Cross Art

Medium: original lithograph. Printed in 1970 for the art revue Derrière le Miroir (issue number 183) and published in Paris by Maeght. Sheet size: 14 3/4 x 11 inches (377 x 277 mm). ...

From The series Guerreros One-of-a-kind Photomontage on archival paper Unframed The root of these unique photographic works by the artist Celso Castro occurred when the artist retur...

Netherlandish School XVIII Century Monogrammed Old Master Oil Painting An intriguing oil painting of early extraction depicting the crucifixion at Calvary outside Jerusalem. I am s...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Dorothea is an elegant figurative bronze sculpture by Nando Kallweit. An elongated, graceful seated female form. Modelled on modern postures but with a nod to the importance of herit...

"I Want To Fly Away II" Photography 39" x 29.5" in Edition of 4 by Lukas Dvorak Pigment print on Epson Fine ART paper 2024 The photo is signed on the back Comes with COA issued by t...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Girl’s dream is a bronze sculpture by French contemporary artist Cécile Raynal, dimensions are 155 × 50 × 63 cm (61 × 19.7 × 24.8 in). Dimensions include white wood stand. The sculpt...

Opera di fine 1800, Cornice originale restaurata in più punti The "Sacred Heart" is often associated with Catholic devotion, representing the love and compassion of Jesus. This dev...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and politics. His work is more about shining a small light into some of those dark corners of society then standing back and watching reactions and opinions. his work combines humor, irony, criticism and unique opinion to create art that engages on many levels. Works usually begin on the streets and then expand to limited edition prints and originals on canvas. "The New Messiah" – Acrylic Stencil on Paper...

Egron Sellif Lundgren (1815–1875) Sweden Interior of a Kitchen, c. 1840 oil on paper laid on cardboard, inscribed “Lundgren Nr. 15” on the reverse. unframed 27.5 x 20.5 cm (10 ¾ x ...

Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...

This limited edition print, titled Composition, May 1953, is a striking work on thick paper, showcasing the artist's distinctive style. The print is hand-numbered 30 out of a limited...

Biagio Civale, Italian/American (1936 - ) - Crucifixion at Vic Su Cere, Medium: Screenprint, signed and numbered in pencil, Edition: 95/100, Size: 27.5 in. x 19.5 in. (69.85 cm x ...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Miratio Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively pract...

Quebecois artist Paul Duval’s engaging contemporary sculptures have garnered an international audience. Forged from aluminum, the highly textured figures often strike a dramatic pose...

US buyers pay no import tariffs on this item. This exquisite and exceedingly rare early 18th-century Russian Staurotek icon depicts The Crucifixion of Christ with an assemblage of s...

From Untitled 1-6, Keith Haring's first series of printed works. Lithograph on Arches paper. Hand signed, dated and numbered in red crayon by the artist. Published by Barbara Gladsto...

Symbolic Crucifixion 1949 Signed and dated, l.r. Oil on canvas 24 x 14 inches (61 x 35.6 cm), canvas 25.25 x 15.25 inches (64.1 x 38.7 cm), framed This work is offered by CLAMP i...

Corpus Christi around 1150/70 Southern France or Catalonia carved oak wood

 height 109 cm, width 96 cm Remains of polychromy

MUSEUM CORPUS CHRISTI Spain/Catalonia or Asturias Around 1250 Corpus hardwood, arms softwood Remains of the original polychrome setting Height 109.5...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - 4 from the 10 Horses portfolio. Year: 1974, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 30 x 21 in. (76 x ...

Willibrord Haas (*1936 Schramberg), Entangled, 2008. etching, 28 cm (height) x 17 cm (width). Signed “Willibrord Haas” in pencil by the artist, dated “2008”, titled “Verschränkt” and...

The painting (oil on canvas 97 x 63 cm, with gilded wooden frame 104 x 71 cm) depicts one of the most dramatic and salient moments in the Christian Catholic religion, namely the cruc...

