Cow Art

Roman landscape painter of the eighteenth century - Entourage by Paolo Anesi (Rome 1697 - 1773) River landscape of the Lazio countryside, with the Tiber fl...

Tony Scherman (1950 - 2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work, typically executed in encaustic, a mix of wax an...

William Sidney Cooper British, (1854-1927) Cattle Watering near Canterbury Cathedral Oil on canvas, signed & dated 1923 Image size: 15.5 inches x ...

"Dering Harbor Sunset" is a contemporary blue & purple seascape with sailboats. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was c...

Highland Cattle at Dusk by WILLIAM LANGLEY (1852-1922 signed oil on canvas, framed framed: 17 x 21 inches canvas: 12.5 x 16.5 inches Provenance: Private collection, previously exhibi...

Artist/ School: F. Brown, English 19th century, signed and dated 1880 and inscribed verso Title: 'Market Day', a farmer on horseback leading cattle through a rural lane to the market. Medium: oil on canvas, framed Framed: 19.5 x 25.5 inches Painting: 14 x 16 inches Provenance: private collection, East...

A captivating vintage farm scene by Lu Ann Barrow executed in oil on canvas in 1973. The picture features a night scene in a field of yellow flowe...

Edition of 100 ex. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in hum...

Robert Watson was an accomplished painter of Highland scenes depicting sheep or cattle. There was much demand for Watson’s work as Scottish scenes were extremely fashionable in late nineteenth century Europe, partly due to Queen Victoria’s extended summer visits to Balmoral Castle...

Oil painting by John Dearman 1852, farm with cows and horse. Signed and dated lower left. Unframed. Age-related condition. Painting has been professiona...

Del Monte Roundup Savin' Stampede Lasso is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes ...

Sheep Resting In A Landscape, Near Guildford, Surrey, 19th Century by George COLE (1810-1883) Fine huge 19th century English landscape with sheep resting, near Guildford, Surrey, ...

“Summer in the Pasture (Farmer’s Wife with Cow)” (Sommertag auf der Weide (Bäuerin mit Kuh)) Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 36 ¼ x 28 inches (43 ¾ x 35...

William Mellor British, (1851-1931) Rydal Lake, Westmorland Oil on canvas, signed & further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 34.25 inches x 46.25 inches William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter. In 1876, he married Mary Elizabeth Watson...

Grasslands Giant 14.0 x 11.0 x 0.25, 10.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: “A towering bull bison stand tall agai...

In "Escapee", a huge ceramic figure of a bambi runs away from its owner in the middle of a strange and threatening landscape. This painting depicts a completely absurd situation that...

An amusing colour photographic print of cows sunbathing on a sandy beach in Tarifa, Southern Spain. C Type Colour Print Fuji Professional Matt Paper Limited Edition Print ...

"Crofters by the Coast" Oil Painting by Joseph Horlor. Joseph Horlor 1809-1886 was a Bristol painter of rustic and coastal landscapes, he exhibited at th...

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

'Savvy', original oil painting on canvas 60 x 50 cm, 2025 Excellent condition.

Blue and white landscape painting by contemporary Texas artist Max Kremer. The work features a clean, blue, contoured outline of a waterfall flowing through a mountain range set agai...

Paulette Lee works from her studio on Route 66 in South Pasadena, California. Her loose, expressive painting style is influenced by the Russian Masters of the 19th and 20th Century. ...

Diptych - signed on bottom right Helen Uter is an established Franco-American painter with international exposure. Heavily influenced by Edward Hopper, she creates works that explo...

Leading them Home English School, mid 19th century oil on board laid on canvas, framed framed: 18.5 x 15.5 inches painting : 14 x 11 inches Provenance: private collection, the City o...

In this contemporary surrealist oil painting by Thomas Broadbent, a bison is depicted standing atop a white upholstered, black gold-gilded chaise lounge. Birch wood branches and sto...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Oil Painting by Charles Walter Oswald "Evening in the Glen" Born1850, flourished in 1900. A Liverpool painter of the Highland cattle and working ...

Contemporary Landscape Watercolour Painting of Hereford Cows watering in a Meadow, A Large Framed Watercolour of Hereford Cattle watering in a Meadow by an established Painter of Animals. Neil Westwood British, Born 1947 Neil Westwood is an established watercolour painter...

"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...

