Cow Art

Lonesome Dove West Texas, Texas - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 28" x 75" Unframed 43" x 90" Framed Edition...

NINE FRANCOIS produces close-up photographs of animals which are presented against a stark white background. The artist shoots up close – very close – with a wide angle lens, and fr...

A Herd of Wildbeest Running through Heavy Rain in the African Plains, photographed by David Yarrow in 2015. All prints are limited edition. Available in mu...

"Hook 'em Horns" Austin, Texas - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 20 Available sizes: Standard Image Size: 37" x 51" Frame...

"El Toro" Miura Cattle Ranch, Seville - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 47...

"Single Malt" Crieff, Scotland - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 39" x 77" Framed...

The Girl on the Hill Lewa, Kenya 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 68" Framed...

The Proud Nightwatchman Yirol, South Sudan - 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: L...

I Walk The Line Durango, Colorado - 2024 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 39" x 37" Fra...

Before Man Savute, Botswana - 2019 Sizes: Large - Edition of 12 Unframed 37” x 97“ Framed 52” x 112“ Standard - Edition of 12 Unframed 25” x 65“ Framed 40” x 80“ All prints are o...

Paul Liebhardt Cow on Wall Photograph Framed Dimensions: 33 1/4 x 27 1/4 inches (84.5 x 69.2 cm) Image Dimensions: 21 x 14 1/4 inches (53.3 x 36.2 cm)

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...

Bullish Miura Cattle Ranch - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 52" Unframed 52" x 67" Framed Edition of 1...

Available in the following sizes: 52 x 62 inches, Edition of 12 71 x 85 inches, Edition of 12 “The railroad and mining community of Minturn – which dates to the 1880s - allows for...

Available in the following sizes: 52 x 62 inches, Edition of 12 71 x 86 inches, Edition of 12 85 x 103 inches, Edition of 3 “The Miura Cattle Ranch was established in the provinc...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...

Available in the following sizes: 54 x 52 inches, Edition of 12 74 x 71 inches, Edition of 12 “I have bided my time to name a photograph after a Johnny Cash song. It has been an e...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

David Yarrow The Bison on Main, 2023 Signed and numbered by the artist Archival Pigment Print, framed 50 x 84 inches, Edition of 12 68 x 118 inches, Edition of 12 “The backdrop to M...

David Yarrow The Gold Digger Saloon, 2023 Signed and numbered by the artist Archival Pigment Print, framed Available in the following sizes: 52 x 76 inches, Edition of 12 71 x 107 in...

The Bison on Main Telluride, Colorado - 2023 LARGE 53” x 103” Unframed 68” x 118” Framed Edition of 12 STANDARD 35” x 69” Unframed 50” x 84” Framed Edition of 12 "The backdro...

The Bison on Main Telluride, Colorado - 2023 LARGE 53” x 103” Unframed 68” x 118” Framed Edition of 12 STANDARD 35” x 69” Unframed 50” x 84” Framed Edition of 12 "The backdro...

The Gold Digger Saloon Telluride, Colorado - 2023 LARGE 56” x 92” Unframed 71” x 107” Framed Edition of 12 STANDARD 37” x 61” Unframed 52” x 76” Framed Edition of 12 "This tab...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. David Yarrow is a British fine art photographer and one of the world's most spectacular and best-selling nature photographers. He captures the planet's beauty like no other in his large-format monochrome prints. Majestic lions, sleek panthers, and free-roaming buffaloes populate his works. Trumped only by the female beauties Yarrow places next to them, he captures unique moments of human-animal interaction. While highlighting the untamed side of supermodels such as Cara Delevingne or Cindy Crawford, Yarrow portrays the wild beasts in the most human way possible. West Texas is the hub of the American Petroleum industry - so much so that West Texas Intermediate ( WTI) is a benchmark crude oil futures contract traded on the New York Mercantile Exchange (NYMEX). Oil was first discovered in West Texas at the turn of the 19th century, and the reserves in the Permian basin are so big that the region still produces 4m barrels a day - a third of US oil production...

Available in the following sizes: 52 x 68 inches, Edition of 12 71 x 96 inches, Edition of 12 “I would admit being in awe of the bravery and skill of rodeo riders. There are many ...

Ride the Bull Montana, September 2023 LARGE 56” x 81” Unframed 71” x 96” Framed Edition of 12 STANDARD 37” x 53” Unframed 52” x 68” Framed Edition of 12 "I would admit being i...

Available in the following sizes: 42 x 88 inches, Edition of 12 52 x 118 inches, Edition of 12 "The concept of this photograph has been on my wish list for many years. A group of male bison charging through heavy snow, directly towards a camera is certainly a rare sight and it always seemed a bridge too...

The Bills #3 The Flying D Ranch, Southwest Montana, USA - 2021 LARGE Unframed 37” x 100” Framed 52” x 118” Edition of 12 STANDARD Unframed 27” x 73” Framed 42” x 88” Edition of 12 Prices available upon request "The concept of this photograph has been on my wish list for many years. A group of male bison charging through heavy snow, directly towards a camera is certainly a rare sight and it always seemed a bridge too far...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

TEXAS David Yarrow Standard 37" x 51" unframed 52" x 66" framed Large 56" x 78" unframed 71" x 93" framed Texas Marathon, Texas - 2023 There are no landmarks in this image, no fa...

