Wonderful Spanish landscape of a humble farm in Rota, Cadiz, Spain with horses, a cow with two herons, one of which is on cow's back by San Francisco artist John Sackas (American, 1910-2004), circa 1950s. Signed lower left "Sackas" On verso: "Rota Farm Hovel (Cadiz) By John Sackas" Verso has location, attribution and full artist's biography. Presented in gilt-toned carved wood frame. Image size: 14"H x 18"W. Born in New Jersey on May 22, 1910. John Sackas studied at the San Francisco Art Institute (1934), Chouinard Art School in Los Angeles, Corcoran Gallery of Art, and California School of Fine Arts, Jerry...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Albert Ernest Bottomley was an English Impressionist and traditional painter of landscapes and animal scenes. Painter born in Leeds who studied art with the landscape artist William...

Incredible portrait of a Mundari cattle camp with a tree in the background Expansive photograph of the Mundari cattle camp in Sudan In these scenes of life from South Sudan, experi...

"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper Serene plein aire landscape with cows by Clive R. Tyler (American, b. 1958). This composition depicts a farm in Fort Collins, Colorado, with a large white barn at the top of the hill. There are several cows grazing in a bright green pasture. A partially broken fence is directly in front of the viewer - a symbol of the artist's desire to portray the realism of the scene, including imperfections. This piece is executed on sandpaper, a trademark of Tyler's work. Signed "CL Tyler" in the lower left corner Signed, notated, titled, and dated on verso (see photo). Presented in a silver colored frame. Frame size: 11.25"H x 14"W Paper size: 9.5"H x 12"W Clive R. Tyler (American, b. 1958) studied Fine Art and Design at Kent State University (Ohio) with a double major and was awarded a Bachelor of Fine Art degree. Twenty years later after a successful design career, he is now known as one of the best Pastelists on a national level. Master Member of the Plein Air Painters of New Mexico Signature Member of the American Impressionist Society 2016 Honorable Mention, Santa Fe Plein Air Festival, NM 2015 Best Quick Draw Award, Buffalo Bill Museum Art Auction, Cody Wy 2015 Best of Pastel Award, American Impressionist Society 2015 Brinton Museum, Invitational Miniature show. Sheridan. Wy 2015 Invitational Heart of the West, Masters art show. Coeur d’Alene Resort, Id 2014 Booth Museum Cartersville Ga. Acquisition and Teaching 2014 Coors Foundation purchase Aspen 3 series. Corporate Collection Denver, Co 2013 American Impressionist National Show, Award of Excellence. 2013 Artist Choice Award Easton Maryland...

"Creation" Expansive portrait of life in the stunning cattle camps of the Mundari on the banks of the Nile River In these scenes of life from South Sudan, experience the surreal, r...

A young boy walks in the dusty cattle camps of the Mundari in South Sudan Life in the Mundari's moving camps is about caring for their elegant longhorn cattle, day in and day out I...

Color lithographic educational chart depicting fifteen breeds of farm bulls arranged in a grid format, each identified by breed name beneath the illustration. Issued as part of Deyro...

Le passage du Gué  is a beautiful etching and aquatint on ivory-colored and RBK Rives  watermarked paper, realized at the end of the 19th century by Frédéric August Laguillermie (184...

European painter (late 19th century) - Cattle in a Meadow. 61 x 51 cm (without frame) - 66 x 56 cm (with frame). Oil on canvas, in a gilt wood frame. Signed lower right. The pain...

Tunnicliffe, Charles. THE WATER TROUGH. Etching, not dated (circa 1930s/40s). Edition of 75, signed in pencil and numbered 9/75. 5 7/8 x 5 7/8 inches, framed to 15 x 13 1/2. In excel...

Italian painter (18th century) - Rural landscape with shepherds and flock. 56 x 70 cm (without frame) - 63.5 x 79 cm (with frame). Oil on canvas, in carved wood frame (not signe...

The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...

William Shayer (1787–1879) & Henry Brittan Willis (1810–1884) Pastoral Landscape with Cattle and Sheep, circa 1830 Oil on canvas, Signed and inscribed on the reverse Presented in a h...

David Sanders (1933-2013) Austin Artist Image Size: 21 x 17 Frame Size: 29 x 25 Medium: Pastel on paper Signed 1984 "Rest Stop" Longhorn & Windmill David Sanders (1933-2013) Known fo...

Alfred De Breanski Senior Oil on canvas Signed Canvas Size: 20 x 30" (50 x 76cm) Outside Frame Size: 27 x 37" (69 x 95cm) Free shipping worldwide ALFRED De BREANSKI Snr Alfred...

Several figures lead cattle and donkeys along a rugged country track in this idyllic nineteenth-century rural scene. Painted during a period of rapid industrialisation and change, id...

Village Landscape With Governor John Penn, Isle Of Portland, Dorset, 1805 John Penn (1760-1834) was the chief proprietor of Pennsylvania until 1776 when it was confiscate following ...

Title Attributed Edward John Cobbett Victorian Cattle Drover Landscape Oil Panel Key Details Artist: Attributed to Edward John Cobbett RBA, 1815–18...

A bull and ewes rest by a lake in this idyllic pastoral scene, whilst the tower of a church is visible on the distant bank. Well presented in a dark wooden frame with a gilt slip. Un...

Signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en rout...

Tammy Liu-Haller's "Stand Down" is an original, handmade charcoal and graphite drawing that depicts a dark cow looking directly at the viewer.

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Robert Gallon British, (1845-1925) An Old Surrey Farm Oil on canvas, signed & inscribed verso Image size: 17.5 inches x 27.5 inches Size including frame: 23.5 inches x 33.5 inches ...

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

A small oil of Cows coming down to the river to drink. Inspired from days at Letchlade watching this and sketching in the late afternoon. Painted Alla Prima in my studio in The Cotsw...

Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...

"Sacred Ground" Portrait of the Mundari's cattle camp in South Sudan In these scenes of life from South Sudan, experience the surreal, roving camps of th...

This lovely British 19th century landscape oil painting is by noted artist Frederick Waters Watts. Painted circa 1840, the composition is a drover with cattle watering in an extensiv...

Francesco Tironi (Venice 1745 - Venice 1797) - Veneto landscape with shepherds and livestock. 95 x 130 cm (without frame) - 107 x 140 cm (with frame). Oil on canvas, in a carved, ...

This artwork titled "Les Eboulements" 1981, is an oil painting on board by noted Canadian artist Terry Tomalty, b.1935. It is signed, titled and dated at the lower right corner by th...

"Sunlight and Shadows" is a beautifully composed pastoral landscape with cattle by a stream. An American Impressionist, Voelcker utilized broken brushstrokes and a warm and cool colo...

Cattle Watering in a Highland Landscape by Edgar Longstaffe (British, 1852–1933) Signed with monogram and dated 1892 lower left. Framed: 22 × 28 inches Canvas: 15 × 20 inches Medium:...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12.5 x 20 in...