Linda St. Clair (1952 - 2018) Title: "Grace" Medium: Oil on Canvas Markings: Signed LR "St. Clair" Signed on Back "[Copyright] Linda St. Clair" Framing: Unframed, G...

Plein-air landscape painting of a dog park in Zagreb, Croatia. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest yea...

Work on canvas : 44.5 x 67 x 2 cm This 19th-century painting by artist François de Niederhausern (1828-1888) depicts a pastoral scene at dusk, bathed in the soft light of a setting ...

ABOUT THIS ARTIST: Paolo Pettigiani is an Italian photographer and art director. He combines graphic design and photography in one single image, playing with colors, shapes and contr...

After Eugene Joseph Verboeckhoven (Belgian, 1798-1881), "Passing the Brook", Oil on Canvas, 1854, unsigned. Image: 29" H x 40" W; frame: 34" H x 46" W.

Cattle And Sheep Resting By The Water, 19th Century Thomas Sidney Cooper, RA (1803-1902) - Rare large example of the artists Huge 19th Century English landscape with cattle and she...

S Lawson Booth : Country House in extensive landscape with cattle in the foreground, oil on canvas signed and dated '98, 60cm x 90cm (35x23 inches approx image) size with frame appro...

DOMINO is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography te...

Gaylon Dingler 22" x 28" Acrylic on Canvas

The Party Animal III (Buffalo) is a lithograph on paper, initialed lower right 'BD', 7.25 x 9" image size. From the edition of 395, numbered C/C (there were also 275 Arabic and 20 AP...

Quang Ho's "Late Summer" (2024) is a beautiful impressionist oil painting on linen depicting a landscape featuring a herd of cows resting in the shade under a tree in a large open fi...

Work on canvas Golden wooden frame 65 x 83.7 x 5 cm

The Livestock Market, 17th Century School of Karel BREYDEL (1678-1733) - rare 17th Century Cattle/Livestock Market Fine large 17th century Dutch/Flemish livestock market landscape,...

Contemporary purple toned acrylic painting that utilizes a unique lace texture to create a landscape accented with a buffalo standing at the edge of a cliff by Texas artist Mike Hogg...

This lovely British 19th century landscape oil painting is by noted artist Frederick Waters Watts. Painted circa 1840, the composition is a drover with cattle watering in an extensiv...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

Daniel Sherrin - Highland Cattle

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State Academy of Arts and Indus...

Cows in Snow original oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

Oil Painting by Charles Henry Burleigh "The Farmstead" R.B.A 1875- 1956 Brighton painter member of the Royal of Institute of painters. Also ex...

"Burning Mountain Cows" is an original oil painting on board by Heather Foster. The artist signed and dated the piece "HF 02" lower right. This painting depicts two cows in the foreg...

"Cow and Ballerina" is an original painted wood sculpture by Schomer Lichtner. It features a high-kicking ballerina standing on the back of a cow. The artist signed the piece. 36" x 61" x 26" art Milwaukee artist, Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas and cows. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Schomer Lichtner was well known for his whimsical cows and ballerinas, such as his "Ballerina Dancing on Cow" sculpture below. The late James Auer, art critic for the Milwaukee Journal Sentinel referred to Lichtner as the artist laureate of Milwaukee, Wisconsin. He was the official artist of the Milwaukee Ballet. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre, " joy of life," and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

Signed in pencil on mount margin. Toned gelatin silver print. Framing not included. Western photographer, Bank Langmore, traveled extensively with cattle drives...

Cowboys trying to run out of the storm on this cold rainy day of cattle herding on the ranch. A cowboy in a wagon being pulled by four brown and black horses is herding the longhorns...

Yuan & Fu show different forms in writing of Chinese but all variants refer full blessings. In Lau Wai Leng’s paintings, we see different types of vegetables, fruits, animals and toy...

Something from far away has made the egg more beautiful; and he did it on a rock. What is inside can fly, you just have to know how to wait. But the evening draws to a close and the ...

Country Landscape - Emilio Pergola Italia 2005 - Oil on canvas cm.80x120. Gold leaf gilded wooden frame available on request This oil on canvas painting depicts a pastoral scene. T...

Oil on canvas by Eugene Verboeckhoven (1796-1881) & Alexander Daiwaille (1818-1888) Landscape with cattle & sheep on a farm track. Signed by both artists. Canvas size: 22" x 31" Fr...

Les Demoiselles de Village is an artwork realized by Gustave Courbet in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative o...