This exquisite heliogravure after Man Ray (1890–1976), titled Rayograph, originates from the 1980 folio Man Ray, Electa Editrice Portfolios. Published by Gruppo Editoriale Electra, Milano, and printed by Gruppo Editoriale Electra, Milano, 1980. This image exemplifies Man Ray’s pioneering “rayograph” technique—a cameraless photographic process in which objects were placed directly onto photosensitive paper and exposed to light, creating luminous abstract compositions that fused chance, intuition, and surrealist invention. Through this groundbreaking process, Man Ray transformed photography into pure visual poetry, redefining its potential as a form of modern art. Executed as a heliogravure on velin paper, this work measures 15.75 x 11.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Gruppo Editoriale Electra, Milano. Artwork Details: Artist: After Man Ray (1890–1976) Title: Rayograph Medium: Heliogravure on velin paper Dimensions: 15.75 x 11.75 inches (40.01 x 29.84 cm) Inscription: Unsigned and unnumbered as issued Date: 1980 Publisher: Gruppo Editoriale Electra, Milano Printer: Gruppo Editoriale Electra, Milano Condition: Well preserved, consistent with age and medium Provenance: From the folio Man Ray, Electa Editrice Portfolios, published and printed by Gruppo Editoriale Electra, Milano, 1980 Notes: Excerpted from the folio (translated from Italian), Limited edition of M examples, drawn in heliogravure on special paper, designed specifically for the Portfolios Electa. Gruppo Editoriale Electra/Milan. Printed in Italy. About the Publication: The Man Ray, Electa Editrice Portfolio (1980) was published by Gruppo Editoriale Electra in Milan as part of the distinguished Electa Portfolios series, which celebrated the masters of 20th-century photography through the artisanal process of heliogravure printing. This edition was dedicated to Man Ray’s seminal body of photographic work from 1920 to 1934—an era in which he redefined modern image-making through technical invention, surrealist experimentation, and intellectual daring. Produced in collaboration with leading photographic historians and Italian master printers, the portfolio was printed on specially manufactured velin paper designed exclusively for the Electa Portfolios, ensuring tonal precision and textural depth true to the artist’s originals. The publication represents one of the most refined posthumous tributes to Man Ray’s legacy, combining Italian craftsmanship with avant-garde vision to preserve the luminous complexity of his photographs. Created with the same devotion to innovation and elegance that characterized Man Ray’s own practice, this edition remains an important intersection of fine art publishing and modernist history. About the Artist: Man Ray (1890–1976) was an American-born painter, sculptor, photographer, filmmaker, and conceptual visionary whose radical imagination and technical innovation transformed modern art and established him as one of the leading figures of the 20th century. Born Emmanuel Radnitzky in Philadelphia, he became a central force in both the Dada and Surrealist movements, defying artistic boundaries and redefining the relationship between art, technology, and the unconscious. After early involvement in New York’s avant-garde with Francis Picabia and Marcel Duchamp, Man Ray moved to Paris in 1921, where he joined a revolutionary circle of artists including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp. There, he pioneered the “rayograph,” or photogram—a cameraless photographic technique that used light and shadow to create ethereal abstract compositions—and produced some of the most iconic images in art history, including Le Violon d’Ingres (1924) and Noire et Blanche (1926). His photography, distinguished by its fusion of elegance, surrealism, and psychological depth, captured the essence of modernist Paris and immortalized creative icons such as Kiki de Montparnasse, Gertrude Stein, and James Joyce. At the same time, Man Ray’s experimental films, including Le Retour a la Raison (1923) and L’Etoile de mer (1928), and his sculptural works like The Gift (1921) and Object to Be Destroyed (1923), expanded the possibilities of art itself, transforming ordinary objects into symbols of mystery and desire. His conceptual approach—viewing art as an idea rather than an object—anticipated later movements such as Pop Art, Minimalism, and Conceptual Art, profoundly influencing artists like Andy Warhol, Robert Rauschenberg, Jasper Johns, and Joseph Beuys, as well as photographers Helmut Newton, Guy Bourdin, Cindy Sherman, and Richard Avedon. Even in exile during World War II, while working in Los Angeles, he continued to innovate, blending Surrealist fantasy with the luminosity of the California landscape before returning to Paris, where he spent his final decades refining his poetic, intellectual, and sensuous vision. Exhibited in major institutions such as the Museum of Modern Art, the Tate Modern, and the Centre Pompidou, Man Ray’s work remains foundational to modern art history—bridging painting, photography, film, and sculpture in a body of work that continues to shape the language of visual culture. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Marcel Duchamp, Man Ray endures as one of the most original and influential artists of the modern era. His highest auction record was achieved by Noire et Blanche (1926), which sold for 3.13 million USD at Christie’s, Paris, on November 9, 2017, confirming his status as a timeless innovator whose genius continues to inspire artists, collectors, and dreamers worldwide. Man Ray Rayograph...

