Cow Art

I feel like an African Prince (orange and ochre bison) is a limited edition drypoint etching by Kate Boxer. The rich ochre and orange tones gives the work an opulence. Each print is ...

"Creation" Expansive portrait of life in the stunning cattle camps of the Mundari on the banks of the Nile River In these scenes of life from South Sudan, experience the surreal, r...

Elsa Sroka is a popular contemporary artist based in Colorado, celebrated for her wonderfully creative and evocative paintings. Her work blends elements of realism and abstraction, r...

Charles Jones British, (1836-1892) Cattle & Sheep in the Scottish Highlands Oil on panel, signed with monogram & dated (18)75, further inscribed verso Image size: 19.75 inches x 15.75 inches Size including frame: 26.75 inches x 22.75 inches A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: oil painting on thick paper, stuck on board unframed. Size: painting: 10.75 x 14 inches. ...

Alexandre PAU from SAINT-MARTIN Mortagne-au-Perche, 1751 - 1820 Three pencils 30 x 46 cm (46 x 60 cm with frame) Signed lower right "P. Saint Martin" Collector's stamp lower right "I...

Beautifully detailed 19th century French drawing of cattle being lead to watering hole, circa 1895. Signed lower right. Original artwork on paper disp...

Landscape, Original oil Painting, One of a Kind Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressio...

Oil Painting by Charles Walter Oswald "Evening in the Glen" Born1850, flourished in 1900. A Liverpool painter of the Highland cattle and working ...

Artist Comments
A farmhouse and barns sit among rolling green hills and tree-lined pastures. Under the warmth of the summer sun, cows graze lazily in the fields. A creek mirrors the blue sky and the rooftops, adding a serene touch to the pastoral scene.

About the Artist
Artist John Jaster paints in a style he describes as realistic impressions, capturing colorful views of his adventures across the Americas. "People always ask me how I get such deep brilliant colors," says John. "The answer is layers. Since acrylic paint dries mostly transparent, it requires multiple layers of paint to build up to a specific color. With the right lighting that depth of layering is like sunshine glistening through clear water." In college, John felt a pull towards computer science and pursued a career in software architecture. Although the two paths...

"Sunlight and Shadows" is a beautifully composed pastoral landscape with cattle by a stream. An American Impressionist, Voelcker utilized broken brushstrokes and a warm and cool colo...

Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep, Cows and a Goat in a Landscape oil on relined canvas canvas size 56 x 53 cm frame i...

Theodore B Dahl (1886-1971) Beautiful Country Landscape With Figures Oil Paint on Canvas Framed 26"H x 34"W Unframed 20"H x 27.75"W

Charles Henry Miller (American, 1842-1922) The Road and The Ridge, c. late 1800s-early 1900s Oil on canvas 24 x 32 in. Signed lower left: Cha. H. Miller Inscribed verso: "The Road and The Ridge" Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The River Landscape Medium: signed gouache on paper, loosely lai...

Sidney Richard Percy British, (1821-1886) Glen Falloch Oil on canvas, signed & dated (18)69 Image size: 23.5 inches x 37.5 inches Size including frame: 29.5 inches x 43.5 inches Provenance: MacConnal-Mason & Son Ltd A superb Scottish landscape painting of Glen Falloch by Sidney Richard Percy. The work is typical of his oeuvre and includes seated figures, a fisherman, cattle and sheep. Glen Falloch is a valley in the Argyll and Bute area of Scotland. It lies between Crianlarich and Loch Lomand. The river Falloch, which is featured in the painting, flows through it before entering Loch Lomand. Sidney Richard Percy was born Sidney Richard Williams, on the 22 March, 1822 the fifth son of the artist Edward Williams Snr (1781–1855) and Ann Hildebrandt. His brothers Edward Charles (1807–1881), Henry John Boddington (1811–1865), George Augustus (1814–1901), Arthur Gilbert (1819–1895) and Alfred Walter Williams...