RODEO David Yarrow Standard 30" x 74" unframed 45" x 89" framed Large 42" x 103" unframed 57" x 118" framed “Rodeos are events for the community as much as they are events for the...

David Yarrow The Longhorn Saloon, 2023 Signed and numbered by artist Archival Pigment Print 52 x 80 inches, Edition of 12 71 x 113 inches, Edition of 12 This piece is currently on d...

The Longhorn Saloon West Texas - 2023 Edition Size: 12 + 3 APs Available sizes: 52 X 80 inches 71 X 113 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. "From the outside, The Longhorn Saloon looks like a bar where the most ancient of vices are catered for daily. It has the whiff of a place where cowboys are tough, women are tougher and there is little rule of law. It is the Wild West at its cartoonish best. The Coen Brothers should check it out. The Longhorn is clearly a Texas bar and we would say that it’s in West Texas, but more than that, we are sworn to secrecy. It’s too good a place to get crowded and besides, the cattle clearly need some room to roam. Projects like these tend to be fun for everyone involved and when we do film at dusk, there is never a doubt that after the wrap, some local cast or crew will invite us home for a Texan Barbecue. They score very high in hospitality in Texas and we love our nights out near the Mexican Border...

The Longhorn Saloon West Texas - 2023 Edition Size: 12 + 3 APs Available sizes: 52 X 80 inches 71 X 113 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. "From the outside, The Longhorn Saloon looks like a bar where the most ancient of vices are catered for daily. It has the whiff of a place where cowboys are tough, women are tougher and there is little rule of law. It is the Wild West at its cartoonish best. The Coen Brothers should check it out. The Longhorn is clearly a Texas bar and we would say that it’s in West Texas, but more than that, we are sworn to secrecy. It’s too good a place to get crowded and besides, the cattle clearly need some room to roam. Projects like these tend to be fun for everyone involved and when we do film at dusk, there is never a doubt that after the wrap, some local cast or crew will invite us home for a Texan Barbecue. They score very high in hospitality in Texas and we love our nights out near the Mexican Border...

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

Snow Monster Western Plains, USA - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Availa...

Wooded Landscape with Cattle By James Desvarreux-Larpenteur (American, 1847-1937) Unframed: 22" x 18" Framed: 27.5" x 31.5" Signed Lower Right Born i...

Longhorn Wall Art, Animal Prints, Longhorn Images-Carmel Carmella ABOUT THIS PIECE: This longhorn image titled "Caramel Carmella" was part of a photography landscape series featuri...

Longhorn Photography, Black and White Prints, Animal Photography-Stormy Stella ABOUT THIS PIECE: This extra large photo titled "Stormy Stella" w...

Horse Collection, Black and White Prints-Prancing Peter,Shoe Store & Mop Head “As I walked out of my hotel room early in the morning, I was greeted b...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...

Black and White Photography, Animal Prints, Animal Photography-Woolly Wlifred ABOUT THIS PIECE: This black white photograph titled "Woolly Wilfred" was part of a photography landsc...

Horse Art, Horse Photography, Animal Prints-Horse's Flock 0225 ABOUT THIS PIECE: This piece of horse art named "Horse's Flock 0225" was part of a landscape...

Sheepdogs, silver gelatin photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angeles...

Vibrant, yet also subdued, this work’s treatment of color and line imbue ordinary subject matter with an uplifting sense of levity and beauty. Bolstered by a strong use of abstract e...

This "Cow" painting vibrantly pops with hyper-realistic color. It depicts a highly detailed cow standing in against a blue background. Could it be an empty room? Could it be the sky? There is a very playful atmosphere as the cow is holding a dandelion gone to seed and the wonder is whether it will make a wish and blow. Its awash in a cartoonish blue with clouds and cloudy farm animals. This pairs with the lamb painting but is sold separately. Renata Palubinskas was born in 1968 in Kaunas, Lithuania, at the time still in the Soviet Union as the Lithuanian Soviet Socialist Republic. She received her diploma in Fine Art and Restoration from St. Zukas Technium of Applied Arts in 1989. After working at the M.K. Ciurlionis State Museum of Art, she emigrated to the United States in the 1990s, basing herself in Detroit. Renata's work rethinks historic iconography while intentionally addressing the modern world through a new perspective. The characters in her paintings are often caught between the struggle of good and evil. That struggle represents the choice of trying to obtain immediate gratification or realization of the self, and the haunting life experiences with latent possibilities for death. Renata uses schematic compositions with purposefully positioned figures and other visual elements. To attract attention to the most significant figures, she often ornate their garments with intricate patterns. They are typically placed in either a serene landscape or an interior setting with a threatening presence around them. Her work has been exhibited in Collected Detroit...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 50 inches 67 x 71 inche...

Ain't My First Rodeo Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 57 inches 67 x 81 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The mythical cowboy, whose image has been shaped by history, fiction and folklore, is unquestionably America’s predominant symbolic native son. For many people across the world, a cowboy is the most American thing they can think of. For that we should be thankful. Much better this noun than a Big Mac...

Drovers Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x 84 inches 57 x...

The Thundering Herd Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 43 x 78 i...