Chaim Gross (American, 1904-1991) Cast bronze sculpture Caring (or Mother and Child) signed Mounted on wooden plinth Featuring a mother raising her child up in superb high relied i...

Vintage, Montage, signed, Number 1977/2

Ferrara school of the late sixteenth century - circle of Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589) St. Jerome penitent in the cave ...

One of a kind Photomontage on archival paper Sheet size: 40 in. H x 27.5 in. W Unframed The root of these unique photographic works by the artist Celso Castro occurred when the arti...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

An original 1920s gelatin silver print by famed photographer Tina Modotti, showing a mural fresco by Diego Rivera, "The Spirit of Fire", in the Agricultural School-Chapingo, Mexico. ...

Vintage 1960s Chile Travel Poster – Mid-Century Modern Wall Art Print Showcasing Historic Architecture and a Fountain Scene. Archival linen backed and in Grade A condition, ready to frame. Transport yourself to the scenic beauty of Chile with this authentic 1960s travel poster...

Boxwood figure of Christ

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

Rufino Tamayo, Mexican (1899 - 1991) - Hombre con Brazos Abiertos. Year: 1984, Medium: Mixograph, signed and numbered in pencil, Edition: 71/100, Size: 35.5 x 26.75 in. (90.17 x 67....

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Title: Historic Miniature Watercolor Triptych of Coastal Vessels by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (h...

This photograph by Bill Costa is offered by CLAMP in New York City.

Les Amants  is a color lithograph on ivory  paper, realized by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949).                                                ...

Gaia 128b - Catalonian Landscape Natural Environment Photograph Diptych by Jaume Llorens Bach Gaia Diptych 128b is a 18cm x 24cm Black and White Photographic print on Premio Kozo 18...

Circle of Guglielmo Della Porta (Porlezza, 1515 circa – Rome 1577) CRISTO MORTO, Italy, mid 16th Century Gilt bronze 54 x 48 cm 21 1/4 x 19 in Provenance: M. Barbagli Private Collec...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...

Crucifixion, cercle of Adriaen Isenbrandt, mid 16th century School of Bruges, cercle of Adriaen Isenbrandt (actif 1510-1551) Oil on oak panel with its original ebonized frame Dimensi...

George Platt Lynes 1948 Photograph #7 of George Balanchine’s Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950...

The Crucifixion, 19th Century by CONRAD HUBER (1752-1830) - signed and dated 1818 Large 19th Century German 19th Century depiction of the Crucifixion, oil on canvas by Conrad Huber...

Moored Boats on the Beach European School, 20th century signed oil on canvas, unframed canvas: 18 x 25 inches provenance: private collection condition: very good and sound condition

Original Passion Play Tercentenary Oberammergau, 300th-year anniversary poster (1634 - 1934). "Germany Invites You!" This archivally linen-backed poster is the English version. It fe...

One of a kind Photomontage on archival paper Sheet size: 40 in. H x 27.5 in. W Unframed The root of these unique photographic works by the artist Celso Castro occurred when the arti...

Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to ...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

Maddison captures the essence of balance and poise. Standing on one leg in a tree pose, reminiscent of a modern dance form. Her elongated limbs and abstract form exude grace and flui...

"Pontiac Cheiftain" by Shan Fannin is an original acrylic painting depicting a close up view of a fin and ornament of a classic yellow Pontiac. Born 1969 in California, artist Shan...

This original poster was created for a 1980 exhibition of Eduardo Chillida’s works at the Museum of Art, Carnegie Institute in Pittsburgh. Known for his mastery of form and space, Ch...

Co-signed by both Raquel Welch and photographer Terry O'Neill, 20x24" silver gelatin print. Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times...

17th Century Antoon van Dyck Follower Religious Painting A very important not signed painting from the Flemish school, attributed to an artist from the circle of the great painter A...

"Christ Crucified" is a striking oil on copper painting by an anonymous German School artist. This bold composition presents a powerful portrayal of the crucifixion, a central theme ...

Oil & charcoal on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations f...

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (el marco presenta algunos signos de uso) El estado de la obra es aceptable, solo com...