Frank Walters (British, late 19th century) - Highland Cattle on the Lakeshore. 51.5 x 76.5 cm (without frame) - 57 x 82 cm (with frame). Oil on canvas, in a gilded wooden frame. S...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

A charming depiction of Boulton Abbey from a distant meadow. Signed and dated to the lower right below the mount. Presented in a gilt frame. On paper.

Artist Statement (You Know Cowboys and Angels) Do You Know Cowboys and Angels was shown in the solo museum exhibition Almost True Tales at the Lyman Allyn Art Museum, alongside a pu...

Artist Comments
A herd of bison descends a mist-shrouded mountain, embodying majesty and resilience. Erratic brushstrokes and bold applications of paint create a dynamic visu...

The Close of the Day by Spencer Coleman, British b. 1952 signed oil on canvas, unframed canvas: 20 x 30 inches condition: very good provenance: private...

This painting—attributed to the circle of Philipp Peter Roos (1655–1706)—depicts a shepherdess tending her animals in a rustic, mountainous landscape. The young woman sits on a rock ...

Free shipping for the continental U.S. and a 14-day return policy. Jim Krantz Epic Western No. 35 40 x 68 inch chromogenic print Edition 2 of 5 Signed on adhesive signature label Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Work on wood Beige wooden frame 51 x 59 x 6 cm

Elsa Sroka is a popular contemporary artist based in Colorado, celebrated for her wonderfully creative and evocative paintings. Her work blends elements of realism and abstraction, r...

Walter J Watson British, (1877-1963) On the Llugwy, North Wales Oil on canvas, signed & dated 1922, further inscribed verso Image size: 15.5 inches x...

A river landscape with figures walking along a path to the left of the composition and cattle grazing in a field in the distance. Presented glazed in an ornate gilt frame with floral...

Cecile Hertz-Eyrolles (1875-1974), Oil on canvas. Summer landscape with golden stooks and several grazing cattle. Presented in an elaborate gilt effect frame with floral and acanthus...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

Mark Making (2019) oil on panel, nature art, wildlife landscape, cave animals, cave art, prehistoric art, earth tones "Mark Making" by Alexis Kandra is an or...

Beautiful large-scale figurative landscape watercolor of a vibrant village scene with several people and a cow amongst interesting architecture by William Howard Knowles (American, 1...

Black and white fine art landscape photography. Fairy forest of madeira in the fog with cows and crooked trees, Fanal, Portugal. Archival pigment ink print, edition of 7. Signed, tit...

Interesting and well-painted American turn of the 19th-century animal scene of an interior of a barn with cows, calves, and chickens The piece has a great deal of charm and is very ...

A bull and ewes rest by a lake in this idyllic pastoral scene, whilst the tower of a church is visible on the distant bank. Well presented in a dark wooden frame with a gilt slip. Un...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

Chuck Mauldin Born 1949 Fredericksburg Artist Image Size: 8 x 10 Frame Size: 12 x 14 Medium: Oil "Momma Likes Shade" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles...

A signed and dated oil on canvas by British artist Robert Watson (1865–1916), depicting a herd of Highland cattle gathered along the shore of a loch within a mountainous Scottish lan...

Wonderful and outstanding example by one of England's known and much-loved 18th and 19th-century painters. Morland was an English painter who became one of the most popular artists o...

Monogrammed JS Work on canvas Gilded carved wooden frame 45 x 35 x 4.5 cm

The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...

‘Morecambe Bay’ by Alfred de Breanski ARCA (1852-1928). The painting - which depicts cattle grazing on Heysham salt marshes in Morecambe Bay with a view of the Old Man of Coniston an...

Mediterranean seascape figurative oil painting depicting a nude figure riding a white bull across shifting turquoise waters, with subtle secondary figures emerging within the scene. ...

Gabrielle Pool’s inks on paper are simple and charming. Using an unforgiving medium she produces work that is delicately poised between reality and abstraction with an underlying hum...

COUNTRY SCENE - Oil on canvas cm.24x30 by Ciro De Rosa Italy 2008. The painter Ciro De Rosa reinterpreted the work "Peasant with sheep, cow and goat" by Julien Dupre 'French painter who was one of the leading exponents of French realism...

After Aelbert Cuyp (unsigned) an oil on board country scene depicting a farmer and bull. The painting is in overall very good condition however the frame has some losses .Mainly to...

Artist Comments
Cows graze outside a red barn, with wheat fields stretching into the distance. The bright sun casts high-contrast shadows, while the muted sky accentuates the vibrancy of the landscape. The composition captures the brilliant colors of a summer day.

About the Artist
Artist John Jaster paints in a style he describes as realistic impressions, capturing colorful views of his adventures across the Americas. "People always ask me how I get such deep brilliant colors," says John. "The answer is layers. Since acrylic paint dries mostly transparent, it requires multiple layers of paint to build up to a specific color. With the right lighting that depth of layering is like sunshine glistening through clear water." In college, John felt a pull towards computer science and pursued a career in software architecture. Although the two paths...

Pencil, pastel and watercolor drawing realized by Sigfrido Oliva in 1990. Hand signed. Includes a contemporary wooden frame cm. 52.5x42.5 Very good condition.

Landscapes with Views of Ancient Rome is an original pair of oil on canvas realized in the Second Half 19th Century. Mixed colored oil on canvas, mounted on panel. Minor damage to ...

This exceptional mid-19th century pastoral oil painting, after Eugene Verboeckhoven's celebrated composition "Passing the Brook," depicts a serene rural scene where cows and sheep cr...

Lively and vibrant landscape by an unknown artist. The fields are depicted in a multitude of colors and textures, indicating a variety of wildlife. In the lower right corner, a singl...

A rare figurative for this well-listed California artist of a Nevada mining town landscape with prospector and burro by George Sanders Bickerstaff (American, 1893 - 1954), circa 1920. Signed lower right corner. Presented in patinated gilt-toned wood frame. Image size: 24"H x 30.5"W. Frame size: 32.5"H x 38"W. Bickerstaff was active/lived in California, Arkansas. George Bickerstaff is known for Landscape, coastal views, still life, western painting. Landscape painter. Born in Marianna, Arkansas on April 12, 1893. Bickerstaff was a self-taught artist except for a brief period at the Art Institute of Chicago. He led a peripatetic existence before moving to California in 1922. His early years were spent in San Diego, Los Angeles, and Van Nuys. He exhibited often in the latter with Paul Lauritz. A prolific oil painter of mountain and desert scenes, his landscapes often include eucalypti as well as rolling hills of California wildflowers...

Le bouc D'Angora (A goat) is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...

This charming and graphic 1953 French poster for Lactina Suisse, a product by F. Brunner of Lyon, showcases mid-century advertising design at its most appealing. Created by the artis...

Title: Madrigals 1 Medium: Oil on canvas Size: 8 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is un...

A charming oil study depicting two farm hands steadying an ox-drawn plough as turns the soil ready for sowing. The miniature work has been composed in a wonderful folk art style, pac...

Melvin Warren (1920 - 1995) Texas Artist Image Size: 29 x 40 Frame Size: 37 x 49 Medium: Oil Untitled Biography Melvin Warren (1920 - 1995) Melvin Charles Warren...

A charming scene depicting a herd of cows by a quaint thatched cottage. Painted in fine detail, the artist has captured the this country scene with intricate brush strokes and delica...

"How to capture the past, present and future at the same time; this is at the center of my work as an artist and as a father, son, friend and lover. As we navigating our daily lives,...

Country Landscape - Emilio Pergola Italia 2005 - Oil on canvas cm.50x100. Pergola’s works reveal that touch of antiquity that recalls the past. A well-harmonized painting that draws inspiration from the paintings of the French master Leon Augustin Lhermitte. Lhermitte preferred to portray rural scenes and peasants at work, so much so that he was called “the painter of the reapers”. In this beautiful oil on canvas we admire some scenes of life in the fields, a woman works in the fields, another woman carries freshly milked milk. The creative technique of Pergola is a touch of art, its rural landscapes, the cottege, his beloved animals, such as horses and cows...